Sporting broad, unadorned caps and just a dash of flair, ATF Wedding Gothic is like an engravers gothic at a black tie affair. It comes from the same tradition as other social gothics from the turn of the twentieth century, such as Engravers gothic and Copperplate. But where these are the faces of business cards and common announcements, ATF Wedding Gothic is a special occasion. Its swaying ‘R’ and ‘Q’, its characterful figures, and spritely-yet-sturdy insouciance make ATF Wedding Gothic well suited for tasteful engagements of all sorts. Yet there is much more here than the name implies. Originally offered long ago as metal type in a single, wide weight, this digital interpretation expands what was once a novelty design into a surprisingly versatile family of nine weights. An additional, narrower, standard width brings the count to eighteen fonts. From Thin to Medium, ATF Wedding Gothic retains the airy elegance of its source, while the heavier side of the family takes on an altogether different feel, more reminiscent of wooden poster type.

Brim is inspired by antique woodtype and chromatic type from the 1800s. Its various styles stack together creating a variety of decorative combinations. Each style can be assigned its own colour, resulting in a rich assortment of eye-catching combinations. The font began as a handful of letters created for a logotype. It became clear that it would make an excellent display typeface, so it was expanded to include all uppercase letters, numbers, European accents and more. Warm and tactile, Brim produces punchy headlines and decorative titles. Perfect for posters, packaging and logotypes. The name Brim accurately describes the expanded outer edge designed to produce its distinctive outlines. This overlapping structure couldn’t function correctly in wood or metal type; however for digital typography this system produces a more efficient solution for colour type, both in design and smaller file size, important for web typography. Many thanks to Dave Foster, Toshi Omagari, & Terrance Weinzierl, who generously gave their time to guide the design of this typeface. For a flattened version, see Brim Combined

Zuume Soft is a high-impact, condensed sans serif family with a soft touch. A sister to Zuume, this version features round corners for a friendlier appearance. The lighter weights give a sharp, technical feel while the bold, blacker weights can be tightly spaced and stacked for a strong visual punch. The notched and extended ink traps add both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to emphasise the machine aesthetic. Register also provides the lower case missing from Bank Gothic. Available in two main widths, each in five weights plus reweighted italics with cursively-derived letterforms, plus a bold condensed, Register has been used for the Sochi Winter Olympics, Source magazine and releases from Transient Records.

DisSonus X is ideal for: Initial characters - give your text an unparalleled facelift! Headlines - create a unique look for your posters, event graphics, book covers & music/media/game packaging. Preamble - reanimate the introduction... The bread text on the gallery images is written in Nihil . DisSonusX was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics! Note that there are no digits in this font. Use a fitting antiqua such as Berkeley Book or (insert your favourite version here) Garamond.

The Romany™ typeface family is a delightful typographic confectionary that will bring affability and charm to both print and interactive design projects. Be it an online game, digital app, hardcopy packaging, or larger than life poster, Romany will deliver. When first designed by A.R. Bosco for American Type Founders in 1934, Romany was a single weight design. Relatively popular as hand-set type, Romany was not made into digital fonts – until now. The septuagenarian design was updated, reimagined and enlarged into a small family by Terrance Weinzierl.

Galaxus is an edgy display font defined by its tight spacing, sleekness, and short descenders. Curvature is limited throughout the character set with straightened lines dominating the interior. Traditional diagonals in capitals like M, N, W and Y are given the straight treatment to maintain vertical emphasis. This styling along with the contrast between thick and thin make for a unique look. Galaxus would work well in a logo, on sports apparel, or in a video game. This family is equipped with Basic Latin, Extended Latin, diacritics, punctuation, kerning, and comes in 4 versions.

Tangelo is a fun, casual display script that could be more accurately termed a unicase – it borrows characters liberally from the lower case, but scales them up to cap-size. Tangelo is ideal for kid-friendly products like candy packaging, game boards or apps, and clothing labels. It includes 115 alternates and swash characters for a convincingly hand-lettered look. See what’s included! http://bit.ly/2lW33tt These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Dacttelyons is a blackletter typeface inspired by gothic era, and this typeface perfect for people looking for vintage with dark feel. Dacttelyons suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : hastohst@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Cheers 🍻

Inspired by and tribute to arcade game logos in 80s and 90s. Clonoid can give futuristic, sci-fi and mechanical impression by its geometric framework but its rounded bowls and semi-rounded edges can make natural and soft impression too. And its orthodox letterform make it possible to use this font for all uses. Clonoid family consists of 12 styles, 6 weights (ExtraLight, Light, Regular, SemiBold, Bold and Black) & italics and it’s available in OpenType format. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

Drittella is a frivolous and funky all-caps font perfect for posters and display purposes. It is particularly well suited to video games, with straight lines and asymmetrical angles. Created with design direction from my young son, it is equally appropriate for children's artwork, such as invitations, illustrations and cartoons. Drittella is available in both regular and outline styles, which can be used together to provide an option for emphasis. With a total of 345 glyphs, Drittella is multilingual, with numerous currency symbols, and a range of numerical symbols including subscripts, superscripts, fractions and arrows.

Bike Decals JNL captures the fun and nostalgia of the 1950s and 1960s when kids all around the country ran to their local five and dime or hobby store to purchase water applied decals. The "cool" thing would be to customize your bike, little red wagon or anything that would be fair game with various racing symbols, weird space creatures or other unusual images. In this font, Jeff Levine has put his own spin on some of the classic designs of yesteryear, drawing from scratch some of the most popular of their day.

The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.

The Pacific Sans and the Pacific Serif originated from the Pacific Standard, a space effective type face, especially designed for poster lettering. The implementation of serif strokes in the Pacific Serif and the contrast in vertical and horizontal strokes in the Pacific Sans, gave these fonts a distinct elegance.

The Pacific Sans and the Pacific Serif originated from the Pacific Standard, a space effective type face, especially designed for poster lettering. The implementation of serif strokes in the Pacific Serif and the contrast in vertical and horizontal strokes in the Pacific Sans, gave these fonts a distinct elegance.

Another stencil font? Oh, yes. Circular trip time of bus number 17 is so long and designer has one relaxation: look over the letters in the bus. So many tables with bus stop names in it! And now you can write it yourself - enjoy new Marshrut Stencil typeface.

This modern handwritten brush script is stylish and fresh. Featuring a touch of class and a fabulous brush style. It has a huge and sophisticated look, so we named it Hugedelia. The font offers tons of ligatures and multi-language support, which adds more naturalness to the application.

RoyHand RP is a new OpenType font family release by BluHead Studio, LLC from the wonderfully talented English designer and illustrator Roy Preston. RoyHand, as the name would suggest, is based upon the handwriting of Roy himself. The family has three weights and is suitable for many everyday uses.

Another tip of the hat to the halcyon days of woodtype, this cap-small cap typeface takes its name from the bustling Mexican metropolis just across the Rio Grande from Brownsville, Texas. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Art Deco monogram initials on a vintage business card from the Miami area inspired Golden Beach JNL. The font was named for a small upscale South Florida residential community located between Sunny Isles Beach in the Northern part of Miami-Dade County and Hallandale Beach in Southernmost Broward County.

Reepy is a font designed with horror in mind and works for all your scary needs. The design concept was designed with Tim Burton and Jordan Peele's "Us". It is ideal to be used in communicating something a creepy or frightening and this is where the name comes from.

Roderick Is a retro style monoline font that you can use for logos, branding names, posters, podcasts and so on. This is perfect for you all. It features Uppercase and Lowercase, Numbers and Punctuation, Multi-lingual support, Ligatures, Alternates. There it is! I really hope you enjoy it

Oak Ridge JNL gives a Westernized treatment to Flivver JNL; which in turn is a serif derivative of Two Reeler JNL. Although all three fonts come from the same root source—inter-title cards from an old Charlie Chaplin movie, they each take on a personality of their own.

Inline Retro JNL is Art Deco in style, featuring condensed characters and its namesake inline. While not a true revival of a vintage design, the same influences are utilized throughout the font to give it retro appeal. Inline Retro JNL is available in both regular and oblique versions.

Hubbard is based on hand lettering from the Roycroft Arts and Crafts movement of turn-of-the-century New York. The Roycrofters were heavily influenced by the design concepts of William Morris and Charles Rennie MacKintosh. The font takes its name from Elbert Hubbard, leader of the Roycroft movement.

Tangled PW is suitable for display use for titles, etc. This font contains the basic characters. Uppercase, lowercase, numerals, and basic punctuation. See the character map for all of the included characters. Tangled PW is available in OpenType and TrueType format which are both included in the same package.

A typeface named, simply, Geometric, from the 1885 Cleveland Type Foundry specimen book, has been beefed up a bit and softened with round serifs to create this everything-old-is-new-again gem. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Filt is based on hand-drawn sketches; no geometry, all visual. At the same time the curves are digitally constructed with extreme accuracy. The result – aggressive, playful, eager and ultra bold. This makes Filt a great headline and display unicase font. Filt Pro comes with a Greek set aswell.

Fatty Fatty Boombalatty PW is suitable for display use for titles, as well as short paragraphs of text. This font contains some alternates and ligatures for your creative pleasure. Fatty Fatty Boombalatty PW is available in OpenType and TrueType format which are both included in the same package.

Nuvoletta is the italian name of "speech balloon", its mean a little cloud. In comics world "nuvoletta" it use to write the speeches of characters! I designed this font inspired by comics books. It's really fit also for your awesome fantasy! Nuvoletta is drew letter by letter. Thank you!

Designed by Dave West and released in 1960, the name Barnum associates this face with the famous nineteenth-century traveling American circus and showman P.T. Barnum. The wood-cut influence of the letter makes the PL Barnum Block font ideal for posters, signage and creative titling and packaging.

Resolution is a modern monospaced typeface with 4 weights. The typeface is a satire of rendering of early screens and inherited its name through this sentiment. Since screen resolution is getting higher, this font is a memorial to low resolution screens. Resolution is also an excellent programmer’s choice.

Oyuki's Ghost is a scary typeface made with a steel pen and Chinese Ink. The name comes from a painting by Maruyama Okyo (1733–1795), which depicts his mistress who died young. Maruyama Okyo claimed she haunted him in his sleep. The font comes with extensive language support.

Our new product the name is Street Urban Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, children book, cartoon, comic etc MULTILINGUAL ACCENT : ØÆøæ¢ÐŒœÁĂÂÀÄĄÅÃǼĆČÇĈĊĎÉĔĚÊËĖÈĘĞĜĢĠĤÍĬÎÏİÌĮĨĴĶĹĽĻĿŃŇŅÑÓŎÔÖÒŐǾÕŔŘŖŚŠŞŜȘ ŤŢÚŬÛÜÙŰŲŮŨẂŴẄẀÝŶŸỲŹŽŻáăâäàąåãǽćčçĉċďéĕěêëėèęğĝģġĥíîïìįĩĵķĺľļŀńʼnňņñóŏôöòőǿõŕřŗśšşŝșťţ ŭûüűùųůũẃŵẅẁýŷÿỳźžż FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Rediscover Classic Beauty font style with a Modern Edge taste in Serif Wonder: My Gristy. Catchy ligature upscaled your name into unique logotype. My Gristy also available with basic Latin multilingual. Bring your business to the brighter future with the soul of the timeless of the past era.

SK 1980 Unicase is a font that emerged with a modern interpretation of the 80's design concept. It was specially designed to create structural forms. Each character is the same size, so you can create structural designs without any difficulty. Includes 7 different versions and 2464 glyphs.

This typeface gets its inspiration from a face designed by Vincent Pacella for PLINC named Bingham, and is evocative of steam locomotives and the Old West. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

Here's a faithful rendering of an old face from the James Conner's Sons specimen catalog of 1888, alternately known as Aetna or Painter's Gothic. Its compact descenders allow for tightly-spaced headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Introducing Jenitha A script font with a smooth calligraphy modern style. Comes with 500 glyphs. Jenitha is perfect for branding projects, homeware designs, product packaging, use in name card, invitation cards, etc. Simply as a stylish text overlay to any background image or anything requiring a sprinkle of elegance.