This font is a late work of the famous Berlin font artist Martin Wilke. Presented by Linotype AG in 1988, Wilke is a lively font with eccentric, playful forms. Wilke was influenced in part by the letters of the Irish handwriting in the Book of Kells, written in the late 8th century, while the pronounced contrast in strokes goes back to the styles of the 18th century. the font’s uniqueness is particularly emphasized when used in larger point sizes.

An extremely versatile, intelligently restrained design by Robin Nicholas for Monotype in 1980. It works very well at small sizes thanks to its large x-height, sturdy serifs, and lack of ornament; yet it is not characterless. Nimrod has been used successfully in national newspapers and books. (The Guardian, London, from its late-1980s redesign until it was replaced by a Carter interpretation of Miller in 1998; the Concise Oxford English Dictionary in the typographically unsurpassed 1990 edition.)

Rickslord is an uppercase display font that transports you back in the early 20th century. Some characters show high contrast between thick and thin strokes, creating a dramatic visual impact, while others maintain a more consistent weight for a balanced appearance. This blend of contrasts adds an unexpected dynamic quality to the text, making every word a work of art. Beautiful ornaments are included as a bonus. Rickslord fits in headlines, logos, branding materials, and many more.

Nockwell font - Psychedelic liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shirt or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Ligature - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

The source of inspiration for MFC Arkena Monogram is a specimen from the 1917 “Strong’s Book of Designs”. This popular lettering style has been incorporated into numerous film type foundries of the past, but lacked digital permanence. We’ve expanded the original All Capitals glyphset to include smallcaps to make monograms, have added numerals and included unique ornamentation for basic titling typesetting. Download and view the MFC Arkena Monogram Guidebook if you would like to learn a little more.

The roundness of fresh Dewey leaves, the bending branches of canopy trees and the curvy luscious greens of dense forests; are all the things that inspire this clean display font. Its effortless and natural aesthetic makes it perfect for organic and luxurious brands. The strokes have a great contrast to give it a beautiful end to a long journey. The easy and elegant flow of the font brings one back right into the comforting arms of nature.

BRIGNELL BIG is a two font family designed by Ian Brignell. Bold and honest, it approaches like a dare: Go Big no regrets. A bold, personable sans serif headline font characterized by a stylized and geometric structure. Creatively, Brignell Big was born in 2011 and was inspired by lettering designs Ian was working on for CO Bigelow packaging that harkened back to early 20th century modern sans serifs. Recommended for headline use especially on packaging. Extended Latin set.

True North is back but now in a distressed version and new styles! True North Textures is a vintage typeface with 18 fonts and a monoline script. True North Textures comes with distressed labels, extras and free banners. Extras include wild animals, catchwords, numbers, mountains, symbols, tools, leaves and trees. True North Textures is a headline font with alternate capitals. Combine all 18 styles with the script, banners, labels and extras and you get a wonderful distressed vintage design.

A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on 'Outside In' font, which is part of the 'Outside' font duo. Give it a try, easygoing-ness guaranteed!

The cold, conservative strokes of a typical sans-serif/grotesque descend into a distinctive "bat-wing drip" in this subtly spooky font named after the band for which it was originally designed. Perfect for any wordings which project darkness or menace, yet still require an air of respectability. Business in the front, evil in the back. Comes packaged in both TrueType and OpenType formats with standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and European diacritics.

The designer's father, Philip Grecian drew a logo for his business, Grecian Creative Services and asked Alex Grecian to expand on the logo. Alex extrapolated from the existing letters, creating a font to compliment his father's logo. Naming it was the easy part. Grecian Empire has since become one of the most popular fonts offered by Elemeno. The Strikes Back and Engraved styles have limited character sets and are far less versatile than the regular version.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design! Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.

A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility. Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters. This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.

I wanted to mix the handmade look with both comic and grafitti, but leaving an organic laid back feeling. The result is this: Pausefisk. A font with smooth, handdrawn curves and a total of 6 different versions of each letter. Pausefisk is actually something from my childhood: when the TV-programs where finished (yes, there were no TV after midnight!) the only thing to see was a camera pointed at a fishtank...and that went on for hours!

Rudge is an intentionally rough sans-serif font. It was designed to share the look and feel of many “antique” fonts, although it lacks the standard serif look of those fonts. The corners are slightly rounded, the edges are wobbly, and the kerning is tight. It could be used as a faux “sloppy printing” font or just a more regularized hand-drawn font. It comes in six flavors: Light, Regular, and Bold, with italic versions of each.

Inspired by the first wave of the industrial revolution back in the 60s. The glory of steam and steel machines in manufacturing technology. Atompunk was referenced from the science-fiction visual of the retro-futurism mindset—the imagination of nuclear-based technology for every human need. Perfectly fit for sci-fi movies, serials, technology-based branding, poster, logo, vintage illustration, packaging, snack, event, festival, album artwork, cover artwork, books, toys, games, arcades, cards, automotive, and many more.

Offsstoke is a fancy graffiti style font. With back slanted mono-line stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Offsstoke font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Offsstoke font. Cheers, Maulana Creative

MuskitoCaps is a Tuscan (split-serif) font that is rather narrow and a bit awkward. It is caps only, though the lower case differs from the upper case(the lower case lacks the mid-stem spike). The family has three styles, plain, shadowed, and shadowinside. The last has the same shapes as the plain style but has the spacing of the shadowed style so it can be layered with the shadowed style to easily produce bi-colored lettering.

The source of inspiration for MFC Petworth Monogram is a specimen from the 1917 "Strong's Book of Designs". This popular lettering style has been incorporated into numerous film type foundries of the past, but lacked digital permanence. We've expanded the original All Capitals glyphset to include smallcaps to make monograms, and have added numerals and basic punctuation for extended basic typesetting. Download and view the MFC Petworth Monogram Guidebook if you would like to learn a little more.

Centima Pro is an enhance development of Centima – a geometric Sans Serif typeface, released back in 2011. Centima Pro family consists of two sub-families Sans and Serif fonts. Centima Sans – an upgraded version of Centima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of Cyrillic languages. A new extended sub-family Centima Serif have been added to the Centima Pro family. This typeface is released in OpenType format with some OpenType features.

I am inspired by imagery that technology has rendered obsolete. I treasure anachronistic packaging and design which has somehow evaded obliteration by focus groups.I especially admire the packaging for A&P coffee brands Eight O'Clock, Red Circle and Bokar whose eccentric yet elegant typography harkens back to an earlier, less complicated era. The font Bokar is my nod of appreciation to those robust and full-bodied blends spared from the bland, tasteless scourge of corporate branding.

Meet "Retroteen," the font that takes you on a nostalgic journey back to the vibrant 80s and 90s. The striking contrast between horizontal and vertical strokes adds a unique touch, exuding a bold and dynamic personality. From funky posters and album covers to retro-themed branding and advertisements, this font brings an air of nostalgia and playfulness to any artwork. It is also provides language support for the full Latin alphabet along with Western and Eastern European characters.

Konstanz is a sans serif font family inspired by the design of books and magazines for museums, art galleries, design biennials, architecture, and theater, among others. Its design focuses on a grotesque aesthetic but brings back certain shapes from Bauhaus and Futura. Konstanz includes 8 weights plus its matching italics, besides a stylistic set that increases its use possibilities. Konstanz ensures a graphic with a high impact and is ideal for designing editorial projects, posters, branding, and advertising.

Are you ready to travel back in time? To a world of neon lights, high-tech logos, and a retro-futuristic style that defined an era? Then you’re ready for Forgotten Futurist. This industrial typeface is the perfect blend of old and new, with a vintage feel that still looks cutting-edge. Its letterforms are inspired by the 1960s and 1970s, when technology was just starting to take off and the world was full of possibilities. But Forgotten Futurist is more than just a tribute to the past. Its rounded technical corners and sleek lines are timeless classics, just as relevant today as they were decades ago. And with ten different styles to choose from, including Ultra-Light, Extra-Light, Light, Book, Regular, Semi-Bold, Bold, Heavy, Black, and italics, you’ll have all the flexibility you need to create a truly unique design. So if you want to add some retro-futuristic flair to your next project, look no further than Forgotten Futurist. It’s the typeface of the future, inspired by the past. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

TT Bricks useful links: Graphic presentation | Customization options Do you love the early Soviet visual culture as much as we do? We’ve tried going back a hundred years and rethinking the constructivist era. We’ve created an extensive font family that consists of the simplest triangle and rectangle forms. TT Bricks font family includes 16 typefaces: Hairline, Thin, Light, Regular, Medium, Bold, ExtraBold, Black and Italics. Regardless of its Soviet past, TT Bricks is a very fresh and visually powerful font family that perfectly fits the contemporary media landscape. TT Bricks is perfect for mobile apps and corporate websites, as well as for printed press layout. Thanks to the exaggeratedly simple forms of all signs, TT Bricks looks great in very small type sizes. FOLLOW US: Instagram | Facebook | Website TT Bricks language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display and script FontFont in 2000. The font is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Script provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Block, FF Prater Sans, and FF Prater Serif.

Savage Garden - 3 Quirky Playful Fonts are a delightful trio of typefaces that exude a sense of whimsy and playfulness with their unique and irregular letterforms. This font family includes three distinct versions: clean/regular, decorative, and block/fill, allowing for creative versatility. The fun and playful vibe of this font makes it a perfect choice for child-related themes or baby-oriented designs. It's well-suited for logos, printing materials, branding, quotes, posters, greeting cards, birthday cards, invitations, children's books, and more, adding a touch of joy and creativity to your projects.

Kumba is inspired by classic typography and brings its own unique style to any design project. This fantastic sans serif font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Kumba will look spectacular. It is a great sans serif font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, Kumba will turn any creative idea into a true piece of art!

Nothing is more iconic of Paris than its antique Metro signs, which are the inspiration for this typeface. The signs vary from station to station, some featuring plain block capitals, others the most exquisite Art Nouveau. This example falls somewhere in between. and should inject a strong gallic flavour into any design or publishing project. To recreate the Metro effect in Photoshop, set your text white on red, then go to Layer Style> Inner Shadow. Or with Paris Metro Reverse set your text red on white, then go to Layer Style> Drop Shadow.

Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font of the 1920s) through my first font in the mid-1990s, Diaconia. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy.

Emporia JNL is a wonderfully decorative and vintage wood type named for a city in Kansas, and modeled from just a dozen images of individual type blocks spotted for auction online. The release of this typeface is also a milestone for Jeff Levine Fonts. The foundry started in January, 2006 with only ten releases, and has now grown to be an impressive library of unique lettering designs from the past. The collection also contains numerous original and novelty creations. Emporia JNL is proudly released as the 500th font design to join this extensive library.

Rasteroids is a typographic flashback to computing of the mid 1980s, when 9-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Unlike that dot matrix type of yore, Rasteroids does have some variation in character width, and is legible in small blocks of copy. Still, it is best used sparingly, or as a special effect.

Croissant Lover is a stylish and delicate brush script font. It has a clean, bold and smooth vibe and it will be a hit for any design that you want to add it to. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to develop. Croissant Lover Font comes in two variants - Reguler Brush and Block. The file you will get is: • Works on PC & Mac • Simple installation • Encoded PUA Character - Can be accessed completely without additional design software. Enjoy!

Yngreena is a serifed typeface with calligraphic origins. In updating it in 2011, I began to add alternative letters and reached the point where it made sense to create an alternative family of faces rather than include all the alternatives as part of an OpenType font. The letters K, R, V, W, Y, f, g, k, t, v, and w are tamer in Yngreena Alt. As a result, though it is still a decorative text face, Yngreena Alt is better suited for lengthier blocks of text than is the original Yngreena face.

Egyptian ephemera is a typeface inspired from basic block lettering, widely used in art and craft of sign writing. 5 styles available from light to bold. and for the first time it is also available as variable fonts. One of the uniqueness of this font is the small spur on each stem, and the terminal, which intends to simulate an entry and end brush stroke. OpenType features support such as Smallcaps, Tabular Figure, Superscript, and 2 alternate of ampersands. This typeface was created for Display needs, such as headlines, signage, logotype, badges design, packaging, etc.

The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs. Rockwell is a prime example of this twentieth-century approach. It seems to be a simple Constructivist geometric sans with strong square slab serifs added to. Angular terminals make its sturdy design particular sparkling. It is a strong face for headlines and posters, and is legible in very short text blocks. Cyrillic version was developed at ParaType in 2000 by Isay Slutsker and Manvel Shmavonyan.

Stubby is a display type family with 11 styles, was made for titles, headlines and also packages, posters and everything that provide space for a rude, fat and widish type. You should try Stubby in your text blocks if you're looking for an informal shape with some handwriting taste, there are eleven styles mixing from a narrowed thin to a sloppy ultrabold. Stubby has a tight spacing made to fit in squeeze places, not so elegant or clean but definitely an original choice for your real life project.

ITC Bailey Sans is the first typeface family created by Kevin Bailey, a graphic designer in Dallas, Texas. He was once looking for an understated block serif for a design project and could find nothing suitable. Bailey began working on his own serif face but then found that the basics of his new design worked well as a sans serif and continued on that track. ITC Bailey Sans font is available in four weights: book, book italic, bold and bold italic and even has a companion serif display font, ITC Baily Quad Bold.