A roman face designed in the early 1980s by Ed Benguiat for ITC, ITC Benguiat shows a strong Art Nouveau influence. As with ITC Korinna, the stress of the ITC Benguiat font family occurs in the upper half of each capital. This distinctive typeface is particularly useful for display and advertising work. ITC Benguiat® font field guide including best practices, font pairings and alternatives.

Equa is a font based on strict grid rules. The name "Equa" comes from the equal widths of the vertical strokes, inner spaces and counters and spaces between glyphs. Its geometric construction gives it a technical look with an art deco sensibility. A system of three "weight-widths" based various sized grids gives flexibility in uses, from large condensed headlines to small blocks of text.

Inspired by the iconic Fenoglio-Lafleur Liberty building in the city of Turin, in an area with significant Stile Liberty buildings and New Gothic architecture. Lafleur is a decorative face with a remarkable art nouveau flair from 19th century. Perfect for creative contemporary uses in print and on screen. We recommend it for book covers, packaging, branding, editorial, web, advertising, apparel, purposes are endless.

Linotype Konflikt is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designer Stefan Pott was inspired by the conflict between the appearance of a typeface in print and on a computer screen. Out of this conflict came a font in which every character has aspects of both flowing handwriting and angular pixel-like strokes.

A geometric sans serif typeface, the square horizontal structure is evenly balanced with smooth curves and arcs producing a clean, distinct font ideal for both print and on screen uses. Further enhancements to improve legibility with the use of consistent stroke contrast and tapered diagonal angles. Details include eight weights and italics, 600 characters, Cyrillic, five variations of numerals, manually edited kerning and Opentype features.

DF A Bit is made for screen display which is the final form of a lot of information nowadays. But there is more in this BIT... in display sizes it unfolds it’s skin, a beautiful ink on paper structure caused by the letterpress printing of copper lines. Analogue BITS indeed. With all the wealth of the ‘non perfect’, to please the eye and to satisfy the mind.

Our most up-to-date Futura adapted to the new times. Its peculiarity lies in the curved endings of three of its letters (“j”, “l” and “t”), which gives the typeface a more dynamic and modern look, making it easier to visualize on small and low-resolution screens. The original designs of these characters are also included. Futura is a Trademark of BauerTypes SL

Herbit is a handwritten sans serif font designed with the principle "Irregularity in regularity" so that herbit produces different shapes on each side of the character but looks in harmony and still maintain readability. The family contains 7 weights from Light to black with multilingual support and is ideally suited for branding, logo, advertising and packaging needs, editorial and publishing, as well as web and screen design.

Digitized from the handwriting of Simone Wilkie's son, Boyscout is a font that demonstrates a mix between the power of learning and individual creative development of a seven year old child. The struggle to conform with observation appears in most letters, while the creative streak shows clearly in letters like the swashed N, the single-stroke Q, the high T, and the charmingly odd, calligraphic z.

Siwa is a Multilingue typeface that created for the screens and the daily uses, with a simple timeless geometric design to merge the modern requirements with the traditional rules of calligraphy, comes with 9 weights, and support an OpenType feature for more than 90 languages, includes all the languages that based on Latin and Arabic letters, also support the Indian, Latin, Persian and Urdu numbers.

Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

Artistic Venture Typeface, Inspirated those bold wide letters you see on. computer screen, movie futureistic with combine classic , Well, some of them have these strong or hooks on the ends of the letters. But, there's also this new style of font that's super cool and futuristic. It's called a Artistic Venture Typeface. There Include : All Caps Opentype Feature Alternate Character Ligature Multilanguage Thank You

Variable is a sans-serif monoline typeface family that can be used in a variety of typographic environments. The UltraThin weight is perfect for use at large sizes in magazines or anywhere a hairline effect is needed. The Black weight feels reminiscent of wooden router lettering. Variable is very versatile due to its calming curves and can be used in print or on-screen environments.

Grizzly is a handwritten display style typeface. It was designed by hand using a flair pen, then scanned in, vector traced and fontisized. It is a very detailed typeface that looks great at large point sizes on screen and in print. Grizzly"s aggressive, chicken scratch appearance definitely adds pizzazz to every document. Grizzly features a full character set including European and alternate characters!

Waterman is a display font, its form is based on the figure of a fluid, creating a texture of undulating forms, rhythmic and free to make reading a stream wave experience. Waterman comes in Regular and Bold. The letter shape was developed from the design of the letter "a" and “l” lower case. The curve model is related on a stylized form of a fluid wave.

Hello, friends. Here's my new experiment. This font breaks the boundaries even more. Rosalina combines all these qualities: simple and clear, looks at ease. It is perfect for signatures or design, wedding invites and cards, where you do not need a strict style :) Test it out below to see how it could look for your next project! Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

This typeface, in fact a bitmap font 'avant la lettre' is an interpretation of the Old Face condensed type. It is being used where space is scarce. Its skeleton is projected on the chain structure of a fly screen. Eventually your text lines fill the space as wide as hypothetical doors can be. In small sizes the text appears to be drawn with a pencil.

Inspired by butcher shop and supermarket window advertising, Beefcakes™ emulates "big brush” style lettering – with a contemporary twist. Not for the typographically timid, this is a design that makes a powerful and friendly statement in print and on screen. Advertising headlines, posters, cover art, menus and packaging are all in Beefcakes’ wheelhouse. While it would be a little crowded on small screens, big type in web sites and games are also part of Beefcakes kit-bag. Drawn by Jim Ford, Beefcakes’ big, sassy and playful shapes are sure to grab attention. Its letterforms are dense and sturdy – yet soft and welcoming as your mom’s old couch. The suite of Beefcakes fonts is available as all-caps designs with small caps, in roman, italic and shadow flavors. As a nod to the typeface’s inspiration, Beefcakes fonts also include a set of decorative abbreviations (lb, oz, kg, in, etc.) for bold signage and showcard-style displays.

Cadmium has a comprehensive latin character set and many Opentype features to enhance text, including small capitals, case-sensitive forms, superscript and subscript. Plenty of numeral variants include old-style figures, lining figures and fractions. Default numerals are proportionally spaced. Alternative styles for a handful of key characters provide some useful variations where stylistic sets can be implemented. The fonts are presented as four width-based sub-families: Expanded, Normal, Condensed and Compressed. Each width has a matching range of six weights and italics (obliques). Regular and Bold weights are style-linked, together with their respective oblique forms. Each width differs in its basic construction but all fonts share the same vertical metrics and may be used in combination with each other. Letter spacing is optimised for text sizes but is tolerant of significant tracking changes. Cadmium is good for signage, publicity and packaging, screen credits and titling, general print and publication, as well as web and screen applications.

Introducing Ervha Modern Sans Serif Typeface Ervha is a modern sans serif font with a minimalist and trendy style. This font has 10 styles from thin to extra black Perfect font for print and digital projects. Quality fonts can help your projects become more modern and classy. This font also supports other languages The clean and sharp lines of sans serif fonts are the main reason many graphic designers prefer this font style for both screen and print use. Clean lines and sharp edges can be displayed more clearly on the screen which improves legibility for users. What do you get when you buy this font? Ervha is one font you need Affordable and versatile Multilingual support and complete character set Designed by a Typeface Designer Get one font for any occasion Multilingual support in this modern sans serif font Well known for its exceptional readability Enhance your Project by using Ervha Sans Serif Modern as your font of choice.

Thirsty Cream is my handmade and slightly curly font. I had birthday greeting cards, invitations and products for kids. But I guess that it is useful for a good handful of other things. While the lowercase has it's curly moments, the UPPERCASE is quite steady and super legible

Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style. This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.

The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.

hello !! this time I released a new product called "all in" which has an elegant and modern style.This font is suitable for invitation cards, decorations, clothing products, greeting cards and others. This font also has uppercase, lowercase, numeric, puntuation and multilingual. and there are several ligature and stylistic alternate.

Heart of Saint George is elegant handwritten calligraphic font. It comes with uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, ligatures and multilingual support. Ideal for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

Anttine is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

A piece of vintage British sheet music from 1941 entitled “That Lovely Week-End” featured the song’s name in a bold Art Deco sans serif with rounded edges. This lettering design is now the digital type face Weekend Plans JNL, which is available in both regular and oblique versions.

Lettering on the sheet music cover for the title song from the 1957 Marlon Brando movie "Sayonara" was the model for Pacific Island JNL. The design has an Asiatic influence, but also reflects a bit of show card lettering as well. Available in both regular and oblique versions.

Reasont is to be perfect for logos, branding, greetings, social media themes and wedding invitation designs. It is also a great typeface for titles due to its smooth design and eye-catching appearance. Available Fonts: . Multilingual. If you have any questions don't hesitate to contact me! Thank you,

Cut Nyak Dhin is a modern script with handwriting, decorative characters, designed to perfectly combine informal, sassy, romantic, sweet scripts. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, logos, web design and editorial, prints, invitations, crafts, quotes, and more.

This is a playful child-like typeface perfect for any fun quirky design work! This font can be used for anything such as T-Shirt designs, phone cases, greeting cards, invitations, mugs and so much more! Get creative! Thanks for checking out this font. I hope you enjoy it!

Girly Moods is a cute handwritten script with a feminine touch. This font is perfect to be applied especially in logos and the other various formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Major Font is designed to be versatile. Compatible with both modern and vintage design styles. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more. Hope you are happy and enjoy your creations. Thank you!

SDhauntedhouse is a whimsical hand-drawn typeface. This font has a slightly eerie vibe, and I created it inspired by haunted house movies. You can use this font for logos, quotes, invitations, greeting cards, journals, posters, clothing, and more. This font will infuse your designs with playfulness and fun!

Type designer Hannes von Döhren created a display typeface called "Blow Up". A bubbly, sweet font with nice light effects. Perfect for use in big sizes on posters or flyers. You can use Blow Up Sans & Blow Up Bling together to influence the color of the light effects.

Northfield is a combination vintage and modern typography font, inspired from the elegant poster and old label product. Northfield comes with ton of alternates characters. It is suitable for authentic logos, headings, posters, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.

Buddy Kids is a fun-lettered handwritten font that is easy to read. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more. Add it to any of your designs, and enjoy the results!

This font feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It is also PUA encoded which means you can access all of the glyphs and swashes with ease!

Quantica is to be perfect for logos, branding, greetings, social media themes, and wedding invitation designs. It is also a great typeface for titles due to its smooth design and eye-catching appearance. Available Fonts: . Multilingual. . Ligatures. If you have any questions don't hesitate to contact me! Thank you,