Neuropol Nova is more than just a typeface, it’s a portal to a world of hard sci-fi design. Inspired by Neuropol X, this typeface transports us to a chilling and distant future, one where letterforms are stripped down to their most essential components. The stark, almost clinical aesthetic of Neuropol Nova is reminiscent of a high-tech laboratory or the sterile environment of a spaceship’s bridge. Neuropol Nova pushes the boundaries of letterform recognition to levels that are truly ultra-futuristic. The sparsely connected patterns that make up the letters evoke a sense of ancient cuneiform markings, or perhaps even the language of a highly advanced alien civilization from a distant, unknown future. The choice of three widths, three weights, and italics only adds to the versatility of this incredible typeface. With its strategic overtones, Neuropol Nova is ideal for any designer looking to create a design that screams of a dystopian future. Whether you’re working on a sci-fi novel cover or a video game interface, Neuropol Nova is the perfect typeface to transport your audience to a world of cutting-edge design. In conclusion, Neuropol Nova is more than just a typeface, it’s a masterful creation that seamlessly blends the past, present, and future of typography. So if you’re looking for a font that will truly set your design apart, look no further than Neuropol Nova. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing incredible COLOR ANAGLYPH font. Unique font family with anaglyph stereo effect - a novelty in the field of color fonts. Inspired by global trends in contemporary design with a touch of retro 90s, electric music and minimalistic purity of glyphs. Truly a reflection of modern POP culture. Font is ideal in entertainment design. Night club poster design, fashionable business card, website title, magazine illustration - there are countless options for using it. Font family has two thicknesses - bold & regular, 3 types of stereo effect, 2 font colors with stereo effect (black and white). Font consists of letters of the same height without division into uppercase and lowercase glyphs. This font family is based on the Regular & Bold fonts Boldini - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. Features: Free Demo font to check it works. 36 OTF SVG fonts in the family 2 thicknesses: Bold, Regular 3 types of stereo anaglyph effect 6 font colors with stereo effect Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you see all fonts in black and not in multicolor in the tab “Individual Styles” - all fonts are working and have passed technical inspection, but not displayed in multicolor they, just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Developed over several years by the late Otl Aicher and first released in the late 1980s, the Rotis® typeface has become a timeless classic. ROTIS II SANS HISTORY Aicher was a renowned German designer and corporate image consultant. He created the four basic designs of Rotis – sans serif, semi sans, semi seif and serif – within an extended typeface family concept, wherein all designs share a common cap height, lowercase x-height, basic stem weight and general proportions. While each version is part of the large, integrated family, each was also designed to function on its own as a distinctive typestyle. The result is that all members of the Rotis family combine smoothly with each other. Aicher, however, did not design the Rotis family with the weights and proportions normal for more contemporary releases. Rotis Sans Serif, for example, was drawn with just six weights and only two italics. Starting in 2010, Robin Nicholas, senior designer for Monotype Imaging in the UK, and freelance designer Alice Savoie collaborated to bring Rotis Sans Serif up to current standards. The result is Rotis II Sans, a completely new addition to the Rotis family. “We devised our approach together,” recalls Savoie, “deciding which weights to start with, what kind of alterations to make to the original Rotis, etc. I went to work on the typefaces, regularly submitting proofs to Robin. We would then decide in tandem on the next steps to take.” Nicholas elaborates, “We revisited the range of weights and added matching italics so that the new additions to the family offer increased versatility. We optimized the outlines, corrected the weight of several letters and re-examined overall spacing and kerning. In addition to a new set of numerals, with a height similar to the capitals, we also drew case-sensitive punctuation.” ROTIS II SANS USAGE The new Rotis II Sans suite comprises 14 typefaces: seven weights, ranging from extra light to black, each with a companion italic. The designs are available as OpenType® Pro fonts, allowing for automatic insertion of ligatures and fractions. Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages. Aicher’s original Rotis designs were widely used for branding and advertising. With the addition of Rotis II Sans, the family is again poised to become a powerful communicator.

Welcome to the world of Gulkave. Introducing our bold display typeface that will take you back to the retro computing era. With its low-resolution pixel gloss, Gulkave brings a touch of nostalgia with a modern twist. It looks like a classic bitmap font, but with a unique design that sets it apart from the rest. Gulkave was crafted with utmost precision and attention to detail. Unlike traditional bitmap fonts that are made on a control grid, Gulkave was carefully designed with readability and visual balance in mind. This means that you get the perfect combination of a retro computing vibe with modern finesse and legibility. This font is perfect for creating striking headlines and titles that demand attention. Whether you’re designing for print or digital media, Gulkave is the perfect choice for any project that requires a touch of retro techno style. So why settle for a standard pixel font when you can have Gulkave? Try it out today and discover the unique and captivating design that will take your projects to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Crox™ is a sans-serif professional typeface inspired by crude geometry, creativity, and art. In the font family, there are 19 styles, including upright and italic, It is constructed of big lowercase letters with a maximum x-height for excellent optical reading. English letters are supported as a numerator and denominator set, this feature may aid in the creation of fractions using letters and numbers, as well as for sophisticated scripting and various scientific fractions forms. All weights support over 25 professional OpenType features within each style, with extensive coverage of western languages. These features were originally planned for personal and professional use, including multi-alternative characters in Styles: 1, 2, 4, 10, 11. Operational styles 6, 7 are enhanced with some scientific forms, to write the fit derived (SI units' expressions). Otherwise, it supports a wide range of professional factory pricing styles for business and marketing, as well as retail pricing styles in Sets 5, 8, and 9, with ligatures, old-style numerals, ordinals, swashes... Crox™ is enhanced with a poster weight like the fantastical type to fulfill your creative needs in three styles: poster, poster oblique, and poster italic for ADS and web design, branding, or product design. Glyphs: More than 970 glyphs, including those accessible with OpenType features. Powerful OpenType features: Standard Ligature, Alternate access, Automatic ordinals (English, French...), Case sensitive, localized forms, Numerator set, Denominator set, Subscript, Superscript, Swash, Stylistic alternate, Styles 1,2,3,4,5(Pricing style 1), 6(Derived Units),7(Advanced Fractions for Scientific units, Derived Units Vulgar Form), Set 8 (Pricing Style 2), Set (Pricing Style 3), Proportional Old-style, Tabular Old-style, Proportional Lining, Tabular Lining, Zero with slash, Fractions (Default, Automatic). Suitable for: logo and modern branding, web design, packaging, Product packaging, Articles, scientific document, Product user guides, multiple works in the Media, Design, ADS... Specimen Crox™ is a trademark of Yassine Abdi.

If you’re looking for a typeface that will add a little extra pizzazz to your message, look no further than Shookup! This curly, springy font is the perfect way to inject some fun and casual humor into your designs. With its lively, bouncing letters, Shookup is guaranteed to catch the eye and put a smile on your readers’ faces. But don’t be fooled by its playful appearance—this typeface is also highly functional and versatile, making it a great choice for a wide range of design projects. One of the most unique features of Shookup is its automatic jumbling of letters and numerals in OpenType-aware programs. This gives the typeface an even bouncier, more dynamic look that’s sure to make your message stand out from the crowd. Whether you’re designing a magazine spread, a social media post, or an eye-catching poster, Shookup is the perfect typeface to help you convey a sense of joy and fun. So why not give it a try and see how it can take your designs to the next level? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Wedding calligraphic script font Miss Katherine Cyrillic is the best option for your wedding stationery, invitation designs, social media, branding, logo designs, product packaging and other projects. Miss Katherine Cyrillic is an elegant, graceful handwritten script font, as well as a Miss Katherine Symbols font with 36 lovely hand-drawn flourishes and illustrations. Miss Katherine script font contains the Cyrillic glyphs too. Miss Katherine script Latin part contains a full set of uppercase letters and 4 full sets of lowercase letters, (standard, alternative, initial and final forms). To make a needed form just type a letter with a number such as a1, b1, c1...after that selecting the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) And 36 ligatures - which can be used to create a handwritten look. The Cyrillic part of the font contains the uppercase letters and 3 full sets of lowercase letters, (standard, initial and final form. To make a needed form just type a letter with a number such as a1, б1 в1... After that select the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) Miss Katherine Symbols is a font with over 36 hand-drawn elements, flourishes catchwords, and swashes and can help to make your design unique and matchless. Combine and merge swashes and illustrations to create your own designs and make borders, frames, dividers, logos, and more (just use A-Z or a-z and 0-9 keys in the included Miss Katherine Symbols font). A different symbol is assigned to each uppercase or lowercase standard character, so you do not need graphics software, just type the letter you need. Language Support for 31 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Kazakh and Ukrainian languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

In the history of 20th century graphic arts, the evolution of the informal sans serif has been a uniquely American phenomenon. The ongoing saga of this (still as popular as ever) sub-genre dates back to the maturity of the Industrial Age and early Hollywood film titling, runs through the prosperous times of interwar print publications, sees mass flourishing during the various media propagations of the film type era, and solidifies itself as arguably the most common design element in the latter years of the century. Fun, bouncy, playful, and highly exciting, the casual sans serif is now all over game packaging, film and animation titles, book covers, food boxes, concert posters, and pretty much everywhere design aims to induce excitement about a product or an event. The casual sans is the natural high pill of typesetting. We figured it was high time for the casual sans to adapt to 21st century technology, gain more versatility, and become as much fun to use as the emotions it triggers. So we’re quite excited to issue Bananas, a fun sans serif family in 6 weights and 3 widths that can be used anywhere your designer’s imagination can take you. Rather than being based on a single design, Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners’ Catalina and its very similar cousin, Letter Graphics’ Carmel, served as initial study points. Then a few Dave West designs informed the design development and weighting process, before narrow and wide takes were sketched out and included in the family. The entire development process happened in a highly precise interpolative environment. All Bananas fonts come with a full glyph complement supporting the majority of Latin languages, as well as five sets of figures, automatic fractions, quite a few ligatures, biform/unicase shapes and other stylistic alternates.

Introducing Sixty Niners - a retro display font that draws inspiration from unique typography and lettering found in vintage magazines, combined with modern typography styles. This font features modern ligatures that allow you to create beautiful lettering and artwork. With its open type features, including a variety of alternates and end swashes, Sixty Niners provides ample options for customization and creativity. Sixty Niners is perfect for a wide range of design purposes, including logotypes, headings, covers, posters, logos, quotes, product packaging, headers, merchandise, social media posts, greeting cards, and more. Its distinctive retro style adds a touch of nostalgia and elegance to your designs, making them stand out and capture attention. To access the alternate glyphs in Sixty Niners, you can use design programs that support OpenType features, such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, and Corel Draw. This allows you to easily switch between uppercase and lowercase letters, apply alternates and ligatures, and create unique and customized lettering compositions that suit your design needs. In your zip package, you'll find the Sixty Niners font files in otf, ttf, and woff formats, providing versatility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, ensuring that you have all the elements you need for your designs. Sixty Niners also offers multilingual support, making it accessible for designers around the world to create designs in different languages. Whether you're designing for English, Spanish, French, or any other language, Sixty Niners has got you covered. In summary, Sixty Niners is a retro display font that combines vintage and modern typography styles, providing a unique and elegant look to your designs. With its open type features, multilingual support, and versatile design options, Sixty Niners is perfect for various design purposes. So, elevate your designs with Sixty Niners and create stunning artwork that captures attention and stands out from the crowd! Thank you for choosing Sixty Niners from our collection. Happy designing!

It's been a while... more than three months we developed our brand new font. We call them "Meastro". Fun fact though, we want to call it "Maestro", but you know... we were afraid of the copyright thing. Meastro Script is a fun, bold, luscious, retro display script font. We crafted this font very carefully and make them very smoothly attach to each other. Especially, on the script version. You can see every character's tail beautifully connected one to another without using ligatures' help. This font takes full advantage of the Open Type format with several automatic ligatures that occur as you type for your preferred design. Moreover, the manual stylistic alternates allow you to choose the letters you prefer. Alternates occur automatically as you type in supported programs when you have "Ligatures" or "Stylistic Alternates" turned on. Meastro is Created with a ton of stylistic alternates, swashes, and ligatures, and also comes with layerable fonts to recreate the effect without uncomfortable overlaps of the extruded shadow effect. On this pro pack, you will also get the Meastro Display font! On this font you will meet the unique blocky and squared design, making your design feel classic and retro-like. Combine them and “boom”, you will be the “Maestro” of the vintage design! This retro typeface is perfect for logotypes, t-shirts, vintage badges, retro quotes, branding, packaging, posters, signboards, social media needs, etc. ——— Meastro features: A full set of uppercase and lowercase characters Layered Style Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +553 Total Glyphs (Script) +235 Total Glyphs (Display) +238 Stylistic Alternates +30 Ligatures +69 Swashes and more (Shiny and Graffiti Spray Effect Included!) ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac).

Youth Heritage Font is a vintage bold script font that pays homage to the rich visual heritage associated with youthful exuberance and retro aesthetics , This typeface combines bold, expressive strokes with a script style reminiscent of classic hand-lettering from bygone eras, capturing the spirit of vintage design. Here's a detailed explanation of the key features and characteristics of the Youth Heritage Font: Features: Vintage Aesthetics: The Youth Heritage Font is designed to evoke a sense of nostalgia, drawing inspiration from vintage typography prevalent during the mid-20th century, Its design elements reflect the bold and charismatic lettering styles associated with retro signage and advertising. Bold and Expressive Strokes: One of the defining features of this font is its bold and expressive strokes. Each letter is crafted with confidence, making a strong visual impact. This characteristic contributes to the font's ability to command attention and stand out in various design applications. Script Style: The script style of the font imparts a handwritten and personalized feel. The cursive letterforms flow seamlessly, creating a sense of dynamism and adding a touch of informality to the overall design. Distinctive Lettering: Each letter in the font is crafted with attention to detail, featuring unique and distinctive characteristics. This ensures that the font maintains its individuality and offers a distinct typographic personality. Applications: Vintage Branding: The Youth Heritage Font is well-suited for vintage branding projects. Apparel Design: Designers in the fashion industry can leverage this font for apparel branding and graphic designs. Its bold script style adds a retro flair to T-shirts, hoodies, and other clothing items, giving them a timeless and stylish appeal. Retro Signage: The bold and expressive nature of the font makes it a perfect choice for retro signage and display purposes. Event Posters and Flyers: When designing promotional materials for events, concerts, or parties with a vintage theme, the Youth Heritage Font can contribute to a cohesive and visually appealing poster or flyer design. Social Media Graphics: Its bold and expressive script style can make posts and announcements more engaging and shareable.

Carbon, the brutalist unicase typeface, boasts a refined modularity that is perfect for creating bold headlines. Its capsule forms make for a unique design element that will draw attention to any layout. Since the year 2000, graphic designers have been relying on Carbon to bring a strong visual impact to their work. This typeface is not just visually stunning, but it’s also highly versatile. Carbon comes in seven different weights, making it easy to adapt to any design need. It even includes italics for added variety. But what truly sets Carbon apart are the two special effect styles that allow designers to create truly distinctive designs. Carbon is not just a typeface, but a tool that designers can use to create memorable designs. Whether you’re designing for print or digital media, Carbon is the perfect choice for bringing your vision to life. With its unique features and versatility, it’s no wonder that Carbon has been a mainstay in graphic designers’ toolboxes for decades. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Beady Ready - Bold Display Font Beady Ready is a bold display font featuring a modern style, perfect for creating sporty modern-inspired designs. This font is the perfect choice for designers looking to add a bold and unique touch to their projects. Created with attention to detail, Beady Ready is a versatile font that can be used for a variety of purposes, such as branding, packaging, advertising, and more. When using Beady Ready, the possibilities are endless. This font works well for designs that need bold and eye-catching titles or headings. It can be used in posters, flyers, product packaging and other printed materials that require a strong visual impact. Additionally, Beady Ready can be used in digital designs such as social media graphics, web banners and more. Beady Ready comes packed with features that make it an excellent choice for designers. This includes uppercase and lowercase letters, as well as alternatives and ligatures via the OpenType feature. This feature makes it easy to add a unique touch to your designs by swapping out the letters for different variations. Fonts also include numbers, punctuation, and symbols, making them easy to use in a variety of projects. Finally, Beady Ready has multilingual support, allowing you to use it for projects in multiple languages. If you're looking for a font that is unique, bold, and full of character, Beady Ready is the right choice. This font is perfect for designers looking to add a touch of modern sport to their projects. In short, Beady Ready is a bold display font with a modern style that's perfect for creating sporty-inspired designs. It comes with a variety of features, including alternatives and binders via the OpenType feature, making it easy to add a unique touch to your designs. This font also includes multilingual support, making it an excellent choice for projects in multiple languages. With the Beady Ready font, you can create eye-catching designs that stand out from the crowd.

The Tazugane Gothic typeface family is the first original Japanese typeface created by Monotype. Designed by Akira Kobayashi, Kazuhiro Yamada and Ryota Doi of the Monotype Studio, the Tazugane Gothic typeface offers ten weights and was developed to complement the classic Latin typeface, Neue Frutiger. The design of the Tazugane Gothic typeface balances an original, humanistic style with elements of traditional Japanese handwriting. The two typefaces work together in a natural, seamless and adaptable manner so that Japanese and Latin texts can be used side-by-side for a wide range of applications, including in magazines, books and other print media; on digital devices; in branding and corporate identity systems; and in signage for buildings, highways and mass transit. Tazugane Gothic was updated to support the “Reiwa” new era symbol. Reiwa can be written as two kanji: 令和. This update to Tazugane Gothic includes Reiwa designed as a single ligature and is encoded as U+32FF. The inspiration for the Tazugane Gothic typeface is as elegant as its design. Since antiquity, cranes have been regarded in East Asia as auspicious birds for their noble appearance and elegance in flight. The typeface is named Tazugane Gothic in honor of the longevity of the crane, with the goal that it will be used for many years to come. The combination of the Tazugane Gothic typefaces’ traditional and humanistic elements, along with its intended ability to complement popular Latin typefaces, makes it one of the most uniquely flexible designs for applications where Japanese and Latin texts can be used together. The typeface family was created to have wide appeal, with a pleasing and consistent experience for readers, for use on screen, in print, in signage, packaging and advertising. Tazugane Gothic has 10 weights. The Light, Book, Regular, Medium and Bold weights are considered best for text sizes. The Ultra Light, Thin, Heavy, Black and Extra Black weights are recommended for headline sizes.

Welcome to the world of Mexcellent, a tri-linear stripe typeface that is sure to add a touch of jubilation to your designs! Inspired by the custom font created for the iconic 1968 Mexico City Olympic Games, this font will transport you to a world of vibrant colors and striking patterns. With Mexcellent, you can experiment with layers to produce an endless array of captivating color effects. Let your imagination run wild as you explore the countless possibilities that this font has to offer. Whether you’re designing a poster, a flyer, or even a social media graphic, Mexcellent will make your message pop. The cool stripes and playful angles will add a touch of flair and panache to your creations, setting them apart from the rest. Your audience will be captivated by the unique and innovative style that you bring to the table. So what are you waiting for? Try Mexcellent today and discover the joyous and dynamic world of tri-linear stripe typography! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Our Love Word - Quirky Love Font Our Love Word - Quirky Love Font is a unique and playful font designed for those who want to add a touch of whimsy to their design projects. This font is perfect for those looking to create designs that are romantic and fun. If you're looking for a font that is perfect for Valentine's Day or wedding-related projects, then Our Love Word is a great option. It would also be ideal for invitations, posters, logos, quotes, product packaging, headers, merchandise, social media posts, and greeting cards. One of the best features of Our Love Word is its versatility. It comes with three different versions of the font, each with a different layout of the word "love". This allows you to choose the best version of the font for your specific design needs. Additionally, the font includes uppercase and lowercase letters, as well as a variety of alternate characters and ligatures. In the font package, you will find three different file types: Our Love Word otf, Our Love Word ttf, and Our Love Word woff. This ensures that you can use the font on a variety of different devices and software programs. If you're looking to add a touch of whimsy and romance to your design projects, then Our Love Word - Quirky Love Font is the perfect choice. With its playful design and versatile features, it's sure to add a touch of fun to any project. In summary, Our Love Word - Quirky Love Font is a unique and playful font that is perfect for Valentine's Day, wedding-related projects, and a variety of other design projects. It's versatile and comes with three different versions of the font, as well as alternate characters and ligatures. With its playful design and romantic feel, it's sure to be a hit with anyone looking to add a touch of whimsy to their designs.

Right now! FS Emeric reconciles a pair of seemingly opposing approaches: the systematic but chilly functionalism of early modernist typography, trapped in time, and a warmer, more emotional, more optimistic spirit. What Fontsmith created was something that marries precision with expression, geometry with movement, functionality with humanity. FS Emeric has a sharp, kinetic edge that cuts across design disciplines – graphic, fashion, product, automotive. It’s about what’s happening right now. Contemporary, optimistic, distinctive – a classic working sans serif. Appetite Discussions with some of Fontsmith’s design studio clients had revealed an appetite for a new kind of typeface that could express mid-century modernist principles in a fresh, contemporary voice. As he crafted the letterforms that would form FS Emeric, Phil Garnham was guided by two central ideas. First, there was Jan Tschichold’s contention that a good letter is “one that expresses itself, speaking with the utmost distinctiveness and clarity”. Second was a belief that a font can be personally expressive without compromising its functionality. These provided the fuel that drove the project to its conclusion. Posters To mark the launch of FS Emeric, Fontsmith asked 11 eminent design studios from around the world – the likes of Pentagram, Studio Dumbar, Bibliotheque, Non-Format and Build – to create a limited edition A1 poster. Each poster celebrated a different weight of FS Emeric, and just 50 of each were screen-printed by Dan Mather onto 175gsm Colorplan stock. “We gave away a randomly selected poster every time two or more weights of the FS Emeric were purchased,” says Phil Garnham. “They’ve now become somewhat of a collector’s item in their own right.” Superfamily In the spirit of Univers, the original font superfamily, FS Emeric now comprises 22 Roman and italic typefaces overall, making it one of the most versatile and functional modern fonts across all kinds of media, as well as one of the most distinctive.

Lievin is an exceptional slab serif font that stands out for its simplicity, clean lines, and captivating elegance. What sets it apart is its unique ability to effortlessly adapt to diverse design needs, making it a versatile choice for any project. With an impressive range of 50 variable styles, ranging from delicate thin to bold and massive black, Lievin caters to a wide array of typographic demands. Its versatility makes it perfect for various applications such as posters, marketing materials, logotypes, headlines, books, magazines, and more. One of the defining features of Lievin is its impeccable balance of classic charm and contemporary appeal. Its sleek and refined aesthetic adds a touch of sophistication to any design. The font's exceptional legibility ensures that the message is conveyed with clarity and impact. Lievin pairs harmoniously with a range of typefaces, making it an ideal choice for combination and layering. It complements sans-serif fonts, such as Helvetica or Futura, creating a visually dynamic and engaging typographic composition. Beyond its visual appeal, Lievin boasts an extensive character set, providing support for multiple languages and typographic features. This allows designers to express their creativity and accommodate different linguistic requirements. The design concept of Lievin is rooted in the desire to create a timeless and versatile slab serif font that would seamlessly integrate into modern design practices. Its clean lines and balanced proportions ensure legibility across various media and sizes, while its elegant charm adds a touch of sophistication. Lievin is the result of a meticulous creative process aimed at delivering a font that captures attention and makes a lasting impression. It combines the best of traditional and contemporary design elements, offering a fresh take on slab serif typography. As a modern typeface, Lievin is an original creation, not based on any historical design or revival. It embodies a contemporary interpretation of slab serif fonts while incorporating functional aspects that cater to the needs of today's designers.

The silent film »The Cabinet of Dr. Caligari« (1920) is undoubtedly one of the breathtaking milestones within the German Expressionist Movement, a time of extraordinarily creative works of art as a reaction to a world in rapid change. The original intertitles of Caligari were worked out by the set designers (and painters) Walter Reimann, Walter Röhrig, and Hermann Warm, using a unique expressionistic language of form for dramatic and iconic lettering. When in 2010 KOMA AMOK’s Joerg Ewald Meißner and Gerd Sebastian Jakob were commissioned by the Institut Mathildenhöhe Darmstadt and publisher Hatje Cantz to design the catalog for the exhibition »The Total Artwork in Expressionism«—showing works of art, architecture, film, literature, theater, and dance—it was soon perfectly clear that a new typeface, inspired by the Caligari intertitles, should speak for all the expressionistic arts. An intense process of research and analysis began. The original letters of the Caligari intertitles were individuals on their own. Furthermore, each of the three title designers had added his specific approach to the basic Caligari type style. From hundreds of different As to Zs a choice had to be made, which should be THE characteristic Caligari letter for a digital typesetting font. Finally the chosen letters were cut and drawn again, missing letters were added according to the formal priniciples, all-in-all 1000 glyphs were digitised to complete a usefull OpenType font ready for use. When in the autumn of 2010 the exhibition started successfully with great media interest, the posters all over Darmstadt announced »You must become Caligari!« – set in the brandnew typeface. The font Caligari Pro offers alternative forms for every letter and a whole bunch of ligatures, thus creating an expressive, individual image of headlines and text. By using included Stylistic Alternates the image will get even more vivid. Caligari comes with a complete set of expressionist ornaments and true old style figures—thus the heyday of the Expressionist Movement and the era of the silent films can be revived typographically by the means of today: »Express Yourself!«.

TT Bricks useful links: Graphic presentation | Customization options Do you love the early Soviet visual culture as much as we do? We’ve tried going back a hundred years and rethinking the constructivist era. We’ve created an extensive font family that consists of the simplest triangle and rectangle forms. TT Bricks font family includes 16 typefaces: Hairline, Thin, Light, Regular, Medium, Bold, ExtraBold, Black and Italics. Regardless of its Soviet past, TT Bricks is a very fresh and visually powerful font family that perfectly fits the contemporary media landscape. TT Bricks is perfect for mobile apps and corporate websites, as well as for printed press layout. Thanks to the exaggeratedly simple forms of all signs, TT Bricks looks great in very small type sizes. FOLLOW US: Instagram | Facebook | Website TT Bricks language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Introducing the ultimate indulgence in typography—Conceal. This gorgeous display typeface is inspired by the world of high-end cosmetics and premium beauty brands. It encapsulates the essence of luxury and glamour, as lipstick-like lines and elegant letterforms come together to create a breathtakingly beautiful font that exudes opulent splendor. Each letter has been crafted with precision and care, just like the art of makeup application. Its smooth, flawless lines will elevate any message to a level of pure sophistication, making it perfect for the beauty industry, high-end fashion brands, and any company seeking to exude an air of elegance and refinement. Conceal will draw attention to your brand and leave a lasting impression. It’s the perfect choice for any project that requires a touch of glamour and refinement, from logo design to magazine covers, social media graphics, and beyond. Experience the ultimate in luxury typography with Conceal—the font that delivers your message in the most exquisite way possible. Unleash your inner beauty with this stunning display typeface and let your brand shine like never before. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.