Trouble never hangs around, when it hears this Mighty sound, These letters come to save the day -- Mighty Mouth is on the way! When there's Danger, never Despair; The Sound of Mighty Mouth is in the air! Now YOU TOO can shoot your mouth off with the Mouth Almighty of Mighty Mouth. Comicraft’s latest offering utilizes variable type technology, for user-adjustable bold, italic and BOUNCE in illustrator (or any other program that handles variable fonts)! CAUTION: You may wish you’d never opened it, this font has no control over your tongue!

Hudzaifah is a crème de la crème modern calligraphy font with sophisticated messy ink accents. It is perfect for branding and packaging design. Hudzaifah includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. All lowercase letters include beautiful and unique . Also, includes multi-lingual support. There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

Emporia JNL is a wonderfully decorative and vintage wood type named for a city in Kansas, and modeled from just a dozen images of individual type blocks spotted for auction online. The release of this typeface is also a milestone for Jeff Levine Fonts. The foundry started in January, 2006 with only ten releases, and has now grown to be an impressive library of unique lettering designs from the past. The collection also contains numerous original and novelty creations. Emporia JNL is proudly released as the 500th font design to join this extensive library.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Arthury is a simple font with unique ligatures that makes you design more attractive and eye-catching. Feel free to use it on your creative projects such as quotations, decoration texts, prints, packaging, business cards, invitations, posters, labels, and any kind of design. Get this font now, have fun! This also includes multi-lingual support. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Squoosh Gothic is a serious new contender in the arena of headline fonts. Upright and condensed, Squoosh’s whimsical name belies its true nature. Though, that’s not to say it’s totally devoid of a sense of merriment – it just values a more orderly, regulated kind of tomfoolery. Mad-libs for instance, or The Times cryptic crossword. Its mature but unmistakably witty attitude can go a great distance to lending a sense of culture and an air of scintillation to your designs. Don’t miss out on this sanguine new font, Squoosh Gothic from Thinkdust, available now.

A casual and stylish serif and handwritten typeface called TwoOne is now available! Along with numbers, punctuation, and multilingual letters, it also contains distinct lowercase and uppercase letters, seems really at work among the vintage designs, logos, and brands. The Alternate and Ligature typefaces will be useful for anything you can think of! 2 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

BluHead Studio LLC is pleased to announce the release of 9 fonts from the Churchward Design family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward’s extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis. Churchward Design Lines is the latest addition to the Churchward Design family. The family now consists of nine unique fonts, all based on a classic, straightforward geometric glyph forms, with the addition of Churchward’s quirky details.

Hugh is the development of a wide type font, we create a work of art that combines a very strong spirit of wide type, for those of you artistic art lovers, this good news for you, because Hugh has a high artistic soul. This is the start of a happy year for you, get this font right away and develop your wild ideas, Hugh is the answer for you now. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

Roman-style stencil fonts have been around for much longer than most people realize - from the interlocking brass stencils of the 1880s to the laser-cut plastic stencils of today. A 1 inch Roman lettering guide [die-cut from oil board with spacing holes for correct alignment] made by the now-defunct Zipatone Corporation in the 1970s was a clone of an existing design of another company; but with variations in certain character shapes. This then became the working model for Classroom Stencil JNL, which is available in both regular and oblique versions.

DisSonus X is ideal for: Initial characters - give your text an unparalleled facelift! Headlines - create a unique look for your posters, event graphics, book covers & music/media/game packaging. Preamble - reanimate the introduction... The bread text on the gallery images is written in Nihil . DisSonusX was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics! Note that there are no digits in this font. Use a fitting antiqua such as Berkeley Book or (insert your favourite version here) Garamond.

The Romany™ typeface family is a delightful typographic confectionary that will bring affability and charm to both print and interactive design projects. Be it an online game, digital app, hardcopy packaging, or larger than life poster, Romany will deliver. When first designed by A.R. Bosco for American Type Founders in 1934, Romany was a single weight design. Relatively popular as hand-set type, Romany was not made into digital fonts – until now. The septuagenarian design was updated, reimagined and enlarged into a small family by Terrance Weinzierl.

Royalite Script is classic script font that contain stylistic alternate, swash, etc to create your own customized signature. You can feel the elegant and luxury from this font. It's time to try a new classic script. Use this font for your fashion brand now! Also Royalite support multi language. This font available in OTF and TTF. Also Support PUA. Royalite contain start and end swash that you can use only by activate opentype. You can try this feature with copy and paste to the font testing -- -3royalite+3

Lachrymose is a word that stems from ‘lacrima’, the Latin word for tear. It means ‘tearful’, or ‘given to weeping’. Now, before y’all think I am depressed or so - I am not. I just like the sound of this word and the way it is written. All I needed to do was to build a font for it! Lachrymose is a handmade brush font. I used my fantastic Chinese ink and a cheap brush to create the glyphs. Lachrymose is a display font, so use it for anything display-ish.

I was commissioned by the Emporium (now Macys) to digitize Radiant Bold Extra Condensed (originally designed by Robert Middleton in 1940) for use in their Sunday supplement to the San Francisco Examiner. For several years, I stubbornly refused to add the lowercase letters to the font, because I thought it looked best just used with caps, but finally relented, added the lowercase letters and at the same time created two more weights as well: Light and Medium. Used very large and carefully, these faces can be quite elegant.

Klasted Brush Script Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project that needs a handwritten feel. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Swash There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. And more importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen!

Garlando comes with 2 elegant and distinctive weights. It is perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten script. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate •Swash There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

A mid-1950s hand lettered ad for Stenso Lettering Guides provided the inspiration for Stencil Company JNL, now available in both regular and oblique versions. The Stenso Lettering Company of Baltimore, Maryland pioneered easy-to-use and inexpensive lettering devices with guide holes for accurate spacing. Originally designed by a school teacher (Ruth Libauer Hormats) around 1940, the company was family run until it was sold in 1962 to Ottenheimer Publishers. They in turn sold the line to the Dennison Manufacturing Company, and it was discontinued in the 1980s after Dennison merged with Avery.

Languedoc is a former province of France. Most of its territory lies in what is now the Occitanie region. My family and I love camping there and I figured I’d name a font after it! Languedoc is a beautiful and useful typeface: it is a handmade serif that is a bit rough around the edges, but very legible and fun to use. Because of its legibility, you could use it for texts, product packaging, cook books and whatever else you fancy. Comes with a royal amount of diacritics.

Comicraft's latest joint has us swollen with pride! This one caps 'em all! Yes, it may look a little bony and stick out at right angles to our shins, but we reckon we'll win the a whole bunch of contests with this one... if we get up off our haunches and hobble up on stage. Trust your knee jerk reaction and download KnobblyKnees now, they look good on Kate and Angelina, they'll look good on you too! Features: Five fonts (Regular, Bold, Light, Broken & Open) with upper and lower case characters.

New Alphabet was created as a four weight family in close collaboration with Wim Crouwel. His response in the late 1960s to the first device for electronic typesetting was a radical experiment designed to follow the underlying dot-matrix system. With his strong interest in grids, Crouwel worked within the constraints of existing electronic technology, to produce characters that worked with the mechanical means that conveyed them. His original New Alphabet experiments have now been further developed by The Foundry into a typeface family that also includes the dot version.

Linea 72 is a typical seventies display typeface that was designed by Roland Hirter back in the phototypesetting days, when typefaces were really drawn by hand. In this static environment each work step took its time. With the decision to digitize this typeface his son Thomas Hirter also chose to develop it further with todays technical possibilities. That’s why the font now includes over 600 glyphs and ten stylistic sets, offering different stylistic alternates of several letters. Linea 72 comes in the two original styles Regular and Kontur.

Contributor Luxury Calligraphy - that is luxurious in a casual and distinctive style - is perfect for your branding designs and will also be very beautiful in wedding invitations, business cards and especially in your brand name logotype. Contributor Luxury Calligraphy has beautiful Uppercase and Lowercase, figures and ligature, and much more. There it is! I really hope you enjoy it. Comments & likes are always welcome and accepted. Don’t hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen.

This sleek, high contrast typeface means business, but it looks great on any project, no matter how big or small. Solitas Contrast was developed because existing high contrast sans options were neither modern nor crisp. This design challenge was solved through a series of typefaces: the original low-contrast Solitas, its serifed cousins, and now a high contrast sans—each carefully considered for an organic and free flowing look. It evokes a Dutch or european feel. Solitas Contrast is a modern, clean sans-serif with a distinctive style and impact.

Bell is a facsimile of the typeface cut originally for John Bell by Richard Austin in 1788~ using as a basis the matrices in the possession of Stephenson Blake & Co. Used in Bells newspaper~ The Oracle~ it was regarded by Stanley Morison as the first English Modern face. Although inspired by French punchcutters of the time~ with a vertical stress and fine hairlines~ Bell is less severe than the French models and is now classified as Transitional. Essentially a text face~ the Bell font family can be used for books~ magazines~ long articles~ etc.

I used to be a frequent flyer; as a tour guide I often had 6 to 10 international flights per year. At the time I didn’t even think about the consequences of flying, as I loved my job and the job was all about travel. Now, with the planet in deplorable state, I try to keep flying to an utter minimum. I guess you call it ’shame of flying’… Frequent Flyer font is a nice, eroded, all caps font. It comes with multilingual support, so you may come across it during your travels.

Motley Crew is my last font for 2016. It is quite a lively, quirky and a little bit scary typeface, which will give your designs a little more ‘joie de vivre’. It was made with a soft brush and Chinese ink. The splatter was added after I had painted the glyphs. I forgot to put away my laptop, which now looks like this font… Motley Crew wishes you all the best for the coming year - in a lot of languages, as it comes with a generous splatter of diacritics.

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of the 20th Century, was the discovery of a buried treasure, and being the first type company to release it in a digital format was an honor. Aries® is now in the fonts catalog of GroupType who owns the the registered trademark and has licensed this historical typeface exclusively to FontHaus as distributor.

Shareb font was initially designed with a different style compared to other Arabic typefaces. It was released as a free display typeface and went popular. Therefore, we decided to take it to the next level. Accordingly, we worked on the Arabic letters again, enhancing and fixing them. We also added new features like stylistic sets, ligatures, and a complete Latin set of letters so that the font can be used in the most needed languages. Now, we have a more professional, refined, and larger display typeface that can be used in more great projects.

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of the 20th Century, was like the discovery of buried treasure, and being the first type company to release it in a digital format was an honor. Aries® is now in the fonts catalog of GroupType who owns the the registered trademark and has licensed this historical typeface to FontHaus as distributor.

Introducing Beautification Signature, a handwritten font which is very elegant and modern and for you to use may your design interests be in logos, branding names, posters, podcasts and so on. This is perfect for you all. Featuring upper- and lowercase, numbers and punctuation, multi-lingual support and ligatures. There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen.

Ossuary is a font in which each letter is formed using a uniquely arranged pile of skulls. The font was originally designed to be caps only, but small caps were added for convenience. There is now a character for each typeable letter of the American English keyboard. The font was inspired by images from the Kostnice ossuary in Sedlec, Kutna Hora near Prague. (Google it.) Whether you are fascinated or repulsed, such images have a mystery about them. They demand your attention. That is the feel this font was intended to capture.

Sistina, designed by Hermann Zapf in 1950 was first named Aurelia Titling. It is a heavy supplement to the Michelangelo Titling based on studies of inscriptions in Rome. First release in hotmetal at D. Stempel AG, Frankfurt in 1951. Sistina was originally an all caps font. The digital version from Linotype contains small caps. Hermann Zapf together with Akira Kobayashi, type director from Linotype had made a new revised version of Sistina now named as Palatino Imperial" in the Palatino nova type family, a Platinum Collection product from Linotype."

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Rondell was originally designed in 2011 as a reasonably priced variable width and weight font. There were a couple of things about it that I didn't like and so I withdrew it from sale. Since then I have found myself using it for many different projects and have realised how useful and versatile it is. Therefore I have fixed the things I didn't like about it and it is now available again. Rondell is a simple, smart, sans serif font. Rounded corners make it slightly informal and friendly.

New Letter Gothic was designed for ParaType by Gayaneh Bagdasaryan based on monospaced Letter Gothic font by Roger Roberson, 1956–62. Due to clear and easy-to-read lettershapes of Letter Gothic the font is rather popular now for display and advertising matters. The idea was to create a font similar to Letter Gothic in lettershapes but with proportional widths of letters. For use in both display and text setting. New Letter Gothic has been adjudged an Award for Excellence in Type Design at Kyrillitsa ’99 International Type Design competition in Moscow, 1999.

She’s tall and thin with elegant, long legs and striking features. She can be seen in Comicraft’s COMIXOLOGY ORIGINALS series, ASK FOR MERCY. No, not Mercy herself — we’re talking about the ASK FOR MERCY font! Yes, you asked for Mercy -- begged for it even -- and now we are granting it to you! Mercy Mercy Me. ASK FOR MERCY contains alternate uppercase alphabets, auto-ligatures for a more random, hand-drawn appearance, and Comicraft's revolutionary Crossbar I Technology™, which puts that tricky character in exactly the right places.

Because of the large influx of Irish immigrants during the late 1800s and early 1900s, it was not unusual for songwriters of the day to craft songs around Irish themes, offering a nostalgic link to their homeland. One such 1917 piece entitled "You Brought Ireland Right Over to Me" had the title hand lettered on the sheet music cover in a sans serif design reflecting the popular Art Nouveau movement of the day. This design is now available digitally as Retro Nouveau JNL, in both regular and oblique versions.

Introducing, The Postgates, An Essential Font! The Postgates is a classic script font that contain a lot stylistic alternate, swash, etc to create your own customized lettering. You can feel the elegant and luxury from this font. It's time to try a new classic script. Use this font for your fashion brand now! Also The Postgates support multi language. This font is also support PUA. Features Uppercase & Lowercase Number & Symbol Multi language Up to 11 Alternates for each characters PUA Encoded Don't hesitate to send me an email at saridezra@gmail.com Happy Creating!