Its open counters and large x height give it excellent performance in small sizes. On the other hand, its curved diagonals, generous width and soft shapes give it a friendly but functional personality for a wide range of messages and voices. We recommend the four most extreme weights (Thin, ExtraLight, Black, and Heavy) for large sizes starting at 18 points, and the five intermediate weights (Light, Book, Regular, Medium, and Bold) for small sizes starting at 7 points.

NYC Graffiti is translated into a lively comic letter-style that is highly engaging. GhostKid was inspired by a few graffiti murals tagged "iRAK", the four letters that ended up inspiring this uber-black typeface. GhostKid has now been expanded to a Pro version to include a Small Caps set, Unlimited Fractionals, Superiors & Inferiors, and Ordinals. GhostKid Pro achieves a wider appeal and a new sense of personality, taking its comic display typestyle to a whole new level.

Scandilover Family was inspired by monochrome Scandinavian style kid rooms full of handwritten graphics, black and white accessories and prints. Scandilover is a playful display font with its personal charisma. Each letter in the font perfectly combines with another and all in all creates a text that is an entire illustration itself. Scandilover Script is a thin delicate font which isn’t devoid of playfulness too. Together with contrasting Scandilover they make funny lively combinations. Just try!

BIOTIF is a modern sans serif with a geometric typical characters, Inspired by Modern Style & Industrial Era Typographic and Graphic design, comes in 16 weights from Light to Black, BIOTIF is was manually hinted and optimized in small sizes for screens. All the other characters can be accessed through the Opentype features. Fractions, Tabular Lining, Ligature, Alternate Characters, Circle Numbers, Symbols, arrow and more. Biotif has support for Multi-Language (Latin Extended) Western European, Central European & South European.

Protofo is a modern-humanist sans-serif with characters that features various geometric shapes — from square, round and triangle. Protofo comes in 16 styles — upright and italic — from thin to black with each equipped with features such as localized, ligature, fraction, ordinal, superscript, numerator, nominator, subscript, proportional and tabular numerals. Protofo is also equipped with extended latin letters which can represent multi languages so making it perfect for any kind of project (display, editorial, web, interface, app, etc).

Silk Sans Display is the sans version of the high-contrast typeface Silk Serif. The main feature of the font family is the disconnection between the bowls and the stems. However, the bowl is very close to the stem, creating the illusion of connection. Silk is delicate and legible — but above all, it is sophisticated. Silk Sans Display is available in 7 weights, from Extra Light to Black, and supports Western, Central and South-Eastern European languages.

Brice refers to cultural products of the 80s such as music, art, literature, fashion, dance, film, that are consumed by the majority of society population. The Characteristic of Brice are in the small bouncy serif with a dynamic contrast, like R, B, S, K, P, etc. Perfect for Logotype, Caption, & Header. Brice are available in 5 Widths (Condensed - SemiCondensed - Normal - SemiExpanded - Expanded) with matches 6 weights (ExtraLight - Light - Normal - SemiBold - Bold - Black) and support for 75+ language.

An eye-catching and practical type family that doesn't intend to be retro or evoke any geometrical cliché. Ranging from a low contrasted thin to a vigorous black, Denso is available in both low and high contrast versions. All consistently developed across two styles, Serif and Sans. Marked by the vertical rhythm, enhanced by the enormous x-height, Denso has the typographic qualities that will allow the design to be highly readable, with a strong stylish statement.

Regon is a modern sans serif typeface/font family (18 fonts) designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, novels, labels and many advertising purposes. Styles: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black (All with Italic). Features: Uppercase, Lowercase, Number, Punctuation, Symbol, Multilingual. All the pictures used in the preview are not included. They are intended only for illustration purpose.

Gratique is a semi-rounded sans-serif typeface. The curvature of the corners fits perfectly and makes it look so cool. Gratique comes with 3 different font variants, namely medium, bold, and black. Gratique is perfect for headings, typography, branding, mockups, or any other design you need especially for a sans-casual style, it will work really well. FEATURES: - STANDARD CHARACTER SET -Case Sensitive Forms -Denominators -Fractions -Historical Forms -Standard Ligatures -Scientific Inferiors -Subscripts -Superscripts -Multilingual Support, etc.

Pintanina was developed in 2013 with many alternatives of alphabets as ligatures Based on the Comics of Condorito in the headlines, a typography very condensed, in 2015 was redesigned next to andrey kudryavtsev now with a much more finished design and a better Cyrillic and now 2017 with Franco Jonas, takes Pintanina and begins to generate all the Family of Thin, Light Regular, Bold, Extrabold, Black, also contains different dingbats that can be of help in the titles.

Puck is a Rounded Sans Serif font that comes in 20 styles from Thin to Black, including italics. Its design, which features rounded edges, open terminals, and extended width, along with generous negative space, ensures easy readability across different sizes. It's a versatile choice for various applications like print, banners, and branding. Plus, it maintains its adorable appeal on social media platforms like Instagram. Puck's design brings a blend of elegance and cuteness to any project.

Migelo is a versatile font meticulously crafted for optimal text display, offering a spectrum of 9 variations from thin to black, accompanied by 9 italic versions. Ideal for a myriad of purposes, Migelo is your go-to choice for creating captivating headlines, distinctive logos and brands, expressive quotes, eye-catching posters, and impactful product displays. Its range of weights and italics ensures adaptability, allowing Migelo to seamlessly elevate the visual appeal of a diverse array of design projects.

Abdo Master is a geometrical style. This is an OpenType Font supporting Arabic, Persian, Urdu, and English. The combination of modern Kufi and Geometrical styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual. it comes in fourteen weights from Thin to Black and Outline style.

In 1938, Frederic W. Goudy designed California Oldstyle, his most distinguished type, for the University of California Press. In 1958, Lanston Monotype issued it as Californian. Carol Twombly digitized the roman 30 years later for the University of California; David Berlow revised it for Font Bureau with italic and small caps; Jane Patterson designed the bold. In 1999, assisted by Richard Lipton and Jill Pichotta, Berlow designed the black and the text and display series; FB 1994–99

Tazugane Gothic is a Japanese typeface family developed by the Monotype Studio. The project began as a companion Japanese typeface for the famous Neue Frutiger. The goal for Tazugane Gothic was a humanist sans serif face with a clear and legible forms, and nearly unlimited applicability in a broad range of uses, from signage and publishing to advertising and websites. The Tazugane Gothic font family is extremely versatile with ten different weights from Ultra Light to Extra Black.

Based on the popular Sofia Pro typeface, Sofia Rough is a multifaceted font family with differents eroded variations. Sofia Rough contains sixteen fonts and two eroded sub families. With Sofia Rough Black for uppercase and Sofia Rough Script for lowercase you can create many variations. It has also several layers like shadows, inline or outline to create unique design. Sofia Rough contains also more than 80 extra graphics such as catchwords, ornaments, emblems, decorative lines, stars and many more.

Chift is a quite narrow serif font for both body text and headlines in periodicals, where economy of space is needed. The type family consists of ten faces: five styles of low contrast for body text sizes and five styles of high contrast, including Hairline and Black, for display purposes. One of the main features of the typeface is its professionally-designed Cyrillic, which won one of the special prizes at Modern Cyrillic 2009 competition in Text category.

High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings. Whole family contains small caps, subscript, superscript, italics, fractions old style and tabular figures. Over 1100 glyphs and 18 fonts makes a perfect match for clean and minimal projects. With Artigua it’s super easy to prepare adverts, books or web headings.

Rossanova is a complete semi-serif font family. Its consist of 36 fonts; 2 optical sizes, 8 weight from thin to black with each matching italics. Rossanova is enriched with beautiful personality, it's shaped in high contrast strokes for the normal optical style and moderate contrast strokes for the text styles which fit for reading. Contains more than 470 glyphs with some OpenType features e.g, stylistic alternates, ligature, discretionary ligature, old number, variation of figures etc.

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

An eye-catching and practical type family that doesn't intend to be retro or evoke any geometrical cliché. Ranging from a low contrasted thin to a vigorous black, Denso is available in both low and high contrast versions. All consistently developed across two styles, Serif and Sans. Marked by the vertical rhythm, enhanced by the enormous x-height, Denso has the typographic qualities that will allow the design to be highly readable, with a strong stylish statement.

It is inspired by the friendliness and cordiality of neo-humanist typefaces with a mix of rounded shapes, some apexed characters, and a little bit of black. Although it follows the ductus, D Sari is also a daring font with less pointed shapes, as is the case with regular neo-humanist typefaces. D Sari has 22 variants, which make it a very dynamic typeface. Well-suited for highlighting lettering, magazines, motion graphics, advertising, logotypes, signs, etc.

Born in Fulda, Germany, Martina Theisen studied communications design in Mainz. She spent many years working for the television company, SWR Mainz. Now she works as a designer and illustrator. She creates fonts, as well as illustrates children's books and school textbooks. For Linotype Typentypo (2002, part of TakeType 4), she designed the display faces Linotype Creatures, Linotype Improfil Outline and Black (profiles of funny faces), Linotype Smileface, Linotype Maenneken and Linotype Astrolo (hand-drawn astrological symbols).

An eye-catching and practical type family that doesn't intend to be retro or evoke any geometrical cliché. Ranging from a low contrasted thin to a vigorous black, Denso is available in both low and high contrast versions. All consistently developed across two styles, Serif and Sans. Marked by the vertical rhythm, enhanced by the enormous x-height, Denso has the typographic qualities that will allow the design to be highly readable, with a strong stylish statement.

Cervo Neue is the new perfected and extended version of Cervo, containing 18 variants. It differs from the previous version with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland.

Cedora is a humanist sans serif designed with a playful appearance. Cedora comes in 14 styles with 7 weights ranging from thin to black each of which represents multiple languages allowing you to do editorial activities. In the terminal section the size is made a little thinner so that the shape doesn't look so sharp and the x-height and open counter have been taken into account so that it is good enough for a small text size.

Sanshiro is a geometric sans serif font family. Contain 9 weights from Thin to Black with matching Italics. Sanshiro Normal character shapes have optimized proportions and an improved balance perfect to use for text and the heavyweight has a strong character have a unique style with a smooth shape to use for any display. Sanshiro font can improve and be used for any display media to support your visual design. Latest Update: Version 2.001 • PUA Code update • PostScript hinting

Here comes a New font, INKLE is Black Bold Display Font this is strong Font, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. That is Font INKLE has Stylish,Cool and Unique characteristic more natural look to your text with a more modern look to your text.

1955 Is a fresh grotesque interpretation. Any detail too historically referenced is replaced by strong geometry and idiosyncratic features. Round dots and punctuation, curved “l” foot, single storey “g” etc. all these details make 1955 a very contemporary typeface (unlike the name suggests!). With a range of weights going from Thin to Black including Italics, OpenType Features, extended character-set, tailored for print and digital, 1955 has everything to become your new go-to typeface for every project!

This new Recoleta is made up of 24 styles in total. We have added to its classical width two new variants with two different degrees of condensation: one very condensed and svelte, and the other at the midpoint between the standard width and the condensed. Each of the 3 widths has 8 weights, from thin to black. It also has numerous stylistic alternatives in both uppercase and lowercase. On the other hand, Recoleta also supports the Cyrillic alphabet.

Ramsey is stout and warm, rectangular with rounded edges, and dynamic with swift cuts. Ranging from thin and condensed to extended and black, Ramsey has seen applications in sports teams to movie titles and even art magazines. Through the years, Ramsey has proven itself to be a true workhorse of a font. This version has a lot of minor updates to the form and spacing, and we now see an extended family to complete it’s legacy. A true workhorse.

Introducing Genora Sans - Geometric Sans Serif Genora Sans is a clean and geometric sans serif font. Genora Sans comes in a modern style featuring 9 weights and 18 styles from Thin to Black, making it easy to adapt to your design. The typeface is ideal for corporate identities, branding, publishing, websites, titles, books, magazines, business cards, logos, product labels, packaging, or any kind of advertising purpose and use on UI/UX design. Hope you Like it. Thanks.

KhaoSans is a Rounded typeface. The latin was inspired from Thai woodtype used as headline in old day Thai newspaper. The refined curve with some sharp end add uniquely beautiful touch to the typeface. In Thai language, ‘Khao’ (ข่าว) means ‘news’ and ‘Sans’ (สาร) means ‘message’. The font comes in 8 weights, ranging from a delicate ExtraLight to Black, with 3 widths (Normal, Wide, and Expanded). Matching italics are provided, resulting in a total of 48 styles family.

The appearance of the 'IA War Bot' speaks for itself. It is a futuristic stenciled robotic font family that would be suitable for lettering comics, computer games, toy packaging, and the like. Many of the glyphs have alternatives. The widest set of font files, from Thin Ultra Condensed to Black Ultra Expanded, and the expanded character set (including Cyrillic) will satisfy all design needs. And the most demanding can turn their attention to the variable font.

FodaSans typeface is a Multi-language font family for a wide range of uses, comes with 126 weights with 463 glyph for each weight, supports Latin and Arabic language and covers OpenType features like Glyph Composition / Decomposition, Kerning, Standard Ligatures, Mark Positioning .. and more. The Typeface Have 6 Styles (Normal, Curved, Rounded, Solid, Solid Curved, Solid Rounded) with their obliques and italics ranging from Extra light to Black. Thank you for choosing FodaSans fonts from Fo Da Foundry.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages. BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

In 1995, David Berlow cut Moderno FB for Esquire Gentleman and Reforma from a TrueType pole of Giza. In 1996 he cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. A redesign of the Baltimore Sun, with Ionic FB as text, required further growth. The whole series was then revised for Louise Vincent, at the Montreal Gazette, with further styles added in 2005 for La Stampa. FB 1994-2008

The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling face, Eagle Bold, which was drawn in 1933 for the National Recovery Administration and became the symbol of American recovery. Font Bureau’s Eagle was started in 1989 for Publish magazine. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series; FB 1989–94

A neogrotesque with a distinct mid-century feel. Shapiro’s multi-axis Variable Font comprises of 8 text weights, from Light to Black. Three additional sizes, “Headline”, “Display” and “Max” supply another 8 weights that are spaced for larger applications. To top off the package, 8 Wide styles are ready for that extra punch. Choose Shapiro for any job that calls for a restrained but confident voice. Give your design that professional look in the blink of an eye.