Mensrea is a versatile display and text superfamily combining 32 different styles into a urban, street, themed design bundle. Based on a functional and condensed sans serif, Mensrea equally includes a large range of complimentary weights that can either be used as stand alone styles or then combined with other weights to create layered design. Two Graffiti styles add a further style contrast with a handwritten and fluid dynamic to contrast the main weights, the Bubble style equally features three extra layers for styling. And lastly, a small set of pictograms have equally been included and feature symbols from office icons to themed police iconography in relation to the overall Mensrea theme.

Infamy is a display typeface inspired by graffiti and street art, featuring the ‘bubble letter’ style of writing which was very popular among subway and suburban graffiti artists in the early days of American graffiti. This font recovers graffiti horizontal alignment, tight tracking and colourful lettering. The OpenType version includes many different ligatures which provide multiple options when composing a text. Multiple layers make Infamy a bright, shaded and colourful font, allowing you to dress up your writing. This font incorporates a pictorial rendering of character faces (instead of small caps), capturing the essence of the graffiti: the ‘childish’ and the ‘irresponsible’, which is present in the experimental side of the typeface.

Hi, Everyone! Have you been looking for a graffiti font? Do you dream of creating headings that stand out and inspire creativity, imagination, and prominence style? Introducing Skater Squad- A Grafiti Font Skater Squad is a bold and angular with a distinct street vibe. This font can be used for a host of different content needs and projects. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Omerta Blackletter Font Blackletter fonts have letters that are very bold and ornate. It is a Western calligraphy style that was used in Europe from 1100s to the 1600s. Blackletter is also known as Old English or Gothic script. During the 20th century, blackletter type styles were adopted by new audiences and came to be associated with punk, street art, and heavy metal. Omerta Blackletter Font Specifically developed to be suitable for perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects. Omerta Blackletter Font are great for Classic Calligraphic type projects and convey a sense of what’s to come. This font can be used with all software that can read standard fonts.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Villa is the abbreviation for Carrer Villarroel (Villarroel Street), where the Villarroel Pharmacy has been displaying this sign since the first quarter of the twentieth century. The Eixample Villa typeface system consists of sturdy letters free of ornaments with an industrial aspect. Only the treatment of the curves borrows modernist features. Like the rest of the families in the Eixample series, Villa shows its origin as a display font, but it has been engineered to give good results at small sizes as well.

Proudly present New Kids Crew - Graffiti Type, created by ikiiko. New Kids Crew is a raw and expressive brush font with touch of street style. This type has a freestyle shape that has the characteristics of freedom, youth and is filled with unique characters. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weight : Regular & Oblique Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Saguenay ia very versatile font which apply to many applications including headlines,web, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

A very graphic font with emphasis on legibility, dynamics and modern. Recommended for posters, titles, book covers, books, greeting cards, signage, packaging, invitations, magazine articles and advertising.

Blighty is simple and sweet handwritten font display. This font is suitable for handwriting logos, T-shirts, merchandise, quotes, social media posts, advertising, and a lot more!

A collection of over 50 border patterns based on geometric motifs from various African tribes, including the Ashanti, Bushongo, and Zulu. Use for stationery, greeting cards, etc.

A mechanically drawn felt tip pen styled font with matching common cap styles suitable for greeting cards, posters, and announcements. Ravenna requires subjective display kerning and compensation.

Chicory is a beautiful new calligraphic typeface with a touch of elegance. The narrow chancery style is perfect for formal invitations, newsletter mastheads, menus and greeting cards.

Applaud is a very versatile font which apply to many applications including headlines, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

Novela is a chisel flat pen style written with overtones of Uncial, from century old scribes. Very suitable for greeting cards, headlines, packaging and many other applications.

Gauntly is a stunningly sweet and delicious single line handwritten font with a cool vibe. It will turn any design idea into a true piece of art.

This attractive handwriting typeface from Typadelic exudes casualness and informality. Very readable at small and large text sizes...perfect for scrapbooking, greeting cards and casual letter-writing.

Terrace JNL is a bold, sturdy Art Deco titling face based on hand lettering found on the cover of some 1940s-vintage sheet music for the organ.

Condensed Oldstyle Gothic with flair. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

“Bloody Terror” is a decorative font featuring letters like blood dripping. This font is perfect for Halloween moments, Halloween greetings, Halloween invitations, movie titles, comics, and more.

Venesia is a beautiful and clean font with an ornamental style, perfect for use in various designs such as mugs, t-shirts, invitations, greeting cards and more

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Loraine was born in London. She was an ordinary, hardworking family person, with nothing to worry about beyond paying the rent at the end of the month or keeping the fridge full. Until in 2009 she came to Barcelona on holiday. Soon after she arrived her passport was stolen from her and she had a series of problems with the British embassy. Somebody had made illegal use of her passport. So Loraine found herself in a strange place, unable to get home. She didn’t know anyone there and her circumstances meant she couldn’t ask for help from England, either. She had to sell all her possessions and, in time, learn to speak Spanish. “Living in the street is a wonderful adventure,” she says. In the street she discovered a new city, a new country and a new culture. “There are lots of people who prefer to sleep under the stars.” She also made lots of friends who helped her in a completely unfamiliar world.

Kodama are spirits in Japanese folklore that inhabit trees. The term is also used for trees in which a kodama houses. Kodama Forest is a rough, spikey and inky font, in the style of the great Ralph Steadman. Kodama Forest comes with a bunch of alternates, some interesting ligatures and a lot of splatter. And, of course, all the diacritics you can throw a tree spirit at.

Sabon was designed by Jan Tschichold and released in 1967. Sabon was created in response to the specific needs of a group of German printers who wanted a typeface that would be identical in form when produced by three different metal-casting technologies. Named after Jacques Sabon, a sixteenth century typefounder whose widow married another typefounder, Konrad Berner, who is credited with issuing the first typefounder's specimen sheet. Several types on the sheet were attributed to Claude Garamond, and one of these served Tschichold as the source for Sabon roman. The italic was based on another face on Berner's sheet, cut by Robert Granjon. Tschichold's skillful adaptation of these old style faces has produced an elegant and workmanlike book face. The Sabon font family is a popular choice for setting text.

Averta Standard is the basic version of Averta. Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) Averta is a geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface. Averta Standard is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines. The dynamism of the true italics adds a complementary touch to the whole family and provides extra versatility, making Averta Standard an excellent tool for a range of uses, from signage to branding and editorial design. Averta Standard comes with alternate glyphs, case sensitive forms and contextual alternates, in eight weights with matching italics and supports over two hundred languages with an extended Latin, Cyrillic (Russian, Bulgarian, and Serbian/Macedonian alternates), Greek and Vietnamese character set. It ships in three different packages offering different script coverage according to your needs: Averta Standard PE (Pan-European: Latin, Cyrillic, Greek), Averta Standard CY (Latin and Cyrillic), and Averta Standard (Latin and Greek). Averta's Cyrillic have received the 3rd Prize in the 2017 Granshan Awards in the Cyrillic Category.

Grotesques can answer a really wide variety of design problems and go from small sizes to large without missing a beat. Vinila is Flora de Carvalho's take on the genre. The family’s multi-purpose intention comes from having 4 widths - from compressed to extended, each with 6 weights and obliques. Rhythm and music played an important part in the design of this font, which started off as the lettering for a Brazilian Music album. Its distinctiveness comes from having powerful ink traps that go from elegant and supple in the lighter styles to commanding and impactful in the heavier styles. A distinct rhythm is achieved, making it a strong face for editorial design, branding projects and so much more. Vinila is the ideal companion to expressive display faces, where it serves a supporting role with a marked presence. We use Vinila every day in our own brand identity. We've had some of the best designers use it and test it in many different environments, printed, digital, mobile and more (they really like it!). Also in the package, Vinila Variable is an experimental version of Vinila, where you can have a virtually infinite mix of weights, widths and slant, all from a single font file. Available when you license the complete family. Vinila pairs happily with our cheerful Manteiga , elegantly with our organic didone Tenez and mechanically with our monospaced Odisseia . What other matches can you think of?

FS Rosa is a free-spirited and optimistic serif typeface – reminiscent of those used on fanzines, film sequences and book covers of the 1970s, such as Cooper and Windsor, it has a laid-back nature with a touch of rebellion. It also reminds of type used in colourful protest graphics by nun-turned-designer Corita Kent, and its personality is akin with brands like Whole Foods - positive rather than preachy. While unconventional, it’s sensible enough to work perfectly for socially conscious brands, magazines, websites and campaigns that want a fairer and more responsible world. Hand-drawn digitally, FS Rosa is warm and open-minded – its irregular letterforms are rounded, with soft terminals, a large x-height and wide apertures. But it is also quirky and eclectic, with irregular shapes – its short ascenders and descenders have slanted serifs, its uppercase forms have unusually low crossbars and the letters are filled with oddities and surprises. The typeface looks to stand out against a sea of homogenous, geometric sans serifs, and celebrates beauty through imperfection. It comes in five weights of Thin, Light, Regular, Bold and Black. The heavier weights make an impact and are great for loud, headline statements. The Regular weight is functional, balanced and robust for text, and the lighter weights have an elegance and contemporary beauty. FS Rosa is eclectic yet with its soft roundness, also positive and progressive. Its name, inspired by the phrase “rose-tinted glasses”, reflects its optimism.

Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface that comprises nine weights and five widths of precision engineered OpenType. 40 fonts, 32,668 characters and 24 OpenType features. Hot on the heels of the popular Neo Sans and Neo Tech range, and his first typeface release Scene, Soho represents three years of work by Lester. As a type designer I'm preoccupied with finding ways in which I can address modern problems like good legibility in modern media, and create fonts that work precisely and efficiently in the most technically demanding of corporate and publishing environments." Slab serif typefaces are enjoying something of a renaissance, offering versatility whether for corporate identity, product branding, text or display use. With 40 weights to choose from Soho gives designers endless possibilities from the ultra chic lines conveyed by the lighter weights to the rock solid statement made by the heavier weights. Soho is cross-platform compatible. The Pro version provides extended language support for Central European languages. Used in conjunction with software applications that support OpenType many useful features like "stylistic sets" can be leveraged -- in which a wide variety of alternative characters can be introduced at the click of a mouse button giving one font several "tones of voice" from conservative to cutting edge. The wide range of glyphs includes ligatures and small caps."

Inka is the name by which the closest-ones called my partner. Inka is also the name of a text typeface – in its form very friendly and welcoming. The same way as relationships develop through the life, text typefaces develop, too. I had started the work on this typeface about the same time as I met Inka, while reaching the final output has been a long and progressive process. Inka is a modern serif typeface with wide universality in functions (various editorial usages as books, magazines, annual reports…). The concept and the scope of the complete type family are based on the principle of optical sizes of the typeface designed for the particular use of the size of typesetting. Inka consists of several drawing variations for the typesetting of small sizes (Small), text typesetting (Text), larger typesetting sizes (Title), and headlines sizes (Display). Two constructive alternatives, differing in the height of the construction of the font signs, further extend the variability of the usage of the typeface. Inka A has classical proportions ideal for book typesetting. Inka B has lower ascenders and descenders, lower uppercase glyphs and numbers. Typeface with such construction allows us to use the typesetting efficiently while using tighter leading and still looking more contemporary. Each of the font set (Display, Title, Text, Small) consists of four weights (Regular, Medium, Bold, Black), each has wide character set and a lot of OpenType features. “Inka is dedicated to Inka.”

PT Root is a contemporary sans serif with strict, laconic forms. It’s a versatile typeface that provides a wide range of possibilities. Regular style works great in long texts (both on screen and in print), as well as in the interfaces. Medium and Demibold are good for signage, while the lightest and boldest styles look great in large sizes and are suitable for the brand identity. PT Root is a sans serif with 10 weights and a variable version. Its character set includes extended Latin and extended Cyrillic, three arrow variants, fractions, index numbers and letters. PT Root automatically lifts dashes and brackets with the case change. Its characters have stylistic variants, including the single-storey a, a strikethrough zero and some local alternates for Bulgarian and Serbian Cyrillic. PT Root can work in a project both independently and in pairs. Contemporary serif typefaces are the best text companions for it — try for example PT Serif, Yefimov Serif or Scientia. In case PT Root is the only text typeface in the project, then combine it with serious typefaces, such us technical (Din Condensed as an example) or pronouncedly contemporary typefaces, including postmodern ones, from Stapel or Spile to Helsa.

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). The design combines traditional conservative appearance with modern trends of humanistic sans serif and possess enhanced legibility especially in caption styles. These features, besides conventional use in business applications and printed materials, make the fonts usable for direction and guide signs, schemes, screens of information kiosks, and other objects of urban visual communications. The fonts have extended Latin and Cyrillic character sets serving alphabets of all title languages of the national republics of Russian Federation and supporting the most of the languages of neighboring countries. Each font contains about 1400 characters including small caps for all alphabetic characters, 4 sets of figures with lining and old style variations, stressed Cyrillic vowels, indices, fractions and so on. Design -- Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. The fonts released by ParaType in 2010.

Features: Over 1200 gyphs in 14 styles; True form of italics; Humanist character and proportions; Extended Latin, Extended Cyrillic & Greek scripts; For more than 130 languages Moderate contrast; Perfect for text, headlines and web; Coverage of many OpenType features Ligatures, Small Caps, Case sensitive forms, OldStyle figures, Tabular figures, Fractions Named after a star and inspired by the cosmos, Alkes traveled a long way from a graduation project to a published multiscript serif type family. Designed with the intention of harmonising between three scripts - Latin, Cyrillic and Greek, the contemporary, yet well defined humanist serif combines the best out of the digital and analog worlds. Featuring a generous x-height, wide letter spacing, large open counters and angled stress contrast, Alkes is highly effective for editorials and publishing, where long texts and legibility are the key forces. Its attractive details, calligraphic structure and asymmetrical serifs shine through in the larger sizes and make Alkes suitable for headlines. Alkes has a pull with editorial designers, graphic designers and publishers who aim for a clear structure, hierarchy and coherent non-Latin scripts for both print and on-screen environments, in order to achieve otherworldly designs

Invaded 2600 is based on the screen font of the 70's arcade classic Space Invaders for the Atari 2600. Each time you use Invaded 2600 you will be at war with enemies from space who are threatening the earth. Good luck!

Tuxedo is a display & logotypes typeface. It is however suitable for short texts. Its design is inspired by the Bauhaus works. Tuxedo has been created directly on the screen without any sketch. Because of its "mechanical" structure, this typeface endure anamorphosis distortions nicely.

A makeup ad in the December, 1937 issue of Modern Screen magazine inspired Single Line Deco JNL, an Art Deco monoline which is available in both regular and oblique versions. The font is based on the hand lettered headline touting “Modern Eyes”.

Emmie is a friendly display face with fat curly terminals, which is great for billboards, branding, headlines and editorial design as well as screen based applications. It has over 450 glyphs and includes opentype features such as discretionary ligatures and stylistic alternates.

Eingrantch Monospaced is a monospaced sans serif based typeface, inspired by an old Continental typewriter in sans serif version. Available in 7 weights from thin to black. Well suited for modern logotypes, branding, editorial design as well as web and screen design.

The hand lettered screen credits for the 1940 film “The Proud Valley” feature a bold, hand lettered sans serif type design with strong Art Deco influences. This is now available as Paducah JNL, which is available in both regular and oblique versions.

Kole P Rounded is based on the Kole font family. The complete family contains 18 weights. Kole P Rounded family is ideally suited for signage, packaging, brand identity, software, editorial design, as well as web and screen design. Perfectly for headlines and logotypes.

The Dava typeface is the result of almost two years of self-study. Dava is a screen sans serif font that is small but fun. His family is small and has fine, regular, bold, fine slant, regular slant, and slanted bold weights.

Grandmaid is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Classic Design, Logotype, and any project. Comes with a tons of ligature and alternates make your life more than comofortable, easier to design and free stress.