Afrik is a hand painted font which letterforms were inspired by Proto-Saharan Ancient African writing system and scripts for African languages such as Mande and Vai. Drawing technique I took from Ethiopian Tribe Karo body painting. I drew each letter with my finger using self-made paint from crushed charcoal. Afrik is uppercase font and instead of tall capital letters uses wide. They can be used instead of double letters or just to diversify a typing. Also, I included up to 4 alternate "decorations" for most of the letters which will help you to create unique artwork (use "Contextual Alternates" feature to randomize look automatically). Afrik perfectly fits for posters, clothes design, and any design​ with a ​wild ethnic mood. Afrik Features: Handmade pant texture Up to 4 Alternative styles for each letter Carefully tuned kerning If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Afrik!

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Terpentijn is Dutch for Turpentine. If you say it out loud, it actually sounds quite similar! Here you thought you were just buying a font, but you get to learn some Dutch too! Terpentijn is a handmade typeface with a serious twist. It is very uneven, very unusual, and, if I may say so myself, very adorable. Terpentijn has that ‘eroded’ look, which will make your designs stand out. It comes in a regular and an inline version, plus a handy shapes pack, which will add that extra wow to your work. Besides Dutch, terpentijn speaks a lot of languages!

If you’re looking for a gorgeous and modern font to captivate your audience and create the perfect contrast between your headings and body copy, then we’ve got the font for you! Introducing Portaly - A Display Font This typeface with modern style looks very interesting for loads of different projects and promotions. It is very suitable to be used on your website, for your social media branding, Pinterest banners, printed invitations, and more! Features: Beautiful Ligatures Alternates Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing “KYRAL Font” – Capturing the Essence of a Blissful Summer. KYRAL Font brings the carefree spirit of summer to life in your design projects. With its delightful summer theme, this font is your perfect choice for infusing the season’s joy into your creative works. Whether you’re crafting beachside invitations, tropical posters, or sun-soaked social media graphics, KYRAL Font effortlessly embodies the very essence of summer, immediately captivating attention and infusing your designs with the warmth and happiness of the season. Artfully crafted with the lightheartedness of summer in mind, KYRAL Font radiates the energy and exuberance of this sun-drenched time, creating a vibrant and inviting atmosphere in your designs. Its adaptability knows no bounds, seamlessly fitting into a wide range of summer-inspired projects, from travel brochures to festival advertisements. KYRAL Font enhances readability and fluidity with user-friendly OpenType features, ensuring that your text flows seamlessly. It also offers support for multiple languages, making it accessible to a diverse global audience. Elevate your creative endeavors and let the joy of summer shine through with KYRAL Font. Discover this unique typeface today and infuse your designs with the delightful spirit of the season. – PUA Encoded Characters – Fully accessible without additional design software.

High-quality type design. Originally designed for headline / logo use. A lot of high-quality glyphs designs in this one so be sure to view the specimen PDF as well as the glyph page. Enjoy. - Kostelansky

Hidetoshy is a free-spirited brush font that's perfect for adding a very imperfect handwritten touch to your projects! Great for styling quotes, creating beautiful logos, album cover designs, magazines, signage, social media, blog posts, packaging, and much more! Fresh, fun, free-spirited hydetoshy + handmade with lots of love for your beautiful projects. • Hidetoshy Brush Fonts - Uppercase, lowercase, numbers, symbols, punctuation and multilingual support. • Multilingual Support - Multilingual Support is included for the following languages: English, Cornish, Danish, Dutch, Estonian, Faroe, Filipino, Finnish, French, Friulian, Galician, German, Swiss German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourg, Malay, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Romansh, Scottish Gaelic, Spanish, Swedish. Enjoy!

Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time. The Alf Becker series of nameless alphabets published by Sign of the Times magazine in 1941 has attracted letter digitizers for a few years now, so it’s really a wonder that a few of those alphabets are still in the non-digital realm. It is understandable, though, that the basis for Buffet Script was not digitally attempted until now. The page presenting this alphabet shows a jungle of letters running into each others and swashes intertwining. The massive amount of work involved in digitizing such lettering, where scanning is nowhere near being an option, is quite obvious at a mere glance. If anyone was going to commit this particular alphabet to a digital form, it would have to be redrawn stroke by stroke and curve by curve on the computer. And don't we love a challenge! But seriously, the challenge was not the main attraction. In a way, the Becker approach to lettering is so far from digital that the imagination is almost forced to work out possibilities and letter combinations to solve problems presented by the scant showings in that magazine. After a few imaginative visualizations, the digital potential becomes clear in the mind, and the eye and hand follow. The result with Whomp (another Alf Becker-inspired work) was an enormous font with a lot of alternates and ligatures. With Buffet Script the imaginative process was no different, but the result particularly shines here, because this is some of the most fascinating flowing calligraphy ever seen. Calligraphy is where the accountability of all the little extra touches, such as alternates and swashes and ligatures, is raised to a higher level than in most other type categories. Buffet Script’s OpenType programming contains discretionary ligatures, stylistic and contextual alternates, interacting with each other to allow the composition of just the right word or sentence. This font is best used where lush elegance is one of the design’s requirements.

Bounded on its western flanks by the Peru-Chile frontier, Tacora is the northernmost volcano in Chile and is the youngest and most southerly of a twin system with Co. Chupiquina.

Twentieth Century was Lanston Monotypes answer to Futura. In fact Saul Hess's redrawing of Futura is so close that this new digital revival includes alternates of the long lost original letterforms originally designed by Paul Renner for Futura, but were left out of the released version that has become so popular. 20th Century is a modern sans serif with apparent geometry yet still a certain warmth in its design. The OpenType version of LTC Twentieth Century incorporates the alternate Renner glyphs with two sets of alternate lowercase characters. The font also includes oldstyle numerals and a full Western and Central European character set.

Usually I prefer desserts that aren't overly sweet, but a week ago I lost my sense of tasting - due to Corona, and when I wanted something sweet...I preferred it overly sweet...of course because I hardly could taste the overwhelming sweetness! But now, I have my sense of tasting (and smelling!) back, and everything is back to normal. And since I completed this easy-recipe-inspired handmade font while suffering from Corona, I thought I'd name it Overly Sweet. And...well. because, the font is somewhat overly sweet (without being over the top sweet!)

In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had little to do with cool geometry; for twelve years, until the introduction of Spartan, Mergenthaler lost ground to Intertype’s licensed version of Futura.

The key words for this font are taste, elegance, storytelling, and a little bit of dynamism. HIGH TABLE family have exquisite details and great quality. We believe that only high quality and unique details can move people more than exaggerated shapes. Fonts are so powerful, they tell a moving story. The PACE typeface was chosen to tell a story quietly but with dynamism. Readers are delighted and relaxed when they see this font family, and colleagues read the story with respect. A brand needs a story, and a brand’s story needs the most appropriate font to carry it.

Take a look at Embarla Firgasto - my new enchanting family of four styles. They pair beautifully together in all kinds of applications. Embarla Firgasto comes with uppercase, lowercase, standard punctuation and special letters for most of the European languages.

Now here's a font with an unusual backstory. You may recall that a while ago we discovered that Tim Burton was using an outdated version of one of our fonts for the interior titles in his The Corpse Bride. Well, our quest to get hold of him didn't bear any immediate fruit, but in a totally unrelated event we were contacted by the graphic arts company working with the overseas distributors for The Corpse Bride and it turned out that they needed a font based on the main title of the movie so they could keep the same style when they retitled it into other languages. The original title was either hand lettered or a heavily modified font, bearing some resemblance to our Ligeia and Tuscarora fonts, so we had to create a whole font more or less from scratch and extrapolate most of the letters from the very limited sample in the original title by identifying certain consistent characteristics and building new characters around them. It was a lot of work, but the good news is that they didn't want exclusivity, so we've got the font to add to our collection. We ended up calling it Beynkales which means 'Bone Bride' in Yiddish, which makes sense given the context of the movie. So here it is, in all its tattered glory, and bound to end up in our Halloween font selection later this year as well. Beynkales Alternate is a companion font that includes a full set of alternative upper and lower case characters which can be used on their own or in combination with the characters from Beynkales to create a more varied and handwritten look.

Weird Words is a weird and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! You can use this font for the social media post, poster, and suitable for headline. This font also support multi language.

Madani is a geometric sans serif consisting of 9 weights ranging from Thin to Black and matching Oblique. With a touch of character choice, adding tails to some glyphs on the stylistic set 1 and pointing joined at some of the tapered characters in the stylistic set 2, suitable for display and body text font.

Borgis Pro is a robust Clarendon-style font family, intended for use in body texts even on rough papers as well as in web design. All styles include small caps and oldstyle figures. Users who want to type in the Serbian language and take the Italic style should activate the OT feature Stylistic Alternatives.

I realized I didn't have that many serif fonts, so I started sketching and came up with John Brown. John Brown is named after the sheriff in the Bob Marley song 'I Shot The Sheriff'. It is an all caps font, but upper and lower case can be freely interchanged for that great 'natural' look.

There are a lot of script fonts out there - but Goldney isn't your average one, it's designed to be your go-to modern handwriting font. Goldney produces incredibly realistic letterforms and free-flowing sentences - this was achieved by writing out hundreds of individual words, then hand-picking the most natural looking letters. Also hand-picked was a whopping 90 Ligatures - these unique letter combinations give even more authenticity to each word layout. It's the perfect choice for genuine handwritten logos & branding, advertisement text, quotes, headers and product packaging. Goldney consists of 4 fonts files; Goldney • A handwritten script font containing upper & lowercase characters, numerals, and a large range of punctuation. Goldney Alt • This is a second version of Goldney, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Slanted Versions • Are included for both regular and alternate fonts. These can be used for a more italicised, fast-hand flow to your text.

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

One of Jeff Levine's friends kept requesting that he name a font after her, and he finally obliged with Rachelle JNL. The font gets its inspiration from the antique wood type version of the popular font most often known as a Latin typeface - complete with spur serifs and all of the usual quirks of wooden type.

The Swiss designer, Hans Eduard Meier, originally designed Barbedor for the Hell Digiset machine. Barbedor is based on handwritten humanist book scripts of the 15th century, and its chracters are typical of the style of those made by broad tipped pens. Tiny serif-like elements reveal the line of the writing utensil and emphasize the nature of this typeface. Classic and legible, Barbedor is a clear, harmonious typeface and an excellent choice for longer body texts. Its large choice of weights offers variety, which makes the typeface suitable for multiple design applications.

The rustic lettering which also served as the model for Grist Mill JNL is the basis for Gristwood JNL. Another set of vintage wood type has the letters reversed out of blocks, making for a specialty titling font. Decorative end caps are located on the greater and less than keys and also on the plus and equal keys. A blank block for regular word spacing is on the underscore key, along with a wider blank box on the backslash key. This typeface has a somewhat limited character set.

Delicia Pro Script is a versatile fat script designed with delicatessen shops in mind, it has lots of variations. There are for example seven different versions for the uppercase letters that can be accessed with opentype savy software. different ampersands, @-signs, Th combinations, lots of different lowercase letters and so on. The font can be used in all of Europe, Turkey and the Baltic countries (sorry no Greek and Cyrillic). Yours very versatile Gert Wiescher

Free-form hand lettering on a 1979 poster for the Washington, D.C. exhibition of watercolors and etchings by the Elie Abrahami inspired Art Director JNL, which is available in both regular and oblique versions. This type of lettering was most popular in the late 50s through the mid-60s for movie titles, greeting cards and poster text.

In Handmade Font the letters are made of hands or handprints, something children sometimes do when they are set free with paint. It is caps only but the letters on the lower-case keys differ from those on the upper-case keys. It comes with a large assortment of accented letters to support most European languages.

As glamorous as its name would suggest, Vow Neue is the new fashion model on the typeface scene. Vow Neue loves excess without losing style, containing itself in strict forms that belie a boundless desire. Sharp edges lead into enticing curves in all the right places, making this a font that draws the eye and keeps up interest.

Stencil™ was designed by Gerry Powell for American Type Founders in 1938. It's a faithful imitation of a stenciled alphabet, much like those used on boxes and crates, with rounded edges and thick main strokes. The font is composed of capital letters and figures; there is no lowercase. Use Stencil™ for graphic designs that call for a rough-and-ready look, a military look, or even to create real stencils for signs and marking boxes or luggage. Alexei Chekulaev made a Cyrillic version of Stencil™ in 1997.

This hebrew typeface is inspired in prayer books from the beginning of the XX century. Even in this Std version You can apply modern hebrew marks like Kamats Katan, Sheva Na, Dagesh Chazak and Cholam Chaser. It's a classic style with the most modern of a digital font technology and a easy lecture. The Caption versions is ideal for small size of texts and footnotes.

The idea for this font family, derived from SMS text message faces (Emojis) and found photographs of faces collected over the last ten years. The concept for this project was to a create text-face characters using only the glyphes found in a standard version of a Sans Serif typeface. There are 36 different Textfaces. Available in three weights, Regular, Bold and a Stencil version.

Aglio was developed from letterforms originally painted by muralist/artist Tanya Zabinski. Aglio maintains the character of bold brushstrokes with random gaps and marks, and there are flourishes of articulated endstrokes. This typeface merges the looseness and freedom of hand painting with a decorative artistic sensitivity. Aglio (the Italian word for garlic) has an organic construction that evokes the spirit of this most assertive culinary favorite.

BB Torsos™ (Pro) is based on the shape and proportion of the human body. For the interpolation of the typeface family, a special formula was developed, which reflects the different and individual character: flat to round, thin to fat and narrow to wide. ● 11 Stylistic Sets ● 13 Styles/Weights/widths ● 29 Opentype-Features/Style ● 87 Languages Support ● 8,450 Glyphs (650/Weight)

The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival. The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R. Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms. Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.

A comic font with a twist of crunch! The Lie Detector font deserves headlines and comic lettering, but most of all it deserves long letters. Use Lie Detector next time you want to spice up your letter or invitation, and you'll be surprised by the powers in this font!

Bandung is home to numerous examples of Dutch colonial architecture, most notably the tropical Art Deco architectural style. This typeface was adapted from the finest Art Deco landmarks and signage in Bandung, Indonesia and strongly added native elements of traditional Art Deco typefaces style. The main character is an example of a harmonious mixture between West and East architectural styles, repackaged into the Art Deco type design. With two different styles, it comes as regular and Deco styles, the regular style is constructed with all caps setting, with some different characters between uppercase and lowercase. The Deco style uses more stripes in the right shapes, it was naturally inspired with the most common art deco typefaces. The additional Opentype Features loaded in this typeface; some stylistic alternates, accessible catchwords in the discretionary ligatures, and the art deco ornaments, This typeface is highly usable with large scaling size and will fit with posters, movie titles, and signage designs.

The life of Molière is a story of struggle, hard work, domestic unhappiness, death and burial in obscurity and almost in shame. Molière left behind a body of work that not only changed the face of French classical comedy, but has also come to influence the work of other dramatists from around the world. Despite his own preference for tragedy, which he had tried to further with the Illustre Théâtre, Molière became famous for his farces, which were generally in one act and performed after the tragedy. Both the comic and the serious drama were powerfully affected by the work of Molière, not only in his own age and country but everywhere and up to the present time. Didot is a name given to a group of typefaces named after the famous French printing and type producing family. The classification is known as modern, or Didone. The typeface we know today was based on a collection of related types developed in the period 1784–1811. Firmin Didot cut the letters, and cast them as type in Paris. Along with Giambattista Bodoni of Italy, Firmin Didot is credited with establishing the use of the "Modern" classification of typefaces. The types that Didot used are characterized by extreme contrast in thick strokes and thin strokes, by the use of hairline serifs and by the vertical stress of the letters. As in the extreme contrasts of the literature of Molière, in Didione's typefaces, thick and thin strokes, straight and curved, are the most relevant characteristic for an era marked by the changes.

Pulchra Desiderio which in Latin means “Beautiful Nostalgia” is an elegant resto inspired serif, which comes with a complementary italic version. The typeface is a mix between a vintage and modern look, this unique combination will make your next project really standout. The typeface is also designs to look great in both large and small settings, this makes the typeface great for headlines and editorials. The typeface comes with creative ligatures and alternative characters, this makes it perfect for creating nostalgic and elegant designs such as: mastheads, magazines, feminine logos, wedding invitations, Instagram posts, websites, blog posts, pull quotes, editorials and much more. If you are looking for something modern and nostalgic for you next project, this is the typeface for you. WHAT YOU GET: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternate characters. Multilingual symbols. I hope you enjoy using the Pulchra Desiderio typeface.

Vivala-Marbod is a versatile serif font that boasts a wide range of features and styles. With ten styles and 545 glyphs, the Marbod enables a wide range of applications. Whether subtle headings or easy-to-read body text, Marbod offers the necessary versatility. A set of symbols with fractional numerals, scientific numerals, and matching arrows makes them particularly suitable for informative design. Advanced language support makes it ideal for international projects. In addition to the upright font, Marbod contains a well-developed italic. This is great for making posters, brochures, and corporate designs that need to be precise and stylish.

Here's a fun collection of cute, weird, crazy and goofy drawings. They are all drawn within a box, which makes it easy for you to align them in a grid, or perhaps make your own colouring book or picture lottery. The shapes of the drawings are typically simple: triangles, circles, squares etc. I use drawings like these in my work as a kindergarten teacher. These simple, but yet appealing drawings, are a great inspiration for kids (especially the ones who never draws or are insecure on how to draw) to start drawing themselves, or as a kickstarter for their imagination!