SpeedSwash is a stylised oblique script-fraktur hybrid. That description could should bizarre - lets face it, it does - but the result is actually rather splendid we think. Lovely for poster work where a sense of life and motion is required.

Casemark Stencil JNL is a bold sans serif design modeled after an image of a hand made antique shipping stencil used by the Bridgeport Brass Company of Bridgeport, Connecticut. The type design is available in both regular and oblique versions.

Based on an antique metal stencil plate used for identifying crates, bales or barrels, Stencil Piece JNL is one of the numerous stencil designs available through Jeff Levine Fonts. The type design is available in both regular and oblique versions.

This font is an addition to the Italican Oblique family, where the lower case characters have been redeveloped to give an impression of script. While some characters join together, there was no intention to create this style throughout the whole font.

Paradizo is an elegant serif font that features regular & oblique versions. This font features a large number of alternates & ligatures which will help you create unique luxurious designs with ease. Great for editorial design, branding, web design, product design & much more!

An image of a vintage metal stencil for the French wine region Côteaux du Tricastin [now Grignan-Les Adhemar] served as the inspiration for Wine Vat Stencil JNL. This condensed sans serif design is available in both regular and oblique versions.

County Clerk JNL was modeled after the vintage Hamilton wood type design Gothic Special, and is available in both regular and oblique versions. An early grotesk font, this condensed sans serif lends itself well to short headlines and brief body copy.

I've had an interest in typography ever since my college days, even submitting my NDD thesis on the subject. The basic concept for this typeface stems from that early creative period, hence the obvious 60’s retro feel. It’s only recently that I've have had the chance to carry through fully some of my dormant typographic ideas, but ‘better late than never’ as they say! The font’s characteristic style is based on repeating or rotating templates of a half and a quarter circle, the geometric, modular building blocks used here. The name was simply influenced by the letter ‘u’, which visually describes a stylized ‘tulip’ flower.

Cal Uncial Rough is a calligraphic font based on sketches written with cane calligraphy pen and ink on coarse-textured paper. Because of the fact that the Uncial don't have lowercase letters, there are small capitals instead of the lowercase. As the Latin version of the Uncial was created from the Greek Uncial script (translating the Bible from Greek into Latin), in addition to the standard Latin graphemes, the font contains the Greek alphabet (and also the Cyrillic letters (Ustav), derived from the Greek Uncial too). Regardless of the stylistic connection, there is a difference between the morphology of related Greek, Latin and Cyrillic letters. Most of the graphemes are based on traditional roman and insular uncial calligraphy. Cal Uncial Rough is suitable for the preparation of calligraphic sketches as well as an application in typography that should bring us closer to historical topics (European literature, quotes, history, film ...).

Monostep is not just another Typewriter. It can do so much more! It is available in five rigorously designed font styles; all of these come in Straight, Rounded and in Italics respectively. It contains geometric symbols as well as all of the characters of the Indo-European alphabet. What makes it so different, and thereby remarkable, are the 77 ligatures that combine letters in upper case, in upper case with lower-case letters and any combination of lower-case letters. Monostep is alive! It will be introduced into the typing script market with a highly characteristic corporate design. Various promotional gimmicks such as a specimen brochure, posters, a website, animations and a promo film with a distinct sound, including lyrics and a dance, make Monostep a truly recognizable label - they bring Monostep to life. That will make you want more: Let me see your Monostep! www.monostep.de

Sunshine is the unlikely alphabet collision of Gobbler and Liquorstore. Chank's napkin scrawl smashed into the letters commonly found on signage at the neighborhood liquor store. Gobbler's blotchy textures fragmented Liquorstore's uniform stroke. It began as a hideous lumpy thing with random vector points everywhere. Chank came to the rescue with his Alphabetician's first aid kit. He smoothed the blunt corners with a few hammer blows. He wrapped the font in extra strokes, in a sans serif Roman style, to increase its contrast. His industrial influence helped stabilize Gobbler's gloppy qualities and his grunge aesthetic softened Liquor store's checkerboard rigidity. The end result is a font with a solid structure and a painterly wiggle that creates a dirty display or a slightly clumsy text face. Because of its many detailed strokes, it tends to look a little better in print than on the web. All organic. Earthy.

Ascent Pro – a modern geometric sans serif with an engaging character. Inviting and versatile, with ton of stylistic alternates and ligatures to choose AscentPro works perfectly for logos, headlines, posters, packaging, business cards and many more! Thinner fonts look great in text copy. All in all 18 fonts including obliques provide you with a huge number of design options. HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type – Glyphs / or Window – Type - OpenType FEATURES: 18 weights and obliques Stylistic Alternates & Contextual Alternates Standard Ligatures & Discretionary Ligatures Numerals & Punctuation Fractions, Superscript & Subscript Multiple Latin Languages Supported

Altone was created in a pursue of regularity and conventional geometric sans serif typeface which tend to be easy to receive by it's reader, broad usage possibility, shown a simple, bold and strong personality. The letterforms are more likely associated with Grotesk rather than the original classical Bauhaus style, formed in moderate and proportional width, flat apex, closed aperture with straight cuts stroke ends. Consist of 9 weight from Thin to Heavy with each matching Obliques. Contain several OpenType features: Stylistic Alternates, Figures Variation (fraction, tabular lining, numerator, denominator), and also covered broad latin languages. Provided also variable fonts in two styles; Upright and Oblique

ATC Harris is a a workhorse monospaced geometric font with a focus on simplicity and legibility. Font contains 580+ glyphs, full alphabet, ligatures, numerals, accents and punctuation. ATC Harris was released in 2016.

Hanger is a limited character display typeface. Based on the shapes of the alphabet if made out of a bent wire hanger, Hanger is suitable for apparel design, merchandising, and identity design projects.

Another Speedball pen alphabet from master draftsman Ross George, this face is bold and lively. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.

Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.

Display Gothic is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Gothic has upper and lowercase alphabets, numbers, and punctuation.

Very Loose is a new alphabetic font. A casual display face with a design personality providing great versatility of association. Thoroughly pair-kerned, including all accented characters for use in western European languages.

“Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.... Another mode of meaning behind the obvious, or none.” Tristero is an expansive geometric sans with letter forms that are both classic and quirky. There are over 550 characters in 3 weights. A versatile typeface with a friendly character.

Jean Evans' interest in type design dates back to her third-grade fascination with fancy script writing. Years later, work at a sign-painting school she found in the Yellow Pages® cemented her relationship with letterforms. Evans went on to study with master calligraphers and type designers, including the likes of Donald Jackson, Hermann Zapf and Matthew Carter. Evans' designs have been exhibited and collected around the globe, and her distinctive calligraphic style has been lauded by leading trade organizations, annuals and publications. Hatmaker, one of Evans' more popular typefaces, was originally developed for the Boston-based broadcast design firm of the same name. Inspiration for the design came from Ben Shahn's famous hand-constructed alphabet. Shahn's alphabet, however, was limited to capital letters. Daunted by the idea of designing a lowercase that would measure up to Shahn's capitals, I developed a second set of caps-simple, quirky, yet almost classic-to work as 'lowercase' with the Shahn-like caps," explains Evans. Mixing the two in Hatmaker, creates a lively interplay of light and dark."

Van Dijk was designed by Peter O'Donnell in 1986 and is a zigzag typeface with a printed handwritten character. Angular forms and an emphasized slant to the right make it seem energetic and forward-reaching. The s forms with their rounded and softer forms contrast all the better with the rest of the alphabet. The strong figures of Van Dijk are reminiscent of advertisements of the 1940s. Van Dijk is best used for headlines or short texts in point sizes of 12 or larger.

Here you go...a handmade sans font without much of surprise...actually, this is how I draw letters with my eyes closed...well, almost! I wanted to make a font with letters that were pretty obvious, but had that handmade look that I love so much. The result is this really painless font - it won't hurt or scare anyone, but it could help making your handmade things (such as posters, postcards, flyers, books and alike) come more alive! Anyway, I've added 3 different versions of each lowercase letter...just to add some spice to the painlessness of the font!

Display Dots Five is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Five has an uppercase alphabet, numbers, and punctuation.

The BDR A3MIK is an uppercase alphabet with alternatives including European/Eastern European, Russian Cyrillic, Greek and Japanese Katakana characters. Its strong, constructive, futuristic appearance works perfectly for titling in science fiction related media.

Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, luscious and nostalgic, as well.

Based on Arabic calligraphic script, this simulation font includes upper and lower case Western alphabets, numerals, basic punctuation and several ligatures, as well as the Islamic crescent symbol and a typical Arabic geometric design.

Display Dots Six is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Six has an uppercase alphabet, numbers, and punctuation.

Display Crisp is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Crisp has tall and short cap alphabets, numbers, and punctuation.

The character set is short but make no mistakes, it is complete. Illegible, unreadable, unusable, this overly-geometric sans adheres to a set of rules just barely allowing an alphabet. But, hey it's free.

Meet "Neue Comic," a rounded typeface making a bold entrance into the design scene, aiming to redefine the delicate balance between playfulness and practicality in typography. Crafted with the recognition that rounded aesthetics enhance information retention and legibility, Neue Comic delivers a distinct, rhythmic design that breaks through traditional design boundaries. Reflecting on the divisive legacy of Comic Sans, we pondered: Is it really deserving of all the hate? Comic Sans entered the typography scene in 1994 with the noble goal of injecting fun into casual contexts. However, it fell victim to misuse and eventually succumbed to an undeserved sense of imposter syndrome. This prompted us to create a typeface that transcends these limitations. Inspired by the non-connecting script of comic book lettering, Neue Comic seeks to recapture the charm of the '90s while acknowledging the genuine intention behind Comic Sans—offering accessibility and friendliness. Avoiding the pitfalls of overuse, Neue Comic presents itself with seven weights and corresponding obliques, showcasing the flexibility of a variable version. Specifications: - Files included: Neue Comic, including obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType Features (Superscript and Subscript Numerals, Fractions, Oldstyle figures) Thanks for viewing, Unio.

Archemy is a restricted and obscure branch of Alchemy that deals specifically with the life, generation and transmutation of Metals. The Archemy font is primarily a magical and alchemical alphabet. It was created on initiative of Senior Zadith, in order to properly quote older alchemical manuscripts, without the need to insert handwritten symbols. The font combines a unique and elegant Roman alphabet with a set of the most frequently used planetary and alchemical symbols that are common in the Western Mystery Tradition, and as used by those involved in the Royal Art. The Archemy font contains a selection of symbols that are still used by practitioners of the Art today, and for the sake of completeness, a selection of less used and more arcane symbols that can be found in older alchemical texts. In addition a Hebrew Alphabet is included, which will supply practitioners of the Art with the glyphs related to Cabalistic studies. The Hebrew Alphabet in this font does not include vowel points, since they have no place in ancient Hebrew, nor in the Western Mystery Tradition. A selection of the most distinct glyphs as used in the Antediluvian font family - the Alphabet of the Ancients - is included for those that wish to include the archetypal and arcane quality of these glyphs from the dawn of history. By our knowledge there exists at this time no font that includes a selection of Alchemical symbols, let alone combines all of the above mentioned archetypal symbols of occult language in a single package. In that respect Archemy can be considered to be an “Arch” font.

Belgato is a vintage-inspired typeface with delicate details. It comes in six weights – plus italics! – for a total of 12 fonts, making it a highly versatile display face. The variable font version allows for ultimateweight and slant customization in print and web. Belgato has Latin, Greek, and Cyrillic alphabets, and supports dozens of languages, making it ideal for multilingual branding, publications, ads, social media, and more! I had so much fun designing this typeface, playing with classic serif letterforms to create an elegant, mid-century modern vibe. Belgato Light is fresh, airy, and delicate – perfect for feminine branding. By contrast, Belgato Black boasts fat curves with thin details, perfectly-suited to bold layouts and retro branding projects. Each Belgato font has 665 glyphs, encompassing: - the Latin alphabet (including hundreds of accented characters) - the Modern Greek alphabet - the Cyrillic alphabet (for Russian, Ukrainian, Bulgarian, and Serbo-Croatian) - discretionary ligatures - stylistic and alternate glyphs - numerals (lining and old style), small figures, and fractions - extensive punctuation, symbols, and diacritical markings Software: No special software is required to use Belgato fonts. You can even use these fonts with Canva! To access Belgato’s variable font features, ligatures, and stylistic alternates, it is best to use software that supports these functions (Adobe programs, Corel Draw, Sketch, etc). Languages: Belgato supports dozens of languages which use the Latin, Greek, and Cyrillic alphabets. Among the most common languages it supports are: English, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Filipino, Finnish, Flemish, French, German, Modern Greek, Hungarian, Icelandic, Indonesian, Italian, Luxembourgish, Maltese, Norwegian, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Swedish, Swiss German, Turkish, and Ukrainian.

The brand marking on a vintage wooden shipping case for bottles of Mission Naturally Good Orange Soda inspired Beverage Stencil JNL, which is available in both regular and oblique versions. Mission was a popular soda in California from about 1929 through 1970.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England. This font is now available as Chamfer Engraved JNL in regular and oblique versions.

Page Printer JNL was inspired by “Skeleton”, from the William H. Page Wood Type Foundry circa 1848. Its name is a play on both Page’s surname as well as contemporary desktop printers. Page Printer JNL is available in both regular and oblique versions.

A vintage French metal marking stencil for Comandon and Company was the inspiration for the 1400th type design from Jeff Levine Fonts. Dijon Stencil JNL is a condensed serif design with thin stroke weights and is available in both regular and oblique versions.