Traditional Spancer Modern Serif Typeface , simple and powerfull. come with some simple Alternates for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - Alternates inumocca type Studio

Brenton is a beautiful display font with a unique style and modern look. It is perfect for elegant and luxury logos, book or movie title designs, fashion brands, magazines, clothes, lettering, quotes, and much more. Add it to any of your creative projects, and you will be amazed by the results. *Uppercase

Conundrum is a cool, rough brush font, quickly painted on paper, so it looks natural and organic. If you want a font character that is unique and different than others, Conundrum is worth a try. With this bold concept it would be suitable if used for movie titles, magazine titles, covers, posters, etc.

Rain Love is an elegant and modern script font with a luxurious feel. It is suitable for all titles or large writing, e-mail, magazines, book titles, movies, notes, brands, logos, and much more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

I started making this font with a few days left at work before my 4 weeks vacation. I managed to finish the font on the day my vacation started - but with no stress. Now I can look forward to 4 good weeks at the summerhouse, and look back at the release of this laid back, handmade and somewhat quirky font. Personally I’d use it for anything that needs an organic handmade look - perhaps packaging, posters, flyers or maybe even clothes or toys for kids!

Fashion style meets typography in 9 styles The Ysans designed by Jean François Porchez is a sanserif influenced by Cassandre lettering pieces and the geometric sanserif style from the inter-war period. Since Chanel logo, the geometric sanserif style is the favorite typographic thing in fashion. Ysans asserts this reference. Not only Haute-Couture houses use these categories of typefaces for their visual identity, but fashion magazines usually strength their layout with these geometric sanserif when a Didot isn’t used. Details of Ysans drawings Nevertheless, Ysans takes its sources in certain details imagined by the graphic designer Adolphe Mouron Cassandre for the monogram then logotype Yves Saint Laurent (1961 …). One thing keeps coming in again and again in Cassandre’s post-war graphic work: the pointed finish and endings, the references to the Roman capitals engraved and unique features such as the open R or other details influenced by Antiqua and calligraphic forms or ductus (you should have in mind that an earlier typeface by Cassandre is the Peignot, a modern uncial based on researches of the palaeographer Jean Mallon.) Certain letters from the Ysans are directly an homage to the Yves Saint Laurent logo, the R, the narrow U, the apex of the N, and all the details of such pointed endings on the f and t lowercases. The Ysans, a typeface between diversity and synthesis There are several ways to approach the design of a new geometric sanserif. The first approach is to follow the Bauhaus philosophy by designing in the most rational way, typographic forms based on simple geometric elements: square, round, triangle. Another approach is to start a revival based on an historical geometric typeface and optimize the original ideas, in order to adapt certain details to the contemporary needs. For Ysans, the approach is somewhat different because this project started in 2011 at ZeCraft as a typeface designed specifically for Yves Saint Laurent Beauty, still in use by the brand under its original name Singulier. The Singulier-Ysans has been conceptualized by ZeCraft, both drawing its sources from Cassandre and various historical geometric typefaces. Some will spot specific traits as in Futura, others in Metro or Kabel. By closely observing the Ysans, the result can also recall the way Eric Gill draw the curves and endings of his typefaces, of which Jean François Porchez is a fervent admirer. In the end, Ysans is like fashion as envisioned by Yves Saint Laurent who constantly revealed multiple references in his new collections, without being recognisable any other than with his unique style. “Fashions pass, style is eternal. Fashion is futile, not style.” Cherry on the cake: Ysans Mondrian Ysans Mondrian, named in reference to the Mondrian dress created by Yves Saint Laurent, is the multi-layer version of the family. Ysans, fashion style meets typography Club des directeurs artistiques, 49e palmarès

A ”modern“ Gothic – designed according to principles of modern form in three variations Faber Gotik is a reminiscence of Gutenberg’s first script from around 1450. The heavily broken forms allow further development in the direction of a modern, strongly geometric and less formal type. It should be possible to push the principle of design so far to the limit that a type is created which, from the very start, extinguishes reminders of a dark past. The characters are composed of squares which are lined up straight or in a more or less slanted manner. The resulting corners similar to serifs were removed so that a sans serif type in the true sense without up and down strokes was created. The principle of ”breaking“ was applied according to the historical model. Even the form of the characters is based on the model from the Middle Ages. Only the characters which cannot be created with the principle described were modeled on today's forms. Faber Gotik includes three variations: - Faber Gotik Text — most similar to the historical model - Faber Gotik Gothic — pushes the applied principle of form the furthest - Faber Gotik Capitals —; a Gothic upper case font, contrary to tradition. 555 years after Gutenberg, interest in black-letter typefaces is nearly extinct. They are especially looked down upon in German-speaking countries because they are still associated with ”Nazi“ scripts. But yet, the very forms of blackletter, Gothic, Schwabacher and especially cursive have enormous potential with regard to the development of new advanced font forms.

What has become a rite of passage at baseball games got its start in 1908 when lyricist Jack Norworth and music composer Albert Von Tilzer wrote "Take Me Out to the Ball-Game" (which was published by Von Tilzer's York Music Company). The Art Nouveau hand lettered title on the cover of the sheet music was eccentric and attractive enough to warrant being turned into a digital type face, and in honor of its namesake song is called Ball Game JNL; available in both regular and oblique versions.

Ampmosphere, a picture font, contains instruments and components from a 60's rock and roll band. After a friend's request to create a guitar graphic, I decided to start a set. Over time, more instruments were added along with amps, tubes, lights, etc. The glyphs are great to use individually or combined. 65 detailed glyphs in all... A - Z upper and lower case; 0 - 9; comma, period and forward slash. Upper case A, B, C and D are the separate strings for the stringed instruments a, b, c and d.

I’m happy to present you the Bohemian initials font family. Regular and Colored styles (Uppercase & Numbers) based on Codex Gigas originated in medieval Bohemia. The manuscript has been dated 1230. The elaborate initials are at the beginning of the main texts and their principal divisions. The painter was aiming to achieve a plastic depiction of the trailing vines of the initials, and he painted with solid colours. He used only four of the primary colours cinnabar red, blue, green and yellow, brightly toned, as well as white accents and contours. The trailing vines of the initial letters are painted in a decorative, advanced Romanesque style, already bordering on naturalism. The plant taken as the starting point is the acanthus, a thistle-like plant which grows wild in the Mediterranean countries. The decoration of the Devil’s Bible is not the work of an amateur. Scholars have concurred: it is book illuminations created in Northeast France and Southern England in the so-called Channel style which provided the starting point for the coiled trailing-vine shapes in the initials of the Devil’s Bible. --- You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! --- Please feel free to request any help you need: kaer.pro@gmail.com Thank you!

Impacting and vibrant, Cordelia family draws inspiration from covers of 'cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil.  Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’. The work of these humble printers and poet-singers of northeastern Brazil strongly served as source for acclaimed romances and movies and still inspires writers of all genres, movie makers, painters,​ musicians. And type designers too :) Cordelia doesn’t bring a picture font yet, but ​it ​goes pretty well with Chronic and Manicuore illustrations. It goes well with and without them. It definitely goes well. You bet!

Featuring the latest font "Arthemis Handwriting Font" This font is made with original handwriting, with a quick technique so that the font looks natural and textured. Each letter has a character, so it looks different from a regular font. This font is very suitable for use as movie titles, branding, packaging, quotes, taglines, trademarks, logos, and other promotional media. If you are interested in buying this font for your design needs, then you will get 3 types of files that will be installed on your computer. The attached files are: Artemis OTF Arthemis TTF Artemis WOFF Opentype feature, including 5 Set Alternates, Ligatures, End Swash, and Underlines. PUA Encoded Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Happy Designing!

As the name suggests, Goldie is an old-style serif typeface designed for striking headlines. Goldie has strong rounded serifs and a soft touch to it. It suits well to movie titles, novel covers, posters and so on, wherever you need a certain classic feeling and the font itself to act as an illustration. Goldie Old Style is easy to use to create nice strong headlines with character. In addition it’s equipped with 230 interlocking Discretionary Ligatures, Swash Alternates and a selection of common accented characters that are scaled down, so that they match the height of the rest of the font with the accent marks. These smaller accented characters are set in uppercase Stylistic Alternates.

Gilman Sans is the family member of Gilman, the serif that it was derived from. The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality typeface digitally, I decided to first draw the complete alphabet by hand on paper, and then trace that digitally. The result is a unique workhorse typeface with a subtle “human touch” that is very rare in this modern technological age. Gilman Sans has extensive language support and comes with many opentype features like true small caps, tabular lining figures, stylistic alternates, ligatures and more. Gilman Sans and Gilman are excellent compliments and work together harmoniously on the page.

Another of my hand drawn originals now digitized. It started out as a very bold, decorative initial capital letter - a 'font within a font' - but got extended to the full alphabet.

ITC American Typewriter was designed by Joel Kaden and Tony Stan. It is an ode to the invention that shaped reading habits and the idea of legibility, the typewriter. A compromise between the rigidity of its ancestor and the expectations of the digital age, ITC American Typewriter retains the typical typewriter alphabet forms, lending the font a hint of nostalgia. ITC American Typewriter™ font field guide including best practices, font pairings and alternatives.

Breda is a Geometric Sans-serif; it is constructed from simple geometric shapes such as the circle and rectangle. This family of fonts starts from a very thin single-line face to a strong heavyweight, called Black Face. The Breda font is austere style, functional and clear, emerged from straight lines, primary shapes, which is now jumping into the typographic and graphic design scene. They are presented in six wights with their corresponding italics.

A totally off the wall crazy sans serif display type, Beaucoup started as a digitization of a film typeface called “Bippie” by Facsimile Fonts. From there, it was taken and built out to an extensive character set ready to take you for a wild ride. Completely loco, yet somehow still easily legible, this typographic wildchild is dying for you to get your grubby little hands on it and take it for a spin!

ITC Ziggy was designed by Bob Alonso, who says it started out as phone doodles in the early 1970s." Alonso rediscovered the sketches years later, thought they revived the feel of the 70s, and decided to digitize the typeface. He liked the form of the letter Z best, so named the font Ziggy. ITC Ziggy reminds its designer of "elephant bellbottoms" and its style as a display face instantly evokes a nostalgia for the 1970s.

This font is inspired by posters opticians use to test a person’s eyesight. Those letters are always blurred or distorted when they're beheld. That’s awful for any creation. So why not rig the game from the start and blur the whole font?! WBP Sight is most defiantly a display font, so play to it’s strengths. Use it in headings, on banners or on posters. Especially on those to test a person’s eyesight…

ITC Eastwood is the work of British designer Martin Archer and is named for Clint Eastwood. Archer was looking for a plain oldstyle typeface with open lower case forms and used Stempel Garamond as his starting point, although the result ended up well beyond its origins. In small point sizes the typeface looks interestingly rough while at display sizes it looks like a 16th century French typeface and its unique details come forward.

Chyntia Oesman was built with OpenType features and includes beginning and ending swashes, numbers, punctuation, alternates, ligatures and it also supports other languages. Chyntia Oesman is an organic handwritten font suitable for branding, signatures, wedding invitations, promotions, product packaging and other needs. This font is modern, simple, but still original. You'll get a full set of lowercase and uppercase letters, numbers and punctuation, multilingual symbols, lowercase start and end swashes, extra ligatures and swashes.

A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine's design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version cleverly combines stark geometry with Art Nouveau sensibilities to produce a kind of Digital DNA feel. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Prism was mainly inspired by two things, the sketches of Rudolf Koch for Prisma and the proportions of Avant Garde by Herb Lubalin. Even when the proportions and widths stay the same from ExtraLight to Black, you get the opportunity to change the weight and get a complete new look for that typeface by changing the grayscale or color. It is a modern combination for headlines, that want to have a different look.

Mrs Green is a great typeface for short texts, invitations, headlines, logotypes and advertising. We’ve started with a heavy capital G and A. At the beginning it was supposed to be just one fat style (still our favorite). But after a few months we’ve ended up with a family of 20 styles. It has contextual alternates, fractions, four types of figures (old style, lining, superior and inferior), ordinals and a case feature.

Lombardia Illuminata is a collection of Lombardic-style letters surrounded by natural forms of vines, leaves, trellises, scrolls, sun rays, and flowers. This beautifully ornate font includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters which are perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of medieval manuscripts of the 12th-16th centuries.

I've always admired the work of Rudolph Koch. Culpepper is what I think Neuland would have looked like if it had been developed with lowercase, small caps and a range of weights. I started work on this series in the late 80’s and, like so many of my ideas, it was shelved when life drew me in another direction. Culpepper is the name of one of the islands in the Galapagos chain.

I can’t remember when I had a true lazy morning.. I was a looong time ago, before I had children! Even now, when I’m down with the flu, I can’t stay in bed for too long - it really seems like a waste of time! Lazy Morning is a nice handwritten font. I made it with a Sharpie pen. It comes with all diacritics and double letter ligatures for you to play with.

Qafidut Groovy is a psychedelic-inspired retro typeface with a bold and playful character. It’s ideal for branding, product packaging, or even just to add a little flair to your editorial work. This elegant typography has a simple and contemporary look but with a touch of beautiful simplicity to give a modern feel to every curve of the letter. what are you waiting for start using this font to create your own special project now!

A 1918 poster issued during World War I from the YWCA encouraged women to pitch in to the war effort by joining the “United War Work Campaign”. The Art Nouveau hand lettering of that poster was a slight throwback to the “Western” or “Victorian” style of typography because of the characters having split serifs. This is now available as Village Hall JNL, in both regular and oblique versions

Little houses, little houses and none are the same. Cute cottages, beautiful bungalows, homey homes and darling dwellings to use to make ads, flyers, invitations for moving, change of address, open house parties, address stamps... Some have a lot of detail so use them at larger sizes. The less detailed for can be used in a smaller size.

Based on the popular Sofia Pro typeface, Sofia Rough is a multifaceted font family with differents eroded variations. Sofia Rough contains sixteen fonts and two eroded sub families. With Sofia Rough Black for uppercase and Sofia Rough Script for lowercase you can create many variations. It has also several layers like shadows, inline or outline to create unique design. Sofia Rough contains also more than 80 extra graphics such as catchwords, ornaments, emblems, decorative lines, stars and many more.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

Introducing, Angina Display - a modern sans with ligatures and alternates! Angina Display is a modern sans with a bunch of ligatures and alternates that will make your poster, cover or logo even more stunning and stand out! You can use this font as a stand alone font for any project such as logo, headline or branding. Also comes with the right arrow and star! This fonts support Multi Language. Feature UPPERCASE lowercase Number & Symbol International Glyphs Ligatures Thanks You.

Quara is a typeface that takes its cues from cutting edge technology and new gadget lust. Quara enjoys short downloads on the web, long walks on mobile devices, and romantic dinners by LED light. An avid gamer (esp. MMORPG) and science fiction fan, Quara longs to be the first font in space and have its pixels scattered among the stars. Designed by Delve Withrington in 2009, this slightly rounded square sans has a generous x-height and low contrast.

Lordela started with a custom lettering logo for a local tech company, finally rejected. It takes some inspiration from the copperplate calligraphy writing and the blackletter alphabets. Entirely designed with straight lines.

Chubbét (pr. Chub-bay) Distended is the extended version of Chubbét. The regular weight starts off plumper than plump, then it expands inward until there is a minimal amount of positive space.