Good Vibes is a three-variation font family with a groovy retro vibe. This lettering style conjures up the early 1970s and the whimsical post-psychedelic graphic era. Stack the three styles to build different combinations of shaded and outlined layers. Good Vibes, as it's name suggests, has a charming and lively funkiness that will add splash and pizzazz to your designs.

Michua is a sans serif font based on the principles of freedom and spontaneity, designed with curved ends and sticks with a slight wave. Its development is aimed at both screen display and its use in print media. Thanks to the flexibility offered by OpenType features we included special characters such as ligatures and old style numbers, offering a fairly comprehensive set extension.

Fun Signs JNL comprises twenty-six humorous signs from a 1930s-era sales list of products manufactured by the Koehler Sign Company of St. Louis, Missouri. Koehler manufactured a large line of stock cardboard "Blue Signs" (presumably blue backgrounds with white lettering) and alongside the many standard phrases used by various businesses was a list of funny sayings. Such placards were bought by merchants to either evoke interest in their services (such as in a bar or restaurant, or jokingly comment on their business policies (as in credit billing). These novelty signs are a fun addition to a flier, ad, web page or announcement and will leave your readers smiling.

Utlity Signage JNL is a collection of fifty-two various "all purpose signs" we've all seen in hardware and variety stores is perfect for spot illustrations in ad copy, making one-off images for props in a stage play or production or even for novelty jokes or gags. NOTE: Usage of this font to create printed or digital "stock signs" for resale is not part of, nor allowed under the terms of the standard Jeffrey N. Levine Software License Agreement. A separate license for the manufacture and distribution of derivative products is required by contacting the font author directly. Please refer to the EULA for further details.

Old Labels JNL was inspired by the red and white gummed labels that were used for shipping parcels long before self-adhesive materials and desktop publishing rendered the older labels obsolete. The fifty-two glyphs include a generous supply of phrases such as ‘Air Mail’, ‘Do Not Bend’, ‘Rush’, etc. along with a number of blank label backgrounds and decorative frames. NOTE: Commercial replication of the images within this font for any resale purposes (including, but not limited to labels, t-shirts, stock designs, et al) requires a separate license which may be obtained by contacting the designer via the email address found within the End User License Agreement.

Koralle was an abundant family of grotesque font styles which had been released by Schelter & Giesecke in the first quarter of the previous century. Out of this family four of the most impressive styles were revived, whereby I stuck as close to the original as possible. All styles contain even the weird-looking capitalized German double-s of which I am a strong opponent.

This month I seem to be stuck in the ‘Baked Goods’ section. I released Bloomer earlier and now I present Cookie Supply! Cookie Supply is a handmade display font. It is a bit uneven, a bit rough, yet very friendly, cute and useful. I guess it works best with products or books for children. Or oatmeal cookies by the dozen. Or organic apple juice. Or…

Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the conceptual starting point. The inline/outline was then applied to sans and serif variants, and extended into a multi-line prisma and an offset layered shadow version, probably inspired by Face Photosetting’s Stack.

Sticky Annie is the latest in the series of fonts I've designed that are named after my wife. Little bundles of overlapping sticks or lines make up each character. It's made to look good at small font sizes, but the bigger, the better. At small sizes it's fun and a little childish. At bigger sizes, especially in all-caps, it looks intricate, distinctive and stately.

I don't have an Uncle Oscar, so the font is not named after someone I know. The name just kind of stuck. Uncle Oscar is a pencil font, made with a black ‘Lamy’ pencil I took from my son Sam’s pencil box. It is a little rough, but very legible and comes in Regular and Italic. Of course, Uncle Oscar speaks a lot of languages.

FWD Egyptian Tower is a designers stack-able Display family best purchased as one package. The four versions can be manipulated in your favorite graphics or sign making application to achieve the different effects as shown in the font family ad designs. All fonts are tightly spaced and are very often intentionally overlapped creating a balance for each very unique wider bottomed character. Being stack-able, the designer can duplicate the original text layer and by changing the font on the lower of the two layers to another of the family can then add another available effect. This can be repeated to add other of the available effects. Then by converting the text of the lower text layers to curves or outlines and welding the characters of the words together, the overlaps can be eliminated. This process is fairly common practice for a graphic designer and quite easy once done a few times.

Everyone loves an Art Deco typeface. And there are hundreds of similarly-designed deco faces out there! But not one of them seems to have every form of every character that you want or need at any given moment. That’s why Swonderful was created! It has more letterform variations than you can shake a stick at (if you're inclined to shake sticks at things). With four variations of every uppercase form, two variations of every lowercase form (plus diacritical characters for the standard set), you’re bound to find the character you need for any given project, whether the style is French Art Deco, American Streamline Moderne, or Jazzy Midcentury Gaspipe. Just switch between stylistic sets! And you’ll find all those characters in three standard weights: Light, Regular, and Bold. They’re designed as a unicase, so they’re all height-compatible, and every set works with every other set, so you can mix and match to your heart’s delight!

Uniform Rounded is a type family based on the 2014 Miller Type Foundry release, Uniform. This superfamily is comprised of three widths (regular, condensed, and extra condensed) each with six weights. The result is a fun and playful typeface that is extremely versatile and is a great asset for any project on any medium. Uniform Rounded is a multi-width geometric type family designed around the circle. The O of the Regular width is based on a circle, the O of the Condensed width is based on 1.5 circles stacked (with straight sides) and the O of the Extra Condensed width is based on two circles stacked with straight sides as well, and all other characters are derived from this initial concept. This unique idea creates a remarkably fresh type family that bridges the gap between circular geometric typefaces and condensed straight-sided typefaces. Uniform Rounded also includes many opentype features like Old Style Figures, Tabular Lining Figures, Alternate characters, Ligatures and more.

I have always liked the word ‘quite’ - you can stick it in a sentence and all of a sudden that sentence looks quite sophisticated! Quite Something may not be all that sophisticated; in fact, it is a rather messy font. But that’s where the fun begins! Use it for your children’s book covers, toy packaging and posters. I am sure people will say that your designs are Quite Something!

Quartan is an industrial, unicase sans serif family, with three weights. The Austrian designer Maria Martina Schmitt developed this series of typefaces for designers to use when setting chunks of text en masse. Being a unicase design, Quartan¿s letterforms have no ascenders or descenders; lines of text may be stacked virtually on top of one other. This offers a multitude of possibilities for headline, logo, or corporate identity design.

Introducing, Strong Girls - a layered font based on serif style! Strong Girls is a layered serif font that have 4 total font including regular, outline, extrude and long extrude. Like other layered font, you can stack all the style in the text so the design will looks 3D. You can use this font for any purpose like poster, sticker, vintage design, or anything. This font also support multi language.

You can’t reinvent the wheel When it comes to designing a sans serif, many designers stick closely to existing models. How boring! Others try to demonstrate self-reliance by special stylistic elements – at the cost of readability or aesthetics, or both. I did chose a different way: My Font should just look pretty and friendly, being the good buddy for all days. This is how the name is explained.

Village Green JNL is based upon a font called “Giraffe Extended” from the 1892 edition of the MacKellar, Smiths & Jordan type specimen book, and is available in both regular and oblique versions. Its Art Nouveau styling can also fit well with 1960s counter-culture revival projects. According to Wikipedia “A village green is a common open area within a village or other settlement. Historically, a village green was common grassland with a pond for watering cattle and other stock, often at the edge of a rural settlement, used for gathering cattle to bring them later on to a common land for grazing. Later, planned greens were built into the centres of villages.”

Stencil Patterns JNL collects into one digital file a number of decorative stencil patterns from decades past. These charming illustrations were re-drawn by Jeff Levine using images of vintage oilboard stencils made over fifty years ago. While these are useful as stand-alone embellishments for any print projects, they can also be scaled and printed out onto card or acetate stock for hand-cutting as new stencil templates. A special note of thanks goes to fellow type designer and author, Leslie Cabarga. He supplied the bulk of the images used in designing this font file. There are left and right pointing hands on the parenthesis keys, and a decorative ampersand on its respective key.

Goodchild Pro is a pragmatic text face, equipped for sophisticated academic typography. The face has a large x-height, as there is little point in adding to the stock of rangy “book” Jensons. Despite this departure from the archetype, in other respects Goodchild is true to the original letter forms in its tight fit, modulation of stroke contrast, and manipulation of x-height and serif size. Jenson’s tiny tittles and diamond-shaped periods have, however, been relinquished. The finish is not the antiquing that one often finds in Renaissance revivals. 
Here clean, decisive details provide a freshly minted, contemporary appearance, providing a smart impression should one wish to use the face at display size.

P22 Chai Tea is unique among brush lettering scripts. Its sweeping strokes and luxurious use of horizontal space lend personality and warmth to any project. Its sturdy letterforms make it ideal for logos, stationery, titling and packaging. The Pro version is stacked with alternative characters and ligatures programmed to substitute contextually in programs that support OpenType features. In addition, Chai Tea Pro contains Central European Language support that also includes many ligatures with accented characters.

Yume is a fun loving font with a cruel streak that can sometimes turn laughter into daggers. This wicked personality can lead to some aggressive turns of phrase, but when it’s not being mean, Yume can use its strength and sense of humour to do a lot of good. Either way, Yume is sure to have a big impact on your audience, shocking them into paying attention through crisp, sharp lines and chunky, bold characters.

Mavblis fonts have playful and fancy look, which may recall that seen in fifties ads. The look, which is quite bold may well allow for using this font in titles, packaging, or catchphrases. There are also some ligatures and alternates encoded, so you are not stuck with one look in case you require to add some variety to your text. There are over 900 characters in each font, and many languages are served.

So your widget’s stuck between the framistat and the whatchamacallit, there’s a spanner in the works and your avengers just won't assemble? Hey, if you want to get any more work done, you know you're gonna have to hook the hoojamajigger up to the Doohickey! And if those instructions aren't already confusing enough, DoohickeyLower is also available in a variety of languages for our international customers. See the families related to Doohickey Lower: Doohickey.

Every exit is an entry somewhere else. It’s a quote by British playwright Tom Stoppard and I really like it! Exit strategy is a rough brush font, which I made using Chinese ink (where would I be without my Chinese ink??) and the new batch of French paper I bought. Use this font to highlight all that is important, stick it on posters, slap it on book covers - it will definitely do the trick!

American Type Founders released the pattern for this typeface under the name "Thermotype". In the days of cast-metal foundry type, copyfitting headlines could prove problemmatic at times; this typeface, with a wide uppercase and narrower lowercase of exactly the same “color”, allowed stacked lines of type to be composed with uniform width. Clean, crisp and practical. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Winston was inspired by strolls through downtown Winston-Salem, NC. Back in the 60's, 70's and 80's Winston-Salem was responsible for supplying tobacco and hosiery to people around the world. Now, smoke stacks and ghost signage fill the downtown area. Winston blends the modern city aesthetic with the vintage influences of classic advertising. All Caps typeface Capital letter alts US and Western European language support OTF file format

Soapy is a decorative font family, naturally scented and dermatologically tested. With extended language coverage, Soapy fonts are all-caps with 2 design options for each letter. There are also stylistic alternates with bouncy baselines – simply turn on the feature to instantly put your words to float. Or to dance, depending on your point of view. Stack styles for easily add colors to your compositions. Put a smile in your headline! Get Soapy!

Extraordinary impact and visual conspicuousness. Poipoi is a super 3D sans family for posters, logos and all display. The basic idea is not a brand new. The Stacking type system has been used since before wood type age. As you imagined, colored wood type(woodcut), many other engravings and contemporary printer machine print many colors separately with different printing plates for each color. Poipoi uses the same system for 3d effect. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layer. Poipoi "Standard" style is the base of this font family. You can add effects by stacking Highlight and shadow layers. Stacked layers in different color make the text in 3D. Instruction 1. Type your text as you like. 2. Set font-name "Poipoi" and font-style "Standard" 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer twice (One for Highlight, one for Shadow). 4'. The layer order should be Highlight, Standard, and Shadow from top to bottom. 5. Set font-style and color of "Highlight" and "Shadow" layers. 6. Adjust tracking if you need. (Please use same tracking value for all 3 layers.) For further detail, https://www.dropbox.com/s/xymis7dh5hwxn9q/Poipoi.pdf Poipoi Standard, Highlighted, and shadowed style can be used solely. Rounded terminals add soft, cute, and casual impressions to your design. Spec: Over 400 glyphs! Basic Latin ✓ Western Europe ✓ Central Europe ✓ South Eastern Europe ✓ Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 ✓ Adobe Latin 3 ✓ Almost all Latins are covered.

Wappenbee is a 28 pixel bitmapped dingbat system for building crests for the modern, noble life. The dingbat allows you to build memorable crests like the skatepark crest, the smelly sock crest, the mixtape crest and many more. Vowels are mythical shield-holding creatures (upper- and lowercase are right- and leftfacing beasts), consonants are the various shields and numerals are 'crowns' above the crests.

Duluth, Minnesota's Horace P. Brouillet Syndicate (later known as Syndicuts, Inc.) was one of a number of stock cuts providers to the letterpress trade in the decades preceding paper, then electronic clip art. Brouillet's "Typeps" catalogs offered a wide range of images covering numerous subjects, as well as cartoons, catch words and automotive logos. Many of these images have been reproduced in a number of royalty-free clip art publications over the years. Twenty-Six of these newly-redrawn catch words are found within Business Helpers JNL in two styles. On the capital keys are the original white-on-black designs, modeled from the vintage source material. The lower case keys have the phrases separated from the decorative ovals and are in black type.

Hello Molarine is a calligraphic script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Shocking Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpresses, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Unique family of color realistic fonts Frudis. Trick is to have two fonts - bold and thin. Each one can serve individually, but the real magic begins when you stack them in different colors, creating unique play of textures and colors. Features: - Duo Font - Ability to adapt letters to other languages - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters. - Check it www.colorfonts.wtf - Try a FREE DEMO version before buying. ld.luxfont@gmail.com

What is an inverted squircle? To answer that we must first identify a squircle, which is a square with rounded edges. An inverted squircle isn't just a regular old square. It is a square with inverted rounded edges. This font is a modular font designed to create inverted rounded square edges. This font was created with using just a few shapes stacked and rotated to make a unique, digital font with a little bit of quirky personality.

Cindie 2 is an update of the optical type Cindie Mono. It retains the monospace-stacking system of the original, but some letters have been redrawn. It also now includes a lowercase and Cindie 2 has a script accompaniment (which isn’t mono and should be used with Contextual Alternates turned on!). Good for posters, branding and headlines, Cindie 2 has 26 monospaced widths which will fit any job. Cindie 2 also comes as a Variable Font.

Bitblox fonts are based on the lettering created for Glyfyx’ eponymous wooden alphabet blocks. The characters are inspired by the low-res bitmap lettering seen on early generation computer devices. The Bitblox family consists of eight pixelated fonts, including a trio of styles that stack up to create a colorful, dimensional effect. An extensive multi-styled dingbat collection is also included. The Bitblox lettering was designed by James Beall with PSY/OPS Type Foundry, for Glyfyx Inc.

Shining Holiday is a calligraphic script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Shocking Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpresses, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Many current poster artists like to reference the graphic type styles that were popular in the ’60s and ’70s. Zaftig is a contemporary font that takes the geometric and blocky inspiration from that era but then steps off in a modern direction. At first glance, it may appear that the capitals of Zaftig all take up the same amount of space, but certain letters have been designed proportionally for a better flow. However, if the designer would prefer to stack the capital letters in even columns, like blocks, then one can use the Titling Alternates feature. In this feature the metrics of all the capital letters are the same, and certain letters have been designed narrower, allowing for seamless stacking. The space, bullet, asterisk have also been given the same monospaced metrics in this feature to make stacking easy. The Small Caps feature in Zaftig is designed so that the small cap glyphs are the same height as the lowercase. This allows the graphic designer not only the option of small caps, but also the ability to mix and match both kinds of letters to create a distinctive style. There are also alternate numerals in the Small Caps feature that match the height of the small caps. In Stylistic Alternates 1 you will find alternate designs for the Q, A, I, J, L, n, and u glyphs. Or you can find alternates in the Glyph Pallet of your favorite OpenType savvy application. Zaftig is more than it appears on the surface. This OpenType font contains over 1200 glyphs and language support. That makes it an international font which contains letters for most languages that use Latin, Central European, Cyrillic, and Greek scripts.

Gentlysoftly is a characteristic signature font of Maulana creative, with clean monoline storke, slanted, condensed and fun character. It has Opentype features of ligatures character, To give you an extra creative work. Gentlysoftly signature font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gentlysoftly signature font. Cheers, MaulanaCreative

I have a lot of options to choose from, and it's hard to decide. For example, if I use "Thin" for the body text, I might make the title slightly larger and use "ExLight," and for the headings, I could use "Regular" or something similar. I could also stick to one font weight, like "Light," and differentiate the text using various sizes. This font is designed for enjoying the process of "indecisiveness," so please feel free to wander and deliberate extensively.