Amoebica font was created during a nasty bout of the flu. If you think it looks weird, well, I must have been hallucinating when I drew the glyphs! Amoebica is a fun, weird, unusual, happy, crazy kind of font which comes with all diacritics.

Kentledge is a grotesque sans type family based on geometric forms that have been optically corrected for better legibility. The family includes extended language support (over 200 languages), alternates, ligatures and more. It is best suited for graphic design and any display / text use.

A casual, unconnected script face. A brush script designed after my younger days as a sign painter, suitable for work requiring immediate attention most often seen on packaging and supermarkets. Works equally well for captions, invitations, cards, posters, ads, greeting cards & book jackets among others.

Carabelle is based on the Nebiolo type foundry’s Calipso design. Newly redrawn and with many original details added, this old typeface has been revitalized. Noble and sweet, Carabelle plays the elegant companion for cup cake shops, wedding invitations or culinary tours through France and Italy.

MonsterHand is our first Ruling Pen made face. This tool is usually used in calligraphy for expressive lettering. Giuseppe Salerno’s hand has been converted into this crazy typeface. This font includes also a set of icons. Check out also Modern Love Slanted Turquoise Nautica

Originally handdrawn, and then digitized by hand. But carefully keeping the characteristics of the handmade lines. Mugpie has that happy-go-lucky feeling to it - use it for your posters, postcards, packaging, wrapping - anything that could need a fresh breath of funkadelic comic boost! :)

Sticky Brash is my laid back kids comic book font - suitable for anything that needs a fresh and quirky attitude, and super legible at the same time. Originally handdrawn, and then manually traced digitally, in order to make those insane clean curves and lines!

Hex is an uneven, spiky font with an evil twist. The glyphs look like they have been scratched onto paper (which is indeed the case), so it will be perfect for your scary halloween postcards or posters. Hex font comes with extensive language support.

Bistro and Hot Sauce have been prepared quickly. In Bistro you will find 10 fine traces from coffee cups, and in HotSauce 10 pleasant-for-eyes stains from sauce. Both fonts are created in the 1998. OpenType revision, with extended Latin characters, made in 2009.

Art Nouveau typeface ‘Secessionist’ draws inspiration from Wiener Secessionist Joseph Maria Olbrich's handwriting, as seen on his architectural drawings from the 1920’s. You can use these fonts to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.

"Baker’s Showcard Book" (1916) was an early 20th Century instructional book on sign lettering. One of the sample alphabets entitled “Decorative Roman” was a spurred serif, Art Nouveau design that has been recreated digitally as Elegant Showcard JNL in both regular and oblique versions.

Apparently original with the Lindsay brothers type foundry in New York shortly before they were merged into the American Type Founders Company. A few characters of the original font have been modified slightly to make them more harmonious with the rest of the alphabet.

Golf was originally designed by Henry Reinhard Möller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets by himself. This digital version of the original typeface is best used in sizes above 24 points.

"Tropical Sunday" is a brush font that is perfect for summer moments. This font is very simple because it has been specially designed. Equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Can be used for holiday moments, vacations, social media, stickers, posters, and more.

Blox is a bold, retro, experimental display typeface designed by Superfried. With a simple geometric structure, tight spacing and cuts, Blox is very distinct with high impact. Available in two styles, vertical or horizontal, Blox has been featured on the Behance curated typographic gallery TypographyServed.com.

Ernest is one of Posterizer KG personal handwritten fonts. All glyphs are taken from Hemingway’s letters and postcards, written by himself, and then reconstructed and adapted for typographic use. Because of spontaneity and more authentical characteristics of text, font contains alternativ glyphs and discretionary ligatures.

Lemy Butter is handwritten font with monoline style. This font is good to application for christmas wedding, tees, simple letter, notes, invitation, celebration, cute moment and many more.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Similar to Choose One/Ten typeface, by Bryan Thatcher. For use in advertising and display composition.

Introducing, Great Brington- an beautiful slab serif with a bunch of alternates! Great Brington is a classic and elegant slab serif with a bunch of alternates up to 50 style, for each characters will make your greeting card, logo, craft even more stunning and stand out! Great Brington also support Multiple Languages. Features: - All Uppercase - Number & Symbol - Multi language - Alternates for each characters Happy Creating!

Kathleen Serif is a geometric serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing. Kathleen Serif font has three weights: Light, Regular, and Bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

A massive grotesque in four weights + obliques! Perfect for your massive poster or news paper headlines as well as your massive text chunks. The four weights elegantly complete each other as the obliques add tension to your work. Each font consists of a 241 glyph character set with beautiful ligatures for ff ffi ffl fi fl st ts es tt ST ET TT and ES.

Mianga is a versatile, stylish, and fun retro look font that's perfect for any design you're creating such as book covers, greeting cards, news headlines, and more! Mianga comes in 4 styles, regular, bubble, outline, and shadow, with italics in each style. Mix each style for the perfect result. Add it to any of your creative projects, and it will give off a retro and vintage feel.

Honolulu is a cute hand-drawn font with four variations: - Regular, filled, sans and sans filled - Plus jumpy versions of each font (accessed by activating contextual alternates). Each font includes: - Two sets of caps - Numbers and punctuation - Multilingual support Fresh and perfect for the summer, in any design that needs a bold hand-drawn feel, such as postcards, notes and quotes, logos and branding.

Hello! Introducing an original bold font with crashed letters. A unique feature of "Ruined Dreams" font is few variations for each English letter which creates more natural broken effect. Using OpenType feature (contextual alternates) each next letter will be replaced automatically. Note: Multilingual characters has only 2 variants for capital and small letters. Please make sure that OpenType features in your app are supported & enabled.

Vintrage is an uppercases display font with vintage charm. Each letter stands tall and proud, conveying a sense of strength and authority. The constant proportions ensure readability. The edges of each letter have a slightly rough and imperfect quality, evoking the look of vintage letterpress printing. Vintrage fits in headlines, logos, branding materials, and more. In addition, beautiful ornaments are included as a bonus.

Inked Balterm is a hand-inked typeface with a humanist touch. It provides visual interest through the contrasting elements of the thin strokes mixed with the solid ball terminals. The placement of each ball terminal is varied and placed at the most defining point of interest and distinction in each letterform; creating an appealing visual rhythm. Great for display and works in smaller text settings.

Fake Limp is my layered handmade sans font - use it for your craft project, or anything that needs a handcrafted and organic look. I've added 5 different versions of each lowercase letter, and they automatically cycle as you type. Furthermore There are 4 versions of the font (each with the same amount of lowercase letters!) - mix and match these versions for the result you like! Enjoy! :)

Birthy is a serif font that comes with an alternate style for each letter unit, this allows you to choose the shape you want. This font is made to be used in every situation, both formal and informal and is available in 2 regular and italic styles with over 300 glyphs in each style. Make your creations more awesome with BIRTHY font ... have fun creating ...

Need a catchy headline font with a clear handmade and organic look? Look no further, because Sukkergris is here to do the job! Each letter is handmade and manually cleaned up, but keeping the original quirky curves. I have added 6 different versions of each letter, which automatically cycle as you type. I also added a set of small caps, just because I think they look awesome!

Quartiel is a casual handwritten brush font. Written by hand using a dry brush pen. With fast movements. But, keeping the height of each letter the same. Comes in two styles, regular and slanted also include swash as a sweetener. Suitable for all creative projects, especially in headlines, branding, advertising, packaging, and more. And will give a natural, and authentic touch to each of your projects.

High Hopes is a quirky handmade serif font with variations that show up "randomly" through contextual alternates, true italics and ornaments. Use this font in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. High Hopes includes: Regular font with three contextual alternates for each letter Italic font with three contextual alternates for each letter Ornaments font with swashes and frames

Introducing, brand new serif, Duarose - an elegant serif with a bunch of alternates! Duarose is a classic and elegant serif with a bunch of alternates up to 6 style for each characters that will make your presentation or logo even more stunning and stand out! Duarose also support Multi Language. and already PUA Encoded! Features All Uppercase Number & Symbol Multi language Alternates for each characters PUA Encoded

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. "Batory is a monoline reaction to my many calligraphic fonts", says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Frutiger Next is Adrian Frutiger's and Linotype's completely new interpretation of the well known typeface Frutiger released in 2000. For these revised forms, the areas of application are almost limitless. Frutiger Next can be used for anything from office communications to multimedia to complex printed materials. The Frutiger Next family contains small caps, oldstyle figures, and other figure options in every font. Adrian Frutiger's eponymous typeface has been used for decades, everywhere from airport signage to book text to corporate logos to the smallest web graphics. The Italics in the original version of Frutiger were based very closely on the Roman forms; in Frutiger Next, they have been re-designed to be true Italics.

Opal Bulgarian is a humanistic sans serif typeface of a modern type, inspired by the famous Optima typeface (designed by Hermann Zapf). Opal Bulgarian consists of 2 weights and corresponding italics. Opal Bulgarian is suitable for body texts; for titles; for corporate identity. Opal Bulgarian continues the design of Opal BulgarianCYR, designed in 1992 by Zhivko Stankulov. In compare to Opal BulgarianCYR the new font family Opal Bulgarian has more glyphs and cover more languages. A number of shortcomings in the construction of the glyphs have been eliminated, and the design as a whole has been updated. Opal Bulgarian is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

I'll admit right off the bat here -- I've never been to a party in a barn. I don't even know if they still do barn dances and parties, or if that's something out of the musical Oklahoma! or something. But this font gave me kind of a homey, rustic feel, so the name felt right! Like many of my fonts, this one has been refined with crafters in mind -- smoothed curves and reduced nodes, for easy cutting and printing. It's also packed with over 600 characters total! The usual alphabet, numbers, and punctuation, plus 30 double-letter ligatures, over 300 diacritics, and a full second alphabet coded in as Stylistic Alternates. Enjoy!

Answer Songs have been around for [probably] just as long as there have been songs. 1917's "If I Catch the Guy Who Wrote Poor Butterfly" was the answer to the 1916 hit "Poor Butterfly" [by Raymond Hubbell and John Golden], which in turn was inspired by the Puccini opera "Madame Butterfly". "Poor Butterfly" was so popular that this "answer" tune had as part of its lyrics "That melody haunts me in my sleep; it seems to creep." Nonetheless, the sheet music for William Jerome and Arthur Green's comic lament had the title hand lettered with an oval nib lettering pen and is now availably as a digital type face called Dip Pen JNL.

This Font is born basing itself on several standard typographic models. Inspired by our calligraphic drawings, the idea was to synthesize these many shapes into a unique font that can be used commonly. The slab base has been gradually humanized. The serifs have been carved, refined, rounded off, in order to galvanize the font and ease the task of reading in lower case. The angle of attack of the round letters is an echo of the 15 Century typographic heritage. It was important for us to create an expressive and humanized font, which could also be used for edition. The purpose was to confront the Ancient typographic canon of beauty with some funny and fancyful elements.

This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in their communication. Its square proportions make the design very readable at a wide range of sizes. Shapes give the face a unique futuristic look and is a very practical choice for modern headlines, branding, text and web fonts work. The family contains also an alternative set with simplified letters designed especially for text and a unique stylistic set for titles and branding. UNicod Sans is available in 5 weights with corresponding italics and 2 styles.