Buntisland (we wonder where we came up with that name from... another subconscious whim), is Greater Albion Typefounders blackletter release for Christmas 2016. The family consists of four typefaces- regular, weathered, shaded and shadowed, and has it's origin in a design challenge which came up in conversation, as all the best ones do. In this case it was 'design a legible all capitals black letter...' Challenge accepted and completed!

The first photo-typesetting machine in operation, the Uhertype, was introduced in 1925. It was a combination of manual phototypesetting machine and make-up machine. The machine’s typefaces were designed by Jan Tschichold. The patents on Uhertype were bought up at the time to prevent the invention of filmsetting spreading. Jan Tschichold has been very influenced by Gill Sans (1928) for this humanistic sans serif drawn in 1933/36 for Uhertype.

Zera JNL is one of those fonts that defy any simple description. While trying out effects on Transactive JNL, Jeff Levine came up with a set of letters comprised of intersecting rings that could illustrate chain, cellular structure, bubbles or probably anything your imagination can come up with to adapt the font to a particular project. Please keep in mind this design works best in larger point sizes.

Punk/horror typeface for harsh designs, or to add some uease to strict ones. It's all up to you! 444 Glyphs with alternate caps using the Small Caps feature and double letters for a varied handwritten look. (Open type requiered.) Combine with the slanted and bold versions for even bigger variation. Ink on paper and carefully touched up digitally so that all letters will look good printed in bigger sizes.

Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain large x-heights. Large x-heights open up the counterforms of letters, making text appear lighter on a page, but their correspondingly shorter ascenders and descenders can hinder legibility. This does not occur in Berndal at all! Coupled with this experiment, Berndal's various font weights display a certain softness and roundness. The letterforms themselves are relatively wide, with an overall consistency in width. The calligraphic nature of the strokes has been minimized, yet a contrast stroke-thickness is still to be noticed within the alphabet. Berndal's five styles offer almost everything that one could want from a good text family. The Regular weight may be paired with Small Caps, Italic, Bold, and Bold Italic. All styles ship in the OpenType format, and include tabular and old style figures. The two italic weights are made up of true italics, not obliques. The Berndal family is a part of the Take Type 5 collection from Linotype GmbH."

The purpose of Happy-Go-Lucky is to bring joy to the world. These cheerful little dingbats will brighten your day right up!

Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

Axplat is the first in a family of grunge, deconstructed, messed-up type faces. It has Euro and almost all the special characters.

Dangits JNL is another collection of images from Jeff Levine's early dingbat fonts, all cleaned up and improved for the professional designer's needs.

Get ready to add a whole new level of funkiness to your designs with Funky Style - a bold and fun display font that is here to make a statement. With its eye-catching and vibrant personality, this font is perfect for those looking to inject some life into their logos, posters, or any other creative project. Whether you're creating brand identities or simply want to jazz up your social media posts, Funky Style has got you covered with its versatility and ability to convey messages in an exciting way. Embrace the spirit of fun and unleash your creativity like never before with Funky Style! Funky Style Font includes : Standard Latin Uppercase & Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Welcoming Arabilla, a Natural Signature Font for this blooming season Arabilla step out with natural gesture and supple line make it looks more elegant in cheerful beauty Arabilla is stunning for wedding designs, engagement invitations, flirty business cards, attractive logos, photo illustrating, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects that need handwriting taste made Arabilla will easy to use complete with numbers and punctuations also more attractive and gentle with more ligatures and alternates. It also fit to combine with Sans, Serif or another straight gentle font to serve tons beauty impression Fly up to give a try your words and see how beautiful and gentle it is Features: A-Z Character Set a-z Characters set Numerals & Punctuations (OpenType Standard) Multilingual

Whether for personal or professional purposes is absolutely needed to light up your result. Ignite the potential within you and elevate all your design performance with the Refinest. Refinest is an amazing serif font. While it certainly gets the job done in terms of readability, the unique characters give this particular font a more artistic vibe but still elegant than other serifs. Features: Alternates Ligatures Swashes Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld's controversial relaunch of Marvel's CAPTAIN AMERICA.

Odditype is a font that surely lives up to its name... Odd, quirky, techno...yet not. Its use is as broad as your imagination.

The Show is a fun and friendly display font. Whimsical and a little bit quirky, this font will brighten up each of your designs!

Conversation hearts! Use ALL CAPS for even lettering. For bouncy letters, alternate uPpEr and LoWeR cases to make the letters bounce up and down.

Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.

WineGrape uses the following OpenType features to set up to three different color layers: - Small Caps / changing direction - Superscript/Superior (Grapes) - Subscript/Inferior (Leafs)

Blythe is a stylish and contemporary handwriting font that captures the elegant hand of the 50s with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, many of which border on being grungy and irregular. This font combines beauty with individuality and panache. Blythe is characterized by dramatic ascenders and descenders (found on characters such as f, g, h, j etc) and it may be necessary to increase the line-spacing a little in some applications to accommodate these features. Suggestions for use: -- wedding stationery -- greeting cards -- valentines day mediaa -- beauty product media -- lingerie tags -- women's magazine pages -- classical music media -- award certificates The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

The basic letterforms for this typeface were found on a 1920s French poster for Les Arts de Feu by an unnamed artist. The stark geometric forms have been dressed up with an outline treatment, a drop-up shadow and a non-traditional small cap arrangement to make it even more striking, in a spooky kind of way. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Brian Miller is a graphic designer who loves hillbilly culture, which is what inspired his popular phrase, 'country fangs!'--used to describe anyone with teeth that - well - just don't quite line up right. Git Cletus an' Jimmy Ray an' we'll hold down a piggy an' make 'er SQUEAL!!!!!--be sure t' put yer teeths in, too! Country Fang includes multiple grit patterns and appropriate "teeth" icons to spiff up any layout on the fly.

Chairdrobe is minimalistic typeface with a contemporary, urban style. It feels pure, raw and a bit dirty. You can use it as display type as well as in longer text. Try to space it up. It looks super tight with a lot of spacing! Chairdrobe is a sans-serif, condensed typeface. Available in 3 different variations – Normal, Rounded and Grunge. It features upper and lowercase letters and up to 7 Weights and Italics.

Happy Halloween (and All Souls Day and Day of the Dead)! I’ve seen other fonts made up of bones of various kinds, but none with this variety. Henry Gray’s Anatomy of the Human Body (the book, not Grey’s Anatomy, the TV series) was heavily scoured to find more unusual bones shaped like letters. You’ll find Los Muertos both fun and appropriate for the up-coming holidays. (Uppercase is Solid, lowercase is Outline).

The mysterious Spooky, an alphabet to frighten even the bravest, was created by British designer Timothy Donaldson. The figures line themselves up, irregular and with uneven outer contours, and conjure up thoughts of ghosts, bats, vampires and darkness. Spooky is the ideal font for ghost stories with happy endings, a parody on horror and romance. As an added bonus, Spooky includes illustrations, from black cat to spider to witch - everything needed to earn its name.

A usable version of the classic artists’ stencil font, picks up from where Josef Albers left off. Pared down for maximum minimalism, yet remarkably readable.

Confident, endearing and youthful, Judlebug is brimming with personality that’s hard to deny. Now available in 3 weights, Judlebug is ready to light things up!

Maim is one messed up sans serif typeface. Designed to be used as a family by intermixing the letters for more random looking destroyed text.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

Dynatron is a bold condensed retro-style font inspired by the old sci-fi comic covers, an example of which I have mocked up here.

Just in time for the Holiday Season, here's a FREE font with word art, clip art and border elements to dress up your next project. Enjoy!

Serve up a generous portion of nostalgia with this retro font inspired by lettering in old diners, drive-ins and eateries of the 40s and 50s.

Alien Segment has got rounded corners and even though being built up upon geometry, it deserves rich text - and works well in both upper- and lowercase.

Yoon Backjae is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

Yoon Gogooryo is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

bb-book A — breaking rules typeface Expressive book serif (triangular and curved) kicking up weight, width and contrast — in 4 styles: light, regular, medium and bold.

YD Winter is a casual script typeface consisting of 3 weights. It supports up to 13 different languages such as English in Latin and other scripts.

YD Yoonche is a geometric sans serif consisting of 4 weights. It supports up to 13 different languages such as English in Latin and other scripts.

Nimbus Sans ME is the expansion within the Nimbus Sans family for the Middle East range: Arabic (incl. Farsi) and Hebrew. Volker Schnebel has designed both scripts, which each include five upright and five cursive styles. The design is contemporary and fits the Latin Nimbus Sans. Besides the basis characters, the Arabic also includes the presentation forms: the variations for initial, medial and final letters. The correspondent OTF features are included in the fonts. All three scripts are perfectly combinable. Nimbus Sans is one of the best supported and most favored URW fonts ever. It is available as a Global Font in 4 weights and contains up to 65.000 characters per font.

Garishing Worse is a multi-language font supporting the complete Latin/Latin-1 character range, as well as Latin-A (Central European), Greek, Cyrillic and Hebrew. In other words, this is more than just the usual line-up of glyphical villains. There’s even a few OpenType features to make things interesting. Just type in a bullet or a hyphen and you'll be presented with some interesting alternatives. A cool ligature or two might even pop up.