EbuScript by José Manuel Urós. OpenType, 1 style The very first font of Type-Ø-Tones, EbuScript, comes from the pen of José Manuel Urós —nicknamed Ebú in those times. Now it is still in our catalogue thanks to a completed and improved version.

The title on the 1925 sheet music for “By the Light of the Stars” was hand lettered in an eccentric Art Nouveau type style with varying character shapes and line widths. This is now available as Erratic Nouveau JNL in both regular and oblique versions.

AS Nerd is a contemporary brush script. AS Nerd is a beautiful typeface that mimics true handwriting closely. Use AS Nerd, and your documents will look stunningly beautiful from now on. Perfect for printing your personal thoughts be they silly, pensive or absolutely nonsense!

A bold, condensed slab serif face A July 9, 1935 trade paper ad for Paramount Pictures’ 1st quarter film releases sported hand lettering with chamfered slab serifs. This condensed type design is now available as Preferred Shares JNL in both regular and oblique versions.

Hand lettered titling on the 1945 sheet music for “Don’t Forget To-Night, To-Morrow” is in a simple, condensed sans serif style with a slight hint of Art Deco influence. This is now available as Handmade Headline JNL, in both regular and oblique versions.

A unique and stylized type design with Art Deco influence was found within the French publication “Modèles de lettres modernes par Georges Léculier” (“Models of Modern Letters by Léculier”). This lettering is now digitally available as Deco Wide JNL in both regular and oblique versions.

Bastard is a contemporary blackletter typeface and was one of the first created using a personal computer. It was drawn using primitive font design software in 1988, and refined and published two years later. It has now been revised to feature an expanded character set.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

The Dec., 1936 - Jan., 1937 edition of Radio Mirror offered up a condensed, hand lettered sans serif type design that - although an Art Deco style- is also somewhat futuristic in design. This is now available as Condensed Moderne JNL in both regular and oblique versions.

Neeskens, by Enric Jardí. A few years ago we used to talk about Neeskens as the font preferred by the crew of Ganimedes' commercial vessels. Now we see it as one of most solid geometrics of our typefaces. Neeskens has two versions: solid and inline.

The hand lettered title on the 1945 sheet music for the song "Louisiana Hayride" is an Art Deco design with a nod to the preceding Art Nouveau era. It is now available as Barn Dance JNL, which is available in both regular and oblique versions.

An ad in the May 3, 1928 issue of “The Film Daily” for the movie “Drums of Love” featured extra bold, sans serif hand lettering in an Art Deco style. This is now available as Drum Rhythm JNL in both regular and oblique versions.

The cover of a 1932 edition of “Sunset magazine” (a publication for homeowners living in the west and southwest area of the United States) featured a lovely Art Deco serif alphabet that is now available as Western Suburbs JNL in both regular and oblique versions.

The 1938 sheet music for the official Coast Guard Marching Song "Semper Paratus" "(Always Ready)" offered up a hand lettered title in a bold block style with rounded corners and an inline. This is now available as Stationer JNL, in both regular and oblique versions.

The 1954 sheet music for the song "Arrevederci Roma (Goodbye to Rome)" [from the MGM film "The Seven Hills of Rome"] was hand lettered in a medium-wide sans serif. This design is now available digitally as Arrevederci JNL in both regular and oblique versions.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

An ad for the film "Marine Raiders" in the June 16, 1944 issue of Motion Picture Daily features the movie's title hand lettered in a bold, slab serif stencil design. This is now available as Forward March JNL in both regular and oblique versions.

In the 1909 edition of the Atkinson Sign Painters’ instruction books is an extra bold sans serif alphabet and numerals called “Advertisers’ Thick and Thin Plug”. This hand lettered display face is now available digitally as Sign Lettering JNL in both regular and oblique versions.

A light and playful sans serif type design with Art Nouveau influences was called “Tasso” within the pages of the 1893 edition of the Barnhart Bros. & Spindler type specimen book. This is now available as Nouveau Boutique JNL in both regular and oblique versions.

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.

I was commissioned by Publish magazine to digitize Trio in 1990. Originally designed in a Light weight only, Trio is now available in Medium and Bold weights as well. Uppercase only, but each weight includes two alphabets, one more "deco," the other more "modern."

In the December, 1934 issue of Modern Screen magazine, a number of feature article headlines were hand lettered in a condensed slab serif with a relatively uniform stroke weight. This is now available digitally as Fan Magazine JNL, in both regular and oblique versions.

Titles hand lettered for articles appearing in the November, 1938 issue of Hollywood Magazine were done in a condensed Art Deco stencil style in just lower case. This novelty type design is now available as Deco Display Stencil JNL in both regular and oblique versions.

Koeeya is a font with a charming Display Graffiti theme. Created to give your projects a touch of freedom and uniqueness, Available in three different variations, Koeeya provides flexibility and the opportunity to express your creativity in limitless ways. You can choose between solid and plain styles, dramatic shadows, or interesting textures. With eccentric designs and beautifully handwritten characters, Koeeya gives each design a different and memorable impression. This font combines the boldness and creativity of graffiti writing with the amazing smoothness and clarity of handwriting. By using Koeeya, you can give a unique and stylish touch to your promotional materials, posters, merchandise designs, and much more. This font exudes energy and freedom, capturing the attention of potential customers in an instant. Now is the time to let your imagination run wild and express yourself through eye-catching designs. Choose Koeeya as your main font and watch how your project becomes unique, interesting, and unforgettable. What’s Included : - File font - All glyphs Iso Latin 1 - Ligature, Alternate - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

When there is no picture of a "most wanted" or "Missing Persons", photofit pictures are used. Once drawn by hand, they are now more and more substituted by photomontage. The personality is created with different modules like head, eyes, nose and mouth. The vague memory of a witness leads to the image of a "concrete" person. Sometimes different combinations of possible looks are attributed to a same person. This new virtual image finds itself soon in thousands of archives and data bases. Anyone can easily have access to those images by internet. To increase security and help track criminals, unknown death (Mr. Smith) or lost and kidnapped people, government asks citizen to help search those people. "Mr. J. Smith" is a font family consisting of 4 portrait-fonts and one letter-fonts. The portrait font "Mr. J. Smith" is a portrait-construction-kit. By layering the fonts "Head", "Eye", "Nose", "Mouth" one over the other, you can design over 7 million different faces. The font "Wanted" gives you the possibility to join names and registration numbers to the unknown or most wanted persons. What is nice about this font is the "surprise moment". Just write a word , "security" e.g., and you will get a nice shot of 8 different characters!

We Redesigned this Slantblaze-Pro. Slantblaze Pro is an exteme slanted display script with characteristics: Simple, Thick, Contrast, and Dynamic. First launched in 2011, and now we present it again in a new version to provide the best user experience. As italics (default), Slantblaze Pro has aloof challenge as a display font. It was designed as an alternative for headline, title in any purpose such as header, brands, packaging, identity, automotive logo, etc. What’s new and changed: This version 2.02 comes in a True Type OT-flavor version. The outline were designed to be smoother than before. Redesign of ‘C’, ‘E’, ‘F’, ‘G’, ‘T’, and some changes to all other smallcases Removed: question.sc, questiondown.sc, exclam.sc and exclamdown.sc assuming they will never be used Rewrite the features structure and adding some new related to all changes New swashed glyphs: A-Z The writing system of numbers is completed with the old-style version and each tabular and proportional method New contextual (calt) to an alternative look of “A" when combined with all lowercase. Also in this feature we have another way to access Ornaments is more interactive by combining dlig and calt features. Another new glyph may be access only in feature (salt)

"I digitized and to revitalize NurnbergSchwabacher by the extinct Haas'sche Schriftgiesserei, a German/Swiss foundry established in 1790 and based in Basel/Münchenstein. Many of its shares were acquired by D. Stempel in 1927. On the Luc Devroye site this foundry is listed on the Extinct Foundries of the 18th century page. This design is very similar to another Intellecta best seller: Hostetler Fette Ultfraktur Ornamental, both drawn from the classical type specimen book from Hostetler. The ornamental frame that completes the font is a fantastic baroque ornament that I found in another old book, unfortunately lost now. Luc Devroye, whose book is the source for all of my fonts, writes this about Rudolf Hostettler: He was a Swiss type designer, author of “The Printer’s Terms” designed by Jan Tschichold, of "Technical Terms of the Printing Industry" (5th edition was printed in 1995), and of "Type: eine Auswahl guter Drucktypen; 80 Alphabete klassischer und moderner Schriften" (Teufen, Ausser-Rhoden: Niggli, 1958). He also wrote "Type: A Selection of Types" (1949, fgm books, R. Hostettler, E. Kopley, H. Strehler Publ., St. Gallen and London) in which he highlights type made by European houses such as Haas, Enschedé, Deberny and Nebiolo. Jost Hochuli wrote his biography.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Fontoddler Font Family, This font was created with the personality, in mind, of my two-and-a-half-year-old granddaughter Chloe Bella. I believe strongly that fonts have personalities that’s why we refer to their members as ‘characters’ or to be more accurate, ‘glyphs’. This font is playful, bold, colorful in form and design, a bit irregular, a bit informal, a bit irreverent, a bit humorous, a bit sassy, and a bit independent just like my little one. When used in color Fontoddler sings. She’ll be writing and creating visual words in just the nick of time. At 2 she started recognizing many colors and identifying people, places, animals, and objects and now she’s recognizing letters. I can’t wait for her to understand that this font was designed and named after her. Fontoddler currently exists in 3 styles, Medium, Heavy, and Heavy Outline. Naturally Heavy and Heavy Outline are congruous, ie. They are fitting together. I hope you enjoy and use this 24th font family from Cozyfonts Foundry. It will fit well with greeting cards, signage, birthday parties, holiday occasions, invites, stationary, headlines, logos, posters, cartoons, animation titles, movie titles and even sports events and sports logos. Have fun with this one. Tom Nikosey

Press Gothic is a revival of Aldo Novarese's Metropol typeface, released by Nebiolo in 1967 as a competitor to Stephenson Blake's Impact (designed by Goeffrey Lee). Though Metropol enjoyed a few short months of popularity and use in Italy, Germany and France, Impact won the technological outlasting battle by moving on to film type then to computer outlines bundled with mainstream software, while Metropol never made it past the metal state until now. Too bad really, since this is one of the few faces that could have played well with all the horrendous stretch'n'squeezing of the 1970s. Just like its inspiration, Press Gothic aims to be a fresh alternative to big economical poster fonts with clear sans serif forms and an urgent, strong, yet elegant design appeal. In the summer of 2008, Press Gothic underwent a major linguistic and aesthetic reworking for an international publishing company. The result of this on the retail side are new small capitals and biform/unicase additions to the main font, as well as expanded language support that includes Cyrillic, Greek, Turkish, Baltic, Central and Eastern European, Maltese, and Esperanto. Press Gothic Pro, the OpenType version, combines all three fonts into one, taking advantage of the small caps feature, and the stylistic alternate feature for the biform shapes.

Lovely Morentia is lovely script calligraphy made with a touch of sweet, lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, aheadings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and more What is interesting? Imagine you get a beautiful and very charming font in the design you make. that would be the answer you wanted right now. Lovely Morentia has a script typeface and extra letters that allows you to be more free in designing. Lovely Morentia come as OTF Files, and requires no special software to use or access the alternate letters. You can even use Lovely Morentia in basic writing apps like Word For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Lovely Morentia also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts.

946 is a multilingual techno-style family developed by Berlin-based type designer Roman Wilhelm (RomanType). While more and more text families have recently been extended to a multilingual and multi-script level, not so much attention has been given to the more decorative styles. The 946 family does exactly that. A lot of care has been given to the various diacritics: they were designed a little more brutal, a little more European than with some other fonts of this category. Do also watch out for the non-Latin legs of this family. 946 is inspired by electronic music. When Roman found a second-hand Roland TR-606 drum machine in a store in his hometown back in 1995, he started to hang out with would-be DJs and musicians, trying to play the beats that went around the globe. When he started to study visual communication three years later, he was assigned the matriculation number of 946, which has now become the name of this family. Language support: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Vietnamese, Zulu. Do also watch out for the other script versions of this family!

Other guys may imitate him, but the original is still the greatest! Get in with the In Crowd and check out the font created by Mister Fontastic for Dave Gibbons Original Graphic Novel, The, ah, The Originals. Yes, Dave Gibbons now comes in lower case, it's not just what he does when he gets back from the off license. Be sure and pick up The Originals from Amazon -- now available in paperback, and probably still available as a hard case, much like Dave. After the crack about the case of beer above, I'm guessing you'll find me with a broken spine in the remainder pile. See the family related to Dave Gibbons Lower: Dave Gibbons Journal & Dave Gibbons .

A sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was hand lettered in a free-form Art Nouveau style that combined varying line widths and character shapes. This unrestricted style of lettering was popularly embraced and revived by the hippie counterculture of the mid-1960s through the mid-1970s through their rock concert posters, record album covers and tee shirt graphics. It is now available digitally as Nouveau Artiste JNL. As a side note, a 1940s reprint of the sheet music was done in a popular metal typeface, which was also redrawn digitally and available as Elite Resort JNL [in both regular and oblique versions].

Deca Serif New is a significantly revised version of Deca Serif. It is a pure low contrast serif face with squarish oval shapes and quite narrow proportions. The typeface is nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Deca Serif New's distinctions from the original Deca Serif are: slight corrections of the letterforms, extended character set (now including Greek and Extended Cyrillic) and a number of styles. Now there are 8 faces: four upright styles of different weight and corresponding italics. Deca Serif New as well as Deca Serif is an ideal companion face for Deca Sans. The typeface was designed by Natalia Vasilyeva and released by Paratype in 2017.

Right now it is melon time: the supermarkets are full of them: Galia, Honey Dew, Piel de Sapo… Back in Casa Hanoded we're quite happy with the abundance of melons! So, when I created this cute little font, naming it was easy. Honey Dew is a shaky all caps font with different upper and lower case glyphs. I created alternate letters for both upper and lower case closed glyphs (like a, b, d, o, etc.) - including their accented brethren (aacute, abreve, acircumflex), etc. There is an alternate & and @, plus the Æ, Œ, Ø, æ, œ, ø, þ and Þ. You should have guessed by now that Honey Dew comes with a whole stack of diacritics.

Introducing incredible COLOR ANAGLYPH font. Unique font family with anaglyph stereo effect - a novelty in the field of color fonts. Inspired by global trends in contemporary design with a touch of retro 90s, electric music and minimalistic purity of glyphs. Truly a reflection of modern POP culture. Font is ideal in entertainment design. Night club poster design, fashionable business card, website title, magazine illustration - there are countless options for using it. Font family has two thicknesses - bold & regular, 3 types of stereo effect, 2 font colors with stereo effect (black and white). Font consists of letters of the same height without division into uppercase and lowercase glyphs. This font family is based on the Regular & Bold fonts Boldini - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. Features: Free Demo font to check it works. 36 OTF SVG fonts in the family 2 thicknesses: Bold, Regular 3 types of stereo anaglyph effect 6 font colors with stereo effect Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you see all fonts in black and not in multicolor in the tab “Individual Styles” - all fonts are working and have passed technical inspection, but not displayed in multicolor they, just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Gravtrac is a slab serif headliner designed to deliver solid punches while taking up as little horizontal space as possible. Inspiration comes from mid twentieth century classics: Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta. It’s all about flat sides, a steady rhythm and tight, precision curves. The widest style of Gravtac is Condensed—compact, yet a comfortable read, available in 7 weights from Ultra-Light to Heavy. Gravtrac Compressed is probably the width where most typefaces would quit. It's narrow enough for most...but not for you. That’s why we have Gravtrac Crammed. It’s audaciously narrow—perfect for times where you want the reader to slow down and truly pay attention to the message. Gravtrac Crushed is devilishly slender. Try it with wide tracking for a stark, opulent look. All styles are also available in obliques varying from 7 to 10 degrees—58 styles in total. Gravtrac includes Opentype fractions, numeric ordinals, a breadth of currency symbols and old-style (lowercase) numerals. Every skilled designer already has slab serif typefaces in their stockpile but some of us have the need to squeeze. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Meet our newest product, we call this product Aghellay font. Aghellay font are cute typeface font Whit a uniqe touch and assertive. Aghellay font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer. What’s includes - multilingual support - alternate - ligature Ali Sifak Muftari

Meet our newest product, we call this product Bougenville font. Bougenville font are typeface font Whit a uniqe touch and assertive. Bougenville font is very nice to use on: fashion magazine,logos ,and photography, landing page, fliyer, What’s includes - Multilingual support - alternate - ligature Ali Sifak Muftari