Motorix is a typeface of alternatives. A versatile and highly flavorful constructivist design in three weights with corresponding italics, and hundreds of variant forms. Motorix’ interchangeable letterforms yield a multitude of combinations that elicit electronic rhythms and at times take on humanistic forms. The name Motorix is a pseudo-feminized variant (the ‘-ix’ suffix being derived from ‘-trix’) of the German word ‘motorik’, which refers to both electronic music and human motor skills. The typeface lives up to its energetic name, synthesizing precise rhythms and alphabetic waveforms into a uniquely upbeat and spunky typeface.

Here's yet another variation of the classic Futura Black Art Deco stencil form of display lettering. The inspiration for this typeface came from various images of the Blossom Dairy Co. restaurant, originally opened as an ice cream and sandwich shop located on Quarrier Street in Charleston, West Virginia. The restaurant first opened in 1938 as an outgrowth of the Blossom Dairy Co. itself, and existed under various ownerships until it permanently closed on Nov. 11, 2016. Digitally redrawn as Local Eatery JNL, it is available in both regular and oblique versions.

Midtown! A blackletter font with 2 styles, regular and roughed. Midtown font is perfect for logos, apparel, T-shirt, Hoodie, product packaging, or anything else. Whats Include? Opentype support Multilingual support PUA encoded Features: uppercase, lowercase, numeral, punctuation, multilanguage, alternates, stylist set. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

Rushtard Brush is handmade signature style font with stunning characters. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several alternatives for lowercase characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu. But If you don't have any opentype specific software, you can still use Collatin as is with its standard lowercase and uppercase letters.

Hasan Ghada is an Arabic display typeface. It is useful for titles and graphic projects. The font is based on the simple lines of Modern Kufi calligraphy with new ideas for square shapes and geometric feel. It supports Arabic, Persian and Urdu. This font was designed in 2002 and the first version was released under name KactTitle in the typefaces group of King Abdulaziz City for Science and Technology (KACST), which supported the Linux operation system. In 2007, I developed this font and created five weights of it.

“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles. One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints. This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Rika is a combination of supposedly male and female characteristics, combining together to create a beautifully realised, high impact, condensed typeface. The tall but well-built characters are softened with smooth curves and a mixing in of thin lines, so that the sharpness of many condensed fonts is brought under control. Suave in its application, Rika is all professionalism and elegant showmanship, great for both headlines and text. Rika comes with support for a number of languages, as well as specifically designed glyphs, and its uses might be considered limitless.

Bismuth is a simple versatile multi-purpose display typeface with nine weights. Both the upper and the lower case are capitals -- the paired letters (e.g. Aa, Bb) differ in construction but keep the same width. The width is also consistent across all weights, making the fonts easily interchangeable. The nine styles are accompanied with a free font Bismuth Symbols which contains more than one hundred various arrows, symbols and patterns for even more striking display typography. Learn more about the typeface and its OpenType features at http://www.urtd.net/fonts/bismuth.

During the heydey of automobile travel hundreds of motels, motor courts and tourist cabins sprung up along the roadways in order to offer weary drivers (and most often their families) rest with a night's lodging. Tourist Cabin JNL takes the inline portion from the inline font Asbury Park JNL and creates this pleasant monoline design. The original design inspiration (from which the inline portion of the letters was taken) was a 1930s WPA (Works Progress Administration) Federal art project poster with the hand-lettered words “Work with Care”

Retrofunk was inspired by the retro typography design in 70's. Script and Serif form a great combination for creating a logos, signboards or a simple word mark. Hundreds of Alternates with PUA Unicode are packed inside Retrofunk Script. Those alternate characters will help you to create a bold, strong, artistic and variate graphic design for flyers, posters, banner Ads, T-Shirts, book covers, titles or any retro or vintage typography. Tutorial: Watch how to access the alternate characters and pairing the basic script font with the extrude style here.

This font is inspired by the samples of the booklet "Caligrafía inglesa" published in Madrid in the late nineteenth century by the spanish calligrapher Vicente Fernández Valliciergo. Hundred of new glyphs have been added, taking advantage of Opentype features. Ligatures, decorative figures, initials and final forms, inspired in the samples of English Calligraphy as shown in "The universal penman" by George Bickham have been added to the font. The result is Valliciergo, a font with more than 1000 glyphs, meant to be a useful tool to simulate the master strokes of the great calligraphers.

Destructive Decisions is a font based upon the inherent flaws of human nature—presented under the guise of complete legibility. At first impression this font is very readable, but upon closer examination you'll notice the edges are fuzzy and some of the lines are off-kilter. You can read it, but it is also a bit foggy. No matter how hard it strives for perfection. This font was originally designed for a cable tv show about substance abuse, but is now available for use in your web and print designs, too.

AFISH was born out of the need to create a variable serif display typeface – so that any headline on the poster would easily fit. The form of the letters comes naturally from Didone style typefaces, while many of the characters have an experimental form that will not leave the audience indifferent. AFISH will be ideal for posters and strong headline and branding use. The entire family consists of one weight and five widths. Karol Mularczyk and Małgorzata Bartosik worked on the project under the creative direction of Mateusz Machalski.

The name Jeullyta is taken from the Indonesian language but with modified pronunciation. The correct one is Jelita which means "Gorgeous". I named this font Jeullyta because it is gorgeous, from the initial process until the end product. It is a strong yet nice looking script font and can be considered a brush font too with the shadow on the body of each glyph. This font is suitable to be used for: Posters Advertisement Book Cover and much more It comes with hundreds of stylistic alternate glyphs to enhance the feel of your design. Enjoy!!

Take a little Inspiration, mix in some Sassy Frass and a splash of Waterfall; add hundreds of alternate forms and you have the recipe for a versatile hand writing font. This fun, scribbly little font can fool you. At first glance it looks crude and simple. But, with over 1600 glyphs, combine the right character pairs and suddenly Fuggles is a powerful script that can be used for sophisticated commercial design. Some characters are quirky, some are swashy, some are scribbly and others are elegant. So take a look at the world of Fuggles.

Dublishines Signature is handmade script font with stunning characters. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several alternatives for lowercase characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu. But If you don't have any opentype specific software, you can still use Collatin as is with its standard lowercase and uppercase letters.

Kon Tiki Aloha is a font that celebrates the design style of mid 20th Century Hawaiian kitsch. This font was inspired by the ad poster of a popular 1960s Hawaiian themed attraction, and contains 120 alternate interlocking ligatures to give it a Polynesian feel. The ligatures can be found under the Discretionary Ligatures OT feature or added from the glyph palette. Jukebox fonts are available in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Giambattista Bodoni of Parma designed and cut his typefaces circa 1790. The Bodoni types were the first of the Modern type designs in which hairlines contrast sharply with bolder stems, and serifs are unbracketed. The Bauer Bodoni font family derives from a cutting for metal type in 1926, retaining many of the original features. As with all versions of this typeface, the contrast between thick and thin strokes of Bauer Bodoni should be taken into consideration as the thin strokes can appear to fade out under certain printing processes.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Inspired by the more than hundred years old classic Cooper Black, Chunk Black features a hefty character with rounded serifs and a soft yet sturdy overall appearance. Chunk Black provides a timeless and friendly feel and it’s very suitable for product and packaging design and any kind of display purposes from music business to restaurant menus and from t-shirts to band logos. Both Chunk Black and Chunk Black Italic are equipped with several OpenType -features and a total number of 87 alternate characters, set in Swash, Stylistic and Titling Alternates and Discretionary Ligatures.

Freak was originally released by The Great Western Type Foundry in 1889. According to Maurice Annenberg, Great Western became Barnhart Brothers & Spindler when the Barnhart brothers bought out the Toepfer family in 1868.The plant superintendent, Charles Spindler, became Secretary of the new firm. Specimen books as late as 1899 show the name Great Western alongside the BB&S name. At some point, prior to 1925, Freak was renamed “Bamboo” by BB&S. It was delisted when BB&S was absorbed by ATF in 1929. Listed in McGrew under “Bamboo”.

New Cuisine is a departure from formal, handwriting, and retro scripts. Influenced by the DIY lettering generation New Cuisine is a joyful looking script with all the right moves. Its bold graphic presence makes it ideal for packaging, online journals and blogs, signage, logos, and menus. Under the hood of New Cuisine lie precise connections, unique ligatures and alternates, and OpenType programming to orchestrate it all. Because of this, typesetting turns into a simple and playful experience. Also included are a simple fraction feature as well as Central European language support.

Dolcetto Script is a Modern Calligraphy Script Typeface with amazing character & a multitude of letter variations to make that perfect and unique design. Ideal for a logo, a name tag, handwritten quotations, product packaging, goods, social media and greeting cards. It contains a complete set of lower and upper case letters, assorted punctuation, numbers, swash and multilingual support. The font also contains several ligatures and contextual alternates for lower case characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu.

Bismuth is a simple versatile multi-purpose stencil display typeface with nine weights. Both the upper and the lower case are capitals -- the paired letters (e.g. Aa, Bb) differ in construction but keep the same width. The width is also consistent across all weights, making the fonts easily interchangeable. The nine styles are accompanied with a free font Bismuth Stencil Symbols which contains more than one hundred various arrows, symbols and patterns for even more striking display typography. Learn more about the typeface and its OpenType features at Urtd.net.

Versatile egg-shaped Huevo, like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. Huevo is the head of the household known as Los Huevos. Tequila-guzzling, cerveza-swilling Huevo Loco is the boldest of Los Huevos and includes cocktail glass, olive, and eight ball dingbats. Huevo Loco can drink any other font under the table. Like most red-blooded American fonts, the favorite pastimes of Huevo Gordo are eating and couch warming, and boy, does it show!

A heavy blackletter; Rudolf Koch’s first type from 1909. On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909. At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).

Milmay Brush is handmade script font with stunning characters. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several alternatives for lowercase characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu. But If you don't have any opentype specific software, you can still use Collatin as is with its standard lowercase and uppercase letters. Thank You.

Baskerville Display PT is a type family intended for large and extra large point sizes. It was inspired by the faces of John Baskerville and designed for expressive display typography. Two weights of Baskerville Display with matching italics are much lighter than the existing text versions of Baskerville. Each of them is an ideal partner for ITC New Baskerville. A good addition to the family is Baskerville Poster which will look great in very large sizes. The font was designed by Arina Alaferdova under the supervision of Dmitry Kirsanov and released by ParaType in 2016.

Distill draws its inspiration mainly from Theo van Doesburg's De Stijl era lettering. The type he designed for the Aubette Café, De Stijl Magazine, etc was used as a starting point and then expanded upon. While this typeface was inspired by historical references, it also has the ability to invoke a contemporary feel under the right conditions. Distill will work hard whether you are designing a neo-constructivist poster or a futuristic website. Distill is a family of 12 fonts: 4 weights, each containing condensed, regular, and expanded widths. It also features several alternate characters.

Stronger is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, Stronger is ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. What's Included: Stronger Regular - The standard version of the font. Perfect for titles and logos. Stronger Swash - Need a cool underline under your text or a splash of paint? This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font

A set of self-adhesive poster board letters once made by the E-Z Letter Stencil Company and sold under the name "Quik Stik" was the model for School Project JNL. Ironically, the line was discontinued because they did not stick very well - the weight of the cardboard caused the letters (which used a rubber cement type of glue) to pull away from the surface they were mounted to. Unlike vinyl self-adhesive letters (which were formulated for indoor or outdoor use) these cardboard sets were relegated to indoors only; further restricting their usability.

Nazhdak is a handwriting sans serif of three styles sketched with a felted pen and digitized afterwards. Designed in 2001 under the impression of Erik van Blockland's FF Kosmik typeface. Nazhdak is searching and investigating boundaries between regular and irregular typefaces. In spite of ragged letterforms and general laxity the face is rather good for small sizes, and in large sizes it completely shows its crude fascination. The main destinations are small informal text compositions and display typography. Nazhdak was designed by Zakhar Yaschin and released by ParaType in 2009.

A comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the French variety, adapted from Bergling, J.M. (1918), Art Alphabets and Lettering (Second Edition), Chicago: Blakely-Oswald Printing Company. The font contains over one hundred glyphs, including character outlines for two-color layering. Suitable to accompany most Gothic (especially Textura and Rotunda) and many Roman typefaces, or to be displayed as drop caps or in full titles and headings. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Initials “Bergling A” Font Page.

Crooked Hooks is all caps font with street style brush. It's contain uppercase and lowercase in different style, number, symbol, and also with multilingual support! Caps Only Fonts. There is a lot of stylistic ligatures in this font. This font also contain opentype feature for adding line under a word, You can access it from ligature, simply type underscore + number (1-3) in the middle of the text. For example: Mar_3ker. You can use this font for any project such as a branding, poster, or quotes! Happy Creating!

Larch is a clear and crisp high quality script typeface. It consists of five weights: White, Bright, Shaded, Dark & Black. Each style is working great separately, but they make the perfect combination together. Larch is designed by Måns Grebäck in 2016. The font supports hundreds of languages. It contains contextual and stylistic alternates, swashes and ligatures. Write # after any lowercase letter to make swashes! You can also write % after the following letters to make left swashes: b d f h i j k l t Example: Black% Lar#ch

The compendium Alphabete: ein Schriftaltas von A bis Z listed the pattern for this family of faces under the name Chicago which, owing to the number of other faces using the same name, makes its origins difficult to ascertain. Nonetheless, its soft lines and round forms have a timeless appeal makes this family an excellent choice for both headlines and text use. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Angora! A handwrittent signature font. Angora font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, advertising, etc. Whats Include? Uppercase and lowercase characters Supports international languages Opentype feature: ligatures Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you’re unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don’t hesitate to drop me a message if you have any issues or queries.

Can you imagine the delight that the printers of the Incunabula era would have had if they had such a tool as this font with a hundred and fifty glyphs of decorative capitals. The printers of that era were lucky to have more than a handful such delights. These Decorated initials and drop caps are all based on early period exemplars, dating to prior to 1525, from a wide range of printers such as Thomas de Blavis to Günther Zainer. Every Proportional Lime Font comes equipped with a complete character map.

Retrouvailles is a French word, which means ‘the feeling one gets after reuniting after a long time’. This script font was based on a couple of handwritten letters and postcards and my own imagination. I used a drawing tablet for the ligatures and the connecting strokes. Retrouvailles comes in 3 distinct styles: the slightly slanted regular style, an Italic style and a back slanted style. Retrouvailles has an abundance of goodies under the hood: it comes with a lot of ligatures and all the diacritics you could poke a stick at.