This font has nothing to do with the delicious coffee-flavoured Italian dessert treat. Instead, it's a future-inspired display face.

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. The Fodor letterforms were created for the magazine published by Museum Fodor, Amsterdam. To save cost it was designed to be ‘typeset’ on their own electric typewriter. The resulting monospaced effect was combined with a background of orange overlaid with pink dots that provided a page grid to align the text to. The title set on the dot matrix formed the 'system' for construction of the ‘digital effect’ letterforms. Now Architype Fodor recreates these letterforms as a truly digital font.

Huskeseddel is to-do list or memo in English. If you not already guessed it, the font is based upon my own handwriting. Actually not my everyday handwriting, but the kind I use when I make my to-do lists. But it wouldn't look right with a simple font with the same letters repeating all the time, and that's why I added 12 different hastily written versions of each letter. These 12 different versions cycle as you type, making your text look...well, like hastily written letters...you'll have to take a real close look to find out that you are looking at a font, and not a genuine hastily written to-do list! :)

Sabina Chipară's DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and whimsical tone of voice than the original, while maintaining all the legibility and clarity of form that makes DIN Next such a reliable and versatile design. It works in harmony with DIN Next, and is particularly suited for designers looking to be a little more expressive. DIN Next Shapes includes four fonts: Dots, Flakes, Hearts and Stars, and has pan European language support including Greek and Cyrillic. It also has OpenType features including stylistic alternatives, ligatures and fractions.

Bookbag is a font for teaching kids to read and write. It comes in 4 weights, from light to extrabold, and has dotted and lined versions for students to practice. Many glyphs have alternate versions, that can be accessed either through OpenType stylistic alternates, or using the Alt versions of the font. Bookbag has a very wide language support, with most latin languages supported.

There are two versions of Killer Ants, regular and bold. Regular is a very cool cracked up looking font that will be great for all kinds of stuff. Bold is on of the most distressed fonts I've ever seen - there's crap everywhere - adjust your leading (line spacing) so the grunge overlaps and you have one awesome effect. Yes, those dots are actually smashed ants. Killer!

Regatta is a bold, narrow sans serif designed by Alan Meeks in 1987. Its strong, robust figures makes it a particularly good font for headlines in larger point sizes. Regatta is distinguished by its diamond shaped dots on i and j as well as the slanted strokes of several figures. These characteristics relax the closed, static image of Regatta and let the font seem cheerful and friendly.

Acarajé is a grotesque font that stands out thanks to its versatility. Its personality blossoms through its particular modulation, which grows with weights; making it a rather jovial typeface that does not abandon the characteristics of more classic grotesques. With two styles available: normal and italic, and a variety of 7 weights that range from "Black" to "Regular", this font offers incredible flexibility for your designs.

Fateya is a handcrafted script font amazing typeface that we created in freestyle for those of you doing work and crafts. This font has a total of 777 Glyphs to make it easier for you to choose a character according to your needs. It's perfect for all kinds of work you do with multiple purposes like logos, wedding invitations, titles, t-shirts, letterheads, signage, labels, news, posters, badges, etc.

Adinah is a lively brush script with a strong sense of rhythm. Adinah’s expressive letterforms are based on pointed brush calligraphy with a hint of sign painting. This Sign painting influence reveals itself the further you dig into the family styles. Eight combined styles are complimented by a sub family of Six Layered Font options.

Based on lettering on a poster for an 1907 art exhibition by Joseph Maria Olbrich. Use uppercase characters for headlines, and lowercase letters for text use. For “dotted” spaces, use the underscore, and brackets or braces for framing characters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Ross F. George, master of the Speedball pen, called this rather rugged typeface "Personality Script", which might be a suitable name if you had the personality of a porcupine. It does grab your attention, though! Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Hey! I'm happy to introduce to you my new font in fast speed style. Dry brush stroke with grunge lines and dots. Perfect for Taxi logo, Race poster, Sport identity, etc. You’ll get: * Uppercase (lowercase glyphs are the same) * Numbers * Symbols Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Addressotype is based on lettering from a vintage ad for the Addressograph-Multigraph Corporation, manufacturers of the Addressograph addressing machine. In days when the U.S. postal service delivered everything, mailing addresses were as important as email addresses are today. The Addressograph machines stamped out dog-tag-like plates that were used to print mailing labels at high volume. Embodying the company’s work ethic and durability, Addressotype recalls the gaspipe form of lettering popular in the 30s and 40s, updated to reflect the “streamlining” trend popular during the period.

Neuch is a neat typeface for greeting cards, children's books, labels and signs, handmade goodies packaging, and other cheerful designs. Drawn with a sharp-tipped ink pen, the letters kick their legs up and down, stretch out their tails, and hop along gaily, as if not obeying any rules. The cute characters look like they are one big family—they get into arguments, mix noisily and good-humoredly, push each other, yet always stick together. Neuch can speak several languages and has ligatures, decorative elements, and even a cat and a dog.

This time the font's name is meaningless. Maduki doesn't mean 'cool' in Swahili, nor does it mean 'cup cake' in Sranantongo. It is just a nice name. Maduki is a playful font, created with one of my 2 year old son's marker pens (the 'no stain, wash-out' variety), a couple of cups of coffee and a whole bunch of 'speculaas' cookies. Now you're wondering what speculaas is, right? I'll tell you later - in a couple of fonts... Anyway, there's not much meaningful to say about Maduki font. It is nice, it is cute and it comes with alternates!