The Dollfus Mieg Company was founded in 1800 by Daniel Dollfus (1769-1818) and Anne-Marie Mieg (1770-1852). In the 1890s and again in 1901 it published Monograms and Alphabets for Combination, a book with alphabets and monograms for cross-stitching. This book served as example for several digital fonts by Paulo W. Here you can get one of them,

German type designer Frank Heine created this display FontFont in 1994. The family contains 2 weights: Light and Bold and is ideally suited for festive occasions, editorial and publishing, poster and billboards as well as software and gaming. FF Instanter provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining and proportional oldstyle figures.

Dutch type designer Just van Rossum created this script FontFont in 1991. The family has 20 weights and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as logo, branding and creative industries. FF Schulschrift provides advanced typographical support with features such as alternate characters. It comes with tabular lining and proportional lining figures.

German type designer Daniel Fritz created this display FontFont in 2000. The family has 8 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Ticket provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining figures.

Santi, our new grotesque font offers 9 weight variants along with their corresponding italics. This typeface perfectly blends a classic character with sublime modern touches, creating a striking aesthetic without resorting to fanfare. Santi's versatility transcends current trends and gives it a timeless quality. This typeface blends effortlessly into classic or contemporary projects, offering a perfect balance between the familiar and the innovative.

Cabrion is a sans serif typeface designed with OpenType features to support advanced typography needs such as ligature, fraction, superscript, subscript, old-style figure, tabular figure and many more. The family contains 7 weights from thin to black with multilingual support and is ideally suited for branding, logo, advertising and packaging needs, editorial and publishing as well as web design and screen design.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” (published in both 1927 and 1960) showcased this talented man’s hand-lettered alphabets; used as inspiration for the sign trade and for graphic designers. A particularly interesting slab serif from the 1960 edition has many unusual character shapes, and served as the model for Casual Slab Serif JNL – available in both regular and oblique versions.

An Art Deco “thick and thin” novelty type design based on the hexagon shape was found within the pages of “La Lettre Dans le Decor & La Publicite Modernes” - a 1930s-era French alphabet collection. The title somewhat translates to “The Letter in Modern Decor and Advertising”). Named Oh Hex JNL, it is now available in both regular and oblique versions.

Get Holland designed by Ilham Nashrul Huda & published by Etcsupply This item absolutely coolest font & recomended for branding, lettering, logo, advertising,t-shirt design , book & magazine cover, Photograpy logo, Poster etc. Easy add that element to just about any project where a special touch of class is required. Get Holland Features: Get Holland Regular Get Holland Extras Get Holland Swash

Metropolis Bold was commissioned by Publish magazine for their 1990 redesign. Although other digital versions exist, I think this was the first one and is characterized by extremely pointy serifs. It is well to remember in laying out copy for Metropolis to allow plenty of white space in the layout. Metropolis is based on the 1932 Stempel cut as designed by W. Schwerdtner.

Proudly present the fresh from the oven, modern bold sans serif font. Nexomuki made with rising feel modern, bold, but still looks elegant too. Perfect pairing among uppercase and lowercase characters is suitable for your project design such as logotype, branding, headline text, advertising, slogan, qoute, magazine, publishing, and more. This font is already with multilingual support more than 20 leanguanges too.

British type designers Darren Raven and John Critchley created this display FontFont in 1997. The family has 5 weights, and is ideally suited for editorial and publishing, logo, branding and creative industries, music and nightlife as well as poster and billboards. FF Bokka provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining figures.

The 1905 Barnhart Brothers & Spindler catalog featured an ultrawide face called "French Antique Extended". The letterforms have been faithfully rendered here, but this font’s kerning calls for a lot of overlapping and interlocking that the original cast-metal face wouldn't have been able to duplicate. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

DearPony is a sweet, warm, quirky, yet classy serif and signature script font duo. This charming combination offer a unique and elegant look that make it useful for various creative project. The serif's contain 240 glyphs with eight weight; Regular, Medium, Bold and Oblique with each matching oblique. It's contain language standard latin multilingual support.

Kwadrat is a modern unusual typeface. Some of the letters have surprising shapes, so it can be used mainly for display purposes, but also as body text. It's available in 4 weights: Light, Regular, Medium, Bold and as a variable font. It's multilingual - contains Latin alphabet with Western, Central and South Eastern European diacritics. Enjoy!

Sign Studio presents a new font which is beautiful and romantic style. Aesthetic Romance is medium thick which means it can be versatile for captioning as well as Title Display. Equipped with beautiful Ligature characters and alternative characters. This font would be perfect for any design of titles, headers, branding, labels, magazines, posters and more.

Farbe is a contemporary hand created brush script font. A dry brush with minimal medium was used to create the nature textured look. Farbe is an all capitals font covering the full latin script (including diacritics and Greek) along with the Cyrillic script, numbers and punctuation. A specimen book for the typeface is available HERE

Brinnan is a wide, contemporary sans serif typeface that was conceived as a branding and editorial solution. With it’s ten weights, ranging from an elegant Thin weight to a solid and dense Black weight, this family was designed as a versatile and flexible that can be used on a range of projects and mediums.

Pringle - Display Variable Font is a versatile, bold and unique font. Combination between high contrast and Brutalism style, Pringle has a unique style with stylistic, alternates,and supports multilingual languages. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. OTF and Variable Font (TTF)

Salvatore is the neo-grotesque younger brother of Nutmeg type family. It comes with 36 weights that have been separated in two flavours. The first half is Salvatore normal, which has more neutral features; and the second one is Salvatore Roman, which has more versatility at the end of the characters. The name comes from the Mad Men character Salvatore Romano, who was a publisher in the mid 60s. In that period, grotesques typefaces ruled advertising, nevertheless, there wasn't a typeface that represented publishers as Salvatore Romano, that’s why we gave birth to this project. Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more… Perfectly suited for graphic design and any display/text use. The 36 fonts are the first part of a larger Salvatore family. We’re proud to introduce: Salvatore.

Blythe is a stylish and contemporary handwriting font that captures the elegant hand of the 50s with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, many of which border on being grungy and irregular. This font combines beauty with individuality and panache. Blythe is characterized by dramatic ascenders and descenders (found on characters such as f, g, h, j etc) and it may be necessary to increase the line-spacing a little in some applications to accommodate these features. Suggestions for use: -- wedding stationery -- greeting cards -- valentines day mediaa -- beauty product media -- lingerie tags -- women's magazine pages -- classical music media -- award certificates The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

Tomi Haaparanta got the idea for the Tyke typeface family after using Cooper Black for a design project. He liked Cooper's chubby design, but longed for a wider range of weights. “I wanted a typeface that was cuddly and friendly,” recalls Haaparanta, “but also one that was readable at text sizes.” He started tinkering with the idea, and Tyke began to emerge. Even though Haaparanta knew his boldest weight would equal the heft of Cooper Black, he began drawing the Tyke family with the medium. His goal was to refine the characteristics of the design at this moderate weight, and then build on it to create the light and bold extremes. Haaparanta got the spark to design type in 1990, when he attended a workshop held by Phil Baines at the National College of Art and Design in Dublin. “I've been working and playing with type ever since,” Haaparanta recalls. He released his first commercial font in 1996, while working as an Art Director in Helsinki. After about two dozen more releases, he founded his own type studio, Suomi Type Foundry, early in 2004. At five weights plus corresponding italics, Tyke easily fulfills Haaparanta's goal of creating a wide range of distinctive, completely usable designs. The light through bold weights perform well at both large and small sizes, while the Black is an outstanding alternative to Cooper for display copy.

Allaina is a stylish and elegant Serif family consisting of three styles, Regular, Medium and Bold with matching italics. It has many alternates and some unique attractive ligatures. This pretty serif family could be used for fashion, label packaging or elegant vintage style lettering. Combining standard letters with alternative letters wil give you beautiful and unique words.

Gafata is a font designed for small sizes in medium-long text, mixing elegance and readability causing it to have great applicability in books, magazines and web pages. In the process of finding the finest legibility, particular features emerged making this whimsical sans serif different from the rest, creating an original mark to the text its applied to.

20g Rosadelia + 200g Alcira + 2 tablespoons Heleodora + 1 cup ninja stock + 100g Lucrecia + 2 tablespoons lirrot. REDUCE to a medium heat and melt the grunge. Add the photo and color and sauté for 5 minutes or until softened. Add the design, stock and andinistas and simmer until slightly thickened. Serve immediately with Dingbats and handwriting South America.

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

Discover Alumina, a typeface that exudes elegance and authority. Its robust weights demand attention, while lighter variants display grace. From bold statements to subtle emotions, Alumina empowers your creativity effortlessly. Suitable for diverse mediums, Alumina remains legible and versatile. Unleash customization with OpenType features like ligatures and fractions. Embrace Alumina as your creative companion, sparking change and expression.

Garagum is a display font harmonizing traditional and modern vibes. It has beautifully crafted nine swashes. It’s fun, interesting and perfectly fits different kinds of design works, such as posters, book or album covers, digital spaces, or any other mediums that you want. It supports various Latin-based languages and comes with powerful open type and true type features.

MGN Burro by Morgana Studio is a slab serif font offering 7 styles: Thin, Light, Regular, Medium, Semibold, Bold, and Extra Bold. Combining classic and modern elements, it caters to diverse designs, ensuring readability and impact. From delicate Thin to bold Extra Bold, each weight caters to various preferences, making MGN Burro a versatile toolkit for designers.

Lichtspielhaus Slab is an ultra condensed handwritten typeface based on Lichtspielhaus. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. This time with Slab. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. “Lichtspielhaus Slab” is the third part of a Type Noir Quadrilogy.

Sunbird is a happy, rounded, cartoonish font family. It comes in three weights: regular, medium and black - each with its very own Italic style. Sunbird is quite versatile: it looks good as a display font, but setting a (short) text in it could work as well. Its versatility makes Sunbird an ideal font for product packaging and posters.

Combustible is a hot, handwritten script font. I don’t really know why I named it Combustible - maybe because I scribbled this one down with near frozen hands. Combustible was made with a medium sized Japanese brush pen. It is a messy script, yet highly legible. Comes with double letter ligatures and a matchbox full of diacritics.

Cajito is a font family with a medium contrast, developed for numerous uses, ranging from app to website and catalogue to corporate design especially for logo design, Cajito has ten alternative capitals and his terminal looks like the fins of a fish. Cajito font family consists of five weights from extra light to extra bold with matching italics.

Sultan is a font family for print and web. It includes four coordinated weights: Light, Regular, Medium, and Bold. Sultan supports Arabic, Latin, Persian, Urdu, and Kurdish. Graphic designers can use the variable Sultan font to reach wider options in working with the text, such as changing the weight, width, and slant of the font to create different effects.

ITC Symbol font was designed by Aldo Novarese, a simple, straightforward design of understated elegance. It has just the hint of a serif to aid legibility. Book and medium weights have a light, even color and are perfectly complemented by the bold and black weights. The italics are clear and simple, a comfortable companion to the roman.

The type family “Curlaight” has whimsical curly shapes but has some level of uniformity with straight lines and angles. These modern retro feel fonts look great for children’s books, posters, book covers, packaging labels, or even logos like TV and movie titles. Seven weights - thin, light, regular, medium, semibold, bold, and black - are available for your creative projects.

Quincey is a display font with the feel of old style signpainter’s works with a hint of hand drawn elements too. It has over 350 glyphs and several variations on the standard alphabet with all those €xtra pesk¥ foreign characters too. Some extra Glyphs in there too. It is available in 2 weights regular and medium.

Helmut Matheis originally designed Slogan for the Ludwig and Mayer type foundry in Frankfurt, Germany. Slogan is an informal script of medium weight, with some variation in color. Its caps are flowing and the lowercase letters are close fitting. A lighter, more upright companion was designed by Helmut Matheis as well; its design is named Charme.