This original typeface appears to be lifted straight from an old crumpled piece of parchment or from a pirate map. An absolute must-have for Halloween, children's publications, pirate-themed texts, and any writing that needs to convey a haunting feel. These tattered letters conjure up spirits and spooks of buccaneers, swashbucklers, and conquistadores from centuries past.

A modern blackletter typeface, designed by combining an old english style & modern style. It can be used for textbook, display text, headlines, logotype, and more. Within support by multilingual glyphs (characters), & lot of punctuations to support many people around the world with their unique languange and accent. Thank you very much.

Introducing a vintage look label font named Urban Ink. All available characters you can see at the screenshot. This font have 6 styles - Regular, Full, Shadow, Texture, Shadow FX and Texture FX. This tattoo style font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Proudly present Awake is a classic black letter font with a touch of groovy. Comes with alternatives and ligatures, and perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects! Font Features : Lettres, numbers, symbols, and punctuation 23 alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin). Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

Cocosignum takes inspiration from the typography of the italian thirties. The imperial uppercase with its propaganda deco overtones is softened by a cursive lowercase geometric script in the Corsivo Italico version. It comes in two styles and five weights, covering over forty languages using latin alphabet, as well as Greek and Cyrillic.

Eurasian Stencinitials JNL are modeled from a set of crudely die-cut Old English capital letter stencils that were made in Japan in the Early 1960s. The interesting treatment of the letters (with a slight hint of Japanese calligraphy) has some added bamboo plants for balance and decoration in this digital version.

The Vale Press was a contemporary of Willam Morris's Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style. The King's Fount was an experimental semi-uncial font based on the Vale type. The King's Fount was designed in 1903 for the Vale edition of the 15h century poem "The Kingis Quair". This semi-uncial font evokes old English and Anglo-Saxon lettering. P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King's Fount into one "Pro" font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux "Middle English" feature to make "anee text appeer Olde." This feature is not known to exist in any other font.

The Swedish designer/typographer Anders Bodebeck designed the Bodebeck type family in 2002. The family, which includes five different styles, is primarily intended for use as a titling, or display face, and belongs to the neo-transitional style of typefaces. Transitional style type first appeared in England during the late 1750s, when John Baskerville released his first sets of type. Bodeck bears similarities to another, later transitional style typeface as well - Eric Gill's Perpetua (originally released by the British Monotype Corporation in 1928). Like these two previous English stonecutters turned masters of typography, Anders Bodebeck has given us a modern re-interpretation of classic letterforms. Bodebeck, which is fitted with old style figures, is available in the following styles: Regular, Italic, Bold, Bold Italic, and Extra Bold."

Greature Typeface Come with more 400 glyphs, 2 style ( Regular and Shine ) including Stylistic sets, Ligatures, Contextual Alternates and some extras font for helping your design. Greature is inspired by Tattoo art, Typografi design, Sign Painters, Lettering, Vintage art and Ephemera Perfect looking for Label, Poster, Logotype, Letterhead, Titles, Branding, Packaging, Typography etc.

Raven Hell is a simple and modern gothic font. What's unique about Raven hell is that it can be sans or blackletter, depending on your choice of design theme. Raven Hell can be used in many types of modern designs ranging from product labels to tattoos, badges, logos, poster titles, and much more.

The sister fonts Andron 2 English and Andron 2 Deutsch provide a groundbreaking new possibility to render literature text bodies in a sophisticated traditional and yet modern way of type. In German typographic history there has once been a long-lasting struggle called the Frakturstreit (the blackletter quarrel). It was about wether German text ought to be composed in blackletter or rather in Roman type, a question upon which even Goethe, Schiller and other period celebrities got grey over time. However, blackletter type remained alive and has just recently seen an astonishing renaissance. This is not about a blackletter revisionism or some ‘mixture’ concept arguably bridging the gap between either worlds. Andron 2 English and Andron 2 Deutsch offer a new approach to circumvent that old antagonism. As for the lowercase letters I applied certain features of blackletter type onto the glyphs – but entirely abandoned the principle of the broken stroke as such. The result is a lowercase alphabet in the classical Andron style which may be considered an attractive alternative for text in English, German or even other languages. So it’s no longer entirely about choosing between ‘modern’ Roman or ‘ancient’ blackletter only. Andron 2 English Regular and Andron 2 Deutsch Regular feature the same lowercase glyphs but differ in the majuscules (Andron 2 English has normal Latin capitals). ++++ 2012 + NEW! +++ In response to its growing popularity we now present five new fonts as part of the Andron 2 series. Andron 2 English is completed by an Italic and a Bold font. Andron 2 Deutsch now contains three interesting alternative fonts: Italic, Scriptive and Laendlich. Last but not least – A new set of wonderful classical typographic ornaments is part of the Italic and Scriptive fonts. – You can also purchase these ornaments separately as “Andron Ornamente”.

Sonus – a new monoline family with dynamic-flow drive. Influenced by early English sans serifs - Powerful and energetic but with some classical features. Its firm structure makes it great for text and demonstrates its lively linearity in displays. Sonus comes in 16 styles, in OpenType format and with extended language support.  All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction and scientific numerals and arrows.

Spinnenkop is an old Dutch word which means both ‘spider’ and (in dialect) cobweb. The word forms the basis for that English word: cobweb. Spinnenkop is a magical font. I didn’t use witchcraft to create it, but when it was finished, it reminded me of old fairytales, spell-books and potion recipes. Use it for anything you like, but book covers, product packaging and posters come to mind. Comes with a few swashed letters and a weird alternate g.

This font was inspired by the old form of the so called "Kurrentschrift" German handwriting, based on late medieval cursive. It is also known as "Alte Deutsche schrift" ("Old German script"). It was taught in German schools until 1941, when Adolf Hitler decided to forbid it. As it is a little hard to read, we are proposing here two versions: the "pure" Kurrentschrift, and an adapted "Easy" one, with simplified difficult characters.

Emotios is a display font with a bold brush style. suitable for posters, logotypes, apparel, branding, and so on. contains standard English letters, numbers, punctuation, Ligatures and several accents that support multilingualism Thank you!.

Monssla is a display font that comes with a block bold style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Bajka (or Fairy tale in English) is a Baskerville font family made for children’s fairy tale books. Originally designed in 2010 ([www.behance.net/gallery/483582/Fairy-tale-font Fairy tale Font]). Today the family contains Regular, Bold, Italic, Bold Italic, Symbols and Ornaments (Latin, Cyrillic, dingbats, ornamental caps).

Designed in The Hague amongst the canals and flowering lime trees, Node Display represents the best of organic curves with sharp modern edges. Sophisticated and edgy, it's everything you want out of a display font. It looks amazing at large sizes and, also, small sizes. 16 Fonts. Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Outline, Outline Italic. 17 Languages. Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish. 185 Glyphs. 36 Punctuation Marks, 57 Uppercase Letters, 60 Lowercase Letters, Full Number Set. Looks great packaged on wrapping, bottles and jars or digitally on websites, social and apps or printed on newspapers, magazines and flyers.

Aljaraz (meaning “small bell” in english) is a curvy typeface inspired on the “Fat face" letters with an extremely bold design from the early 19th century, but with an insolent touch of brave and psychedelic distortions. Aljaraz has a regular and italic variable, and in both styles the capital letters have a swash alternative where the naughty touch reaches its maximum expression. It is ideal to recall the lysergic era of the 60s, write funny words, or simply to express small texts in a display way that powerfully attracts attention. Let Aljaraz inspire you groovy kind of love! Designed by Carlos Campos cuchi@cuchiquetipo.com Secondary typeface: 'Escuela', also by Carlos Campos _ Aljaraz (“campanita”) es una tipografía curvy inspirada en las letras con un diseño extremadamente grueso y atrevido de principios del siglo XIX (las “Fat face”), pero con un toque insolente de valientes distorsiones psicodélicas. Aljaraz tiene una variable regular y cursiva, y en ambos estilos las mayúsculas tienen una alternativa súper decorada donde el toque travieso alcanza su máxima expresión. Es ideal para rememorar la época lisérgica de los años 60, escribir palabras graciosas, o simplemente expresar textos graciosos de una forma visual que llame poderosamente la atención. ¡Deja que Aljaraz te inspire su maravilloso amor!

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

The senden is a Cool Blackletter that has been in the making for months. There is a combined use of negative space to create contrast. Elements from High German, Old English, and many other styles are incorporated into this beautiful display font. The result is a manuscript that appears with a cleaner, more modern feel.

Chadlershire is font duo a perfectly blended type for any art work. Comes with emboss, inline and shadow layering styles, including alternates and some extra ornaments. Chadlershire is inspired by typografic design, sign painters, lettering, vintage art, tattoo art, and ephemera label. Perfect for labels, posters, branding, logotypes, headers, titles, packaging, display, and more.

Proudly Present, Her Song a Oldschool Handmade Tattoo Font Her Song is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Her Song also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Forest Ghost is a font family with Regular and Textured styles. You'll get a playful font for your Scary corporate identity, Circus emblem, Halloween posters, Rock'n'roll flyer, Tattoo studio, Western-style design, and etc. Font features: All-caps, numbers, punctuation, and multilanguage support. Please feel free to request to add characters you need: kaer.pro@gmail.com

If you are looking for a unique and unique gothic blackletter font that will set your project apart from the rest, look no further! ARHOKY is the perfect font for adding a touch of elegance to all kinds of creative work - including wedding invitations, tattoos, and packaging designs. Use it immediately to realize amazing projects!

I have just returned from a trip to Malaysia, Java and Bali with my family: my wife had some family business there, so we turned it into a holiday. The last time I visited these places was 26 years ago and I knew things would have changed, but I wasn’t prepared for the ugly truth. Malaysia’s interior has been converted into one big oil palm plantation, Java is choked in plastic and Bali is one endless string of concrete hotels, restaurants and cheap tattoo parlours. Plastic Fantastic is not an ode to the many uses of plastic. It is a wake up call: we really need to stop using disposable plastic! You can start by implementing the Plastic Fantastic font family in your durable water bottle designs, the compostable bag holding your organic potato crisps or that big ole sign advertising your local food truck event. Or whatever it is you want to create. ;-)

The 1765 Stamp Act ignited in American colonists a simmering distrust of the distant British Parliament, whose oppressive trade duties they deemed unfair assaults on their rights as English subjects. Before long, of course, this little dustup spawned The Boston Tea Party, the American Revolution, and the birth of the U. S. of A. But before the Battles of Lexington and Concord, a group of Philadelphia merchants made one last-ditch call for commercial cooperation across the Atlantic. This futile appeal survives to this day on a three-page broadside, finely engrossed by a penman of the period and passed down through the generations of a family named Remsen. Remsen Script is an interpretation of that penman’s neat, formal cursive—from its broad antique flourishes to its subtle unevenness and gently ragged strokes. Perfect for event announcements, fine product packaging, recreations of historical documents, or anywhere you wish to offer a whiff of a bygone era.