Honestbeat is a fancy handwritten font. With bold contrast stroke, slant and fun character with a bit of ligatures. To give you an extra creative work. Honestbeat font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Honestbeat font. Cheers, MaulanaCreative

Subcultures is a slanted handwritten display font. With bold contrast stroke, fun character with a bit of ligatures. To give you an extra creative work. Subcultures font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Subcultures font. Cheers, MaulanaCreative

Angel Club font is a retro serif and bold display font. You will get four types of fonts in this pack, Regular, slanted and Shadow version. Use this display font to add that special retro touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Jillstone is an Exspressive slanted signature script font. With regular felt-tip stroke, fun character with some of ligatures. To give you an extra creative work. Jillstone font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Jillstone font. Cheers, MaulanaCreative

Plotwist is a casual handwritten script font. With bold stroke, slanted and fun character with a bit of ligatures. To give you an extra creative work. Plotwist font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Plotwist font. Cheers, MaulanaCreative

Do It Yourself JNL was modeled after self-adhesive vinyl letters and numbers manufactured by Duro Art Industries of Chicago - formerly the Duro Decal Company. The hand-drawn look of the original lettering was retained by Jeff Levine to stay true to the design, and the rectangles that border each glyph represent the pieces of self-adhesive vinyl onto which the characters were silk screened. Limited character set.

Grossesbuch is a modern sans serif typeface. The starting point of which was the sketchbook pages. Using a wide-nib nib, I turned the nib so that the stroke was always wide. The sketchbook pages looked like posters. Later, having become interested in fonts, I decided to transfer the drawn letters and make a typeface. I think that the range of use is various accidents: posters, headlines, postcards, captions.

African Shield is named for the cow-hide shields used by Zulu warriors. The shield was an essential part of the weaponry of the Zulu Nation. In the days of the great King Shaka, every Zulu warrior was armed with a shield, one or more throwing assegais (type of spear) and a stabbing spear. The high-contrast design of the shield has inspired a font that translates into exciting graphic designs.

Teamhair Tower is a “rough” monowidth font based on the face used on the old Sears Tower Gaelic manual typewriter. Teamhair was first digitized in 2002 by Michael Everson and originally used the MacGaelic character set on the Macintosh platform, and ISO/IEC 8859-14 on the PC. In 2008 Doire version 3 was released in OpenType format, completely compliant with Unicode encoding and with an extended character set.

Originally written out in his own blood by Shrill Richard Starkings, this font is NOT FOR THE NERVOUS!

Elsinor JNL brings the cold stark reality of the future, technology and science to a computer near you...

Gulmer Cottage Font Duo embodies the essence of charm and whimsy, designed to infuse your creations with a delightful touch. This font duo features both a regular and slanted version, offering versatility for a myriad of designs. The script version boasts engaging ligatures while the display version is adorned with playful swashes, allowing for endless creative possibilities. Perfectly suited for quote designs, celebrations like Christmas and birthdays, heartfelt valentines, as well as branding endeavors and product packaging, Gulmer Cottage Font Duo radiates love, cute, and joy. Its multi-language support ensures its usability across diverse cultural landscapes, while its inherent cuteness and fun-loving nature elevate any project it graces. Infuse your designs with a dash of affectionate personality and spirited vibes using this endearing font duo." Features A set of uppercase and lowercase glyphs, Allcaps (display version) Number, symbol, and punctuation Multilingual Support Ligatures (script version) Swashes (display version) Slanted Version Type j_1 until j_12 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

Say hello to CALICHE! The font that's as vintage and handdrawn at the same time! CALICHE's typeface is inspired by the rustic charm of vintage craftsmanship, infused with the laid-back vibes of a tropical summer. This font brings you not one, but two families to choose from: Regular and Slant, offering versatility for your design projects. Whether you're aiming for a rugged look, modern vintage aesthetics, or the essence of summer, CALICHE has got you covered. It's the perfect companion for all your graphic design needs, crafted with care to bring that unique touch to your creations What's Included? Caliche Main File Regular and Slant version Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin)

Comalle is an organic typeface that rescues some elements of handwritten script, but its stroke does not necessarily answer to a literal calligraphy structure. So Comalle could produce a powerful impact on the page, it was designed with thicker strokes than its counter forms. The objective is that the black of the letter fills the page and causes a fastest visual impact than typographies that balance blacks and whites. One of the most important tasks of the Comalle design was to think of how to handle the unequal percentages of blacks and whites in the typeface. The peculiar thing, is that the precision work of the letter does not make the blacks, but the whites; this is the reason why in one first instance it was very valid to start off designing in a very gross way, nevertheless, the majority energies are put in the details of the design of counter space. From the drained filling concept of forms Comalle was born, a typeface that pretends to enchant with its delicate counter space design and to impact with the heavy outlines which compose its form.

Flivver JNL takes its name from the slang term applied to Model T's in the 1920s, and it's design is a first-cousin to Two Reeler JNL (inspired by lettering on titles from a Charlie Chaplin silent film).

Welcome to the new Romantic script font, Shelline. This is a modern script with a delicious flow, snap-perfect characters and start & end swash. With its alternative character, you will immediately get an original handmade look. Become the perfect professional in a minute and start creating modern designs such as advertising, sales, logos, branding, posters, social media text overlays today!

Remhu is a sans serif font from the modern era. An option with a distinctive shape adds value to your brand and is ideal for branding purposes. It’s wonderful to be able to help designers or product owners who are looking for ways to make their designs more classic and elegant. And, in particular, for font satisfaction, multilingual language support, numbers, and punctuation. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Akute is a sanserif font that we designed just for you, whether it’s for advertising, branding, or something else. Add value to your brand with a unique form. It’s a terrific opportunity to take advantage of designers or product owners who are looking for a way to make their ideas more classic and elegant. And, in particular, to meet the typeface, linguistic support, numerals, punctuation marks, and alternative four options. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

The Klutz AOE Pro Family was inspired by the plethora of naive hand drawn lettering becoming commonplace in modern advertising. What I hadn't seen was a family of hand drawn typefaces, in a range of widths and weights, with both alternate capitals as well as small caps character sets...and so Klutz Pro was born. The letterforms started with a few letters my daughter had drawn which I expanded on from there. Pulling from inspirations in retro cartoon titling and modern hand lettering playfulness, the full font was born, with weights and width to follow. Quirky, eclectic, and just a bit ridiculous, it lends itself to a range of design typesetting - although I must confess, even though it all began with the Regular width, the Extra Condensed styles are my personal favorites. What's your favorite?

Fallen Angels Is a modern take on a classic serif style. The stylised capitals add romantic curves and a rebellious elegance to the strong standard character set. It's a bold choice of typography for logo designs, product packaging, album artwork, quotes, posters, apparel & more. Accessing Extra Characters • Alternate characters are available for E, F, r & k. These can be accessed by switching on 'Stylistic Alternates' or via a Glyphs panel. 6 icons are also included within the font (3 halo's and 3 stars) which can be accessed via a Glyphs panel. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Estragon is a vivid sans-serif text face with venetian influences, suitable especially for books. It is remarkable for: its light slant, to the right, for most of the verticals, its small sized uppercase letters making it suitable for languages where they are often used (for example German,) and its just lightly inclined true italics. For a wide language support, Estragon contains a lot of accented characters including the polish kreska. It is generously equipped with ligatures, special and alternate characters as well as various kinds of numbers: besides the standard old-style figures to be set as part of text copy there are small-cap and tabular numbers as well as a set of fraction figures. Estragon comes with two weights, uprights and true italics, each with small-caps.

Kerp introduces the new trend in handwriting practice for kids in preK-Kindergarten. It's fun, unique and visually stimulating that will encourage any young "alphabet tracers" to find joy while learning their ABCs. This TrueType font is great for creating personalized tracing worksheets, flashcards and even home-made greeting cards. For best results, big fonts are highly recommended to see the fine details of each character. Kerp was conceptualized in 2007 to inspire a 4 year-old boy to stop from his hectic schedule of playing. It started from hand-drawn apples forming the letter A to non-stop digital editing until 2008. The images selected are things that are associated to a preschooler's life varying from food to school supplies.

Protipo helps information designers work smarter. Veronika Burian and José Scaglione’s Protipo type family is an information designer’s toolbox: a low-contrast sans of three text widths with a separate headline family, accompanied by an impressive two-weight icon set, and working with the advanced variable (VAR) font format. From annual reports and wayfinding to front page infographics and poster use, designers consistently turn to the simplicity and starkness of grotesque sans fonts to get their point across. Protipo is made for such environments. When designing information you may start with the headline, which in the case of this family is called Protipo Compact and comes in eight weights. From Hairline to Black, set it large, overlap it, or let it run off the page. Protipo Compact was made to hit hard and attract attention with a different character set and different proportions than the three text fonts. It sets the stage for what’s to come. Great information designers are aces at melding form and function, so we’ve stacked the Protipo family with Narrow, Regular, and Wide versions as a way of organising your information and directing the reader. Each width has seven distinct weights (light to bold) and italics, while maintaining the round-rect shapes of its DNA. Subtle details amplify its place in the typographic universe, like an ‘a’ and ‘e’ that go from solid to supple when italicising, an ‘f’ that gains an italic descender, two versions of the lowercase ‘r’ and ‘l’, and clipped corners on diagonals to keep the tight fit inherent to this kind of design work. Protipo is not meant to be loudmouthed, but stakes its claim through refinement, breadth, and impact. Some changes at first don’t seem substantial, but the Protipo family doesn’t handle text like most in its category. Protipo helps readers find and process data in a clear and unequivocal way and accounts for the complexity involved in rendering large amounts of information while still appealing to aesthetics. Protipo is ideal in all informative situations: apps, infographics, UI, wayfinding, transport, posters, display, and even internet memes. Add to all this the icon sets and upcoming variable font capability, and you’re assured a level of creativity, productivity, and impact on a much greater scale.

Thicker is a type-family designed for Zetafonts by Francesco Canovaro with Andrea Tartarelli. A geometric sans typeface on steroids, it was first designed in the muscular Extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism. With these diverse influences the typeface allows for both impressive display use and effective logo design as well as more fine-tuned editorial use in body text - with a natural inclination for effective and powerful advertising. Sports typography usually uses italics to add dynamism and impact, and Thicker complies with this by offering a choice of three alternate italic forms with different slant, made even more customizable by the inclusion of variable font technology that allows fine tuning of the weight range as well as precise choice of typeface slant. In each of the 44 weights of the typeface family (as well as in the all-in-one variable type solution) Thicker offers a extended charset of over 900 latin, Cyrillic and Greek glyphs, covering over two hundred languages and including useful Open Type features (Alternate forms, Positional Numerals, Small Caps and Case Sensitive Forms) for flawless typesetting.

Have you heard? It’s in the stars: next July we collide with Mars! But until then, there are plenty of good reasons to treat yourself to this swell typeface. LiebeLotte Swell is a great investment for letter lovers who design beautiful things for their friends and family and also for designers who love their clients: Your next birthday invitation? Check. That photo album you’re making for your mom? Check. The business cards you’re designing for your friend who runs a deli? Check. There are so many nice things that want to be designed, and LiebeLotte Swell wants to be your assistant in the old-fashioned way: polite and friendly. Just like her monolinear siblings in the LiebeLotte family, charming LiebeLotte Swell knows how to impress with her perfectly drawn curves and her perfectly connected loopy letterforms. Of course LiebeLotte Swell comes with a state-of-the-art character set. She also sports a variety of ligatures and alternative forms, available through OpenType features. (Please make sure your software supports ligatures for the letter connections and OpenType if you wish to use the advanced features.) Advanced designers, check out the complete LiebeLotte family with six weights of monolinear loopiness. You may also want to take a look at our best-sellers LiebeErika and LiebeKlara, they get along great with LiebeLotte Swell.

Olis is a stylish, fresh new handwritten script. Olis comes with two weights, numerals, punctuations, and some variations on character including OpenType alternates, and common ligatures. It helps set your designs apart by adding a custom-lettered look. You will also find that its initial and terminal letters can enhance your designs in new and creative ways. Hand-drawn leaves, plants, flowers, as well as large and small snowflakes add original detail while complementing the font perfectly. If you like this font you might also like an aesthetic text generator by the same author.

Imagine having a formula for sunshine. I mean, in a way to make the sun shine when you want it, or really need it. That could be for a day at the beach, or for the plants in your garden - or even better: make someone happy with a little bit of sunshine! I made this font on the first day of summer in Denmark 2020 - the rounded corners and the soft and easy look of Sunshine Formula, really got me into the "this-is-going-to-be-a-great-summer" mode! :)

Vinetters has letters on the alternating leaves of a vine. It is monospaced and uses the OpenType contextual alternatives (calt) feature to alternate leaves as the vine snakes its way across the page, putting leaves with the base down between leaves with the base up. The family has two styles, one with transparent leaves and the other with solid leaves, and these two styles can be used in layers to add color. The family has a large set of accented characters but omits some symbols that are used primarily in technical text. Spaces between words can be left blank or filled with connecting vine using the brackets, trademark-infinity, doubledagger-summation, radical-approximatelyequal, or fi-fl characters. The characters on the leaves are derived from the typeface IngrianaCasual. Topics for which using Vinetters may be appropriate include trees, plants, leaves, nature, changing seasons, and outdoor life.

Are you looking for a new casual and organic script font? Please, take a look to the Aprilis! In times of early Roman calendar, "Aprilis" followed and preceded "Martius" "Maius" when spring came, was green nature and flowers burst into colours to greet the sun. And Aprilis font was conceived in April... The Aprilis font is the perfect blend of elegant and casual. (It is best used in OpenType-aware software). With the total number of 625 glyphs, is equipped with plenty of OpenType features. Uppercase letters can alternate between at least two different forms and lowercase letters have leastways four choices more to avoid repetition. These effects include start and end forms of lowercase letters, which are automatically substituted in at beginnings or ends of words. To activate the optional glyphs you may click on Swash, Contextual, Standard Ligatures, Stylistic or Discretionary Ligatures buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. Also, there’s a set of 50 ornaments designed to support the font (access the ornaments through the Glyph Palette). The Aprilis font might be the choice to use on creating headlines, logos & posters for branding and packaging purposes. Hope you enjoy.

POLIGRA is an experimental typefamily and a homage to traditional printing of the pre-war era in Poland. Most of the typefaces based on traditional printing are either clean, geometric typefaces or completely distressed lettering. The POLIGRA project explored everything in between. The letters, cleaned up, redesigned where necessary, and defined in their entirety, have a friendly and warm character, as if taken out of the press. The selection of typefaces was based on theater and sports posters. All of them have blocky and geometric character, each of them is an all-caps typeface. The POLIGRA family includes 13 typefaces.

Yzerfontein is an angular variation on the classic German blackletter that started with a sketch of a lowercase 'g'.

Beach Please - Is a suite of handwritten fonts designed with pointed brush and watercolors. Beach Please Script is a relaxed and tender brush font, inspired by sign painting. The aim was to give a fun and fresh twist, exaggerating some curves and punctuation signs. There are also many alternates and swashes included accessible through opentype. Beach Please Caps & Wide have a bizarre look because of the reversed contrast on some letters, this particularity gives to the font a total new expression perfect for catchy headlines. Beach Please Wide works better when you need to use it in smaller sizes. It is full of ligatures to give to your text a realistic handwritten feeling. Beach Please works very will with our font family 'Aperó' We also present in this font family a slanted version for each font. To complete the Suite a set of tropical and fruity icons is also available. These sketchy vintage illustrations are perfect to create beautiful letterings and graphic layouts. Enjoy it! More about Opentype Features: https://bit.ly/opentype-rsz

This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente.

Мир is Mir. The Russian word Мир (Mir) means both World and Peace. The rendezvous of the two terms seems quite unique and utopistic today, but it is comforting to see that it was natural at some time deep down in Russian history. Bits of both meanings were going through my mind while I was designing this typeface. Mir’s character set is multiscript – Latin, Cyrillic and Greek – and extends to many parts of the linguistic world. In fact it covers more than 100 languages. Stylistic consistency between the language systems make typographic border crossings painless even where national borders are still closely guarded. And in regions where mathematics, physics or chemistry are to be expressed, a rich set of OpenType features lets Mir master also these situations. Serious things are best be said in a relaxed, unpretentious way. So Mir doesn’t put on a show. Mir has authority without being authoritarian, it is serious but not stern. It can explain difficult things and stay calm and down to earth at the same time. Mir Medium has another useful feature: It can be freely downloaded and used by anybody anywhere. You can test the Mir Family with free Mir Medium and get more styles when you need them. @juliasys

Kinera is a display elegant serif . It seduces your eyes with its curves yet still looks serene and classy. Perfect for any kind of creativity you are about to start :). with a binder in it will add a very memorable impression to the writing you want. Note : Ligature can be active in CAPSLOCK File Included : - All Caps - Ligature

The font "TG APM" was designed by me for a boutique coffee shop. This font is used in the coffee shop's logo and draws inspiration from the sun and the moon. The sun represents daytime, while the moon symbolizes nighttime. The intention is to convey that coffee is available throughout the day, helping you stay awake and composed.

A friend bought me a Chinese calligraphic brush set in a beautifully decorated box. I started to letter the alphabet on parchment, in my own hand, using quick strokes and found the resulting script had an interesting energy to it. After further refinement in my font application software 'Swordtail' was born. A great free-hand script.