Opheline is modern display serif family of 9 fonts. The family consists of 9 weights, ranging from thin to black. The thin version reflects elegance and soft texture, while the black version represents modern and strong appearance. The vast range of Opheline family will help you to tackle your designs problem that need professional or classical touch; from the professional-look branding of law firm to classic-historical product branding.

Bomiro is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Bomiro typeface comes with regular, italic, Thin and Thin Italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Royal Stamford is a classy handwriting font with a distinctive curve, inside with some interesting features that are perfect for an authentic-style project . This font is perfectly suited for signature, stationery, logo, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design and more. This handwritten script font contains upper and lowercase characters, numerals and punctuation.It includes Contextual Alternates, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Swash. Features: - Basic Characters ( Uppercase and Lowercase, Numerals, Symbol and punctuation ) - Contextual Alternates, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3 - Ligatures - Multi-Lingual support - Swashes - PUA Encoded How to get access alternate glyphs with designing software to open type fonts, click here.

Introducing Volaroid font duo , simply font with modern and vintage style combination. This will bring a modern and vintage atmosphere together. Minimalist design for your best project. Volaroid font best use for logotype, branding, and t-shirt printing. Whats included? : - volaroid script - volaroid sans Volaroid feature : - Swash (A-Z,a-z) - SS 1 (A-Z,a-z) - SS 2 (a-z) - SS 3 (a-z) - SS 4 (a-z) - S.Alt 1&2 (b,d,h,k,l,t) - PUA encoded - Multilingual Support. --- Notes = Every swash, stylishtic set and alternates have include in Volaroid Script (ttf.otf,woff) I hope this font can meet your design needs. Feel free to contact me in the message or direct email donis4design@gmail.com.

Turnkey is a modern grotesque typeface, it could be described as a neo-grotesque with hints of geometric shapes. A workhorse typeface designed to be versatile for both small and large sizes, ink traps have been used as a design feature above 26pt and a technical feature when printing small body text. The combination of 36 weights and styles allows you the freedom to create. Each weight includes extended support for over 90 languages (Including Cyrillic), fractions, tabular figures, arrows, ligatures, alternate glyphs, and more. Demo licenses are available from colttypeco.com In addition to a standard style set, the Turnkey family also has an italic set plus soft versions of both. Turnkey Soft is a slightly rounded version of the standard and italic, which looks more friendly, warm, and soft. It's corporate but with a personality. Current instances are: Turnkey Standard - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic. Turnkey Soft - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic When used as body type, Turnkey pairs well with: Take Note, Stroom and Markout. Turnkey is perfect for; headings, titles, body copy, logos, magazines, editorial design, corporate branding, brand identity, websites, blogs, apps, games, ebooks, publications, and signage. Turnkey can be found in the Typodarium 2024 OpenType features: Access All Alternates, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Proportional Figures, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Subscript, Superscript, Tabular Figures. Support for 95 languages: Belarusian, Russian, Ukrainian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

SF Groove Machine Pro, a typeface that's just as groovy as Johnny Bravo himself! This font family is so happening in a far-out way. Well, at least we think so.

Atlas is an affable display font (think friendly neighborhood pub) originally created by Day & Collins of London. Atlas has thick strokes and triangular, rounded serifs. Some characters feature curly, decorative elements.

The idea of symmetry came to me when I was lookig for a geometric sans font. None of the things that I found did have the mathematically perfect symmetry. So, I went ahead and created one. I have used complex mathematical equations to get the perfect angle in every letter. Diameter comes with two styles square corner and rounded corner, each with regular and bold weights.

This font features a complete uppercase alphabet, including accented characters, as well as numbers and standard punctation. Lowercase characters are an assortment of useful dings and things. To create very low-load GIFs, compose your type in Photoshop (or equivalent) at 8 point (or multiples thereof), with anti-aliasing turned off. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The initial designs for this font first came from the idea of creating a dynamic and visually appealing typeface just by using squares so throughout the development stages I had restricted myself to just the use of squared paper. The hardest thing that I found was overcoming the problems regarding letter forms that have diagonal lines and therefore defer from the ongoing style of the typeface.

Café de Paris is, clearly, inspired by all things French, especially the quirky typefaces that adorn French shopfronts from cafes to charcuteries and bistros to boulangeries. My intention was a fresh, crisp, modern take on a classic theme, with just a soupcon of Art Nouveau, which is characteristic of so much of French typography (See also Studio K’s Paris Metro font) C'est chic - n'est-ce pas?

This display font has an oriental character reminiscent of brush stroke calligraphy and all things Japanese. My original working title for this font was ‘Spanner’, because the lower case ‘c’, with which the design began, looked rather like the head of a spanner. I originally had in mind something more mechanical, but as it evolved and developed the font itself obviously had other ideas!

Organic Cotton is a straightforward, friendly and highly legible typeface. The lettering is based on contemporary brush/pen lettering with a little fun and lushness added. It is solid, fluid and organic without being hippie-dippy or whimsical - not that I am opposed to those things. Organic Cotton is well suited for packaging and branding and it comes with a 69 alternates, 28 swashes, and 14 ornaments.

Phanthomim is a Beautiful Script font. It is inspired by lovely and beautiful things in life and looks modern and awesome in many way to your latest project. Phanthomim is perfect for logos & branding, photography, invitation, product designs, stationery, wedding designs, labels, product packaging, special events or anything that need special taste. If you have any queries, questions or issues please don't hesitate to contact us direct.

Introducing! Merlandio is a hand painted font with a style natural, sweet and simple. Made with great care to provide the natural and modern elements. This font will look great if used single even with other pairing fonts. The great thing about this font is you can find some style when you use it, examples such as natural handwriting style, unique, simple, elegant, and bold.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

The Velvet Hammer is a true hand calligraphy font that offers the viewer a sense of strong elegance. This font can be used for all things such as cards, posters, signage, wedding invitations, catalogs, book covers and so much more! The Velvet Hammer’s simple unique style can stand strong on its own or sit comfortably side by side with any display or text font!

Fiesta De Los Muertos is a fun and festive display font! Not only can be used for Halloween theme needs, you can use it too for other things for daily needs. Use it on t-shirts and clothing, book designs, greeting cards, stickers, posters, banners, or anything that needs a fun touch. Try it to create fabulous designs and feel the fun and cool vibes with it!

Threatening Letter is a decorative font, inspired by vintage looking newspaper letters with grunge effect added to it. It’s meant to resemble a ransom note and it allows the user to play with combinations of uppercase and lowercase to always get different effects and avoid letter repetition. This font can be used for various things such as posters, T-shirts, magazines, book covers and headlines.

Cassandra has two kinds of letters, wide Capitals on the (shift) capitals and narrow ones on the (no shift) lowercase. You can match them as you like. Take one narrow S and a wide one or two wide ones, whatever turns you on. It will almost always look good. Cassandra is my "bow" to Adolphe Mouron Cassandre. Yours sincerely mixing things up for you Gert Wiescher

Thematic fonts aren't always big sellers, but they do serve a purpose for specialty projects and applications. Bonehead JNL is a novelty typeface that is constructed out of bones. Whether the need is for a pirate theme, Halloween, horror movies or for things that go bump in the night, this font will fill the bill – no bones about it. Oh, wait! Yes there are!

Say Hello to Pollysweat! A fun, cute and adorable font with handwriting style. This font can be used to create fun, beautiful, and outstanding things in your design. Perfect for playful quotes, packaging, branding, website, headline, invitations, greeting cards, posters, presentations and more! Super easy to use - with a couple of extra bonuses such as multilingual, ligatures, swash, and alternates. Enjoy this cute font!

Patri is an original type LGtypes, modern with style that recalls the belle epoque, combines a wide and a thin line, elegantly finished.

This was created during experimentation with thin pencil lines and thus unremitting was created. This font works well with illustrations and gentle photography.

Zamaica is a thin and modern display font. Add it to your most creative ideas and notice how it makes them come alive!

Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.

Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

“Quercus” is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

Meet Very Frank, a font that won’t feed you any lines or tell you any lies. Straight and tall and lacking in all but the subtlest softening details (look at the leg on that uppercase K, though…). Very Frank is a condensed sans serif display font (in regular and italic) with tall, straightforward lines and subtle curves to soften things up. It includes a ton of standard and discretionary ligatures and two stylistic sets to spice things up and add some fun. It's perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Very Frank includes approximately 540 glyphs and more than 75 standard and discretionary ligatures. Additional OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.)

Vertrina marries four virtues: elegance, simplicity, character and usefulness. It started as an idea to combine two things: the elegance of classical Roman typefaces and of classical Roman architecture. The result is that rarest of all things - a truly new face that is elegant yet characterful but not so obtrusive as to be restricted to display work. All the faces' uprights mirror the elegant taper of Roman columns, as used in the most simple and elegant form of Roman architecture. The serifs are a subtle shape that mirrors the pediments and corbels of that same order of architecture. Vertrina is a family of eight faces, four upper and lower case faces, suitable for the elegant setting out of text, and four small capitals faces ideal for headings and titles. You'll find regular and bold weights and normal and condensed width, as well as a range of Opentype ligatures. All faces are offered individually and in family groups. Bring some simple elegance to your work.

I have enough jewellery - Said no one ever. In every wedding proposal, jewel is a number one thing (after love) that man present to their woman with “Will you marry me?” sentence following. If that’s the way it works, let me show you Arzeti. A present for the one you love. I'm not gonna say its a font cause its a jewel. A sparkling beautiful things for your wedding projects, never get any wrong with any of your wedding invitations, greeting cards, bridal stuff, signs, logo, fashion branding, rustic theme, sweet stuff, as long as love involved, please, give it a go and enjoy it more. Arzeti Script is a beautiful skinny monoline script font (okay its still a font tho) with implementation of handwriting and carefully crafted to lookin lovely in every letters that they have. There’s a Stylistic Alternates for the Uppercase of each letters to make your name sparkling more than before. Available in OTF and TTF files and Multilanguage Support.

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged-1234 family has ink blotches and spills, along with misprinted letters, and the typeface has four versions (1, 2, 3, 4) giving increasing amounts of chaos, jumbledness and irregularities.

Ingredients: 1) Dusan's right hand; 2) The eye of the Cobra, leg from the dragon, software from the Bill; 3) Elliott Smith (TM) playing in the background; 4) Old grandmother to tell you not to spice it too much; 5) Empty label for your jar/ box/ product...

Light Roman is an engraver, all-capitals font for invitations and stationery. The Light Roman font has strong contrast between thin and thick strokes.

Calinea is thin handwritten style. Make it look simple and beauty. Recommended to use for memorable moment, beauty product, beauty tag and wedding invitation.

Window Treatment JNL gives a classic thick-and-thin line treatment to the Art Deco design found in the monoline font Window Dressing JNL.

Standard Typewriter, one of the Intellecta's bestsellers, is a family of emulation typewriter fonts with a partocular thin and beautifuldesign to improve your artwork.

Neoro is an Art Deco condensed display typeface with an emphasis on its legibility to work as a “workhorse” typeface. Neoro is developed with the intention to be used in almost all media and sizes. By combining the characteristics of an Art deco type with an emphasis with it’s legibility, this typeface is versatile in almost all medias you can think of! Magazines, body text, captions, headlines, display, albums and almost any media you can think of! *This font includes letters, numbers, multi-language, and all essential marks needed.