Introducing the new font Hudiya. This font suitable for use in a variety of design fields, such as event advertisements, product promotions, mug design, book titles, activity titles, logos, and others. This font can when paired with serif font types will make your design project more beautiful and perfect. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual Accents - 5 StylisticSet - 1 Stylistic Alternate - Standard Ligatures - PUA encoded I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/ application. I hope you enjoy the font, thank you.

An experimental font designed by Viktor Kharyk in Op Art style. UniOpt is based on free brush technique similar to experimental lettering of the early decades of the 20th century; for instance to ‘Graficheskaya Azbuka’ (‘Graphic ABC’) by Peter Miturich and works by Victor Vasareli. The face is legible even at small sizes and quite useful to an original display matter, initials and logos. The rigid double-wide structure allows to create complicated decorative works using vertical composition. Interesting that diacritical marks are also placed inside of character square fields and don’t destroy geometrical order. The decorative abilities of the font are increased by inverted versions of characters that may be used in different combinations including in color. The character set contains expanded Latin, Greek and Cyrillic ranges. UniOpt was awarded for type design excellence at TypeArt’05 Contest in Moscow. Licensed by ParaType in 2006.

Introducing the new font Bouncy Manuscript Font. This font suitable for use in a variety of design fields, such as event advertisements, vintage design, product promotions, mug design, book titles, activity titles, logos, and others. This font can when paired with serif font types will make your design project more beautiful and perfect. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual Accents - 2 StylisticSet - Ligature - PUA encoded I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/ application. I hope you enjoy the font, thank you.

Octin Sports is a typeface that commands attention and exudes a sense of strength and resilience. The seven available weights—light, book, regular, semi-bold, heavy, and black—provide a range of options for designers looking to add a bold, dynamic element to their work. But make no mistake, this typeface is not just for the sports world. Octin Sports has a versatility that extends beyond the playing field and can lend a rugged, no-nonsense vibe to a variety of themes. Whether you’re designing for a school, construction site, or law enforcement agency, Octin Sports is up to the challenge. The sleek, angular lines of this typeface give it a distinct sporty feel, making it an ideal choice for designs that seek to convey energy and excitement. The bold weight options are particularly striking and provide a strong visual impact that demands attention. Overall, Octin Sports is a solid choice for designers who want to infuse their work with a sense of toughness and vitality. Its versatility and sporty design make it a font that can rise to any challenge, whether it’s on the field or in the boardroom. Check out the rest of the Octin families: Octin College, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Galvantur Grand is an uppercase-only display font, intended to be used for attention demanding titles and headers, or generally any form of text that needs to take center stage. An offshoot of the Galvantur font, Galvantur Grand takes things one step further towards the extreme, to really give your design projects that special flair. Characterized by the double lines and negative space between them, this powerful font can make any form of text stand out strongly. The multiple styles included can further help customize your designs and projects, to get the perfect feeling you're going for. Comes in 7 different styles - Regular, Oblique, Light, Light Oblique, Outlines, Light Outlines and Oblique Outlines. To get an idea of the various styles, please check out the images or use the preview field to type in text. Galvantur Grand supports Latin and Cyrillic based languages. IMPORTANT: This is an uppercase-only font. Typing out lowercase characters will look exactly like typing out uppercase ones. Furthermore, it is recommended that this font is used with bigger sized text.

Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. YahoschWormy is one of rare results that was interesting enough to save and clean up. The source font was Yahosch.

Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. KolkFizzy is one of rare results that was interesting enough to save and clean up. The source font is Kolkman.

Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. BaumSquiggle is one of rare results that was interesting enough to save and clean up. The source font is Baumfuss.

Bayoneta is not your usual handcut alphabet, though it can seem so. It can also seem like carefully constructed lettering inspired by Polynesian cultures. By bridging that gap between knife-wielding kitsch and studied display lettering, Bayoneta offers quite a various range of theme possibilities. Its clear and attractive shapes can provide the eye-catching spontaneity on a book cover, the expressive shout on a skateboard or a muscle shirt, the mouth-watering brand on a protein bar package, or the main notice on a theme park ride sign.

Minnesota Plaid is the baddest plaid ever! It may not be the choice pattern for golfers' slacks or bagpipers' kilts, but it has a City-like flavor with its own twist, a stylish ruggedness & toughness that could even be described as a sort of formal graffiti, thanks to the art deco swash of many of its strokes. It’s the kind of look that would be perfectly at home with hip hop or rap music, football and other sports, cars and trucks, power tools, and other manly, masculine usages. Of course, women are just as capable of having the aforementioned interests, too. Minnesota Plaid is the kind of font that can get stuck on you! Digitized by John Bomparte.

ITC Drycut is the work of Vancouver-based designer Serge Pichii and gives a twist to the tradition of heavy, woodcut-like typefaces. The font includes all the realistic features of a true woodcut, sharp edges, white cut marks and black slivers. The slivers around the edges suggest traces left after awkward movements of a knife, which are often visible on old woodcuts...Folk artists often didn't care much about refining their carvings and the slivers would have been left as long as the letters remained readable." The lower case alphabet is actually small caps proportioned to match the capitals. The letters of ITC Drycut have a slight slant to the right which lends the font a dynamic character."

Other guys may imitate him, but the original is still the greatest! Get in with the In Crowd and check out the font created by Mister Fontastic for Dave Gibbons Original Graphic Novel, The, ah, The Originals. Yes, Dave Gibbons now comes in lower case, it's not just what he does when he gets back from the off license. Be sure and pick up The Originals from Amazon -- now available in paperback, and probably still available as a hard case, much like Dave. After the crack about the case of beer above, I'm guessing you'll find me with a broken spine in the remainder pile. See the family related to Dave Gibbons Lower: Dave Gibbons Journal & Dave Gibbons .

Piolin So new. So different. Piolin is a memorable display font inspired by the circus universe. This typeface, which has the same name of the most renowned brazilian clown, is full of magical tricks like several characters alternates, swashes and discretionary ligatures. Please, explore the opentype features included in this typeface at their best and go deep inside the circus imaginary.  Piolin is suitable for brand identities, book design, editorial design, campaigns, exhibitions and other promotional materials that seek a special flavour to stand out an astonishing message. If used in big sizes, Piolin reveals its marvellous details which make us feel bewitched by how carefully it is designed. Feel the magic up close!

Auster, A Sans with Flair! Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads. Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 3 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitized, to include language support and all the opentype features you expect in a quality contemporary font. More About Opentype Features: https://bit.ly/opentype-rsz

*Mont Specimen: http://bit.ly/montsp *Scroll down for the FREE DEMO fonts Features: • 744 glyphs in 20 styles; • Extended Latin, Cyrillic and Greek; • Perfect for headlines and logos; • Prominent x-height; • Distinctive pointed triangular bracketed “t”; • Coverage of multiple OpenType features; • Suitable for web, print, motion graphics etc. Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together. The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. The typefaceʼs versatility and merits make it easy to confront any graphic design challenge — web, print, motion graphics etc. Up with Mont to the top and beyond!Mont™ Font Field Guide including best practices, font pairings and alternatives.

The infield dirt is raked, the outfield grass is mowed and the baselines chalked. So grab a beer, smother a stadium dog with mustard and relish, take a seat on the bleachers and get ready -- that handsome devil SPILLS is back on the mound and ready for a comeback! It’s true, Manager [the person who coaches a baseball team is a ‘manager’ not a coach] John JG Roshell has coaxed the wily veteran out of retirement, and he’s returned to the field with the wisdom of extra years and the addition of five new pitches (fonts): Stadium, Dugout, Outfield, Infield, Pennant and Base. The stadium is packed to capacity and we're pretty sure the first time he’s at the plate, it’s gonna be strike-out city! [to continue the logic of the baseball pitching ace as font metaphor, the pitcher would hopefully prevent a home run not facilitate one.] See the families related to Spills: SpillProof .

HS Albadr is an Arabic display typeface. It is useful for book titles and graphic projects where a contemporary, geometrical and streamlined look is desired. The font is based on the simple lines of modern and simplified Kufi calligraphy that support Arabic, Persian and Urdu. It has one weight only which is similar to the bold weight. This typeface is created for being used in technical and engineering companies under strict geometric conditions . The company desires to follow the geometrical shape with uniform and equal dimensions in both vertical and horizontal storks; where some parts of the letters are to be cut at a slanting angle of 45 degree to give the impression of a coherent geometrical nature for this font. The typeface HS Albadr is considered as a chain of geometric fonts series designed for engineering companies. After HS Almohandis and HS Alhandasi were designed we are looking forward to giving some additions to the geometric typefaces field.

The Kensington Runestone is a rune-covered slab of brownstone that was claimed to have been discovered in central Minnesota in the United States in 1898. Olof Öhman, a Swedish immigrant, reported that he dug it out of a field in the largely rural town of Solem in Douglas County. It was then named after the nearest settlement, Kensington. The inscription claims to be a record left behind by Scandinavian explorers in the 14th century (internally dated to 1362). There has been a long-standing debate as to the stone's authenticity, but since the first scientific review in 1910, scientific consensus has classified it as a 19th-century hoax, and some critics have directly accused Öhman of fabricating it. there is community.

Rue is an organic, casually ornamental, narrow-faced sans serif. It is a display type structured with random traces of calligraphic tendencies. It does not begin with any noble ideals, other than to mediate between the muse of imagination and the act of realization. The spirited and exploratory design is the materialization of a feeling about fonts as a family of organisms taking on a life of its own, in work and play. Rue is the epitome of vanity and indulgence which seems to purpose itself well in aesthetics, wellness and botanicals. Its whimsical quality also suggests applications in the form of gifts and ornamentation. In retrospect, Rue was conceived as a typeface, used as an image and discovered as an ornament. It comes in 5 weights of light, regular, medium, semibold and bold, and their matching italics. Rue Display was published in 2010 by TypeTogether. http://www.behance.net/gallery/Rue/373854