This font was originally designed side by side with my first attempt at a semi serif typeface in 1997. The design made it through to full development only a couple years ago when our studio decided to complete the regular weight for a local project here in Bangkok. The face is a traditional serif with narrow stem (somewhat like sans serif) and industrial stroke. A good mix of Bangkok character where you can find Wat (old buddhist temple) next to futuristic high rise. This font was shown in Klingspor-Museum Offenbach, Germany, at a Typographic & Type Design exhibition Schrift in Form 3-26 September 2008.

Combust is a modern playful display font with fire. The font is thick so it can still be read even if there is a burning fire, suitable for various purposes, poster design, for video game or movie titles, or promotions on social media.

Mister Giacco Pro, designed by Diego Giaccone, is a simple stroke sans serif font designed with a solid structure that is ideal for corporate use, branding and any design where legibility and personality are required. It is available in 3 weights including small caps and italics.

Introducing our new item, "Rockrace". The font set which has 3 different styles that you can combine it as a headline, subheadline, and tagline. The techno style has a negative space in the middle letters, gives a modern touch. Suitable for sport, techno and minimalist theme.

Night Light is a specially created collection of seven neon inspired fonts giving designers the power to replicate traditionally hand-made lettering from the comfort of their own computer. Choose from the selection of script, sans serif and outline fonts to set your text. Then apply our custom graphic styles for a life giving jolt of electricity! The appeal of neon lettering lives in its power to display a message in a functional, eye-catching and timelessly cool way. How many times have you stopped in the street to admire a bar sign or shop front blazing with neon colors? It's aesthetic works equally well for a Hot Dog stand or high-end fashion brand, providing a tried and tested technique for grabbing customer attention. I've designed these fonts to make the power of neon accessible to all, investing time to research real neon signs and how they are made, paying attention to their human imperfections and inherent limitations (all of which makes them). This research has been distilled into these essential styles; Script, Outline, Inline, Square and Compressed. These seven core fonts give designers a new opportunity to take advantage of realistic neon lettering in their print and online projects, perfect for music promotion, film titles, YouTube tutorials and gig posters. Ready to be moulded to any requirement, the power of neon is in your hands. Neon Graphic Style Presets Available Here The link above provides access to the graphic styles seen in the visuals with support for Adobe Photoshop, Adobe Illustrator, Adobe After Effects. Simply download and follow the instructions provided.

Bufon is a font that holds many ligatures (815); a characteristic that intervenes in the rhythm of words. For this aim, a study of the combination of signs in the text was made. The interest was to detect the most frequent duets and trios of letters. Three languages were studied; English, French and Spanish.

Highbrow Cafetorium JNL is a very "minimalist" font in the sense that there's only the basic lower case characters and essential punctuation. The lettering is based on a neon-and-bulb wall sign for a long-closed cafeteria on Lincoln Road in Miami Beach, Florida. The 'b', 'd', 'k' and 'l' have unusually high verticals.

A shape-shaky script font that reacts to audio! Thanks to the variable font technology, fonts today can be variable be it weight, width or any other parameters that are defined by values such as shape! Even better: in html, with a bit of css (and in this case, javascript as well) it is possible to animate them between these values. This gave me the idea to create something really fun which is a quirky, informal handwritten font that can react to sound. The html file along with css and javascript is taken from codepen.io and I was using and tweaking it to this specific project. Please read more details in this pdf where you can also find link to a demo and download the txt files: https://drive.google.com/file/d/15J_6g3NgmZKJYO6SrnOHj4Rk7qltkfwE/view?usp=sharing The character set of this font contains Western, Eastern and South-Eastern Latin accented characters, special characters, basic symbols, punctuation and signs. Best use is with large size and a few words rather than large sentences. I hope you guys like it and it will add up to your next creative project! Have fun and happy creating!

A European font from Bauer's foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising, our version reads quite well in smaller point sizes, too.

"Street Stronger" is a graffiti font with three layers that can be used to create a three-dimensional (3D) effect on your text. By using these three layers in your design, you can add depth and dimension to your typography. Fonts with these layers are often used in street art, posters, or other designs that aim to create a prominent 3D effect. With "Street Stronger," you have the ability to create text that looks different and adds a strong 3D impression by using the various layers. This allows you to customize the text's appearance to fit your design vision and add a powerful three-dimensional touch to your project.

The great sans-serif for heading:) This is the big update of my font Parallone created in 2018. I needed the compact but not monospaced font with oversized caps. And here it is) Extended latin set Friendly glyphs design Stylistic alternates + ligatures 6 weights + italics

Alf Becker was a master sign painter and lettering stylist who created well over 100 alphabets for a monthly feature in the trade magazine "Sign of the Times" during the 1930s and 1940s. Thanks to Tod Swormstedt of ST pubications for supplying the source material. One of these designs features a modernized version of Old English or "text" lettering making it more legible for sign and show card work. Doing away with extra curves and swashes, this type style is more calligraphic in nature than classic. Modern English JNL was modeled from Becker's original design, and is available in both regular and oblique versions.

ITC Typados is the joint effort of Roselyne and Michel Besnard and is composed of characters in two different senses of the word. First, it is of course made of letters and symbols, clean and legible with generous widths and x-heights. There is a hint of Art Nouveau style in the tapering, brush-like strokes. But the figures of ITC Typados are also made of characters in the theatrical sense: little tear-drop heads on tapering bodies that bend themselves into the shapes of an alphabet while maintaining a life of their own. The typeface is based on a recurring character in Michel's sculpture and painting, Ado. Ado is the first character who sings and repeats itself in all my creations," says Michel. "This adventure brings new forms for my painting and my sculpture: coiffed heads, bodies in the form of a cone, arms in the form of spread wings, etc." "Type" plus a number of "Ados" equals ITC Typados."

When I was surfing the internet, with rock n 'roll music. I accidentally found a picture of a hotel sign with a very unique style, namely: Mid-century Modern (MCM). It looks very pretty and charming to me. And inspired me to create Font Family. And I am proud to present the Vallery Hills Font Family. This font is in the Retro style of the 50s to 60s. Okay, here are the specifications. 1. Vallery Hills Schrift There is one unique thing about this font. Usually, script fonts with Retro style always have an angled anatomical shape, but I made this font upright. The goal is to make a difference with other script fonts I've seen. By the way, this font comes in two styles, namely: Regular and Bouncy. Why do I make it like that? Because I want to make this font into two different functions, namely: If you want to make it a Display Font, which is usually used for Headings, then use the Bouncy style. And if you want to use it as Bodytext, then use Regular. 2. Vallery Hills Sherift This second font is a font that is very synonymous with the Mid-century Modern (MCM) era. A very distinctive form of the serif font of that era. Similar to the first font, this font also has 2 styles, namely: Regular and Bouncy. You can combine this font with the other two fonts in Vallery Hills. It could be Title, or Bodytext. And you can also combine two styles, namely: Regular and Bouncy. Try! 3. Vallery Hills Suns Sherift This last font is Sans Serif. Also has 2 styles like his two brothers, namely: Regular and Bouncy. The goal is actually the same. I am sure you are cooler to create a design that uses this font family. Well, there is one advantage of this font from its two siblings, which is that it has a feature, namely: SMALLCAPS. Which will be an option when you are bored with the mediocre shape or style of Lowercase. Try combining the Smallcaps with Uppercase or Lowercase. Must be cool! : D Oops, almost forgot. This font consists of several font formats, namely: OTF, TTF, and Webfonts. And of course everything is MULTILANGUAGE. OK, friends. That's all I can describe about the Vallery Hills Family. Hopefully it will please all of you. Cheers!

These Op-Art-looking little balls and gems appear 3-D without the help of any special graphic filters, which makes them perfect for use with flat colors or one-color print jobs. 72 characters.

Most everyone agrees that chocolate is irresistible. Now the Koziupa & Paul tag team is offering you a choice of three irresistible flavors, from the bittersweet Amargo, to the mouth-watering Dulce, you now have three different possibilities for the pleasure of your taste buds. The OpenType versions includes de 3 flavors all in one.

Eight designers present a set of icons that indicate the fun and fantastic world of signage. Each collaborator's solution represents a completely different interpretations on signage vernacular. Akira Kobayashi's "Subsumption", obscured by foliage, offers a perspective that signs on Japanese roads can be vague and beautiful. M.A.D.'s "People Signs" is a graphical association of people signage with a variety of well known situation symbols. Cynthia Jacquette's "Honest Arrows" are a series of arrows that attempts to honestly tell you how to get from point A to Point B in a big, confusing city. Mike Kohnke's "Road Kill" and the "Bump & Bruise" highlight how signs make for perfect targets when unloading a round of buckshot, and the licking a contruction barrier often endures. Joachim Muller-Lance's "Traffic Blends" places faces on things! Hey, didn't you give your first car a nickname? Cars are alive, you know - they guzzle and smoke all day. Jean-Benoît Lévy's "Inner-State" was inspired while reading the California driver handbook to pass a driver's test. Kevin Roberson's "Tail Lighting" reminds us to drive carefully and not to forget to signal. Diana Stoen's "Drivers Out There" shows us "driver personality archetypes", including the lil'ol lady that everyone tries to avoid.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Mekkaso Tomanik is a font whose letters have had diamond holes punched into them. In fact, so many holes have been punched into the letters that one could ask whether this font is more letterforms, or more holes!

Where most fonts are available in varying weights, 52-Kfx is a family consisting of 3 heights; High, Mid and Low. These offer the typographer a full palette, Low is readable for setting copy while at the opposite end High is better suited for display—names, headlines and logotypes. 52-Kfx has a sophisticated and elegant period feel with clean, modern lines that remain relevant for contemporary application. Exaggerated ascenders and descenders of the lowercase and a tall cap-height give it a lofty stature while the low x-height keeps characters grounded. The spacing and lyrical rhythm are perfectly in sync and epitomized by the fluidity seen in the ligatures.

SOUTUMI Features: 6 Ampersand options per weight Extended Latin characters 2 Pi symbols Capital and lowercase 'sharp S' Loathing the time it took me to complete the family for my personal freelance identity, Multipolar (& the first font I ever authored myself), I vowed to take the challenge of working within considerable record time. Soutumi was conceived of this challenge; it's vain purpose as such is more meaningful than the forms or any other semiotics that make up itself. Whereas Multipolar took me 9 months to complete, Soutumi was finished within the span of 3, and also sports three times more ampersand alternatives (as that theme was a running joke in Multipolar).

This all started with a love for Jenson. I know there're hundreds of variations on that theme. But, that is where I began, several years ago. How far it came, as usual as I wandered through the vagaries of font design, is not unusual. If you've read any of my font design books, you know my design processes are quite loose and spontaneous. I wanted the general feel of a favorite old font, but softer, easier, and more comfortable. I built these on the same vertical metrics as my Librum Publishing Group. However, this family is not part of that group. I used the metrics because that shows my current taste in fonts. This family does work with the Librum group—but to be honest, I haven't experimented enough to come up with a good companion. I suspect I'll need to make another companion family. I may need make a non-modulated bold version also. But, that remains to be seen. I'm pleased with this.

Many fabulous creatures were created for use on heraldic crests. The Heraldic Creatures font is an assortment of simplified renderings of some of these creatures. There is a total of 47 creatures all located under the normal character keys.

You remember the time when the Concorde was the fastest passenger plane on earth? When it was possible to travel from Paris to New York in 3 3/4 hours? Those were cool times. Times when cocktails tasted good and you didn’t think of an eventual headache afterwards. Times when you didn’t have to think how to dress because there was only one way. Straight from that time comes CA Magic Hour. A vintage font from a time from which we could learn a lot today. Optimistic and straight forward, it will speed up your designs.

This display font has an oriental character reminiscent of brush stroke calligraphy and all things Japanese. My original working title for this font was ‘Spanner’, because the lower case ‘c’, with which the design began, looked rather like the head of a spanner. I originally had in mind something more mechanical, but as it evolved and developed the font itself obviously had other ideas!

Wardruna Arabic is a method of writing Arabic with a Runic-like alphabet devised by Devin Lester. He imagined that if some vikings had settled in the Middle East, they might have started speaking Arabic and writing it with a version of the Runic alphabet. This particular alphabet is based on Tolkien's Cirth Runes. A band of vikings went to Baghdad after raiding in Europe. The markets in Constantinople were closed as the Turks had just sacked the city. These men had heard of the great market in Baghdad and went there to sell their wares, seeing that this land was warm and fertile they decided to stay. They ended up settling the land and taking Arab wives and having children, because of thier Northern European accent their Arabic evolved into a part-Arabic dialect of Iraqi arabic. This is why today you see a few Arabs with green eyes and dark blonde or red hair. The Arabic alphabet was too fluid for them and vikings disdained the use of paper as a persons writings could be burned, so the evolved their runes to fit Arabic.

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

These modern, handwritten letters can be used for fancy headings or images. The characters aren't oriented straight or orderly, but a bit random. So they look like they were written by a human.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Sibylle Schlaich and her friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Schlaich and her fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Styletti Medium is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH."

Butterworth was designed to reflect the dying, degraded and worn, hand painted signs I had seen around the old Butterworth ferry terminal in Penang Malaysia. I plan for Butterworth to be the first of many Malaysia inspired typefaces.

The Vintage Crafted Font is hand drawn typeface with retro themes. This font collections contain script and sans serif font. Every font comes with 3 style typefaces (regular, rough and stamp). This sans serif font includes some ligatures. The Vintage Crafted matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Vintage Crafted includes : 6 fonts (script and sans serif) 3 style typefaces (regular, rough and stamp) Uppercase, lowercase, numeral, symbol and punctuation in script font All-caps, numeral, symbol, punctuation and ligature in sans serif font Multilingual and PUA Encoded

Trouble never hangs around, when it hears this Mighty sound, These letters come to save the day -- Mighty Mouth is on the way! When there's Danger, never Despair; The Sound of Mighty Mouth is in the air! Now YOU TOO can shoot your mouth off with the Mouth Almighty of Mighty Mouth. Comicraft’s latest offering utilizes variable type technology, for user-adjustable bold, italic and BOUNCE in illustrator (or any other program that handles variable fonts)! CAUTION: You may wish you’d never opened it, this font has no control over your tongue!

Scratch me here and scratch me there - use my font to get some atmosphere. A quirky sans with scratchy lines, with contextual alternates in 4 different versions of each lowercase letter and multilingual support. Enjoy Scratchers.

After exploring tessellations for several years, I decided to see how many ways I could tessellate puzzle pieces. I began with a square template and used the same asymmetrical shape for all four edges. By flips or rotation each edge could be fitted in four ways. Eventually I discovered that, given this way of forming tiles, there were 15 distinct shapes that tessellate and these shapes can take a total of 96 orientations. (A note in the November 2016 issue of Mathematical Gazette has the proof for the 15 shapes.) This typeface contains those 15 shapes and 96 orientations. A pdf note here shows some of the tilings possible using only one shape in a pattern. An unlimited number of patterns are possible if shapes are mixed. There are two members of the family, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Hinton is a modern, clean text font, including 840+ characters, many Opentype features, all European & Slavic symbols. It is calm, orderly and a bit perky. Hinton has a lightweight and pleasant design, so it fits well and easy to read. Its characters are simultaneously austere and elegant, and have their own flavor. Hinton includes all European and Slavic alphabets, Euro and other 8 signs of currencies. In addition to basic Latin and Russian there are German, Dutch, Spain, French, Romanian, Turkish, Czech, Polish, Croatian, Serbian, Ukrainian, Belorussian, Baltic, Scandinavian, Icelandic and others alphabets. Opentype features: stylistic alternates, manual kerning, standard ligatures, discretionary ligatures, small capitals, capitals to small caps, case, oldstyles numerals, tubular numerals, localized forms, stylistic set, historical forms, fractions, ordinals, numerators, denominators, slashed zero and others.

Eckhardt Poster Text JNL continues Jeff Levine's series of sign painter-oriented fonts, named in honor of his good friend Albert Eckhardt, Jr. (who ran Allied signs in Miami, Florida from 1959 until his passing). Sign painters are the true heroes of lettering, for they make the alphabet and style fit the job. Printers and layout artists were constricted by metal and wood type; that is until photo lettering, then digital type opened up unexplored territories in design possibilities. There is a unique charm (and nowadays pretty much a lost art) to hand-lettering word copy in a way that draws the eye like an arrow to a target. Even a simple sanserif such as Eckhardt Poster Text JNL can have the effect of that hand lettering when applied to posters and pages with plenty of white space and matching type designs of the period.

The Neustadt font family was originally designed as a corporate font for Sport 2000, one of the leading buying groups in the European Sport Retail Industry. After it has been successfully established, it is now available in a revised version for the general market. The Neustadt family is highly legible both in print and on screen. As part of the URW++ SelecType collection, Neustadt meets very high quality standards and is available in over 30 European languages. The characters have smooth curved spines and little contrast combined with a big x-height. The form is very functional and has no unnecessary details. These characteristics make Neustadt perfectly usable for many type applications like sign posting, headlines, texts and also for branding.