CALYMATI is a bold, vintage-style font that has beautiful curves. This font is basically a classic serif font that is thick and has a slightly beautiful feature because the strokes have beautiful bends so that even though it is sturdy it still has a beauty side, it is very suitable for vintage designs such as a brand logo badge, liquor label, but also can for more modern designs like magazine headlines. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

“Marne” is a new font inspired by letter designs from the 80's but updated. Standing out for its condensation, its angular touch, its slight slant and its thick and thin lines, “Marne” is the perfect mix of elegance and informality. Open Type features include a full complement of international characters, alternatives and ligatures. With all this, the text will look alive and dynamic, without the monotony of repeated letterforms. “Marne” can be the choice to create titles, logos and posters for branding and packaging, invitations, greeting cards, magazine and book covers, children's material, fashion, and wherever you want!

I have been to Japan many times, but I have to admit that I have not (yet) been to Odaiba, so this font is a reminder that I should go there one day. Odaiba is a large artificial Island in the bay of Tokyo. It is a popular shopping and sightseeing destination and its sights include a copy of the Statue of Liberty and a mega-sized Gundam Robot. Odaiba Script is a handwritten font. I used a Sharpie pen on paper, so it is nice and thick. It comes with double letter ligatures and all diacritics.

A one-time co-worker of mine sometimes used a fanciful inkpen-style script in display-lettering situations. I liked it a lot. "Phil," I says, "why not do the whole alphabet, maybe a few little dingbats, and I'll make a font." Well, one day he presented me with a stack of posterboard; he'd done some letters, all right -- hundreds of 'em. I managed to boil these down into a typeface called Treefrog, a name that seems to match its organic jumble, its tall x-height, its left- and right-leaning stems, its thick and thin strokes. Full release has many dingbats.

M Ying Hei™ is designed by type designer Kenneth Kwok and Robin Hui. Unnecessary details have been eliminated to pursue a minimal form. The structure of characters are well balanced, neat and dignified. Different components of a character are cooperating perfectly in an appropriate proportion. Thickness of strokes are modified according to the number of strokes, thus achieving an even texture throughout the paragraphs. Therefore a perfect choice for prints, user interface and signages. M Ying Hei™ is equipped with 7 weights, which is sufficient for various occasions like matching with different Latin typefaces and handling complex information hierarchy.

Gingo is a wild brush script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its thick strokes are inspired by mid-century advertising, is full of spirit and progressiveness. The handwritten family consists of three weights: Gingo Thin, Gingo Medium and Gingo Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

SK Fillout is a display typeface inspired by the problem of information noise. Noise is embedded in the basis of characters structure, which gives it a unique form. The typeface is built on combining several thicknesses into a single symbol form with an offset at different distances. For better expressiveness, each letter has two variations of the character it included into the uppercase and lowercase sets. This typeface supports many languages included in the Extended Latin and Cyrillic type sets. The SK Fillout font is perfect for bold design, for working with printed and web products.

Inspired by the medieval print design, the look of the sans serif typeface is strong and beautiful. It brings charming curves and satisfying patterns to traditional thick fonts. I like to use this font for printed material and titles - the height attracts attention and creates a visually attractive modern medieval feel. Graphemic fonts include two fonts - Regular and Light. Graphemic offers broad language support, upper and lower case letters, extended numbers and punctuation. Specifically suitable for: Posters, Blockbusters, films, trailers, headlines, titles, logos, branding, scripts, display & bold 'goods'. Thank you for viewing! (and more thanks for the purchase)

Berghan is a modern grotesk sans serif features thick and thin contrast details for contemporary nuances. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding font, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with this typeface!

Hiroshima Gyoshi is a handwritten font inspired by ancient Japanese calligraphy. The thick and random strokes look very prominent and play with negative space. You will feel the rhythm in irregularity. it is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. This fantastic font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Hiroshima Gyoshi will look spectacular

I've been obsessed with type since I was very young, says designer Pelle Piano. “In fact, when I was ten, I used to sneak into stores who sold Letraset sheets, and I actually stole their catalog with all the typefaces. They were perfect good-night stories for me - alphabet after alphabet!” In ITC Lingo, Piano tried out the effect of taking a very rigid underlying letter shape and representing it with “really sloppy outlines.” The underlying form is a condensed Bodoni-like alphabet, with high contrast between thick and thin strokes, but the effect of Lingo is sketchy and informal.

Coralis Elegant serif with a creative atmosphere and perfect shape, inspired by today's beautiful Display serifs. thick, balanced and varied, born for luxury and beauty. In my example I show how this script can be used. It's great for logotypes, branding, wedding invitations, romantic cards, retro labels, packaging, name spelling and more. Coralis Elegant comes with beautiful uppercase and lowercase letters, numbers, and punctuation. In addition to the main character set, there are many alternative characters, start and end sweeps. . Multilingual. . SWASH. . Ligature. . Style Set. If you have any questions please feel free to contact me! Thank You,

Fatum™ is a new original ultrablack slab serif typeface that was initiated by the impression of the TDC 2011 exhibition. Redundant stem thickness and closed character shapes make a feeling that counterspaces are the narrow slits cut in massive character bodies. Fatum can be used in large sizes in placards, playbills, in the headings of magazines, newspapers and Web-pages, as initials in book setting, for typographic illustrations and compositions. Ultrablack weight also gives a possibility to insert pictures, ornaments or other decorations into the contours of letters. This typeface was designed by Sveta Morozova and released by ParaType in 2013.

Sainthorn Script is a typeface thick and easy to read, it would be so comfortable to wear .You can use it as a logo, badge, headline, and on insignia, packaging, posters, t-shirts/apparel, greeting cards, business cards, wedding invitations and more. The flowing characters are ideal to make an attractive messages to your taste. Mix and match with many alternative characters to fit your project.It will be more interesting if you add swash / alternative swash. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support : maculinc@gmail.com Thank you! Maculinc

OLDASH is a bold, all-caps serif font, perfect for motorcycle and vintage-related designs. A fairly simple font with not much variation from the serifs of the past. With only a thick feature and the hook is a little fat. This font is also suitable for headlines or short texts not for paragraphs. This font is also suitable for modern designs. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

Kubo Sans is a Typefamily based on square geometric shapes and subtle as possible. It is designed to be as thick and strong as possible following its basic shape as well as being versatile. Equipped with 10 weights ranging from Thin to Extra Black, making Kubo sans very suitable for use on the body and even perfectly applied to headlines / titles, giving a bold and strong impression to the design. With a complete weight, Kubo sans will be very integrated for design needs such as, Poster, Cover, Magazine, Web Ui, social media posts, advertisements, books, quotes, movie screens, thumbnails, and many more.

Bedontes is an unique handwritten brush font. Created with brush pen to give a great contrast between thick and thin curves. Drawn, Scanned & Vectorized from paper to screen. I wanted to create an authentic brush typeface leaving the texture and imperfections the way they are, but perfect for any awesome project that need hand writing taste. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it!

NEWSFLASH! Revla Sans is now available specially tailored for smaller settings. Take a look at Revla Sans Text ! Meet Revla Serif 's dorky younger brother, or should that be brothers? Revla Sans is a grotesque companion to Revla Serif, in four weights. The weights can be used pretty easily as grades, so that text set at different sizes has similar thickness. The contextual alternates engine from its serifed sibling is used to pseudo randomise the text and avoid the monotony of repeating glyphs. Other features include case sensitive forms, standard and discretionary ligatures, stylistic sets and automagic fractions.

Summer flower is a dazzling script font with a lovely atmosphere and spotless form, inspired by a timeless classic calligraphy. Not too thin and not too thick, balanced and varied, summer flower was designed to enhance the beauty of your projects. summer flower will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

New Eurostile! A redesigned Eurostile font, Astor font, was created inspired of one of most used fonts in the world. Idea was to make new, contemporary design of old Eurostile font which was created 1962. by designer Aldo Novarese. Main characteristics and features of Astor font are: beautiful design and contemporary font. May be used like display font, cargo font, OCR font. Most of glyphs have same thickness and high modularity in combining 2 or more glyphs. Good for architect’s projects, labeling, making environmental typography installations, for use of some interior or exterior designs, furniture designs etc.

Gamby is an attractive, vintage, playful display font for your customers. Its main character is the round, thick letters in thin outlines. Gamby provides two versions, regular and italic to use for bigger-sized texts to be legible. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Gamby fits for any design projects, such as posters, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

Belfast Grotesk™ 9 weights, 18 uprights and Oblique. Each typeface contains over 700+ glyphs with latin extensive Western, Central and Eastern European language support, Free updates and feature additions. Belfast Grotesk™ influenced by the grotesk typefaces developed in the early 20th century. Attempts to follow the best traditions of Grotesk typefaces. A good amount of contrast between the stroke thickness of each weight. Belfast Grotesk™ was developed with unique glyphs to offer best flexibility. a good legibility in short texts. OPENTYPE FEATURES Including tabular figures, alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style. Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text. Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website's headers as well as brand identity design.

Porchlight is a soft serif font inspired by vintage French typography. It includes three weights: regular, semi bold and bold, with matching italics. It also includes bonus ornaments that complement the font beautifully, for elegant and easy designs. Included in this trendy font family: 6 fonts: regular, semibold and bold, plus italics, with over 300 glyps each, including small caps and lots of ligatures. ornaments font with 52 ornaments (13 different designs, mirrorred horizontally and vertically). borders font, with borders with different thickness. Use Porchlight in print layouts, logotype design, social media posts, branding and packaging.

Monckeberg is an expressive font with a strong personality which is based on 15th century classic Venetian typefaces. High contrast between thin and thick strokes, calligraphic features and diagonal stress are its most striking characteristics. Monckeberg is ideal for short text and paragraphs, and specially designed for logos, branding, editorial design and web use. Monckeberg consists of 2 subfamilies of 9 weights, from Thin to Heavy, with matching italics, resulting in a total of 36 fonts. The basic family is classic and elegant while the alternative version allows for greater design freedom. Monckeberg contains 511 characters that support over 200 Latin-based languages.

Lombriz attempts to bridge the gap between different kinds of typography - including packaging, signage, and sporting. The result is a heavy, yet casual, 1950s-inspired semi-connected script. The freestyle Lombriz feels friendlier, more readable, and a touch more ‘real’ than most scripts of its kind. In certain settings, the thickness of the stroke in the capital letters accentuates, while the lowercase flows like casual, brush-drawn letters should. Lombriz comes equipped with more than 50 alternates and custom ligatures. These extras are conveniently tucked into the OpenType version for those programs that support such functionality.

Bokena is a remarkably elegant serif font that exudes timeless sophistication and grace. Its beautifully crafted letterforms feature delicate, elongated serifs that effortlessly convey a sense of refinement and luxury. With a perfect balance between thin and thick strokes, Bokena achieves a harmonious and legible appearance, making it an ideal choice for conveying a sense of sophistication and tradition in various design projects, from high-end branding to elegant invitations and editorial layouts. This typeface’s inherent grace and versatility make it a standout choice for those seeking to add a touch of timeless elegance to their visual creations.

Take your design game to the next level with a bold, thick and expressive font that truly looks hand painted. The Fest uses authentic looking fonts and is sure to grab the attention of customers and designers alike. We made 2 styles for The Fest, it lets you explore and improve the personality of your design works. This version is also great for blocks of text and small print. Slanted - With a little improvement for the slanted version, The Fest Slanted is fit for the any size. These style is alternative of your choices for the look.

M Ying Hei™ is designed by type designer Kenneth Kwok and Robin Hui. Unnecessary details have been eliminated to pursue a minimal form. The structure of characters are well balanced, neat and dignified. Different components of a character are cooperating perfectly in an appropriate proportion. Thickness of strokes are modified according to the number of strokes, thus achieving an even texture throughout the paragraphs. Therefore a perfect choice for prints, user interface and signages. M Ying Hei™ is equipped with 7 weights, which is sufficient for various occasions like matching with different Latin typefaces and handling complex information hierarchy.

BOUNESVA is a bold, all-caps serif font, perfect for motorcycle and vintage-related designs. A fairly simple font with not much variation from the serifs of the past. With only a thick feature and the hook is a little fat. This font is also suitable for headlines or short texts not for paragraphs. In addition to vintage motorcycle designs, this font is also suitable for modern designs. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

VORTHMIRQ is a script display font with a texture brush, a font that is basically made from digital calligraphy, so it feels very thick with the calligraphy style using a brush on this font. Fonts that are suitable for modern designs such as youth fashion, skateboard brands, quotes, etc. This script font with a texture brush makes this font flexible because it doesn't look feminine, making it easy to apply to non-feminine designs. YOU WILL GET : To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Brockies is a sporty, strong, and elegant typeface, with a college style. Inspired by design styles that are currently popular, this is the answer to every need for ideas that you will pour in this modern era, with a thick and sturdy style in each letter as if this font has a soul in it. It excels on posters, social media, headlines, headlines, large format print - and anywhere else you want attention. Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - multilingual - Ligature - alternates - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Introducing, Trimo, the clean and simple Modern Serif. This font has an attractive, clean and simple alternative and several ligatures that enhance it, making your font / logo even more attractive. This font has a thick and thin shape, making this font look unique but doesn't leave an elegant impression. This font is especially suitable for logos, invitations, novels, books, magazines, labels, greeting / wedding cards. So what are you waiting for! What's included? Uppercase Characters Lowercase Characters Support 75+ Language So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM. Thank you for seeing

Elongated Roman is a Didone-style serif typeface. It was originally designed in 1950 by typographers at Stephenson Blake. After International TypeFounders, Inc. acquired exclusive licensing rights to the Stephenson Blake Collection, Steve Jackaman (ITF) digitally revived the typeface in 1997 for the Red Rooster Collection. Much like other Didone typefaces, Elongated Roman’s strong contrast between thick and thin strokes and hairline serif design strengthen its elegance as a “modern face.” Unlike other Didone typefaces in the Red Rooster Collection, Elongated Roman was designed with display size in mind thanks to its strong variance in stroke weight.

Introducing you "Wild Heart", our new lovely script font. Featuring handwritten, refined flows, "Wild Heart" includes beautiful uppercase and lowercase letters, numerals, punctuation, and adorable heart swashes. Repeating every inch of it the ending heart swash is a mirrored replica of the beginning heart swash. Also, there is a connecting heart swash which serves to bind two words or letters together. The font characters are thick enough to fit perfectly for all types of printing techniques, especially Cricut, Silhouette, etc. "Wild Heart" can add a charming touch to your branding design, wedding invites, cards, monograms, and so many other projects.

DRUMBEAT, a brand new face from Edy Type, coming to help resolve the necessities of loose scripts in Packaging and Editorial Design. Its' very particular thicks and thins and ups and down, makes it very suitable whenever informalities is required. Used with tiny little characters, enlarged to mammoth sizes or filling a large page with it, would show it’s perfect balance and color, almost as if where hand writen. In fact, a truly different script, a graphologist would declare that is written by a person very sure of what he wants, and besides and best of all, it’s pretty.

M Ying Hei™ is designed by type designer Kenneth Kwok and Robin Hui. Unnecessary details have been eliminated to pursue a minimal form. The structure of characters are well balanced, neat and dignified. Different components of a character are cooperating perfectly in an appropriate proportion. Thickness of strokes are modified according to the number of strokes, thus achieving an even texture throughout the paragraphs. Therefore a perfect choice for prints, user interface and signages. M Ying Hei™ is equipped with 7 weights, which is sufficient for various occasions like matching with different Latin typefaces and handling complex information hierarchy.

Blacken is a contemporary blackletter with some fraktur flavour and a deep dark spirit. With its 420 characters covering 219 Latin-based languages, this font is ideal for your posters, book covers, logos, tattoos, and to play with its strong and thick characters. Among its inspirations are the gothic-cholo style, Mexican sign painting (the one in tacos and tortas, of course) and some delicious Belgian beer! Besides the Regular width, Blacken comes with Condensed and Expanded versions and Mix, which combines the three widths as OpenType features. You can also get Blacken Variable to create your own ideal width!

Hello everyone, we introduce our new product, Thadzan - Super Bold Condensed inspired by the title of the sports poster, We make it very energetically, so it has very strong characteristics, taking into account the thickness and density of each gliph, along with a ligature that makes this font look unique. Thadzan font with strong and challenging nuances. It is also equipped with 10 glyph ligatures, which make the characteristics of this font even more extraordinary. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

SK Fencer™ is a typeface inspired by the fine art of fencing. Its light linear features contrast with the angular thicknesses, creating a unique image of the font and influencing its behavior in the line. Using alternative uppercase characters, you can implement a lot of typographic ideas that will decorate your design. A large selection of weights will also be a great help in your work. The SK Fencer typeface is suitable for both headers and small text arrays, and its widest set of glyphs supports both extended Latin, Cyrillic and many other languages. SK Fencer – elegant, practical, dynamic, unusual!