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  1. Radiac by Stereo Type Haus, $25.00
    Radiac is a semi-monospaced unicase design inspired by lettering constructed from pieces of tile.
  2. Gilo MF by Masterfont, $59.00
    Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  3. Adama MF by Masterfont, $59.00
    This font is unique by its calligraphic flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm, while preserving the nib strokes.
  4. Bar Yochay MF by Masterfont, $59.00
    Inspired by old engraving and tombstones. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  5. Otsu Sans by TeGeType, $-
    The OTSU SANS family is a new sans-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.
  6. Two Shots by Vozzy, $10.00
    Introducing a new vintage label font named Two Shots. This strong typeface is perfect for lettering on vintage style labels, posters, t-shirts, logos, and more.
  7. Otsu Slab by TeGeType, $19.00
    The OTSU SLAB family is a new slab-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.
  8. Gabriela MF by Masterfont, $59.00
    Inspired by old scrolls and manuscripts., this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  9. Mishkenot MF by Masterfont, $59.00
    Inspired by old engraving and scribes, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  10. Daphna MF by Masterfont, $59.00
    Inspired by old engraving and scribes. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  11. Elef Layla MF by Masterfont, $59.00
    Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.
  12. Churchward Heading by BluHead Studio, $25.00
    BluHead Studio LLC is pleased to be working with New Zealand designer Joseph Churchward in the digitizing of his extensive library of exciting and unique designs.
  13. Boogaloo Avenue NF by Nick's Fonts, $10.00
    A new take on the perennial Art Deco favorite, Broadway, interpreted by 1930s lettering artist Harold Holland Day, and named after a 1960s R&B song.
  14. Auberge Script by Sudtipos, $79.00
    It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
  15. Janda Apple Cobbler - Personal use only
  16. Janda Siesta Sunrise - Personal use only
  17. Talking to the Moon - Personal use only
  18. Janda Siesta Sunset - Personal use only
  19. the girl next door - Personal use only
  20. KG June Bug Reverse - Personal use only
  21. KG Luck of the Irish - Personal use only
  22. you found me - Personal use only
  23. KG Legacy of Virtue - Personal use only
  24. Illyrian by Solotype, $19.95
    Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like the "center alignment" idea, used on several old time faces, but we have been faithful to the original. So there!
  25. Armont by HansCo, $15.00
    Armont is a Vintage typeface font, it will add an old-time charm to any design project. This collection of font is perfect for everything your project with vintage, retro, wild or organic style. Features : Uppercase & Lowercase ( in All Caps ) Numbers & Punctuation Multilingual Alternate character & ornament How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!
  26. Fox by profonts, $41.99
    Fox was originally designed by W. Rebhuhn for the former German Genzsch & Heyse foundry. In reminiscence of the good old times, Ralph M. Unger redrew and digitally remastered this font in 2007. His work is based on artwork taken from old font catalogues. Fox is a very lively script, quite typical for the 50s
  27. Sitting Duck by Kitchen Table Type Foundry, $15.00
    I have no particular affection for ducks, nor do I keep them, but I thought it was about time someone named a font after them! Sitting Duck is a jolly comic/kids font. Handmade (of course), cute and useful. Comes with extensive language support and a cool alternative asterisk in the shape of a duck.
  28. Minnesota by Solotype, $19.95
    Another of the “must have” wood types for those doing poster work with an old-time flavor. Very readable, therefore very useful. We did ads for an old western tourist railroad, and used this often. William Page was a prolific designer of wood types, and his fonts were at every poster print shop we visited.
  29. Bellerin by Mevstory Studio, $15.00
    Bellerin is one of my fonts based on a hand lettering project in 2020. I was very inspired by the famous retro typography designs form the late 60's till the 70's. So you won't need extra efforts for create an extrude effect for this font. This mean it will saves your time.
  30. Thalia by profonts, $41.99
    Thalia is a wonderful Artdeco typeface design reminiscent of 1900. Very likely, it was originally designed at that time. Unger redesigned the typeface based on old prints, completed the character set and expanded the typeface to cover the full Latin glyph set. Thalia is perfect for anything about theater, such as posters, programs, etc.
  31. Patty Day by Ingrimayne Type, $14.95
    March may be a good time to use this typeface. PattyDay is a caps-only typeface in which the letters are decorated with shamrocks or clovers. Some but not all of the lower-case letters are different from the upper-case letters. If you want a version of this face without the shamrocks, try Ingone.
  32. KG Love You Through It by Kimberly Geswein, $5.00
    My beautiful mom was diagnosed with breast cancer in August 2011. Our family's resolution was to love my mom through this time- to stay by her side and remind her each day that she is not alone and that she is loved as she walks this difficult road. This font was made in her honor.
  33. Salud by Etewut, $30.00
    Salud is hand-drawn typeface based on light and bold slab serif. It has 8 font styles and supports extended latin. It may be used in presentation for a big company or in flyers for a birthday party. Other words it plays at both sides: can be formal and at the same time funny.
  34. FHA Nicholson French by The Fontry, $25.00
    An Art Nouveau alphabet that has stood the test of time, Nicholson French, by legendary sign-painter Frank H. Atkinson, is over 100 years old and going strong. In modern typographic trim, it comes with OpenType feature replacement options and multi-language support, from standard Latin-1 to Latin Extended-A, Greek and Cyrillic.
  35. Iva by Type-Ø-Tones, $40.00
    Ivà by Joan Barjau / OpenType, 2 styles.   Ivà, a very personal script based on the handwriting of the cartoonist called Ramón Tosas "Ivà, digitised by Joan Barjau in two plain weights. These fonts were set for the credit titles of a film in 1994 and remain in our collection as an icon of those times.
  36. Nov Schmoz Kapop NF by Nick's Fonts, $10.00
    The logotype lettering of a 1927 issue of Motion Picture magazine provided the inspiration for this playful romp through the alphabet. Named after an expression of the same time whose origin and meaning are shrouded in mystery. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.
  37. Nure by FSD, $39.00
    Nure™ is a variable font family designed in 3 axes (Weight, Optical, Width) to cover all the graphic design needs. Thanks to 11 OpenType Stylistic Sets, Nure™ is one of the most flexible typefaces of all times. Every weight' set is composed by more than 1300 glyphs from Latin and Cyrillic encodings
  38. Old Earthy by Gustav & Brun, $16.00
    Old Earthy is a hand drawn font inspired by the mid 19th-century art movement with William Morris and the Pre-Raphaelite Brotherhood in the front line. The art and the patterns from that time is reflected in Old Earthy. It comes with a set of basic English/Latin letters and some west European diacritics.
  39. Kittle Round by Talbot Type, $19.50
    Kittle Round is a robust display font, with a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Round features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Rough, with a time-worn look.
  40. Shaken, Not Stirred by Hanoded, $15.00
    Shaken, Not Stirred. A famous line from just about every James Bond movie (yes, we're talking Martini-time). The font is also quite shaken (and not stirred). It looks like someone scrawled something onto paper, or etched the letters in metal. Shaken, Not Stirred comes with a set of diacritics befitting a Secret Agent.
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