Ballpoint font family was designed by David Fox in 2021 for the FontJuice™ foundry. A rounded sans serif style, Ballpoint has a simplicity which does not reject traditional forms . It is non ornamental and non emotional, just clearly presentable. This font is suitable for logotype, brand, packaging, quotes, music poster, t-shirt, cover book and more custom design. More specifically, whilst the heavier weights are best used for display in advertising, the lighter weights remain readable in text. Ballpoint features uppercase, lowercase, numeral, punctuation & symbol, multilingual support.

Bommer project started in January of 2014 and I am happy to announce the first family - Bommer Slab - is now ready for release. This family includes 14 weights - being seven uprights and seven italics. This font has a strong personality, that makes it perfect for use in headline sizes but means it also works gracefully within text blocks.

Darwin Pro, the sequel to Darwin, is ready to leave port and start new adventures. The font was redrawn, the language support was extended and a new set of figures was added. Darwin Pro comes in 7 weights plus italics and includes alternative characters available as an OpenType feature as well as oldstyle figures, numerators and denominators.

Transmogrified started out as a special project for a client. It's a lovely sans serif font, casual, with sweet swirls over here and there. It is based on Transmogrifier , from which uppercase glyphs were selected. Next, new lowercase glyphs were drawn and a bold cut was also developed for added flexibility. Let your messages be transmogrified!

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.

Mane is a display font with a slant block shape. thick on the vertical line and thin on the horizontal line. have a firm and solid impression. Suitable for writing titles, posters, games, ad taglines, sports, space, etc. has an alternate start and end on each capital letter and several ligatures in order to add variations to each usage.

This family started as a graduation project back in 2009, coming from calligraphic studies and sketches with a broad nib pen, based on humanist proportions and inclination. From its ink and paper origins it has come a long way until the current form, being digitalized and made into fonts through the course of the last 8 years.

McCadden JNL was inspired by the hand-lettered credits for the George Burns and Gracie Allen Show [1950-1958]. Its casual theme offers a lighthearted approach to titling and display work. The font gets its name from McCadden Productions (the company started by George Burns), which itself was named after a street Burns' brother William once lived on.

If you’re writing Santa a letter, use this adorable, handwritten childlike font! Dear Santa PRO not only gives you inspiration on how to start the letter, but it also has neat and original characters. This typeface duo also comes with some cute Christmas doodles to complement your writing. Have fun, and create something spectacular this Christmas!

Based on hand lettering from a January 26, 1930 ad for the 1930 Fox Studios film "Let's Go Places", the lettering is an ultra bold serif design with numerous ball terminals throughout the character set. The typeface is both formal, yet casual and playful in appearance. Going Places JNL is available in both regular and oblique versions.

Drawn shortly before Jim Rimmer's passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of the story's classic hero. Loxley's shapes were inspired the same early Roman faces (such as Subiaco from the late 1400s) that influenced Frederick Goudy's Aries, Franciscan and Goudry Thirty types. It exhibits the preculiarities of Jim's left-handed calligraphy, as well as his outside-the-box thinking with exit strokes and serif variations. Loxley was remastered for the latest technologies in 2013. Now it comes with a character set of over 450 glyphs, including plenty of stylistic alternates, a full compliment of f-ligatures, a Th-ligature, basic fractions, ordinals, a long s for historic setting, comprehensive class-based kerning, and extended Latin language support. 20% of this font's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

Myteri is an expressive tattoo script font. Drawn and created by Mans Greback in 2021, this lettering has a wild rock'n'roll style and a tough personality, with graffiti-inspired calligraphy and vivid movements. To make swashes, use [ ] { } _ anywhere in a word. Example: Tatt_oos Write multiple [ ] { } to make swashes of different lengths. Example: Super[[[star (Download required) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all European Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Fireplace is a decorative logotype font. Drawn and created by Mans Greback in 2020, this script typeface has a cozy and warm holiday vibe, bringing the thoughts to a Christmas Eve and winter season. It is a vintage sport lettering that has velocity, style and class. Use + * ¤ × to create snowflakes, sparkles and stars. Use [ ] < > after any word to create a swash. Example: Snow] For a longer swash, use several characters: Decorative>>>> The typeface is provided in four styles: Regular, Italic, Bold and Bold Italic. Each style contains alternates and ligatures, giving the calligraphy true customized possibilities. The font has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

This steam era typeface, created by Gustav Schroeder in 1884, found popular use on soap box labels and tobacco tins during its initial release. Then, later, a successful and stout revival of Gustav's face, named Othello, was carried out by Morris Fuller Benton in 1934, and the typeface's appeal widened to include items such as broadside posters featuring Boris Karloff's Frankenstein. After metal gave way to film type, Gustav's creation experienced a brief fashion moment in the 1960's, but then disappeared entirely, never re-surfacing as a full digital typeface. With the release of Bathysphere, the typeface comes full circle, having been completely redrawn from scratch using Gustav's original specimens. The new extended language support establishes the typeface firmly in the modern era, while Bathysphere's refinement of subtle blunt corners restores a deep-sea grace to this iron giant.

Shell Shock was inspired by stencil typefaces used on military tanks and ammunition boxes. It can be enhanced with a separate set of bombs and warning signs for the typographer in power. Shell Shock Cloak is the ultimate add-on for Shell Shock. This 3-layered 'Cloaking Device' enhances the existing Shell Shock. Put the 3 Cloak layers on top of Shell Shock and suddenly it's camouflaged and you will hardly be able to find it. Use only one extra Cloak layer to give Shell Shock that cool distorted look, like those damaged warsigns on military vehicles. If you only use the Cloak layers you can create background patterns and structures. Try using different color combinations and you'll be surprised by the possibilities of Shell Shock Cloak. It's preferably seen on clothing, skateboards, party flyers, posters or other daring design.

Inspired by the most common grotesque heights and boxed sans serif typefaces, Luzern Typefaces was built with low-mid contrast sans serif and was designed in quite tall caps height and lower x-height which represents the flavor of the dynamic typefaces and is subtle for the display typefaces. The typefaces comes with five weights, from light to extra bold, plus matching italics in each weights. And Luzern Typefaces is loaded with OpenType features such as some stylistic alternates in uppercase, case-sensitive forms, fractions, and another numerals features such as super and subscript characters, tabular figures, numerator-denominator, etc. It’s highly usable for display text titles such as editorial magazine headline, websites heading, poster, advertising, logo, also it works well for medium body text. It comes with more 400+ glyph support including more latin european diacritics language.

This historic revival font was created especially for use in the preservation and restoration of the 1916 silent film “The Good Bad Man,” starring Douglas Fairbanks. There is only one copy of the original film print in existence, and when the film was restored for a screening at the San Francisco Film Festival in 2014 the new font was created to best recreate the intent of the original lettering in the film. It is a smooth and pleasant vintage lettering style, originally designed for use on silver screens, now fully rendered in OpenType and ready for you to use in your designs or web pages today. There’s a neat story about this historic silent film font from The Atlantic magazine here: here.

This is a geometric uncial font with a retro/art-deco feel. It comes in four weights, each in upright and oblique styles. It has Unicode coverage for Latin, Greek (modern diacritics only), and Cyrillic, plus the Euro and peace signs. This font began as part of a project to design a local currency. Sadly, the municipality canceled the endeavor before the design competition had started. I'm including one of the prototypes in the gallery section as an example of this font’s many uses.

Dean Martin starred in four movies as Matt Helm, the titular character in a series of spy novels by Donald Hamilton. Martin’s version of the government counter-agent followed his TV persona – a fun-loving ladies man who (in this case) just happened to be a spy. The movie poster for 1966’s “The Silencers” has its title hand lettered in an extra bold sans serif stencil style. This is now available as Spy Stencil JNL in both regular and oblique versions.

Milk Cursive is the healthy choice. Fortify your designs & fulfill your daily textual needs with these flowing, bubbly letters. Enjoy the refreshingly natural look of an every-man's calligraphy with a fat & wide style. Milk Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. It also contains some icons as extra characters, such as a star, a heart, an arrow, flowers, a butterfly, and manicules (pointing hands). Go ahead and have fun with it!

Tritto is what happens after you give up a pencil and start using a mouse. It's some wild handwriting that you definitely didn't learn in school. Fun with attitude, great for all sorts of things.

Sandikza started out as an idea for a metal titles and some games. Or anything that was printed distorted. In other word something harsh. It makes a death or dirt feeling anywhere it is used.

Heycaz is a quirky and cute font designed with passion and fun. This font is very suitable for a variety of your projects, use this font to get a beautiful and captivating visual impression that can captivate the entire audience. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Introducing Goolage: A Modern Serif Font for Elegance! Goolage is our latest font creation, blending the aesthetics of modern serif with an unmatched touch of elegance. Goolage is the top choice to elevate the look of your designs with a touch of elegant modern serif. Start using Goolage in your projects and let this font bring a unique and beautiful aesthetic to your work. Get Goolage now and witness how your designs become extraordinary!

The history of this font is those. Once I assorted the old children's books which have stayed from times of my childhood. On one of them I have seen a trade mark of a printing house consisting of two Russian letters "L" and "B". From they were begun also with my font. And though finally from these letters a little that remained, elements of these letters can be seen in font D-block B.

ITC American Typewriter was designed by Joel Kaden and Tony Stan. It is an ode to the invention that shaped reading habits and the idea of legibility, the typewriter. A compromise between the rigidity of its ancestor and the expectations of the digital age, ITC American Typewriter retains the typical typewriter alphabet forms, lending the font a hint of nostalgia. ITC American Typewriter™ font field guide including best practices, font pairings and alternatives.

A modern, high impact, display font - Northern Mount is the first in the four part collection of fonts designed by Chike Newman-Greaves. Starting life as a side project on his creative bucket list, and now with over 550+ glyphs, Northern Mount is the perfect font for a bold ad campaign, key artwork or comic book cover. Its high bars and long stems take inspiration from an Art Deco era, its lowercase letters - clean, minimal.

This font is inspired by posters opticians use to test a person’s eyesight. Those letters are always blurred or distorted when they're beheld. That’s awful for any creation. So why not rig the game from the start and blur the whole font?! WBP Sight is most defiantly a display font, so play to it’s strengths. Use it in headings, on banners or on posters. Especially on those to test a person’s eyesight…

Angustina is an elegant display typeface, it takes inspiration from classic letter styles. I chose the font name after reading the classic Italian novel “The Tartar Steppe”. I was inspired by the sickly, stoic and mysterious man who differs for his willingness to stay at Fort Bastiani. Angustina conveys distress and stinging sensation with extreme contrasts between thick and thin strokes and exasperated serifs. The alternate of hairline and bracketed serifs gives Angustina a modern and military appearance.

American Christmas is a funky and decorative season's typeface. As a cozy winter script, it brings a festive touch to every word, with letters that seem to dance joyously across the page. Its bold flow is reminiscent of retro holiday signage, evoking a sense of nostalgia and warmth. This typeface is adorned with stars that twinkle like lights on a tree, adding a sparkle to your seasonal greetings. This typeface family is provided in three starry versions and one clean, and also comes with an extra symbol font for beautiful Xmas icons. Use parenthesis symbols () [] {} to make stars around any word. Example: {Xmas}[Songs] Use underscore _ after any word to make a swash. Example: Santa_ Multiple underscores make longer tails. Example: Yuletide____ The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. With American Christmas, Mans Greback has crafted a typeface that captures the essence of the holiday spirit. Each character is designed to convey the excitement and heartfelt connection of the season, making it an ideal choice for those moments when you want your message to be wrapped in the warmth of the holidays.

Racoti is a sans serif font with four weights: Light, Regular, Medium, and Bold. It has a simple, calm, and elegant aesthetic. This font is ideal for a wide range of projects, including quotes, websites, logos, greeting cards, branding materials, and more! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Introducing our newest font called Bequest, This san serif family font is perfect for your various projects, such as games, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, types of logos, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Mundane information—the sort you might ignore—often appears in the form of very simple, utilitarian lettering, devoid of personality, the sort of industrial lettering you find on old blueprints, park restrooms, and electrical boxes. MVB Diazo is such a thing. It looks like lettering done earnestly with a plastic template. The monoline caps—constructed from straight lines and simple curves—have rounded details as if rendered by a blunt pen on a topographical survey or by a router on a rustic campground sign. The MVB Diazo fonts are compact, available in two widths: Condensed and Extra Condensed. Each width offers four weights from Light to Black. The fonts are perfect for wherever plain and boring letterforms are required. All widths and weights are also available in two distressed textures (#1 and #2) that accentuate the industrial character of the design. Rough #1 is gritty, with finer texture for use at larger sizes. Rough #2 exhibits more damage, the roughness apparent when used at smaller sizes. The Rough fonts include alternates of a number of glyphs so that variation of texture is possible when letters repeat in a word.

Introducing a new modern calligraphy font called Kintamani Script. Kintamani Script is made as natural as possible to create a beautiful and beautiful impression, this script is made for those who need a beautiful and graceful style so that it makes their design look more luxurious, this will be very suitable for use as wedding invitations, branding, fashion, titles books, business cards, and many more that can be combined with this Kintamani script. Kintamani Scrip has many stylistic features that can be used so that it gives a different and more modern impression than the standard and also has a bonus flower hand drawing to complement and beautify the design. The Kintamani script includes a complete set of all the basic characters of upper and lower case, numbers and punctuation, and also has alternative ligatures and styles that can exquisitely give a natural impression. This Kintamani script font is available for All fonts available for Western European, Central European and Southeast European Languages. You can define your language typing character in the text box below. A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y Thank you and have a nice day

The first ideas about creation this font appeared in spring 2005. I took gothic fonts and a technique of feather as the base and create something unusual. Zholud's Modern Ghotic font has only A-Z, a-z, 0-9 and . , : ; ' " ! ? - characters. I recommed you to use this font in headers. It looks better if you'll start each word with Caps. Please use an application that supports kerning in order to display the spaces between characters correctly.

Milk & Clay | handwritten sans serif font Meet Milk & Clay, the font that started it all. This font was inspired by a friend who is a ceramists. The smooth and soft bumpy edges of this font is influenced by the texture and shape of clay as you’re working with it - almost perfect letter or shapes but not quite there. The letters are unique and feel soft and handmade. Perfect for; handmade products, ceramics, branding, logos, instagram quote text.