Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

My font Shadowmoon was created with the PowerPoint shape moon and just like the real moon, my font has amazing curves that brightly standout. The curves take on a flowing action that visibly attracts an amazing style.

Inspired by Paleochristian engravings and writings, this font has a timeless aspect while keeping a real monumentality. It was originally designed to serve as a visual identity for a group of museums.

Fatum™ is a new original ultrablack slab serif typeface that was initiated by the impression of the TDC 2011 exhibition. Redundant stem thickness and closed character shapes make a feeling that counterspaces are the narrow slits cut in massive character bodies. Fatum can be used in large sizes in placards, playbills, in the headings of magazines, newspapers and Web-pages, as initials in book setting, for typographic illustrations and compositions. Ultrablack weight also gives a possibility to insert pictures, ornaments or other decorations into the contours of letters. This typeface was designed by Sveta Morozova and released by ParaType in 2013.

Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodríguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry Check out our website!

German type designer Alex Rütten created this serif and slab FontFont in 2010. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Suhmo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Suhmo received the TDC2 award.

A very straight, geometric font which reminds me of the font on a display of a cash desk. Like most of the fonts at these display, this font is made up of a 6x10 matrix (capitals: 5x7). Hint: Insert Æ or ∂ to create a filled character (6x10).

Zanzabar is an exotic display font with a distinctive Middle Eastern flair. Its characters loosely mimic the Arabic script with lowercase letters being much smaller than uppercase. Special emphasis was given to the wispy, brush-like appearance of its characters for a suggestion of authenticity. This works best from far away or at small sizes. Although decorative by nature, the entire character set is relatively easy to read. Use Zanzabar for a restaurant logo, children’s book, or a movie poster.