Banana and Sun is light handwritten font. It’s very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito and Gans Fulgor .

Historical printers ornaments researched by Intellecta Design; from the 1882 very rare Richard Gans first catalogue. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

Looking similar to a Deco-era classic typeface, Van Alt JNL has slightly different character shapes, but pays due respect to its inspiration by the original...

Sign Man JNL is a reworking of Sign Shop JNL, with a lighter font weight and a number of changed characters (including extended horizontal crossbars on the B,E,F,H,K,P and R).

Gans Rasgos Escritura shapes (108 tails) was selected and freely interpreted from the vignettes catalog by Fundicion Gans published in 1920. You can combine these ornaments with your favorite fonts. We suggests the use of Pretoria Gross.

Fresh round strokes look so childish and happy.

Cul De Sac is a beautiful cartoon-like font. It was hand drawn, using an old fashioned pen and India ink. Use it for your ads, posters and websites.

Gans Antigua Manuscrito is a revival font by Intellecta Design. researched at the rare catalogue from the extinct Fundicion Richard Gans, from Madrid. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Fulgor and Gans Radio Lumina .

I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’. Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!

In The Sun is a SVG font made from pencil handwriting and doodles. The SVG format allows for the texture of the pencil to be captured in a realistic way. In The Sun looks best at smaller sizes and will also look great in all caps texts. Use In The Sun in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. In The Sun includes: In The Sun handwritten font In The Sun Extras font, with underlines, circles, arrows, and small floral illustrations in: SVG format and Vector format, with the texture preserved Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+ No SVG support? No problem! I have also included a OTF vector version of the font

Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters.

Bromrose Sands Signature is a lovely signature font that comes with LOTS of ligatures that makes this font look natural. Bromrose Sands is perfect for quotes, logos, branding, magazines, wedding invitation, packaging, stationary, or any advertising purpose. To access the underline just type _+(number 1-8). Example: woodland_1 woodland_2 etc.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada, Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , Gans Italiana and Gans Titania .

John Quincy Adams, sixth President of the United States, didn't hit his stride until he'd left that lofty office. It was during his many years in Congress that he assured his legacy, not least because of his long, masterful oratory opposing slavery. His speeches, in fact, won him the nickname "Old Man Eloquent." So when I decided to simulate Adams's penmanship in his legendary diary (which he kept for nearly 70 years), it seemed fitting to call the font by that name. I focused on his handwriting from about 1810, when he was Ambassador to Russia, but also consulted pages from later years. Old Man Eloquent has both regular and bold weights. The OpenType version has more than 450 glyphs, including alternate uppercase characters, old-style and lining figures, and numerous ligatures; all formats contain several common (English) words.

Dans le toilette is a fun dingbat inspired by things that happen fast in the bathroom every morning. You can use them on posters, covers, patterns, brands and all kind of image with a vintage touch. Dans le toilette is part of the dingbats series designed by Coto Mendoza including Dans le cuisine, Dans le jardin and Dans le Noël. Make your day with a fun morning Dans le toilette!

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

JY&A’s most distinctive calligraphic font, Yan Series 333 is usable at all resolutions and remains legible. Even though it has a strong calligraphic influence, the Yan Series is ideal for text settings that have to appear special. Designed by Jack Yan, the family was developed between 1987 and 1993. Yan studied the effect of a nylon-tip, rather than steel-nib, pen on paper.

This quirky font features tons of personality in curls and swirls. Use it for titles & small snippets of text. (Don't try turning a term paper written in this font!)

In 2002 Matthew Carter was commissioned to create a new design to be cut in wood by the then nascent Hamilton Wood Type Museum. This was significant in that this was the one format for which Carter had not yet designed type. The new design emerged as a two-part chromatic type to be cut specifically in wood. Originally called Carter Latin, the font was renamed Van Lanen after one of the Museum's founders. The first cutting and printing of the type took place in late 2009 and although it has been available through the Museum, contemporary wood-type production is expensive and few have acquired this font in wood. The digital version of the pair of Van Lanen fonts is now available. The design recalls Antique Latin wood type, but with a refined sensibility and intentional quirks (like the sideways ampersand). It is a wonderful addition to Carter's oeuvre, and to the ongoing history of wood type.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

A Hand-drawn font loosely based on Dan’s handwriting. Full of personal charm and interesting upper & lowercase characters, numerals and a large range of glyphs(Including Greek & Cyrillic).

Introducing this very simple sans serif font that is Paris Van Java, the font Family. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Symbols multilingual support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

In the December, 1934 issue of Modern Screen magazine, a number of feature article headlines were hand lettered in a condensed slab serif with a relatively uniform stroke weight. This is now available digitally as Fan Magazine JNL, in both regular and oblique versions.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , and Gans Italiana .

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Hans Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

This historic revival font was created especially for use in the preservation and restoration of the 1916 silent film “The Good Bad Man,” starring Douglas Fairbanks. There is only one copy of the original film print in existence, and when the film was restored for a screening at the San Francisco Film Festival in 2014 the new font was created to best recreate the intent of the original lettering in the film. It is a smooth and pleasant vintage lettering style, originally designed for use on silver screens, now fully rendered in OpenType and ready for you to use in your designs or web pages today. There’s a neat story about this historic silent film font from The Atlantic magazine here: here.

Forget everything about Times New Roman and all the other classic typefaces! Forget all that and take a bite of Peanut Butter Man!

Whitelisa is a complete script and sans combine font. With light and catchy display sans. fun character with some of ligatures, alternates script and extra swash. To give you an extra creative work. Whitelisa font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter. Make a stunning work with Whitelisa font. Cheers, Maulana Creative

Anes Ramuk is modern typography fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Go ahead, and call it a rational serif. After all, An Education owes its basic style to the neoclassical typefaces like Bodoni and Didot. But it’s more than simply a rational approach – An Education is pure love for a classic expression of elegance (combined with a touch of European decadence, I mean, who needs Le Corbusier all the time?). An Education is a tailor made text font for those of you who crave elegant typographic design. Elegantly spice up your reports, your book layouts, your posters and many other designs – without sacrificing legibility or contrasts.