Friendly by shape, serious by structure. Serious Sans is a font for many occasions and it includes an alternate 'a' and 'g' for primary school use.

The OTSU SLAB family is a new slab-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.

Bessington is a quirky rough uppercase display font, each character hand drawn using rich black ink on a soft paper giving it a beautifully ragged look.

A family with retro feel in four weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

Vitali Neue is geometric sans serif typeface family with a friendly feel. The low contrast and high x height is perfect for headlines and display uses.

An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Use it in large sizes for advertising, posters, greeting cards, etc.

Despite its name, Flat Pack is expertly constructed, easy to assemble and will not collapse after a weeks use. All OpenType features required for assembly included.

Branding Iron is similar to Barnum Block. Use the Branding Iron font for headlines, signs, menus and posters, especially where an American Western quality is desired.

Ole is a retro jazz inspired font with clean lines and a classic style. Use it big to fully appreciate the extreme nature of its design.

A revival of one of the popular English Antique styles of the 19th century. The slab serif style was also used by American wood type manufacturers.

AZ Claire was inspired by hand scripts, but with the necessity for a bolder look. This font was designed for use as a fun bold headline.

Sans-serif reversed capitals in circles, resembling typewriter keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

Use LD Funky Scribble wherever you'd like to lighten the mood. It's handwritten look is so great for journaling, newsletters, etc. Have fun with Funky Scribble!

College Dropout is hand sketched, organic and reminiscent of some of those less-than academic moments at school. Its ideal use is as a display font.

Suitable for use in casual themed design applications, this font is made with a unique shape and condensed width, as well as a strong authenticity value.

Namata is a sans serif font with 7 weights and 14 styles. It is suitable for use for your documents, especially at a very affordable price.

The name says it all. HunkaSpunk is whimsical, eye-catching, and fun. Download and use this cool TrueType font for lively scrapbook journaling and paper crafting.

A heavy one. For major impact use it only in caps, however typing randomly upper and lower case has interesting results too. Play with it please.

Wonderwolf is an incredibly unique handwriting and attractive decorative font. Fall in love with its incredibly smooth stroke style and use it to create awesome designs!

New, slightly calligraphic sans family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

Rayhue feels playfully nostalgic and delivers an incredible vintage aesthetic. Use it to add that special retro touch to any design idea you can think of!

Tamarac JNL offers the look of wood type with added serifs. Use Tamarac JNL when you need a change of pace from the "regular" serif fonts.

Morganismi is the first font I made for myself. I originally used it for making notes at the outsider art exhibition Morganismi here in Sysmä, Finland.

AZ Barista font is inspired from 1920's Poster art, namely Leonetto Cappiello designs. This font was designed for use as a worn and antiqued headline.

Stenson JNL is another "lost" stencil typeface, re-drawn from punches made by a commercial stencil machine as used in rubber stamp shops and industrial warehouses.

Fraught is a rough tough stencil font for hard use. Feel the touch of cracked concrete, rusty iron and undressed board. Fraught supports most European languages.

AZ Indian font is inspired from the original early 1900's Indian Motorcycle Logo. This font is designed for use as a worn and antiqued headline.

Introducing Rustic modern script typeface, using style hand made with brushing. Rustic a beautiful for wedding card design, logotype, website header, fashion design and any more.

Noted is that perfect quirky font you'll use again and again! Mix and match upper and lowercase letters to create your own unique hand-jotted look!

CAD is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Cheyra is a thin and modern sans serif font. Cheyra combines uppercase and lowercase styles. Use it for any design projects that require a charming appearance.

Introducing the elegant display serif fonts very suitable for the use of nature-themed logos, for wedding invitations, print projects, and posters, magazines and much more

Mouse is a fully accented pixel font for use at 8 pt size. Please take a look at Mousedings, where you can find numerous web symbols.

College Dropout is hand sketched, organic and reminiscent of some of those less-than academic moments at school. Its ideal use is as a display font.

This font has the same uppercase and lowercase letters with some modifications on the uppercase letters. I included the modified letters to use however you like.

Full of love is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.