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  1. Print Shop Parts JNL by Jeff Levine, $29.00
    Print Shop Parts JNL has a nostalgic assortment of blank sign panels, a pointing hand, decorative embellishments and even an assortment of "Made in U.S.A.", "Made in America" and "Made in United States" emblems located on the 1-9 keys. All are from vintage type catalogs and sign painting instruction books from the early 1900s. When scaled up, the blank sign panels can be used for small signs or price tags as originally made in years past. During the early part of the 20th Century, it was common to create show cards in attention-getting shapes matched with beautiful hand lettering.
  2. Pho Twice by Baqoos, $18.00
    Pho Twice is a boisterous neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  3. Jabogram by Baqoos, $19.00
    Jabogram is a quixotic fortuitous san serif typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 250+ glyphs including punctuation and numerical.
  4. Missale Incana by astype, $38.00
    Missale Incana is a redesigned, new interpretation of a typeface from Herbert Thannhaeuser. Its a strong calligraphic roman typeface, well suited for headlines. OpenType features:
  5. Earon by Baqoos, $18.00
    Earon is an inquisitive gubernatorial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  6. Ornubs by Baqoos, $18.00
    Ornubs is an agile ministerial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  7. Header by Storm Type Foundry, $34.00
    Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Header includes hybrid glyphs encoded where small caps are normally found.
  8. Endorfinia by PizzaDude.dk, $20.00
    Endorfinia is a clean and geometric sans serif with a very high x-height. Smooth looking for both small amounts of text, or headlines/logos
  9. Gvonz by Baqoos, $15.00
    Gvonz is a volitional innoxious tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions.
  10. Barmo by Baqoos, $18.00
    Barmo is an enigmatic vociferous mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  11. Handmade Roman JNL by Jeff Levine, $29.00
    Handmade Roman JNL is a simple and clean serif design. Perfect for headlines or titles, this condensed serif font gets attention without being overly formal.
  12. Gil MF by Masterfont, $59.00
    This geometric typeface makes it very useful for headlines, signs and short texts. The variety of 8 weights makes it ideal for signage and captions.
  13. Modernistic by Monotype, $29.99
    Designed by W.A. Parker in 1928, Modernistic is a headline face with a 1920s Art Deco appeal. Use the Modernistic font for posters and packaging.
  14. Flock Machine by Baqoos, $12.00
    Flock Machine is an inerrant peppy handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  15. Baregx by Baqoos, $18.00
    Baregx is an enthralling restorative mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  16. Zafra by ActiveSphere, $30.00
    Zafra is a geometric display font and works best in display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles.
  17. Ersota by Baqoos, $18.00
    Ersota is a jovial Introspective mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  18. DarkVanguard by RagamKata, $14.00
    Lucifer is Modern Display Font. This typeface is perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image.
  19. Roy Make by Baqoos, $15.00
    Roy Make is a handy perspicuous handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  20. Phasma Geo by Baqoos, $17.00
    Pharma Geo is a rhapsody guileless handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  21. Osrega by Baqoos, $18.00
    Osrega is an altruistic momentus mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  22. Pony Quest by Baqoos, $12.00
    Pony Quest is an ebullient neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  23. Golnama by Naghi Naghachian, $159.00
    Golnama is a modern Sans Serif headline font. Golnama supports Arabic, Persian, Urdu and Latin. It includes proportional and tabular numerals for the supported languages.
  24. Chitchy by Baseline Fonts, $24.00
    Chitchy is a rough-hewn heavyweight display face perfect for headlines and emphasis body copy. Extended character set includes foreign language support for many countries.
  25. Minnie by Lebbad Design, $24.95
    Minnie is a clean monoline upright script. This fun-loving font is great for headline display and text use. It comes with numerous alternate characters.
  26. Eva Poshy by Baqoos, $12.00
    Eva Poshy is an exhilaration rollicking handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  27. Agenor by Graphite, $17.00
    Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.
  28. Susa by Hubert Jocham Type, $29.90
    Susa is an elegant and flowing brush script typeface. Ideal for short text in the lighter weights and for headlines in bold and heavy weights.
  29. Rock Corn by Baqoos, $18.00
    Rock Corn is a chipper intrepid handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  30. Yekso by Baqoos, $18.00
    Yekso is a halcyon coltish mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  31. Mash Octave by Baqoos, $12.00
    Eva Poshy is an inquisitive rhapsodic handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  32. KleinsFirstScript - Unknown license
  33. Suave silky by Aomam, $10.00
    Suave silky is a handwritten font. The designer was inspired by his own handwriting in high school.This font makes me go back to my days as a student.
  34. Lisboa Sans Tamil by Vanarchiv, $75.00
    The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.
  35. Chusp by PizzaDude.dk, $20.00
    A laid back slab serif font with a good deal of the funky side of pizzadude.dk! You will need to use OpenType supporting applications to use the autoligatures
  36. Celari Titling by insigne, $-
    Need for speed? Satisfy it with insigne’s Celari. Take it for a drive and watch how its simple curves, easy lines, and sturdy shapes handle the edges and corners of your projects with smooth and rapid execution. The negative space cuts through the rounded sans serif letterforms of Celari, giving this all-caps typeface a strong impression of dimension and speed. Celari’s organic stroke direction allows you to ease through its gentle turns, too, causing the font to hum around the lines of your project like a V8 engine on an open Nevada highway. The speed and agility of Celari is built for nothing less than a headline. Use the larger-than-life power of this face for any number of oversized applications--mastheads, posters, web headlines, flyers. It provides excellent performance for service-oriented ads where efficiency and quick buyer service are priorities. Customize your ride, too. The OpenType version of Celari includes some serious add-ons to make it your design. The font incorporates discretionary ligatures for some funky combinations and adds in stylistic and contextual alternates for virtually endless possibilities with the characters, ligatures, and composites. Make sure your setup allows for OpenType fonts (Adobe CS suite or Quark) before unleashing the fun of Celari, though. Be confident with your design. Be quick with your message. Again, take Celari for a drive and unleash the strength and velocity of its character in your design. You've been holding back long enough.
  37. TessiePuzzlePieces by Ingrimayne Type, $9.00
    After exploring tessellations for several years, I decided to see how many ways I could tessellate puzzle pieces. I began with a square template and used the same asymmetrical shape for all four edges. By flips or rotation each edge could be fitted in four ways. Eventually I discovered that, given this way of forming tiles, there were 15 distinct shapes that tessellate and these shapes can take a total of 96 orientations. (A note in the November 2016 issue of Mathematical Gazette has the proof for the 15 shapes.) This typeface contains those 15 shapes and 96 orientations. A pdf note here shows some of the tilings possible using only one shape in a pattern. An unlimited number of patterns are possible if shapes are mixed. There are two members of the family, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)
  38. Neue Plak by Monotype, $57.99
    Originally designed in 1928, Plak is something of a lost gem in the type world. Despite being drawn by Futura creator Paul Renner, it never achieved the same popularity and spent decades lacking a much-needed digital revival. Monotype designers Linda Hintz and Toshi Omagari have taken its existing three weights and, after extensive research into the original wood type, extended them into the vast Neue Plak family. The typeface is available in 60 weights that stay true to Renner’s intentions, and offer the same blend of “quirky” details and “German stiffness” – as Hintz describes it. The design is an unusual mixture, bringing together a defiant outer appearance that’s counteracted by more playful details found in the lowercase r, and the large dots of the lowercase i. Other distinctive details include open or strikethrough counters, and a set of hairline widths that reduce Renner’s original design to its bare bones. Neue Plak’s display weights are crying out to be used in editorial, on packaging or in logos, while its text weight works well in both print and digital environments. Neue Plak Text Variables are font files which are featuring one axis and have a preset instance from Thin to Black
  39. MMC Insignia by MMC-TypEngine, $30.00
    MMC Insignia, is an Iconic & Emblematic Neogothic Geometric Capitals Display… Assembled by Trivial Squares and Diagonals Symbols Pattern from a puzzled grid Aftermath!! Includes Stylistic Alternates!! +Extra Monospaced Figures. In 22 styles, with Obliques, both for single display and layer Typesetting, plus OpenType Features & Bonus Blocks Fonts! MMC Insignia is a Small Caps Typeface, which default lowercases character set is included in the Pro family, its cursive version, apart from it, has also Exclusive Stylistic Alternates… Its atmosphere stands by on both Corporative to Decorative, Modern, Fashion, Federalist, Bohemian, Romantic, Ludic, Treasured Look, Etc. This Display font-family is the result of the repeated applications of this unique infamous Icon or Symbol, of two counterpointed triangles, implicit as hourglasses, in order to compose an innovative and unprecedented typographic pattern and modulation concept through the letterforms, in an extremely Geometric style. The Graphic Sign used throughout this type, is a remarkable trend used already in Logos of different businesses, whose most famous case refers to a famous International Bank, which doesn’t need to be mentioned, as it is instantly associated! This characteristic innovation was the main motivation while creating this type. Usage Suggestions: Type Fancy Titling texts, Display Remarkable Logos, Branding Projects, Labels, Emblems, Fashion Patterns, or in everything Noble and designed for Excellence as a type of Insignia, or distinguished marks and attributes of Royalty and Power!! That’s also forwardly, the reason why it was named MMC Insignia… TIPS: 1-Combine styles into innumerous possibilities of Chromatic Typesetting, by ‘central pasting’ layers… You may dislocate layers for improvisations! 2-USE BLOCK “FREE-STYLES” 1 & 2 also to add default 3D! Change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. Greetings! André, MMC-TypEngine.
  40. Sanchez by Latinotype, $-
    CHECK OUT Sánchez Niu (new, nova, neue, next) Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges— offering contrast and balance to the square structure. Sánchez & Sánchez Condensed comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free. Download specimen pdf
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