Don't Bug Me JNL is a collection of twenty-six of the cutest critters you've ever seen. Originally released as a freeware font in late 1999 to poke fun of the Y2K bug, the art has been cleaned up for more commercial or decorative appeal.

Van den Velde Script Pro is the definitive edition of the original Van den Velde Script, by Intellecta Design, a free interpretation of the work of the famous master penman Jan van den Velde, to be found in the “Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe. ” (Haarlen, 1605). This font has evocative ancient ligature forms from the XVII Century Dutch master penman Jan van den Velde. Your indescritible writing-book was important not only with regard to the specific period it represents, but also in relationship to the entire history of calligraphy as an art: Van den Velde is rightly credited with having introduced and perfected a new trend in Dutch calligraphy. Our font, Van den Velde Script, merges modern necessities or better legibility without loosing the taste of his archaic origins. This enhanced OpenType version is a complete solution for producing documents and artworks whith an evocative and voluptuous style of calligraphic script: Van den Velde Script PRO has - more glyphs than the original Van den Velde Script. We created hundred of new glyphs, deactivated old non-representative glyphs and redesign the remaining library of original glyphs. Van den Velde Pro is more functional, soft and beauty than the original. - to keep the powerful of this unusual kind of script we make a tour-de-force kerning work: 771 glyphs in this font was adjusted in 5400 kerning pairs handly. - hundreds of contextual alternates combinations, some of them with three or more letters, - historical ornaments and fleurons in the typical style (and motifs) from the XVII century at the Lower Countryes accessed with the glyph palette using the Ornaments feature); - an extensive set of ligatures (100s of contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; .... and, much better, Van den Velde Scriopt PRO is plus cheap than the original font !!! In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. Because of its high number of alternate letters and combinations (over 700 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. Van den Velde Script PRO has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

The basic letterforms for this typeface were found on a 1920s French poster for Les Arts de Feu by an unnamed artist. The stark geometric forms have been dressed up with an outline treatment, a drop-up shadow and a non-traditional small cap arrangement to make it even more striking, in a spooky kind of way. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

A couple of pieces of sheet music from France [circa 1925] offered the inspiration for Chanson De Paris JNL (Song of Paris), which is available in both regular and oblique versions. This hand lettered Art Nouveau style features a unique take on thick-and-thin lettering which foreshadows the Art Deco typefaces to come during the 1930s.

The original release notes from England’s Stephenson Blake Type Foundry say it all: “a type of some waywardness in design, judged from any typographical standard…a type that seems unable to decide whether to be a roman or a script." Stephenson Blake called their release "Recherché"— sought after or in great demand, which seems quite appropriate. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Once a year Through mist and rain October soon to end Have no fear Beneath the full moon we gather. Welcome to the show! Now - Silence... Cirque de la Lune is an uppercase only poster/display/headline font in two variants - Eclipse (regular) & Fullmoon (outline). Alternate, nudged or slightly rotated uppercase letters are placed on the lower case keys!

Dia de los Muertos is a colorful collection of skulls based on the lively Mexican fiesta celebration where skulls are used as humorous epitaphs of people still alive, besides being a symbol of celebration. A work of Iza W that can be used for children in arts, arts crafts, among other applications. Buying "Dia de los Muertos" you get FREE a amazing set of eps vectors : 39 naive, intrincated and colored funny skulls, ready to use."

San Pedro de Atacama is inspired by the north of Chile, which was based on rustic elements, 4 elements were added, which contains linear, filled and textured, also accompanied by "Ruina" for the titles.

Parfum de Paris JNL is an all lower case Art Deco-inspired design that features counterless letters in a thick-and-thin style reminiscent of 1930s text styles. Casual and at the same time elegant, this font is perfect for perfume labels, menu headings and other 'stylish' titling evoking the look and feel of the 'Streamline Era'.

Fiesta De Los Muertos is a fun and festive display font! Not only can be used for Halloween theme needs, you can use it too for other things for daily needs. Use it on t-shirts and clothing, book designs, greeting cards, stickers, posters, banners, or anything that needs a fun touch. Try it to create fabulous designs and feel the fun and cool vibes with it!

Here’s a classic face from Dutch master type designer Sjoerd H. de Roos. Use it where timeless elegance is the goal. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

De Vinne Stencil JNL is a stencil treatment of Theodore L. De Vinne's classic serif font.

A 1970s Photolettering catalog indentified the pattern for this typeface as "Exotique" ...from France, no less. Named for a French expression meaning “pun,” this face is, indeed, witty and playful, with nary a groan in sight. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Crème de la Rue is an urban-art-influenced stencil font. Cut outs and spraying or painting in huge sizes are possible as well as display use for headlines or short paragraphs in mid and large scale. The Stencil cut is available with 246 glyphs, numbers, accents, arrows and ligatures.

Its Indian language Hindi/Marathi mixed with English alphabets for exp. A mixed with Hindi type (A)

Have A Nice Day is a handwritten font created by Cindy Kinash. This font features three font styles (Basic/Tall/Wide) and comes in three weights (Light/Regular/Bold). All three font styles can be used together as one unique and fun font! This font also includes a set of fun hand drawn ornaments like smiley faces, flowers, leaves, insects, frames, captions, desserts, food, clouds, and catchwords that will surely brighten your day! Enjoy!

ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the punchcutter John Handy. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth-century rationalism and neoclassicism. ITC New Baskerville is a late 20th-century interpretation of Baskerville’s style, designed by John Quaranda. It makes an excellent and very readable text face; its sharp, high-contrast forms make it suitable for elegant advertising settings as well. ITC New Baskerville® font field guide including best practices, font pairings and alternatives.

Tall, masculine, French-inspired handwriting.

Sforzando is a striking display font available in three variations. Each one is an all caps alphabet that brings two alternatives for each letter, amplifying your design choices. It comes with a small but handy set of alternates that help create that special, unusual touch. Vigorous and versatile, Sforzando is an excellent option for a wide range of applications.

The highest and windiest mountain of Provençe is the Mont Ventoux. That is where I saw a pretty windy signpost in a very windy typeface that inspired me to design Ventoux. I recently added a Small-Caps style to it and overhauled the font a little bit without destroying its shaky appearance. Your not so windy Gert Wiescher