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  1. Aerosol - Unknown license
  2. Tenby Five - Unknown license
  3. Nu School Munitions - Unknown license
  4. Weekend Warrior - 100% free
  5. Captain Kidd Demo - Unknown license
  6. Metalic Avacodo - Unknown license
  7. Ishirkian - Personal use only
  8. HVD Poster - Unknown license
  9. Independence - Unknown license
  10. URAL 3d - Unknown license
  11. Effloresce - Unknown license
  12. OhMyGodStars - Unknown license
  13. Sylar Stencil - Unknown license
  14. Occoluchi Minicaps - Personal use only
  15. Zig Zag ML - Personal use only
  16. Ganz Egal - Personal use only
  17. BN Manson Nights - Unknown license
  18. Mechanical Fun - Unknown license
  19. Monster Paparazzi - Unknown license
  20. Pilsen Plakat - Unknown license
  21. MicroMieps - Unknown license
  22. AntiKwa - 100% free
  23. Mega by BA Graphics, $45.00
    A bold engraver type style with a Wall Street look.
  24. Savage Adventure by Pedro Teixeira, $14.00
    Savage Adventure, a bold, modern and informal font with personality.
  25. Honcho by Jonahfonts, $29.95
    A bold-face font with interesting lower case letter forms.
  26. DeDisplay by Ingo, $24.99
    A type designed in a grid, like on display panels Type is not only printed. There were always and still are a number of forms of type versions which function completely differently. Even very early in the history of script there were attempts to combine a few single elements into the diverse forms of individual characters and also efforts to construct the forms of letters within a geometric grid system. The “instructions” of Albrecht Dürer are probably most well-known. But although designers of past centuries assumed the ideal to basically be an artist’s handwritten script, the idea which developed in the course of mechanization was to “build” characters in a building block system only by stringing together one basic element — the so-called grid type was discovered, represented most commonly today by »pixel types.« But even before computers, there were display systems which presented types with the help of a mechanical grid display, like the display panels in public transportation (bus, train) or at airports and train stations. In a streetcar, I met up with a modern variation of this display which reveals the name of each tram stop as it is approached. This system was based on a customary coarse square grid, but the individual squares were also divided again diagonally in four triangles. In this way it is possible to display slants and to simulate round forms more accurately as with only squares. The displayed characters still aren’t comparable to a decent typeface — on the contrary, the lower case letters are surprisingly ugly — but they form a much more legible type than that of ordinary [quadrate] grid types. DeDisplay from ingoFonts is this kind of type, constructed from tiny triangles which are in turn grouped in small squares. The stem widths are formed by two squares; the height of upper case characters is 10, the x-height 7 squares. DeDisplay is available in three versions: DeDisplay 1 is the complex original with spaces between the triangles, DeDisplay 2 forgoes dividing the triangles and thus appears somewhat darker or “bold,” and DeDisplay 3 is to some extent the “black” and doesn’t even include spaces between the individual squares.
  27. Semlor by Listener, $12.00
    Semlor is a great display comic advertising big font, coming in regular and italic style. This font has multi-lingual and Cyrillic support. We hope you enjoy using this font.
  28. Chervonec Uzkj BT by Bitstream, $50.99
    Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.
  29. Cambridge Round by AVP, $29.00
    Cambridge Round provides a rounded version of Cambridge, useful for headings and more informal texts. The family contains four weights in three widths with matching italic forms for all variants.
  30. EF Franklin Gothic by Elsner+Flake, $35.00
    Franklin Gothic EF is a font family from the Elsner+Flake Library. It had its debut in 2000. In 2016 it was renovated and an additional weight "Italic“ was added.
  31. Virtus Sans by Andrew Footit, $20.00
    This clean sans-serif typeface brings your designs and layouts together in one great looking typeface, uncomplicated and legible large or small. VIRTUS SANS has 4 weights each with italics.
  32. GAU_font_modern - Unknown license
  33. Huron by Solotype, $19.95
    A Barnhart Bros. & Spindler type from the late victorian period. We have been faithful to the spirit of the original buy "calmed down" a few of the lowercase letters to make the lines read more smoothly.
  34. Pacifica by Solotype, $19.95
    This is really Congo from Barnhart Bros. & Spindler, but we felt it would be improved if we smoothed out some of the curves slightly. Conjures up visions of Pacific Islands and other exotic ports of call.
  35. Blue Typewriter by Ana's Fonts, $16.00
    Blue Typewriter is a bold typewriter font and scans pack (with graphics, text, paper) sampled from old documents, for an authentic vintage look. Use this set in any designs that needs a vintage touch: in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Included in this product: Blue Typewriter font with variations: underlined, dashed, crossed-out and dashed underline, in SVG and vector versions (with the vector versions created separately, so that the two versions include subtle differences)
  36. Alloca Mono by Daniel Gamage, $29.99
    To break from the rigidity of a typical monospaced font, Alloca includes weights that go above and beyond. From the wire-thin to the ultra-bold, you’ll be able to do a lot with one monospaced family. With OpenType features like slashed zeros, old style numerals, and case-sensitive forms, Alloca is versatile. It's great for displaying code, showcasing data, or even flowing your body copy. It has broad language support, too, with localized forms for Vietnamese, Polish, Catalan, and Dutch, to name a few.
  37. Architectural Lettering by Outside the Line, $19.00
    This font is for architects everywhere. This all cap font was created for use with CAD programs. It gives the handlettered look of old to computer generated blueprints. Architectural Lettering Bold is the heavier weight for Architectural Lettering. This additional weight makes a best selling font even more versatile. It has all the international currency symbols. Architectural Lettering Regular was redesigned in 2006 to include the same. It can be found in the book “Indie Fonts 3, a Compendium of Digital Type from Independent Foundries”.
  38. Retro Goldy by Nirmana Visual, $22.00
    Introducing our new retro style font, designed to take you back to the good old days. With its bold and playful design, this font is perfect for creating eye-catching designs that evoke nostalgia and fun. Inspired by the groovy typography of the 60s and 70s, this font features thick and rounded letterforms, playful curves, and a distinct retro feel. Its versatility and legibility make it a great choice for a wide range of projects, from branding and packaging to posters and social media graphics.
  39. Killuminati by IKIIKOWRK, $17.00
    Introducing Killuminati - Gothic Type, created by ikiiko. Killuminati is a simple english old type with modern blackletter style. This typeface is inspired by gothic & classic rock band logo. killuminati has a bold font with a combination of sharp and curved corners. This font is perfect for an poster event, stencil, logotype, magazine layout, fashion stuff, quotes, and so much more. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com
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