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  1. The font named "Jean-Claude's Hand" by Philippe Blondel is a handwriting style font that captures the essence of personal, hand-crafted correspondence. This particular font is characterized by its or...
  2. "La Flama y La Espina," designed by the talented Juan Casco, stands as a testament to both his creativity and his understanding of the delicate balance between design and functionality in typography....
  3. The font "WereWolf" by GautFonts is a unique and expressive typeface that truly stands out due to its thematic design and playful character. This font has been meticulously crafted to evoke the myste...
  4. The Rodrigues PERSONAL USE ONLY font, designed by the renowned typographer Måns Grebäck, is a testament to his craftsmanship in creating visually compelling and unique typefaces. This font captures a...
  5. Two Turtle Doves is a distinctive font that bears the creative signature of Tom Murphy 7, a designer known for his eclectic and often quirky approach to typography. This particular font embodies a se...
  6. The Bubblegum Superstar font is a vibrant and playful typeface that captures the essence of fun, youthfulness, and enthusiasm. Characterized by its rounded edges and exaggerated forms, the font exude...
  7. Tonky by Graham H Freeman is a distinct and characterful typeface that captures the essence of playfulness and creativity. Its design emanates a unique style that stands out for its quirky and whimsi...
  8. As of my last update in April 2023, there's no widely recognized or standard font specifically named "Signboard" that's known across major font repositories or among typographic tools; however, the i...
  9. The Star Series font, as its name vividly suggests, is an enchanting collection inspired by the boundless wonders of the night sky and the celestial bodies that grace it. It's a font family that draw...
  10. As of my last update in April 2023, there is limited widespread recognition or documentation of a font specifically named "Rogers2". Without direct details or specifications about this font, it's cha...
  11. Haunting Attraction is not a font that can be easily overlooked. Crafted with a masterful touch, it embodies a uniquely ethereal and captivating essence that seems to draw the eye and imagination int...
  12. FEMME is an intriguing and evocative typeface that embodies a fluid and expressive aesthetic, designed to capture attention at first glance. While I'm crafting a fictional description given there isn...
  13. Imagine waking up on a beautiful, sunny morning, feeling refreshed and eager to conquer the world. That sensation, my friend, is what encountering the font "Greatday" by Letteratom is like. It's not ...
  14. Cue the sultry saxophone soundtrack and dim the lights, because the world of typography just flirted with the extraordinary—please welcome to the stage, SexyRexy. If fonts were people, SexyRexy would...
  15. Ingleby Regular is part of the Ingleby typeface family, designed by David Engelby, a typeface designer who brings a detail-oriented and thoughtful approach to his creations. This particular font, Ing...
  16. Pricedown by Typodermic, $11.95
    Looking for a typeface that brings retro flair to your designs? Look no further than Pricedown! This typeface is a modern interpretation of Pinto Flare, a display typeface from the early 1970s. Pricedown has a boxy, retro design that’s perfect for adding a touch of nostalgia to your work. It’s been used in a variety of applications over the years, including as the logotype for the US game show, The Price is Right, and Technos Japan’s Tag Team Wrestling video game in 1986. In addition to its eye-catching design, Pricedown also features some fun interlocking character combinations when used in OpenType savvy applications. For example, when the letter “H” is followed by the letter “I”, a swash tail will tuck under the “I”, adding an extra flourish to your text. And if you prefer a more streamlined look, you can easily turn off this feature in your application. With nine different weights to choose from, Pricedown is a versatile typeface that allows you to skillfully attenuate its impact, making it perfect for a wide range of graphic design projects. So whether you’re designing a logo, a poster, or anything in between, Pricedown is sure to add a touch of retro style to your work. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.
  17. Wonton - Unknown license
  18. "Porn Star Academy" is a font that, as provocative as its name might imply, embodies a blend of playfulness, audacity, and a touch of rebellion. Designed with an intention to stand out and capture at...
  19. EcuyerDAX is a distinctive font that encapsulates an essence of classic elegance and timeless appeal, yet with a subtly modern twist that sets it apart from traditional script fonts. Its design intri...
  20. As of my last update in April 2023, there is no widely recognized font specifically named "Chlorinej". However, let's imagine a font with this unique name and what characteristics it might embody, dr...
  21. As of my last update in early 2023, there's no widely recognized or standard font specifically named "teaspoon" within major font libraries or amongst popular custom typeface designs. However, let me...
  22. Fely, though not a widely recognized font at the time of my last update, conjures an image of a font that is likely characterized by its unique blend of personality and practicality, based on the tre...
  23. Draggletail isn't a widely recognized name in the vast expanse of typography where classic, contemporary, and quirky fonts intertwine. However, the mere invocation of its unique name suggests an arti...
  24. The Sabandija ffp font by deFharo is a typographic creature that seems to have scurried out of the imagination of a whimsical artist, finding its way onto the digital canvas. Picture this: if fonts w...
  25. Ganz Egal, masterfully crafted by the enigmatic designer Nihilschiz, is not just a font; it's an adventure in typography that refuses to take itself too seriously. Picture this: if fonts were people,...
  26. Neue Haas Unica Paneuropean by Linotype, $65.00
    Neue Haas Unica by Toshi Omagari: The original purpose behind the creation of the typeface Haas Unica was to provide a sympathetic update of Helvetica. But now the font designer Toshi Omagari has decided to make this typeface his own and has thus significantly supplemented and extended it. In the late 1970s, at the same time at which hot metal typesetting was being replaced by phototypesetting, the Haas Type Foundry commissioned a group of specialists known as "Team '77" consists of Andre Gurtler, Christian Mengelt and Erich Gschwind to adapt Max Miedinger's font The characters of Haas Unica are somewhat narrower than those of Helvetica so that the larger bowls, such as those of the "b" and "d", appear more delicate and have a slightly more pleasing effect. In general, the spacing of Haas Unica was increased to provide for improved kerning and thus enhance the legibility of the typeface in smaller point sizes. Major changes were made to the lowercase "a", in that the curve of the upper bowl became rounder and its spur was eliminated. The form of the "k" was additionally modified to remove the offset leg so that both diagonals originate from the main stem. The outstroke of the uppercase "J" was also significantly curtailed. In addition to many minor alterations, such as to the length of the horizontal bars of the "E", "F" and "G" and to the angle of the tail of the "Q", the leg of the "R" was extended and made more diagonal. In the case of the numerals, the upper curve of the "2" was reduced and the lower loops of the "5" and "6" were correspondingly adapted. The sweep of the diagonal of the "7" was also reduced. Several decades later, Toshi Omagari returned to the original sketches with the objective of reinvigorating this almost totally forgotten typeface. First, however, he needed to revise the drafts prepared by Team '77 to adapt them for digital typesetting. So Omagari carefully adjusted the proportions of the glyphs, achieving a more uniform overall effect across all line weights and removed details that had become redundant for contemporary typefaces. It was also apparent from the old drafts that it had been the case that the original plan was to create more than the four weights that were published. Omagari has added five additional styles, giving his Neue Haas Unica? a total of nine weights, from Ultra Light to Extra Black. He has also greatly extended the range of glyphs. Providing as it does typographic support for Central and European languages, Greek and Cyrillic texts, Neue Haas Unica is now ready to be used for major international projects. In addition, it has been supplied with small caps and various sets of numerals. With its resolute clarity and excellent typographic support, Neue Haas Unica is suitable for use in a wide range of new contexts. The light and elegant characters can be employed in the large point sizes to create, for example, titling and logos while the very bold styles come into their own where the typography needs to be powerful and expressive. The medium weights can be used anywhere, for setting block text and headlines.
  27. Brassens by Typorium, $53.00
    Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.
  28. Mymra by TipografiaRamis, $35.00
    Mymra fonts – an upgraded version of Mymra Forte and Mymra Mono (2009), with a careful re-dress of glyph shapes, and the extension of glyph amounts – which enables support of more Latin languages. One more weight – Black – has been added to the original three of Mymra Forte fonts. Fonts are intended for use in a vast variety of publications.
  29. FF Pastoral by FontFont, $50.99
    A sturdy workhorse with the grace of a gazelle, the FF Pastoral typeface family marries pure craftsmanship with rapturous excesses of form. With his fifteenth release under the FontFont brand, prolific French designer Xavier Dupré has filled a typographic toolbox with plentiful options ranging from a tender, feathery Thin to a robust, healthy Black. At a glance, FF Pastoral appears deceptively simple, particularly in the middle weights. That surface serenity is intentional and allows for easy reading and quick comprehension of short blocks of copy. Upon closer inspection, FF Pastoral is complex and nuanced, carrying a balanced tension in its forms. This plays particularly well in magazine spreads and corporate logos, where uniqueness is a virtue. In creating his latest design, Dupré drew inspiration from a tasteful mix of references, combining diverse elements with a deft hand. While its letter shapes were informed by humanist-geometric hybrid Gill Sans, FF Pastoral’s proportions have been optimized for contemporary typography. Slightly condensed but generously spaced, FF Pastoral features a tall x-height, open counters, and subtle, sprightly italics slanted at just 5°. Proportional oldstyle figures are the default in the family, with tabular and lining numbers and fractions accessible through OpenType features. Elegant details evocative of calligraphy judiciously pepper the FF Pastoral glyph set. The ‘e’ bears an oblique crossbar, while the right leg of the ‘K’ and the ‘R’ are insouciantly curved in both the upright and italic variants. Further flourishes appear throughout the italics, notably in the ‘T’ and the ‘Z’, the gloriously looped tail of the ‘G’, and an extraordinary ampersand. Sharp-eyed fans of Dupré’s work may feel like they’re in familiar territory, and they would be right. An early version of FF Pastoral sprang to life in 2017 as Malis, a family in four weights on the heavier side of the spectrum. Over time, Dupré refined his original design, expanding it with four lighter styles and including true italics for all. The lightest weights are ethereal, with exquisitely delicate strokes drawing the eye in and across a line of type. The most substantial styles are tremendous in their power, allowing text to make a deep impression in print or on screen. Fully fleshed out, FF Pastoral works sublimely in a vast array of text and display settings. Dupré sees his latest FontFont offering as a ‘cultural’ typeface, perfect for the pages of an oversized coffee-table book or business communications where warmth and informality will win the day. Born in Aubenas, France (1977), Xavier Dupré is a gifted user of type as well as an award-winning type designer and lettering artist. After training in graphic design in Paris, Dupré studied calligraphy and typography at the Scriptorium de Toulouse. Since releasing FF Parango in 2001, Dupré has published such FontFont classics as the FF Absara and FF Sanuk superfamilies, FF Megano, FF Tartine, and FF Yoga. A designer of Khmer fonts as well as Latin typefaces, Dupré splits his time between Europe and Asia.
  30. As of my last update in April 2023, the A.Lewis font is not a widely recognized or commonly referenced typeface in public font libraries or among popular font resources. However, the crafting of a sp...
  31. In the whimsical world of typography, where letters stretch and contort with the flexibility of a cartoon cat, there lies a font that has donned the cloak of mystery and intrigue – meet Arcanum, brou...
  32. Once upon a time, in a galaxy not-so-far away, nestled within the boundless universe of typography, there emerged a font that was unlike any other. It was a font so whimsical and so eccentric that it...
  33. Alas, my dear inquirer, the font named Conformyst, crafted by the elusive artisans at Clearlight Fonts, remains a figment in the limitless cosmos of typography, as it does not exist (to my current, l...
  34. Alas, my dear friend, it appears we've dipped our toes into the vibrant and imaginary sea of typographic creatures, only to fish out the elusive "StingRay" – a font so mysteriously absent from the ma...
  35. Ah, PonsonbyNF by the illustrious Nick Curtis, a font that captures the essence of a bygone era with a modern twist. Picture this: an adventurous soul from the early 20th century, sporting a dapper m...
  36. MEcanicules - Unknown license
  37. Ceudah by PojolType, $12.00
    Ceundah font is inspired by thick and thin Hand Sketches. This font can be used for film titles, magazine titles, newspaper front pages, billboards, or company brands.
  38. Z_tUBBAnomal - Unknown license
  39. First Grade by m u r, $10.00
    Searching for a font that resembled true children's handwriting, this font's creator designed a font from his own first grade penmanship assignments. Ideal for anything related to children.
  40. POP - Unknown license
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