Frederik is a traditional humanist sans with a modern twist. Fresh and neutral in appearance but equally organic and friendly. Frederik features 10 styles ranging from Thin to Black, plus matching italics. Regular and Medium weights work exceptionally well for small body copy, while Light and Heavy styles work best for display purposes — making Frederik a highly versatile type family, suitable for a wide range of uses. Opentype features include inferiors, superiors, fractions, numero sign, circled numbers, stylistic ordinals, ligatures, numerous arrows including extended length, and support for all Latin and Cyrillic languages.

Undersong brings 13 fancy hand-drawn stackable fonts which can be combined in many, many tasty ways. Layered or not, you'll see that these little ones work together scrumptiously well. For added flavor and freshness, each font brings at least 3 variations for each letter, making it for a cool natural handmade look. T-shirts, posters, book covers, packaging projects, Undersong will nicely fit many design applications. Some great font families out there are said to be workhorses. Figure this one like a work-unicorn: perfect for fantastic designs. Enjoy the ride!

In 1899, Robert Wiebking (who worked for a number of foundries in his time) designed an all-caps typeface named Engravers Roman (see Engravers #2). American Type Founders, Inc. (ATF) released a heavier variant in 1902, Engravers Bold, designed by Morris Fuller Benton. Engravers Bold was also released by the Barnhart Brothes & Spinder foundry. Today, Linotype's Engravers brings turn-of-the-century elegance directly to your keyboard. Use the Engravers typeface on any formal piece -- from table cards, to menus, invitations, or advertising work. Engravers is similar to Copperplate Gothic, Sackers Gothic and Nicolas Cochin.

Beatnik Barbie is a unconventional font design inspired by Jack Kerouac and the ‘Beat Generation’. It is an original design by Alex Kaczun and it is a derivative work based on his original ‘Beatnik’ font. It has an informal style about it, and invokes a casual and friendly mood. Beatnik Barbie incorporates many alternate letter forms, which work like ligatures, so when you type, it automatically substitutes different letter forms for a truly custom hand-written look. Perfect for any application. Beatnik Barbie truly has the heart and soul of the beat mentality. Groovin' baby.

Kurdis Varibel Font Family is a modern sans serif family with six widths and five Weights Making 30 Set Styles and of course 10,000 more combinations when considering the Variable options. This Typeface is a real work horse for titles. At its condensed Width it is sophisticated and professional with well considered ink traps that help it really stand out at Large Sizes. the Regular width works well for longer bodies of text on websites or posters and the Wide Styles give an elevated look to your average wide sans serif.

Decode is a retro styled font, referencing the art deco typography from the 1920's and 30's. The font is designed to be in keeping with the art deco style but with a contemporary and modern finish making it a stylish font for all kinds of work. The typeface is available in 3 complimentary styles. Use one on its own as a headline font or combine all three to create eye catching typographic displays. Each version comes with deco styled caps with an alternate uppercase to add extra variation to your work.

Kinstag is a all caps serif display font. The typography was originally developed during work on a country rock music project. The initial characters were then evolved into a workable font for use in rural, rustic, vintage, outdoor and adult beverage related themes. The thick serif with an angled edge is a key characteristic of the font; pairing fantastically well with the thick stems and spurs protruding from them. These elements all work together to give the font a strong bold expression as well as a unique look.

-This font has been basically designed for poster display in black weight and big size (mostly for capital letters). The rest of the family is a derivative work of it. I can’t guarantee if it works well on small size print. -Future updates may follow in the near future or on request. Please feel free to contact me via rolandhuse@aol.com about the following: -This family does not contain all the language extensions, but I am willing to create any extensions (including Cyrillic) on request; - Discovering kerning problems while using; Or any other question.

Introducing Squack, the brush typeface that will turn heads! With its excellent texture and carefree attitude, this typeface is perfect for any project. Whether you need it for a poster, branding, movie title, headlines, or logotype - Squack is sure to give your work an explosive boost! Featuring strong thick strokes and sharp edges on each letterform, you'll get a look that can't be beaten. Squack font includes : Standard Latin. Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Sattel Hintar Brush Script Font Sattel Hintar is a brush script font. With rough brush stroke, fun character with a bit of ligatures and has a two files lowercase alternates. To give you an extra creative work. Sattel Hintar font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sattel Hintar font. Cheers, MaulanaCreative

Whether your subject is scary, or just ancient, this font can help get the right feeling across. PR-Cauldron has capitals based on Uncials, and lowercase based on Celtic Minuscule. “Potion” has a rough finish, and “Curse” has the same letters dripping with gore, suitable for Halloween. Letters are size matched in both fonts, so you can put in as much, or as little messiness as you like. Combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Swirlies 01, PR Swirlies 05

Gliny was created by mixing different styles of handwriting fonts that derived from various tools such as pen, markers, drafting pens, painting brushes, writing brush and etc. In order to develop a new and diverse font styles. We also keep incomplete details and uneven textures that resulted from a writing process. We provide various font styles to help you mix and match them to suit your creative work harmoniously. Gliny comes with different font families such as brush, slab serif, heavy, handmade script for making your amazing work !!

Feel how the tones mesmerize you - say HELLO to "Ropers" - a Bold Serif Typeface with agile and alive ligatures and alternates. Designed to use in mid-tones harmonic, the stark contrast of the bold & wondrous uppercase of the regular serif balances calmly to mix matches your works More unique with the ligatures and alternates shape stream will make your typography truly eccentric Ropers are easy to pair with other fonts and no special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures and Alternates you will need software that supports Opentype features in fonts. super match with various types of works such as promotional themes, greetings, products cover, brands logo, and much more. No need to worry, Ropers are also available in multi-language usage, which makes your work easier. Thank you and have a nice day

Introducing Vintage Fonta Hi Designer, Come again to complete your script font collection ...! Vintage Fonta is a classic calligraphy font. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

FranklinGothicHandLight is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

Gothic Round was first introduced as wood type by the George Nesbitt Co. in 1838. The font is a softened variation of a standard heavy Gothic typeface. The style evokes a much more recent history of the 1960s and 70s and can be seen in such places as donut shops and on children's toys as well as inspiration for such fonts as VAG Rounded. Gothic Round has not previously been available as a digital font until now. The font was digitized by Miguel Sousa from a wide variety of historical sources, including visits to the Cary Collection at RIT (Rochester, NY), WNY Book Arts Center (Buffalo, NY) and the Hamilton Wood Type Museum (Two Rivers, WI). The result is a very solid and contemporary font with a 175 year history. For more information about this release, check out the Hamilton Wood Type Foundry website .

FranklinGothicHandDemi is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

The first plain weight of Cutoff was designed in 2005 to be used in Miele, an independent Italian free magazine. The need was for an elegant, unusual and legible semi-serif with contemporary flavour. I was fascinated by the deconstructivist work of Jeff Keedy (Hard Times Thick), Phil Baines (Can You, You Can) and Otl Aicher (Rotis), so my aim was to get the feeling of a cut transitional typeface; at the same time felt the exigence to work on the whole shape of the glyphs, in order to soften the “90s deconstructivist” effect and obtain a more balanced and readable design. In the last years I further worked on the typeface adding the other styles, extending the character set and refining the letterforms. Finally the precious collaboration with URW++ brought in 2010 to a complete OpenType Pro font family, with multilingual and advanced typographic features. Fulvio Bisca, July 2010

Jacine Family includes four handwritten fonts. In addition it includes very useful extra elements. Jacine Script and Jacine Script Inline are informal and youthful fonts with many stylistic variations, swashes and ligatures. Jacine Sans and Jacine Sans Inline add a little seriousness. Both of them are designed to play together but they also work great on their own. Jacine Ornaments has a lot of beautiful ornaments that work very well with the two styles of fonts. With all this, Jacine Family Font will allow you to create elegant works. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette.
 Jacine Family is created for any project from logos, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want

HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum's ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann's tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.

Moutyara – New Stylish Sans Serif Font with Fancy Curves. A very versatile font that works both large and small. With its angular shape, it is practical while maintaining elegance and boldness. Moutyara is perfect for logo design, magazine headlines, product packaging, branding projects, social media posts, advertisements, invitations, labels or whatever project you're working on. Create something beautiful today with Moutyara. Features: - All Caps Font with different uppercase and lowercase - Number & Symbol - Supported Languages - Alternates and Ligatures - PUA Encoded What is included: - Moutyara Regular (otf-ttf) We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art. Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions. The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it's almost hypnotic to play with these. Lygia Clark used to invite viewers to touch her works and so we did with her 'Planes in Modulated Surface no. 4', from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to put it to work in your designs. Keep it bold and have fun! Cheers!

Introducing the Smithe Signature font. Smithe's Signature Font, is a classic thin font with an italic style. Here you will get beautiful classic fonts. this font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font would be perfect for logos, branding projects, household designs utensils, product packaging, mugs, quotes, posters, shopping bags, logo, t-shirt, book cover, business card, invitation card, greeting cards, and all your other beautiful projects. Smithe Signature Fonts, including various language support. You can use this font for your work very much easily. Because there are many features in it. Contains a complete set uppercase and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternatives style Set Style For those of you who have capable software OpenType work (Corel Draw / Photoshop / Illustrator / InDesign).

ITC Flora is the work of Dutch designer Gerard Unger, and is named for his daughter. He started by doing calligraphy experiments with felt-tip and ballpoint pens, and developed these drawings into a formalized script typeface. Swiss typographer Max Caflisch advised the Dr.-Ing Rudolf Hell GmbH technology firm to add a new round-nibbed script face to their Digiset type library, and in 1984, Flora was released by Hell. Unger used a chancery cursive skeleton in this design, which imparts grace and movement. Flora was also intentionally designed to be simple and sturdy, and with its minimal variation in thick/thin stroke ratio, it worked well on the early digital typesetting machines. In 1989, the International Typeface Corporation released the font. ITC Flora continues to work well on current printers and typesetters, and it has an enduring popularity for uses that range from short text passages to display headlines.

Maldini Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

Neuarc Font Family This is the 20th font family of CozyFonts Foundry, established 10 years ago in 2012 with the release of Aladdin Bold. Neuarc is based loosely on arcs and curves, hence it’s naming. As shown in one of the font posters that serves to showcase this font, a collage of rough sketches is displayed as the poster’s background. These hand drawn pencil drawings were worked and reworked and The final drawings were scanned and built in Adobe Illustrator and transferred to glyph windows, glyph by glyph, in Fontlab 8. The 5 styles, so far, are reminisscent of The Art Deco Era of Design between the 1030s and 1950s. Neuarc also has it’s own footprint with several characters that stand out, eg. A, 8, &, B, ?, $, 5, w, x, a, c, e, etc. giving the reason for the ’Neu’ in the naming. These letterforms & Numbers work extremely well in monograms. Each styles has it’s own personality. From the ultra chic Light style to the dominant cool Bold style, this family maintains a uniform legibility at small to large sizes. Meant primarily for display uses, Neuarc works well for posters, logos, headlines, packaging, branding, signage for a myriad of applications. The Neuarc Deco style font will work well in titles and numbers of any application.

Frutiger® Serif is a re-envisioning of Meridien,a typeface first released by Deberny & Peignot during the 1950s. Working closely with Adrian Frutiger, Linotype's Type Director Akira Kobayashi expanded the original metal type version of Meridien into a new digital family of 20 variants. Renamed Frutiger Serif, this up-to-date Meridien has new weights, widths, and styles that correspond better with several other of Frutiger's designs. Just as Meridien has always been a fine choice for text settings, Frutiger Serif works brilliantly for large amounts of text & also at small point sizes. With its many weights and styles, this family is strong enough for most typographic projects. However, its added versatility is revealed when used in combination with other fonts. Frutiger Serif works well with the original Frutiger, Frutiger Next, and Univers - just to name a few. Paring these serif and sans serif families together is perfect for creating complex hierarchies and clear information design. Working with complicated typographic systems - involving elements such as headlines, captions, pull quotes, multilingual text, etc - is made easy by selecting Frutiger Serif and another of Frutiger's sans serif families. The designer needs simply to mix and match different weights and styles for the various textual elements to create smart and innovative layouts.

Quendel has been expanded to become Quendel Happy Family. Apart from the new Bold weight for easy distinction and emphasis, there are now four other very exciting variants, rendering different writing tools and writing materials. The basic form of Quendel was written with a Japanese bamboo tip and therefore embodies a form letter of natural flow. The new versions show other features that provide the feel of written scripts. While the styles Wood and Crayon include some alternate characters, Q Marking Pen and Q Fingertip, due to their apparently more complex enacted forms, do not need additional alternates without looking stiff or boring. The wood relief of Quendel Wood was created by a freehand wood relief drawn with oiled chalk. Quendel Marking Pen seems to be written with a felt-tip pen soon depleted. At the same time it is also reminiscent of the blooming effect, which we know from photography. The name of Quendel Fingertip suggests what can be seen - someone seems to have written with the finger in a grainy material. One would like to try it himself. The effect of broken lines which can be gained by writing with chalk as reflected in Quendel Crayon. Almost like parched sandy soil, the writing material seems to crumble.

From 2019 back to the 90s … The typeface “Czykago Rough” by Alexander Branczyk and Manuel Viergutz is a re-issue of the font “Czykago” published in 1995 by the font label “Face2Face”. Designed as a re-release for the Font Foundry “Typo Graphic Design” in 2019. The rough sans serif display font is inspired by the 80s and 90s. Glyhph-Set: Latin Extended (Adobe Latin 3). 907 glyphs with 3× A–Z & a–z and 350+ decorative extras like icons, arrows, dingbats, emojis, symbols, sign of the zodiac, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (4× stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Czykago Rough ■ Font Weights: Cond + Stretch + Mix + CondBG + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 907 glyphs with 350+ decorative extras like icons ■ Lan­guage Sup­port: 80+ for Latin Exten­ded (Adobe Latin 3). Afrikaans, Albanisch, Baskisch, Bemba, Bena, Bosnisch, Dänisch, Deutsch, Englisch, Estnisch, Färöisch, Filipino, Finnisch, Französisch, Friulisch, Galizisch, Gusii, Indonesisch, Irisch, Isländisch, Italienisch, Kabuverdianu, Kalenjin, Katalanisch, Kinyarwanda, Kölsch, Kornisch, Kroatisch, Lettisch, Litauisch, Luhya, Luo-Sprache, Luxemburgisch, Machame, Madagassisch, Makhuwa-Meetto, Makonde, Malaiisch, Manx, Morisyen, Niederländisch, Niedersorbisch, Nord-Ndebele, Norwegisch Bokmål, Norwegisch Nynorsk, Nyankole, Obersorbisch, Oromo, Pare, Polnisch, Portugiesisch, Rätoromanisch, Rombo, Rukiga, Rumänisch, Rundi, Rwa, Samburu, Sango, Sangu, Schottisches Gälisch, Schwedisch, Schweizerdeutsch, Sena, Shambala, Shona, Slowakisch, Slowenisch, Soga, Somali, Spanisch, Suaheli, Taita, Teso, Tschechisch, Türkisch, Turkmenisch, Ungarisch, Vunjo, Zulu ■ Spe­cials: Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (3× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 350+ extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & geometric shapes ■ Design Date: 1995–2019 ■ Type Desi­gner: Alexander Branczyk and Manuel Viergutz

Welcome to the world of darkness and fear, where shadows dance and nightmares come to life. Introducing Ebenezer, the typeface that will send shivers down your spine and make your message stand out like never before. With Goldburg-inspired letterforms and intricate, eerie details, Ebenezer is the perfect choice for any project that requires a macabre touch. Each character is carefully crafted to evoke a sense of dread and terror, making it the perfect typeface for horror movies, Halloween-themed designs, or any project that requires a dark and ominous feel. But Ebenezer is more than just a typeface. With its OpenType ligatures, common character sequences are automatically substituted with bespoke combos, ensuring that your message has an even more ghastly impact. Each word becomes a work of art, with letters combining and twisting into haunting shapes that will leave your audience speechless. So embrace the darkness and let Ebenezer lead the way. Its spooky, highly detailed design will take your project to the next level, ensuring that your message is unforgettable and truly terrifying. Whether you’re designing a poster, creating a logo, or simply looking to add a touch of macabre elegance to your text, Ebenezer is the perfect choice. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Sabor is a voluptuous upright connected display font with mixed taste of script fonts. There were many inspirations for Sabor, but all started with a book from the 1950s about the battles of World War II. To that first sketches of a naive dense display typeface we, day by day, start to create a mixed style evolving some lettering concepts from 1950s, some calligraphy notions and the first display ideas. The feeling of this font is good to be used in many artworks, like logos, packaging, party invitations, layouts for t-shirts, magazine headings, and much more, since websites to and all kind of printed jobs. That font is not really a script, but, like the scripts we strongly recommends to use the caps only in the beginning of words and sentences, to contrast with the lower cases : it’s not designed for all-caps settings, so avoid that kind of use. This font has almost 700 glyphs and supports the most important Latin-based languages. We works hard in a tour-de-force kerning: over 12.000 kerning pairs soft adjusted handily. Its OpenType features include final forms, initial forms, special sets (upper and lowercase's), hundreds of contextual alternates ligatures providing letter-form variations and connections that make your designs really special, and ornaments (tails). Because of its high number of alternate letters and combination's, we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. You can get an idea of the power of this font looking at the “Sabor User Guide”, a pdf brochure in the Gallery section. Also available two sister fonts easy to use : SaborWords and SaborRasgosEscritura Sabor has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

ThinPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Kenza is a serif geometric font, which is inspired by letterpress printing. Hand crafted wood letters used in the mid-20th century. It is characterized by being large, bold poster-block movable type.

Want a cute and unique look. "Bread Crackers" suitable for all your design work that wants to look unique and modern, and there are several alternatives that you can use in your design.

Re-drawn from examples of vintage wood type, Primitive Tuscan JNL captures the essence of early letterpress printing of the 1800s; the styles of which were most closely associated with the Old West.

NormPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Neona is a font in the spirit of the standard 'no frills' sans-serif 4-inch-high neon sign text used in cheap bars, coffee shops, bakeries and tattoo parlors around the world.

A rock solid face that works well in many of today's applications. Sets extreamly well for both large and small sizes. And with very little morter between the joints sets nice and tight.

Winnetka JNL was inspired by Cooley Antique Tuscan Condensed - a printer's wood type manufactured in 1859 by J.G. Cooley. Given an additional hand-made treatment, the lettering resembles characters made from cut paper.