I found this type specimen on the statue of Jan Hus in Prague’s Old Town Square. The statue was designed in 1903 by Ladislav Saloun, and its writing is the cutest Nouveau font I've ever seen. Filling in the blanks, I realized the need for a standard lower case because the caps are so wild. The result is a very type-able and dynamic Nouveau. I encourage you to mix up your upper and lower cases for curious results. Use the lower case for running type. Go to http://facebook.com/frostfoundry to share this and see more!

Human Sans is a humanist sans serif font created as an experiment. The goal, how much a simple substitution of a small set of characters could change a font's nature. In its base form, Human Sans is a humanist sans serif geared toward text. However, through stylistic sets, it can adopt a myriad of different visual styles. This includes geometric alternates, uncials alternates, contextual swash caps, and the high and low midlines, typically seen in Art Deco lettering. These features are combinable for whatever look you may need. Human Sans comes with a full set of diacritics, in 9 weights and corresponding Italics.

The German designer Alexander Dosiehn developed the Liga Sans type family as part of his graduate thesis at the Fachhochschule Düsseldorf in 2001. Liga Sans is a sans serif typeface that acts as a bridge between classical modern styles. Traces of pen forms and brush strokes can be seen mixed together with the most legible elements from grotesk-style faces in the alphabet’s letterforms. These features work together to create a style that works very in many sizes, including smaller ones! Liga Sans is an original, lively addition to the porfolio from Linotype suitable for text, magazines, and corporate identity work.

Linotype Sjablony is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Designed by Dutch artist Mark van Wageningen, the typeface with its interrupted strokes has the characteristics of the stencils seen on crates and barrels. The difference lies in the raw contours of this font, which make the characters look as though they were slowly eroded away by water and wind. Linotype Sjablony is composed exclusively of heavy capital letters and is particular suitable for initials and headlines with point sizes of 18 and larger.

Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.

"Badge Robo" is a 3D display graffiti font with very bold and impactful characters. Fonts like this are often used in designs where you want to create a bold, attention-grabbing, and three-dimensional text effect. This style can be seen in various design applications, including street art, posters, or any project where you want your text to stand out prominently. With "Badge Robo," you can create designs that feature powerful and visually striking typography. The bold and 3D nature of this font can make your text appear dynamic and attention-grabbing, helping your design make a strong impact.

Beeching is a family of six typefaces designed to combine extreme legibility with a hint of retrospective character. It is inspired by the lettering used in the Leslie Green designed stations of the London Underground and is as up to date today as it was the day those stations opened. The Beeching faces (Regular, Bold, Small Capitals, Small Capitals Bold, Shadowed and Small Capitals Shadowed) are ideal for use in large scale signage that needs to be seen over long distances. We feel the family provides a clear demonstration that traditional details, such as serifs and ligatures serve to enhance legibility.

Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent's For Sale board seen in an old sepia photograph from that era and combines visual flair and period with good clear legibility. A range of Opentype features including alternate forms, old style numbers and fractions, as well as discretionary and standard ligatures are included. Three weights are offered, including a shadowed black form are offered, all in a choice of three widths. It's the ideal face for signage with a period feel, as well as posters, headings and feature paragraphs.

Whenever I see clippings on TV of demonstrations, protesting against this or that, with people holding up signs, I am surprised about the signs being professionally printed or plotted in Helvetica or Futura condensed. I've even seen signs in Zapfino! That doesn't really cut it, it doesn't look much like a real protest. So I decided to give the protesting world a real good font for the occasion. In German a Revolte is an uprising, I thought that was a good name for the font. Hasta la victoria siempre from your revolutionary type designer Gert Wiescher.

Stannard speaks to us of the happy days of the inter-war period, of enamel advertising 'street-jewelry' as seen on the railways and in all the best shops, of youngsters' train set boxes and toy catalogues, of traditional magazine mastheads, of a simpler, happier and just maybe better era, when summers lasted for ever and all was well with the world. It's a great family of faces for use in nostalic poster design, for nostalgic packaging design or signage or book covers, or even just for making a bold statement anywhere. Four decorative faces are offered.

Pseudographia is a lighthearted, loving pastiche of “Greek-Style” type inspired by J.M. Bergling’s 1917 “Society Greek” lettering. Happily living in the world of kitschy cross-cultural fonts of the kind found on restaurant awnings around the US, Pseudos is blithely unconcerned with legibility. Instead, it embraces its own benign exoticism and revels in its own chicanery! Pseudographia’s standard letterforms are angular Roman forms. Its Stylistic Set One contains a simplified Small Caps version of the kind commonly seen at Mediterranean eateries. Its Stylistic Set Two contains a full set of outlined Ornamental caps. Opa! Part of The Ampersand Forest's Sondheim Series.

Workaday from Yes Please is a bold and clean contemporary take on the classic American Sans Serif. Inspired by the wildly varied history of early to mid 20th century American signage, aircraft markings and industrial shipping vernaculars, Workaday exudes a timeless, classic flavor packed with a personality perfect for graphic headlines, packaging, copy setting and much more! Workaday features conventional ligatures, a standard set of accents and symbols, and a set of open type alternate characters to provide a versatile end-user experience. Workaday has seen action for Nike Sportswear, MSN, IFC, FX and more. Workaday is designed by Lee Schulz.

Chalk Cowboys is a vintage chalk font, handwritten by me. It has a real chalkboard feel and is a: textured font handwriting font has bonus shape elements and full Latin support As a bonus you will get real chalkboard shapes (as seen in preview pic three). Get creative and use this retro font for: a menu food branding as a display font for invites chalk lettering (of course =)) shirt designs magazine layout Instagram posts or any Social Media posts, really This font also works great as a running text, too. =) Don't forget to check out my two other fonts: Casual Crew Signsurfers Script

This American original was designed in 1901 by Frederic W. Goudy for the American Type Founders in Jersey City. Copperplate Gothic is an all caps font which looks like a sans serif at first glance. But closer examination reveals tiny, pointy serifs which almost seem to round off the letters. Designers rely on this font’s lofty and sublime impression and it is often seen in advertisements, but it has also made a place for itself in private and business correspondence and corporate design. The AB and BC designations in the style names refer to the relative sizes of the capitals and small capitals.

Monotype Old Style is a nineteenth century update of Caslon Old Face with characteristics of the moderns built in. Monotype Old Style was recut by Monotype in 1901 from a Stephenson Blake & Company version. The design originated at the Miller and Richard foundry in 1860. In some respects it can be seen as transitional between old style and modern, but the spirit of the old styles predominates. By the turn of the century it had become a successful rival to the moderns. The Monotype Old Style font family is an attractive design which gives a light, airy feel to text.

Wade Sans Light was designed by Paul Hickson and Key Characters and appeared in the ITC library in 1990. The basic forms of the font are those of a constructed sans serif, as seen in the circular O and triangular A. The low x-height of the lower case letters make this font particularly reserved and graceful and the high ascenders give it a certain elegance. The high, wide capitals need a lot of space and dominate the overall look of this font. Wade Sans Light is reminiscent of the elegant cabarets of the 1920s and 30s.

This slinky number will seduce you with its linking letters and special ligatures. Brimley's strokes are tight and sharp, and its characters are tied together with slender, whispy hooks. Although its elegance is timeless, this is a style that typifies lettering of last century's late '50s and early '60s. Chank Co. intern Tim Drabandt created Brimley with inspiration from antique type books. He named the font after Wilford Brimley. You know... the chubby old guy who tells you to check your blood sugar and eat your Grape Nuts and Quaker Oats. Haven't you ever seen Cocoon?

Nata is a sans serif family with fourteen weights plus matching italics. It was designed by Candi Erwanto in 2019. This sans serif family is based and influenced by geometric styles that were popular during the 1920s and 30s and have been optically corrected for better readability. Nata has a functional look with a warm touch. While thin and black weights are great players in display size, lightweights, regular, and medium are suitable for longer texts. Small x-height and curbed shape provide a distinctive elegance. Nata is equipped for complex and professional typography. This OpenType font family has extended characters to support Central and Eastern European and Western European languages.

Like many cities in the Midlands and North of England, Stoke-on-Trent has a rich history linked to making and industry. In Stoke’s case it was pottery. In the early 1900s bottle kilns could be seen covering the landscape of the six towns making up Stoke-on-Trent with hundreds of factories producing some of the best ceramics in the world. But by the 1990s most of these had gone. Torn down for development of housing or just left to rot. During the next few decades Stoke continued to change. The industry was in a decline and Stoke itself was seen as another poor midlands city with a dwindling industry. Then in 2008, Spode, one of the largest and most famousceramics factories in Stoke entered into administration. Pens cast aside, drawings left half finished, designs left in the turned-off kilns; Spode factory was abandoned. This was a real shock and the way everything was getting thrown into skips to be put on the tip was heartbreaking. Thankfully people salvaged some of the technical drawings, sketch design, old sample pieces and ceramics that people hard worked so hard on. Potbank has been in development over a number of years taking inspiration from the heritage and designs from the ceramics industry. It has a mixed Clarendon and Antiqua style structure with its main purpose to be used as a printed type.

Gidglet is a serif font highlighting the height differences of the letters’ thick and thin parts, and has elegant, clear letters. Little hooks and lines on the letter edges show classical, traditional nuances to your designs. Moreover, the thick and thin letter parts are clearly seen in a high contrast serif font. The thin letter lines show elegant characteristics, while the thick ones express firm, clear nuances. Such high contrasts between the thick and thin parts add dimensions and prominence to the designs. As a result, such a font is perfectly applicable for designs with formal, elegant, professional impressions in big text sizes in order for the beauty and the contrasts of such thick and thin parts to be clearly seen. In addition, you may enjoy the available features here as well. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Gidglet fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

This is the design that was always on the drawer. I designed it when I was bored of designing other typefaces, there was no briefing, I just wildly played with the bezier tool. It was something to relax from more serious work, so it feels like a very funny and smiling design. Genica mixes various styles creating a display type with lots of personality.

Introducing ANGRY BRUSH - a very bitter display brush font made for all your resentful ramblings. Available only in upper case (shout mode) and with 17 different unique variations of every single character so it always looks fresh, with no duplicated letters in sight. You can either manually choose your preferred character, or let the contextual alternates rotate through each stylistic set whilst you type.

Veneribe -the Venerable face- is an experiment in what many today might call 'grunge', though we at Greater Albion would probably prefer to talk of rustic (or if we're feeling really old-fashioned rustick) charm. It's a derivative of our Clementhorpe family, and aims to combine a battered antique look with the charm of that decorative Roman family. Regular and oblique forms are offered.

Popty Ping is Welsh slang for microwave oven. It literally means ‘oven that goes ping’. Popty Ping was sort of based on an older font of mine called Jambo. It is a very happy cartoon font, ideal for children’s book covers, ice cream packaging and microwave popcorn (preferably the non GM kind). Comes in two great styles and more diacritics than you can pop in an oven!

Saddlery includes the first font that you can use alone or add the optional second fill font behind the first using different colors for a more decorative look. You will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.

Introducing Beauticella - Casual Signature Script is a Quality script that is written casually and quickly with 12 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Beauticella is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Matisse's paper cutouts inspired Gail Blumberg, Adobe art director, to create a typeface of figures. Her biggest challenge: keeping each Cutout design in scale. It's not easy to make a standing figure, like 'Y,' to be the same size as a curled up figure, like 'G,'" Gail says."

Red Dog Saloon is an old classic western looking type font and one that never goes out of style. A fill font is included with this font, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.

Pinkus is a nice, uncomplicated serif font. It was hand drawn on plain white copy paper, hence the roughness. Pinkus is an all-caps affair, but upper and lower case letters can be interchanged. Pinkus can be used on posters, postcards, books, magazines and whatever else you fancy. Enjoy!

This typeface expands Herbert Bayer's 1931 experimental, all-lowercase "universal modern face," Architype Bayer-Type, by adding an uppercase and adding an architectural inline treatment. Sleek, modern and sophisticated, it's the perfect choice for elegant headlines. Both versions of the font contain characters to support all major European languages.

Philips Dutcher - Stylish Ligature Script is a Quality script that is written casually and quickly with 41 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Philips Dutcher is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Hellow Buncit’s is two-layered font solid and holes. Unique and funny style custom font It’s very good for cartoon logos, snack food products, short titles, children’s books, and greeting cards. Created for the cutes celebration and fun. The font includes uppercase, lowercase, numbers, punctuations, and has multilingual support.

Introducing a new layered bold script font called Belyard .Belyard inspired by bold script logotype and retro font. Belyard came with open type features and multilingual accent good for logotype, poster, badge, book cover, tshirt design, packaging and any more. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Wulf Utility is a heavily degraded font that evokes information in a utilitarian manner without any pretence to elegance, fuss or refinement. Gruff and direct, it is about as basic as a font can be. The Dirty version can be layered over the Rough version for two-tone effects.

Introducing Pearl Blossom. An elegant serif typeface with a calligraphic italic version. Both fonts comes in REGULAR and BOLD versions. Pearl Blossom brings modern and clean look to headings, logos, websites, social media, brand identity, paper stationery and more. Pearl Blossom regular has 61 Ligatures and 19 Alternates.

Introducing Signattimes - Stylish Signature Script is a Quality script that is written casually and quickly with 73 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Signattimes is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

AndrewAndyCollege is an outlined font derived from the Ingrimayne font AndrewAndreas, a san-serif face. In 2018 the inside and the middle ring were separated out and made independent fonts. They can be used alone, or layered with the original to produce letters with two or three colors.

Exa Metline is a conceptual font. It's a modern style geometric typeface with unusual letter shapes. This package consists of 3 fonts with separate inside line layer. Also 10 alternate characters are available, if you'll need a more familiar letter shapes. Thank you and have a nice day!

Introducing a vintage look simple and minimalistic label font named "Bodybuilder". All available characters you can see at the screenshot. This font have 14 styles (including layered effect styles, rough and color version). This font will good viewed on any retro design like poster, t-shirt, label, logo etc.