Volume is a 3D font, with interlocked characters, inspired by vintage wooden block capitals! Superimposed weights bring light and shadow on the structure and allows many coloured combinations. Cubo est une fonte en volume dont les lettres s'imbriquent, inspirée d'anciens caractère d'imprimerie en bois. Les diiférentes graisses se superposent, créant des effets d'ombre et de lumière, et facilitant la colorisation des caractères.
Butterskotch is a whimsical 'semi script' from the fine folks Great Lakes Lettering which features some of that 'golden never olden' Molly Jacques lettering that we've come to know and love. Be sure to try it out in your opentype aware design programs and activate the contextual alternates feature for some innovative contextual interplay!
A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.
Bitblox fonts are based on the lettering created for Glyfyx’ eponymous wooden alphabet blocks. The characters are inspired by the low-res bitmap lettering seen on early generation computer devices. The Bitblox family consists of eight pixelated fonts, including a trio of styles that stack up to create a colorful, dimensional effect. An extensive multi-styled dingbat collection is also included. The Bitblox lettering was designed by James Beall with PSY/OPS Type Foundry, for Glyfyx Inc.
A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.
A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short ascenders and descenders, serifs triangular.
A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.
A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Teutonic features short descenders, and rounded, curved serifs.
A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, narrow, short descenders, diamond shaped ornamental points at median.
A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.
A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.
A revival of one of the popular wooden type fonts of the 19th century, with classic flat slab serifs, unbracketed, short descenders. Very popular in the 19th century.
Handbill JNL takes the type design from Broadletter JNL and gives it an open drop shadow treatment to emulate a popular style of many wooden typefaces from the 1800s.
A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, or text, somewhat geometric in form, a bit narrow.
Picture this: you are in the woods, hunting for Elk, when all of a sudden you hear the sound of battle horns coming from the village. Troll attack! Thank Wodan you are armed with this brand new font: Trollslayer. Let the fight begin!!
Hello Buena - From Wood to Digital Type Buena is the first word I read on a letterpress paper, printed by my colleague and friend Wolfgang Wick. I was fascinated by the power of this fat wooden letters at first glance. So I started to create a digital version of it and »Buena Black« was born. Due to the fact that the original punches had only upper- case glyphs, I created the lowercase characters by myself. After that it was time to design the family... Buena is full of OpenType features. To get fully acces, go to www.mazefonts.de and Download the Type Specimen.