Senpai Coder is a family of typewrighter-style monospaced font for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Senpai Coder has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Typewriter letterform (serif) is good for reading. Common elements for each letterform makes harmony and a sense of unity. Senpai Coder supports almost all Latin languages. Try this all-new experiment.

It is critical to ensure that your design appearance represents the messages you deliver. However, it can be such a difficult task and time wasting to create a personal, lovely design. Therefore, Victoria Smitter is the answer to what you need. Victoria Smitter is a visually beautiful handwriting font which is perfect to show modern, elegant impressions in a personalized design to impress your customers and to make your messages more prominent than the others. It is designed in a cursive way in which the letters are connected to each other. Details on each letter and cursive wipes on the edges show high contrasts. Furthermore, this font is suitably applicable for big text sizes for better legibility. In addition, you can enjoy the available features here. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Victoria Smitter fits best for various design projects, such as brandings, posters, banners, invitations, greeting cards, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

Inspired by the 1947 Weber font Gabriele, Gaby Pro is a freshly designed versatile and everyday cursive font that can be used for a wide range of printed products and for web design as well. The font was carefully extended for multilingual use.

Lindau is a new take on the Jensonian Roman typeface genre. The idea was to combine the Venetian proportions with a conical shaping of the vertical parts. Lindau may be considered an alternative to fonts like Jenson, Centaur, Trump Medieval or Deepdene. Suitable for ads, stationary, branding and label design, headlines and short to medium-length text bodies. Lindau is layed out with comprehensive character support for every Euro-Latin language.

Swanville developed as part of a train font that eventually became LetterTrain. The letters of Swanville are bold, have a funny “serif” on the top but not on the bottom, and when the letters have interiors, the interior has the shape of the letter. Lower-case letters are smaller versions of the upper-case letters. Because development of this face stopped long ago, it has a limited character set.

We live only to discover beauty, all else is a form of waiting. --- Khalil Gibran Wait no more, this beautiful font can be yours right now! This custom made font was specifically designed to fit whatever you need! The curvature of the Casira Script was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Discover the beauty in your own imagination while this font gives you a quick kickstart to what it can be. Everything’s well with cursive! Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Communicate the extent of your mind so that whoever views your designs understand not just what you write, but also the tone and feel of it! The Casira Script makes a perfect addition for your collection of fonts, show love and bring out the true you! Feel free to contact us if you need anything else! If you have a request on what kind of fonts you’d like to see, tell us that too!

New Font : Cameta Cuttes - Beautiful Script Cameta Cuttes - Beautiful Script will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. Cameta Cuttes - Beautiful Script also Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography, art, modern envelope lettering or book design, happening style like handdrawn design or watercolor design theme, craft design, book title, or any purpose to make your art/design project look pretty and trendy. Features : Uppercase & Lowercase Numerals & Punctuations (OpenType Standard) Accents/Multilingual characters PUA Encoded Ligature Stylistic Set Alternate Check my other Font here : https://gilarstudio.com/

Hogar Slab, based on the Hogar typeface, is the result of combining a script and a slab serif into a single type system. The system has a monolinear style composed of a slab serif and a script slab serif version that share similar proportions, weight interpolations and details. Hogar Slab is basically a slab serif with script gestures and a script with slab serif shapes. In order to make the system more complete, I included an italic version, which represents a transition between both main styles. Additionally, I developed a set of patterns including some furniture designs by well-known architects.

Originally designed by calligrapher Arthur Baker, Marigold font was released by Agfa Compugraphic in 1989. Marigold font is narrow in width like the chancery hand, and its shapes are true to the prescribed Renaissance proportions. The authentic handwritten look makes it versatile for a large variety of informal uses.

Carrosserie is made for display use, inspired by the shapes of the ’30s. It is a capital letter font with alternate characters and special domain symbols (check the PDF in the gallery for details). The font is now available in thin, extra light, light, regular, medium, bold & fat. Enjoy!

A classic serif font with a twist. WBP Emperio has an interesting shape. She has rounded corners and a slightly 'curvy' look. The little indent makes her stand out above the rest. A sensation in the making. Emperio has two styles. The Regular: Great for designing friendly corporate identities. And there's the Hand Drawn style: Great for design posters of prints with a handmade feel. Combine the two and you can go infinite. WBP Emperio was a sketch I designed when I started my company. So you can say it's been five years in the making XD. When I was invited to add two pages to the Typodarium 2022, I speeded up the process and added the hand-drawn style. The end result is awesome. A classic serif font, with a crazy extra style.

Redwood is the fresh and lively digitization of the popular ATF landmark, Raleigh Cursive. Drawn by Willard Sniffin in 1929, and introduced by ATF in 1930, this classic script is prominently featured in almost every published type history book, and proudly listed among every letterpress printer's type assets. Redwood's unique calligraphy is complemented with a set of swash capitals unlike any others out there. Strength, grace and elegance rarely ever combine the way they do in this typeface.

Willona is a subtle and elegant font. This font has a lovely touch of character, perfect for a variety of designs. The Willona features varied baselines, unique smooth lines, and stunning alternatives. Add to your most creative ideas and see how to make art! Alternative Glyph Styles (including Uppercase, Lowercase, Numbers & Punctuation) Works on PC & Mac Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Multilingual Support Thank you ! Hope you enjoy our fonts!

The Civilite is a historic script in the sixteenth century. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 20 pixels or multiplies of 20 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Mount Loneli is a subtle and lovely font. This font has a lovely touch of character, perfect for a variety of designs. Mount Loneli features varied baselines, unique smooth lines, and stunning alternatives. Add to your most creative ideas and see how to make art! fastener, Alternative Glyph style (including Uppercase, Lowercase, Numbers & Punctuation) Works on PC & Mac Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Multilingual Support Thank you ! Hope you enjoy our fonts!

candra winata is a subtle and lovely font. This font has a lovely touch of character, perfect for a variety of designs. candra winata features varied baselines, unique smooth lines, and stunning alternatives. Add to your most creative ideas and see how to make art! fastener, Alternative Glyph style (including Uppercase, Lowercase, Numbers & Punctuation) Works on PC & Mac Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Multilingual Support Thank you ! Hope you enjoy our fonts!

FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the art déco zeitgeist of that era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval “O” is a good example of that, as well as characteristic shapes like the capital M or the unconventionally differing endings of “c” and “s” which make for a less constructed look. Watch the FF Bauer Grotesk introduction video on Vimeo

AZ Barista font is inspired from 1920's Poster art, namely Leonetto Cappiello designs. This font was designed for use as a worn and antiqued headline.

Astrospy JNL is a square-shaped, futuristic techno-style font from Jeff Levine. It is very well suited for short phrases, but caution should be used in setting too many words with it because of legibility issues. Best used in larger point sizes.

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

The Tabac type system is a static typeface with modern shapes and distinct, wedge-shaped serifs. It is primarily designed for the setting of newspapers, magazines and books. Tabac boasts great variability in terms of letter weight in all of its styles. Each style works as a font of its own, featuring the full set of glyphs. The styles may be combined depending on the user; the choice of text and title face thus depends fully on the designer’s own taste, on the needs of the readers and the technologies of printing in use.

The Yasmine Mutlaq type family follows the guidelines of the Mutamathil Mutlaq type style. It has one glyph per basic Arabic Unicode character or letter. Each glyph is completely symmetrical around its vertical axis to facilitate bi-directional ordering. This family does not include any required ligatures and does not use glyph substitutions or forming but it does use marks positioning. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Yasmine Mutlaq employs four x-height values, two above and two below the x-axis. Its design uses curves with equally distributed weight. This family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. It is available in regular styles. Also included is an additional font, Yasmine Mutlaq bidi that encodes same glyphs as symbols to facilitate user input from left to right using a Latin keyboard. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Varp is a rather narrow 2-axis variable geometric typeface with slight reverse contrast inspired by utilitarian and technical design. In Slim and Tight styles, the reverse contrast is enhanced. Typeface is adjustable in width, as if by mechanical deformation of proportions, which is often found in technical and transport markings. The letterforms are based in part on the shapes of DIN fonts, with the deliberate addition of contrasting connections, sharp spurs and massive ink traps for sharpness. With the help of special spacing, selective kerning and adjusted letter width, the effect of a monospaced font is created with no obvious "holes" in the text set, while maintaining a special rhythm. In addition to the width, Varp is adjustable in tilt angle to an extreme 30 degrees and an intermediate 15 degrees in both directions. Features: – Total glyph set: 795 glyphs; – 15 styles (3 widths x 5 italics) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; – Greek. OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01-ss04); – Ligatures; – Case-sensitive forms.

In a World War II training film from the U.S. Signal Corps, the opening title card saying “First Aid” was hand lettered in an extra bold, Art Deco inline style. Those two words (with seven available letters) used as a work model has inspired Film Reel JNL, which is available in both regular and oblique versions.

An early-1960s Canadian magazine ad for a brand of birth control pills featured the least likely spokesperson – Annette Funicello (“starring in “Beach Blanket Bingo” and “How to Stuff A Wild Bikini”). The text was hand lettered in an Art Deco-inspired sans serif type design. Tarpon Spring JNL is available in both regular and oblique versions.

The Nov. 13, 1915 and Nov. 27, 1915 issues of Moving Picture World carried ads for Jesse L. Lasky Productions in which the titles of the upcoming films were hand lettered in an elegant Art Nouveau spurred serif style. This stylish alphabet is now available digitally as Movie Producer JNL in both regular and oblique versions.

A small book entitled “Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [published in 1938 by Irene K. Ames] contained a number of pages displaying hand lettered alphabet examples. One sample in particular stood out for its bold Art Deco look and unusual design. This is now available as Dance Moderne JNL, in both regular and oblique versions.

The 1920s film production company Tiffany-Stahl often used a hand lettered Art Nouveau novelty type design with thick horizontal lines in their various film release ads. One such ad was in the August 11, 1929 of “The Film Daily”. This served as the model for Nouveau Event JNL, and is available in both regular and oblique versions.

Tact Slab New is geometrically a slab serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab New is compatible with the sans serif font Tact New. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all the Latin and Cyrillic glyphs.

Elodie is an Art Nouveau inspired all caps font with some extra quirky characters. It was hand drawn with a brush pen. Elodie is designed for titles, short quotes, product names etc. Use lower-case letters for regular text, and then add a some special quirks to your writing by using the characters in the upper-case section. Multilingual support is included for Western, Central and Eastern European languages. Please test your characters in the font previewer before purchase.

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

The Pallace feels equally charming and elegant. This stunning handwritten font is a stylish homage to modern calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Happy Teas is a handwritten script font that was designed to create a sense of joy and fun. It includes upper and lowercase letters, numerals, punctuation, and multilingual support. In addition, there are also special characters, alternates, and ligatures to add more flair to your projects. Great for invitations, headers, packaging, branding, wall art, and more.

Ameira is a modern lettering script font for use in display sizes, created with alternative glyph variations and ligatures. Perfect for your design projects like logos, branding, advertising, product design, stationery, photography, art quotes, wedding designs, fashion designs, and more. Features upper case and lower case characters, numerals and punctuation, has multilingual support, and OpenType features.

Parfum de Paris JNL is an all lower case Art Deco-inspired design that features counterless letters in a thick-and-thin style reminiscent of 1930s text styles. Casual and at the same time elegant, this font is perfect for perfume labels, menu headings and other 'stylish' titling evoking the look and feel of the 'Streamline Era'.

Sylphide is based on poster lettering from France in the 1890s. It has a very authentic Art Nouveau look with some unusual features, including the decorative-initial style capital letters and the cut-out look of the standard characters. It's an excellent and unusual font for uses like restaurant menu titles, poster designs or other decorative purposes.

The cover of the sheet music for the 1910 song “We’ve kept the Golden Rule” features a hand lettered and slightly spurred Art Nouveau type style. As an older couple was pictured below the song’s title, this inspired the name Golden Years JNL for the digital font, which is available in both regular and oblique version.

P22 Mucha is inspired by the free-flowing lettering styles of art Nouveau master Alfons Mucha, circa 1900. This font adapts his distinctive style into a new organic type suitable for many occasions. Mucha evokes the essence of Paris and Prague from 100 years ago, yet it is still fresh in its innovative approach to the alphabet.

Songbook JNL is based on a promotional blurb from the back of a piece of vintage sheet music. Its interesting style of slab serif lettering with strong Art Deco influence was worthy of re-drawing into a digital typeface. This design is the 900th release from Jeff Levine Fonts since its inception in January of 2006.