Eclectic PixelWeb is a collection of three sizes of popular web icons in the pixel aesthetic. With 80+ icons designed for creating e-commerce, navigation, and interface designs. Use it as a starting point in your favorite vector program, or use the icons as is - they are optimized for sizes at 20 point and will work in Flash and other web graphics programs. Shopping carts, directional arrows, buttons galore! It's like a pinata in font format, surprises for everyone! This font includes: a new and search buttons, home, security, email, search, and a host of other icons and images to make designing your next website a breeze!. Available in Mac and PC formats, in TrueType, PostScript and OpenType formats.

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

Bubblegum Sans Pro is upbeat, flavor-loaded, brushalicious letters for the sunny side of the street. It bounces with joy and tells a great story. Designed by Angel Koziupa and produced by Ale Paul, this typeface is a loud 21st century shoutout to the kind of the 1930s lettering that sold everything to everyone through every medium. Bubblegum Sans Pro version covers all Latin-based languages and includes some alternates.

Checkout is a fat, slightly cursive, poster font. It was modeled after 'clearance sale' signs and a 1950 Mexican movie poster for Los Olvidados (directed by Luis Buñuel). Checkout can be used for headlines, posters and, of course, for your clearance sale! Comes with a hard-to-beat amount of diacritics.

Conrad X. 'Cobb' Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname 'Uncle Cobb'] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of 'stock cuts' of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from 'journeyman' artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's 'CUTalogs' [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called 'little big head guys' by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Shinn Kickers JNL is a collection twenty-six of these illustrations, and just like a kick in the shin (as the pun in the name implies), these charming cartoons get your attention.

Bougainville was inspired by many of my favorites and has been on the drawing board in excess of ten years. Only this year I decided to expand the original 1994 design to include other weight variants. The quirky Binner Gothic-inspired high axis and its funky g, rounded e, angled stroke endings together with the influence of contemporary designs such as Officina Sans, Din Mittelschrift and MetaPlus, Bougainville exhibits a similar flavor and compactness to Bodega Sans. This typeface family has been named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey. Bougainville makes for effective headings at any size and is equally readable at semi-display sizes.

Play your imagination in design with this original marker font, ROXY! This bold, loud and proud all-caps font was hand-drawn with an accurate marker, maintaining the authentic high-resolution brush detail in each stroke. This font also includes ligatures, multilanguage, and unique swashes, making your design BOLD and outstanding in the crowd. Roxy Font will be the perfect choice for poster designs, header text, album covers, packaging, product designs, merchandise, logos, advertising & more.

Milk Soda is an all caps display typeface that's bold, fun and playful. It's clean and versatile, making it a perfect addition to any designer's kit. Packed with personality, this font screams out loud. Suitable for headlines, logos and more! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You !

Designed and built in London by TypeUnion, Silo is a fluid sans serif typeface embodying energetic curves and a clean, functional structure. The Silo Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Silo features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.

The hand-lettered movie titles from one of the William Powell-Myrna Loy "Thin Man" series of films was the basis for Intrigue JNL. Although the lettering style is decidedly from the Art Deco era, it also bears a strong resemblance to the 1980s techno movement; this font being adaptable to any era or design theme.

Ramexon was born from the breakthrough mindset of experimental typography and anti-design trend in the graphic design industry nowadays. To create something new, fresh, and loud for your visual presence in this saturated world. With bold, boxy, strong, yet remarkable shape in every character, makes Ramexon is the perfect font to state born-different works. Perfectly fit for logo, branding, gaming, esport design, poster, music video, album artwork, cover, book, packaging, merchandise, apparel, fashion, and many more.

Designed and built in London by TypeUnion, Silo soft is a fluid sans serif typeface embodying energetic curves and a clean, functional structure. The Silo Soft Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Silo soft features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.

In 1995, David Berlow cut Moderno FB for Esquire Gentleman and Reforma from a TrueType pole of Giza. In 1996 he cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. A redesign of the Baltimore Sun, with Ionic FB as text, required further growth. The whole series was then revised for Louise Vincent, at the Montreal Gazette, with further styles added in 2005 for La Stampa. FB 1994-2008

The Norse Gods of Asgard, the Titans of Olympus and the Elders of Middle Earth have spoken! Their pronouncements have been carved in the solid rock across the mountains of Midgard and their Legend will now be known to many... 'cause JG --- our very own Mr Fontastic -- signed a license for comicbookfonts.com to make the typestyles of the gods commercially available. No really, he made a deal with Loki. Dipped his pen in his own blood and everything.

I love riding English double decker buses! I haven’t been on one lately, but for some reason I had an image of a red double decker bus in my head when I made this font. Doubledecker is a bold, cartoon-like, handmade font. It comes in regular and dots, plus a bonus doodle font called Doubledecker Stuff. Use it for any design that needs a tad of loud, a pinch of unusual and a wee bit of polka.

Kroist was born from the rebellious mindset to break the rules of perfection of typographic hierarchy. Pushing to the very edge of possibilities to craft something different yet remarkable in the industry. Combining the reference of classic band posters, old records, and a spirit to be loud in sending the message. Kroist will be your perfect choice for your logo, branding, music project, cover artwork, merchandise, apparel, clothing, fashion, movie title, serial project, and many more.

The French interest in the revival of suitably edited Oldstyle romans as an alternative to a world of Modern typefaces started in 1846 when Louis Perrin cut the Lyons capitals. About 1860, as Phemister was cutting the Miller & Richard Old Style in Edinburgh, Theophile Beaudoire turned the idea of the Lyons capitals into a complete Oldstyle typeface, with similar overwhelming success; it was generally known as Elzevir in France and Roemisch, Romanisch, Romaans or Romana in Germany, Holland and Switzerland. In 1892, Gustav Schroeder, at the Central Division of ATF, expanded the series, adding a boldface under the name De Vinne. It was promptly copied, initially in Europe by Ludwig & Mayer, and spread rapidly throughout the US and Europe, becoming the best known member of the series. ATF made popular an ornamental form under the name De Vinne Ornamental.

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

Wolfram is a bold display font based on an Art Nouveau type design from Germany. It features very thick letter forms with gnarled edges simulating antique printing, though the letter forms are stylish and rather modern looking. It's a striking font - excellent for buttons and other places you want to provide some strong emphasis.

This special Office version of Brandon Grotesque is especially for all Microsoft Office applications (Word, Excel, Powerpoint …). It contains just the 4 basic styles which are stlye-linked and can be easily accessed by the "I" or "B" button in Office. The fonts are manually hinted so their appearance is also optimized for these applications.

Zampichi simulates an old school video game or halftone print. Nine futuristic styles are delivered in gritty pixelated format. Dingbats such as cursor symbols, radio buttons, checkboxes and (surprisingly) cats replace a few of the least useful alternate symbols. Zampichi is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Say hello to Saturday Script! A a care-free, casual, handwritten script with authentic tell-tale dry brush imperfections. Saturday Script has the added bonus of having 'multiple personalities'! Saturday Script has 2 sets of lowercase stylistic sets, allowing you to make each word look completely unique to the next. Whether you need "flaunty & loud" or "soft & romantic" Saturday Script has the look for you. There are 2 variants of Saturday Script, to add even more flexibility to your designs: Regular, and Oblique

Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each weight features both caps and lower case, and supports over 200 languages. Marseille will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes La Belle France.

Bombarda is a big gun, and surely a font named like that must have specific dimensions in order to make the text sound loud and powerful. Due to extreme thickness of basic strokes and of maximum possible serifs it will look great on the cover of a comic book, colorful splash screens of computer games as well as other applications where the title should have particular weight. The font was designed by Alexander Lubovenko and released by ParaType in 2016.

Blank Lemon is my heavy stroke handmade serif font. Yes, it is heavy and it's loud and is very noisy when it comes to making your headlines visible and the reason for this is that the shapes of the font is based on classic serif fonts. Blank Lemon comes with 7 different versions of each letter, and these automatically cycle as you type. Also there are fancy swashes of a, k, n, q and r - and of course multilingual support! Enjoy!

Areaman OT is a fun chunky ALL CAPS display font. I wanted it to look blocky and loud, So it can scream from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. It also has various letter pairing with extra ligatures and flourishes available through OpenType or your Glyphs palette. This upgraded version is now coded with OpenType features to create a randomised bespoke look and feel to your copy.

Liner Notes is a fun scrawly, marker felt, ALL CAPS display font. I wanted it to look fun, loud, and to have hints of School graffiti, so it can wail from Posters and Headlines. It has over 260 glyphs and several variations on the standard alphabet and all those extra pésk¥ foreign features. It also has various letters with extra ligatures and flourishes available through OpenType or your Glyphs palette. OMG, LOL I also added some web slang to the glyphs.

Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there.

This font is mainly inspired from the engraved characters of a German Map depicting Germany's roads and parts of surrounding lands, edited in Berlin probably in the end of 1700's. The engraver was Carl Jaeck or Jaek (1763-1808). The Map was bought by the French napoleonic general Louis Pierre Delosme (1768-1828) probably during the Napolenic campaign against Germany, circa 1805 or at least 1806, his sole staying in Germany. The font (with two styles, Normal and Italic)is containing standard ligatures and a few alternative characters. It is a "small eye" or "Small x-eight" font, as the Maps' characters are most often very small (some Italic lower cases of the map are 1mm hight, upper cases 2mm) The standard English characters set is completed with accented or specific characters for Western (Including Celtic) and Central European, Baltic, Eastern Europe and Turkish languages.

Designed and built in London by TypeUnion, Silo Slab is a fluid slab serif typeface embodying energetic curves and a clean, functional structure. The Silo Slab Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Each weight has a matching italic. Silo Slab features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.

Do you want your visuals to be louder? Hurtmore typeface can make your visuals more powerful. A fun handwritten design with a realistic scribble style. It can add a sense of loudness and boldness to your visuals. Hurtmore also features a unique stylistic alternating character. You can mix and match it however you like! It is perfect for packaging, posters, quotes, editorial, and branding projects that need a bold impact. Features: - Total 232 Glyph - Uppercase - Alternates & Ligature - Numerals & Punctuation - Multilanguage Supports 60+ Latin based languages

STONES is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, STONES is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. What you get : Numeral and Punctuation International Language Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font!

A funtastic and playful typestyle, Wintermint started as a digitization of a film typeface called Lori by LetterGraphics. This font is filled with bounce and liveliness taken from its original limited character set and fleshed out to a fully functional typeface. Flare serifs along with the occasional weird and wonderful curl gives this typeface a festive holiday vibe, but it could easily blend into a psychedelic design space, or just an all out wacky groove. Give it a spin, and see where Wintermint takes you.

Chump Change is a fun chunky serif ALL CAPS display font. I wanted it to look blocky and loud, So it can scream from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. OpenType coded, it has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. It also has some extra characters available directly through your glyphs palette. Play around with it, I hope you like it.

Twentieth Century was designed for the cover of 20th Century French Poetry and was drawn with pure geometric shapes. It is the distillation of a broad variety of styles loosely known as Art Deco but, also categorized under such terms as Moderne, Streamline, Machine Age, Futurist, 70s Art Deco, Memphis among others. If there were a source in particular that I would cite as my inspiration, however, it would definitely be the work of Frank Lloyd Wright. I mean, look at the "W" for cryin' out loud!