Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable. An added benefit is the ability to transition “between” font designs, choosing different styles – or even individual characters – to create hierarchy, contrast or emphasis. Kobayashi designed the Between typeface in response to the current popularity of rounded, humanist sans serif designs over the cool grotesques of the 20th century. Between 1 melds industrial and humanist sans ethics. Between 2 represents a sans version of Kobayashi’s Cosmiqua® typeface, striking a balance between crisp and legible, organic and friendly. Between 3 is a freestyle sans with an uplifting sprightly mien. Between has 48 styles; each has eight weights of roman with its own italic counterpart. The family offers a large set of alternative glyphs and OpenType® features. A full interactive type specimen can be viewed here: http://www.monotype.com/fonts/between/ Featured in: Best Fonts for Logos

Moneymachine is a sans and serif combined display typeface. Inspired by the art of money printing, the typography used for certificate production and classic letterforms, Moneymachine uses a traditional and perfected serif font and blends it together with a modern and clean sans-serif. The result is an original and confident work, which fits perfectly as a logotype or headline in any context that requires that extra touch of coolness. The Moneymachine family consists of six fonts: The Regular that combines sans and serif. Inverted for a white-on-black version. The Serif and Sans for more basic writing. White and Black for a lettering with a banner. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The thing is that many sans-serif typefaces are usually intended for universal usage. But sometimes faces that work fine in body text look not so good in large point sizes for display purposes when all the contrast in non-contrast sans-serif, or ink traps, become visible to the naked eye. Every designer solves this problem in his own way. We offer a drastic solution in our Stem: a sans-serif with optical sizing. The first part of the type family, Stem Display, is for use in largest point sizes, from 36 pt indefinitely. Stem Display consists of 12 faces of widths from Hairline to Bold, and it has true italics. The development of Stem type family will include Stem Text for body text and “traditional”, universal use, and Stem Caption for small point sizes. Stem is a geometric sans-serif with semi-closed aperture, large x-height and modern proportions of uppercase letters, like in famous Avenir and Gotham. Its important feature is a professionally designed and carefully tested Cyrillic glyph set.

Explorer - a classy typeface collection. Explorer collection includes following: • 8 Fonts - a clean and textured version of each • Catchwords • Swooshes • Pictures Explorer’s core is a strong script type with straight edges. All the fonts are designed to work nice together. Here’s a short introduction to the styles: •Explorer Script is equipped with Contextual Alternates that make the connections between letters smooth. In addition it has Swash, Stylistic and Titling Alternates for standard characters for more customised look. Explorer Script has three weights. •Explorer Sans is a wide all caps sans-serif that doesn’t shy away from taking it’s own space. Explorer Sans has two weights. •Explorer Condensed is a sturdy all caps condensed sans-serif with rounded edges. Explorer Condensed has two weights. •Explorer Serif is a bulky all caps serif. •Explorer Swoosh is a collection of strokes and swooshes designed to go with the Script. Try adding a connecting one in the end of a word written with Script or place a loose swoosh above or below a word. •Explorer Catchword is a collection of catchwords designed to go with Explorer fonts.

Right Swipe is a fantastic sans serif brush font duo. The sans serif font, in the Right Swipe, is the epitome of simplicity and elegance. Designed in uppercase, it boasts clean lines and a minimalist aesthetic, making a versatile look. This sans serif typeface is all about timeless sophistication and modern appeal. In contrast to its sans serif, the brush font adds a touch of creativity and spontaneity to the duo. The brush font's characters are made in round shapes and consistent proportions, creating a harmonious appearance. Each letter is meticulously crafted with fluid strokes, evoking a sense of warmth and approachability. Together, this duo offers a harmonious balance of elegance and creativity. This combination of a simple and refined sans serif font with a warm and inviting brush font allows you to strike the perfect tone for your design projects. In addition, enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Right Swipe fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more vintage-inspired designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Akagi started as a rough sketch while on a really long plane ride to Tokyo in 2007. I wanted to develop a sans that was a complete departure from my successful Aaux Pro (now Aaux Next) sans serif family. Whereas Aaux and its siblings are rather unforgiving and stark in their presentation, I wanted this new sans serif to "smile" at you when it's on the page. When the plane landed and I realized I did not sleep through the 15 hour trip, my brain shut off, the laptop closed and I hopped in the car to the hotel—forgetting the "new sans" folder on my desktop. Fast forward a few months and I found myself seeing a lot of crisp, rigid, robot-like sans serif typefaces everywhere... I enjoy these new crop of faces but wanted to see something "friendlier" and remembered my earlier sketch work. The groundwork was there screaming at me to complete and Akagi arose from the ashes. To be truly satisfied with it personally, a great deal of time was spent trying to create a harmony between line and curve in an attempt to show that you can be crisp, clean and legible and still keep some personality. The Light and Fat weights (regular and italic) are my favorites and I hope to see them as the workhorses of the typeface.

Halfroy is our answer to generic geometric sans trends exploding nowadays who creates sameness. Halfroy brings new sans perspectives by combining rounded and sharp edges to create delicate sans fonts. See the difference by looking at counter-shapes compared to outline, insides counter shapes you will sees a sharp edges while round but not geometrical on outlines. Halfroy gives your project unique visual impact whatever your design project is, but we recommend using thin, semibold to Fat as display then light and regular. Halfroy taken inspirations not from looking at other sans typeface, but its design inspirations comes from observing a land contour and geographical statistics in our city, Kota Batu. We found that our city geographic consist of steep slope like waves with sharp peaks and surrounded by small and third highest mountains peak on our country. From then on we begin visualize and applied on few letters. Take a look on our 'O', 'f', 's' letters, its like a stone carved letters. Its hard edges and soft edges outline clearly draws from our inspiration source. Even Halfroy looks stony, hard as individual letters, we treat this type with humanist approach in mind. Therefore you can sense a friendly yet casuals of typical sans serif fonts when it grouped together to form a words or sentences. We hope Halfroy will gives your design project a unique on its own.

Swiss 721™ is a sans serif family that ranges in style from thin to black while mixing in a few unexpected, but beautifully made and ironically flattering, outline weights that spice up the grotesque design. Couple these upstanding letterforms with matching italic styles and you have yourself a beautiful tool that is as legible on screen as it is off, has the technical prowess to conquer even the trickiest of design riddles and will work in a myriad of projects. Swiss 721 is a staple sans serif that you’ll never be sorry you have in your library. It’s been said that a simple sans serif is one of the most difficult typefaces to design. This is because when letters are reduced to their most basic details, irregularities and inconsistencies in design become immediately visible. The Swiss 721 typeface family is a quintessential example of letterforms distilled to their essence while still possessing warmth and verve. Based on mid-century sans serif typefaces, Swiss 721 is a versatile family of weights and proportions ideally suited to a wide variety of print and interactive design projects and is equally at home as headlines on billboards as it is navigation content on small screens. Swiss 721 takes the essence of mid 20th century sans serif typefaces and melds it with modern design consistency and a systematic weight range.

Jabogram is a quixotic fortuitous san serif typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 250+ glyphs including punctuation and numerical.

The spontaneously fun font for all things whimsical. Outrageous and gregarious! Marzipan is great for a multitude of applications including brochures, identities, packaging and scrapbooking.

Endorfinia is a clean and geometric sans serif with a very high x-height. Smooth looking for both small amounts of text, or headlines/logos

Inspired by art deco posters from the period between WWI and WWII, Lumier comes in 3 weights with the proportions of a modern sans families.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.

Capitalist Pictograms is a picture fonts inspired by the classic Capitalist poster. Glyphs can be used to recreate the iconic poster or individually for fun.

Summer Crackers is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

Maim is one messed up sans serif typeface. Designed to be used as a family by intermixing the letters for more random looking destroyed text.

Dog Tag is inspired by dog tags. It provides a modern stencil font and the metal-works to create fun and usable dog tag signage.

Geffry is a retro inspired display typeface. It's fun and groovy with a bold personality. Perfect for masthead, logo, or anything your creativity takes you.

The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

Say hello to Hello Arsenio font. Made with love and joy. Kids look, so it will make your design more beautiful, cute, fun, and colorful.

LD Funky Chunky is a lighthearted, chunky font that's casual and perfect for some visual fun. They'd make a great team on your next project!

Talking Five is a hand-drawn sans serif font family. Friendly and soft impression. Best for school activity, text-book for kids, poster and toys.

Magic Holiday is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.

Golnama is a modern Sans Serif headline font. Golnama supports Arabic, Persian, Urdu and Latin. It includes proportional and tabular numerals for the supported languages.

Ammonia is a simple sans serif made fumey and gloopy. Strange little dendrites poke out from some of the characters, causing some linkage between letters.

Phi is a simple geometric sans, inspired by the Golden Ratio. It is rock solid, versatile, legible and excellent for both text and display usage.

Minnie is a clean monoline upright script. This fun-loving font is great for headline display and text use. It comes with numerous alternate characters.

JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...

Introducing Quinger - Unique Sans Display inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

Boheld comes with 6 different style variations such as Sans, Serif, Bold, Condensed, and Inline. It is inspired by classic labels, tickets, posters, and more.

Shanty House is a chunky fun and whimsical handwritten font. A little bit quirky, this font looks incredibly adept in a wide variety of contexts!

Ravioli combines fun fonts that will easily turn any design idea into a stand out! Fall in love with this adorable and versatile font family!

Chalkier is a fun & quirky handwritten font. It’s the perfect choice for product packaging, branding project, magazines, social media posts, wedding invitations and much more!

Let’s be creative and have fun at the same time! With the new Itchy Handwriting, you will make your friends smile and your foes shake.