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  1. LinoLetter by Linotype, $29.99
    LinoLetter is a fresh new interpretation of a newspaper text font. The impression this font makes is of clarity and objectivity, making it suitable for anything from basic text to multimedia applications.
  2. Limousine JNL by Jeff Levine, $29.00
    Limousine JNL takes the basic outline shape of Crestview Six JNL (an actual design from the Art Deco era) and gives it a stylized treatment as a solid black letter display face.
  3. Pixel Dust by Funk King, $10.00
    The Pixel Dust Family is a group of six fonts sprinkled with fairy dust. A basic display font – simple, yet enchanting, made with a playful innocence – just don’t make the faeries mad.
  4. Renelemon by URW Type Foundry, $39.99
    RenéLemon is a design where the basic design idea is part of its name – Lemon. Every glyph is derived from the form of a lemon, splashing and dashing – a typographic vitamin pill!
  5. Ljubljana by Glyphobet, $19.99
    Ljubljana was inspired by art deco lettering seen in Slovenia, Croatia and Romania. It includes the Latin, Greek, and Cyrillic alphabets. It is named after the capital of Slovenia. Ljubljana is unicase, composed of as few basic glyphs as possible. The basic glyphs are shown in black, and the derived or duplicated glyphs in grey. Ljubljana attempts to encapsulate the essence of both upper and lower case designs in a single glyph. It also explores the common origins of the Greek, Latin, and Cyrillic alphabets, using the same glyph in more than one alphabet.
  6. Quenbach by Brenners Template, $25.00
    Quenbach is a classy and geometric font family that includes 36 weights. Especially, this Font family has elaborated the Kerning Process to be useful in Editorial Design. It also supports Cyrillic Basic Charset and OpenType Features including Small Caps. Basically, the glyphs were geometrically designed, and some glyphs were customized to improve readability. Of these fonts, the thin weight font is designed to be thinner than the other products. This thinnest stroke can be useful in editorial design. And Qunbach Condensed Font Family will be used more accurately for editorial and web designer's needs.
  7. P22 Civilite by P22 Type Foundry, $24.95
    P22 Civilite is a historic font revival. The font is a non-connecting upright handwriting script based on 16th century sources with a lineage going back to Robert Granjon in France and from early Dutch type specimens from the Enschede and Sons Foundry. The P22 Civilite suite of fonts includes the 6 basic Dutch versions of Civilite in both "historical" and "modern" styles in basic OpenType format and Pro versions that combine the historical, modern & sorts into one OpenType font with alternates, expanded language coverage and pro features.
  8. Opulent by MuSan, $14.00
    Opulent is a modern, minimal and classy Serif Display font that is perfect for all your project. This font would pair perfectly with a script/signature or handwritten style text or as you can see in the images above, it looks fab by itself! This font contains an All Uppercase alphabet, numbers, Multilingual and basic punctuation. (If you're having trouble finding the basic punctuation, you can access it in the Glyphs panel) Please let me know in the comments what you think or if you have any questions/requests!
  9. Ashtronaut by Chank, $20.00
    Like a phoenix rising from the ashes, the new Ashtronaut font is on fire and blasting off into outer space. This futuristic new font combines basic geometric forms like circles and dashes to form uppercase shapes that are softer and more traditional and lowercase letters with sharp and abstract characteristics. The result is a minimalist style that creates distinct and innovative new glyphs and letter combinations. The basic Bold variety is the strongest of the bunch. Try overlapping it with the other styles — Inlines, Outlines, and Bulbs — in different colors for dramatic and exciting effects.
  10. Slow Tempo by Dharma Type, $19.99
    Slow Tempo is a relaxed, loose-fit font that you can easily enjoy. Slow Tempo has basic, natural and neutral letterforms and skeletons for a wide range of usage. Though, there are some distinctive features. As you can see, Slow Tempo has low curvature of the intersections between stem & shoulder or bowl and also has large and open apertures. This makes this font relaxed. The letterform has low contrast and geometric shape to be neutral design, large x-height and humanistic terminal to be legible and distinguishable. Slow Tempo consists of 8 weights and their matching Italics for a wide range of usages. Further, Slow Tempo is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.
  11. Wildest by Gholib Tammami, $14.00
    Wildest is a basic serif font. It's casual charm and classy features make it suitable for a wide spectrum of applications. Add it confidently to your projects and you will love the results!
  12. Show Card Sans JNL by Jeff Levine, $29.00
    Show Card Sans JNL (available in both regular and oblique versions) is based on a chart showing the basic construction of sans serif lettering in the 1922 instruction book “Modern Show Card Writing”.
  13. Moyers by Areatype, $13.00
    Moyers typeface is Vintage Design, old-fashioned, elegant. This font good for vintage design, Display, t-shirt, logo, labels, posters and etc. Features: -Uppercase -Lowercase -Numerals -Basic punctuations Available in OTF formats. Thanks!
  14. Tai Qin by ComGlyph, $60.00
    TaiQin is inspired by Chinese calligraphy to design both English and Thai typefaces. It offers 4 basic weights and a variable font. In addition, I have also designed alternatives for certain Thai glyphs.
  15. Squid GT Display by FoxType, $15.00
    Introducing Squid GT Display new generation Typeface with 9 Weights. Squid GT Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Squid GT is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Nine Weights. Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black.
  16. Oxine Display by FoxType, $20.00
    Introducing Oxine Display new generation Typeface with 7 Weights. Oxine Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Oxine is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Seven Weights. ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold
  17. Typewriter DirtY by Matthias Luh, $32.00
    Typewriter DirtY is related to the Typewriter BasiX and Typewriter Revo fonts. While Revo has a very clean and simple outline, BasiX is a bit washed out and looks worn. DirtY goes a step further and has a very dirty, worn, fuzzy, grungy vintage look – even more so than BasiX. Typewriter DirtY is especially suitable for headlines, logos, covers, slogans and much more. BasiX and Revo are recommended for longer texts. Although Typewriter DirtY looks good even in small font size, it is a bit more complex to render because of its detailed outlines. Typewriter Revo, BasiX and Dirty are monospaced typewriter fonts, which are matched to each other. They have the same dimensions and generally somewhat similar contours. Therefore, they can be perfectly mixed and matched with each other.
  18. Kress Titling by RMU, $30.00
    In 1923, the Schriftguss AG, Dresden, released this all-caps Art Deco font designed by Otto von Kress. From the existing basics, the now available font was completely redrawn and redesigned for modern use.
  19. Alpha Delta by Wiescher Design, $39.50
    The standard paperclip is the basic idea behind this Alpha Delta. By working on it, I changed it so that it doesn't look too much like a paperclip any more. Things happen, Gert Wiescher
  20. Transatlantic Cruise by Roland Hüse Design, $13.00
    Transatlantic Cruise is an elegant outline script, would look best on Menu headlines, Invitations, Logos and Postcards (especially sent from cruise ships! :) It contains basic latin western and central european language extensions and accents.
  21. Faux Arabic by Page Studio Graphics, $24.00
    Based on Arabic calligraphic script, this simulation font includes upper and lower case Western alphabets, numerals, basic punctuation and several ligatures, as well as the Islamic crescent symbol and a typical Arabic geometric design.
  22. Night Forest by Rometheme, $25.00
    Introducing Night Forest – Vintage Font Perfect for logotype, labels and packaging, branding, or any vintage-themed projects! Features: - Basic Latin A-Z and a-z - Numbers - Symbols - Stylistic Set - Ligature - PUA Encode - Multilanguage Support
  23. School Desk JNL by Jeff Levine, $29.00
    School Desk JNL is a block-style sanserif based on die-cut cardboard letters used in classrooms during the 1940s and 1950s for making various projects and teaching children the basic shapes of letters.
  24. iogen by Taner Ardali, $12.00
    The current design of "iogen" is a result of years of alterations since it's original concept was born in 2010 and it needed a hallmark to make it authentic. The idea of "a typeface speaking pleasantly" is the basis on which "iogen" is constructed. Hereby, the letter forms are based on sharp directional changes and curved vertical strokes, allowing it to speak clearly and pleasantly. The sharp corners, open apertures and open counters of iogen also ensure legibility in smaller sizes. The Iogen family has 6 members with 3 basic weights with sans and serif styles. It supports the Latin extended character set and opentype features like stylistic alternates, ligatures, fractions, denominators, numerators, superscript, subscript and ordinals. Iogen is a good fit for all of design needs with it’s wide range of character sets and features.
  25. Lucida Fax by Monotype, $40.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  26. Lucida Sans by Monotype, $29.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  27. Ghostly forest by RodrigoTypo, $29.00
    Ghostly Forest, is an entertaining font that has many options such as ligatures, alternatives, layers, it is special for titles related to halloween or informal design, it contains its extended version as a basic one.
  28. Marylane by Motokiwo, $17.00
    Marylane, a monoline script font that’s great for headline, logo, poster, signage, and more. It supports basic latin multilingual characters and you can also customize with alternates character into the words that great for you.
  29. Squint by Hanoded, $15.00
    Squint is a unique typeface, created with just 2 basic forms: a rectangle and a line. Squint is ideal for use in (futuristic) posters, designs and ads. It comes with old fashioned extensive language support.
  30. Lost Hills JNL by Jeff Levine, $29.00
    Lost Hills JNL is a split-serif Western font based on Jeff Levine's Brogado JNL. Named for an actual location in California, this font has all the basic characteristics of a traditional Old West design.
  31. Lucida Schoolbook by Monotype, $29.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  32. Lucida Casual by Monotype, $29.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  33. Black Beer by Fractal Font Factory, $10.00
    Black beer, strong Gothic. It is designed for logos, prints, headlines and more. The font has 4 styles, base, blurred, outlined, and aged. Contains basic characters and punctuation marks as well as extended multilingual characters.
  34. Lucida Blackletter by Monotype, $40.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  35. GHEA Tamara by Edik Ghabuzyan, $30.00
    This SemiBold Italic original Display font GHEA Tamara includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic, Armenian. May be used in titles, posters, labels, etc. The font looks very nice in large sizes.
  36. Lucida Bright by Monotype, $29.99
    Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.
  37. Lunarmod by MADType, $21.00
    Lunarmod is an attempt at creating a full font from a single basic shape, a box with oval ends. It ended up being very modular and looks slightly alien or spacey, hence the name Lunarmod.
  38. Kompot Slab by VP Creative Shop, $20.00
    Introducing Kompot - This is the Greatest Font... actually typeface with 2 styles Kompot Slab is swirly, vintage typeface with 2 styles to enchant your next project. They are loaded alternate glyphs and multilingual support. Very versatile fonts that works great in large and small sizes. Basic latin, advanced latin, basic Cyrillic and advanced Cyrillic character sets are supported! Kompot Slab is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase numeral, punctuation & Symbol Regular Outline Alternate glyphs Multilingual support Basic and Advanced Cyrillic support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!
  39. P22 Counter by IHOF, $39.95
    Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.
  40. The Youngest by My Creative Land, $39.00
    The Youngest is a unique modern font family that contains a handwritten signature script and a classic mid-contrast elegant classic serif in two styles - Display and Book. Both serif and handwritten script benefit from stylistic alternates and ligatures that give your creativity a wide variety of design options. The Book serif is optimized to be comfortably read on screen in small sizes. The Youngest Script has more than 600 ligatures (100+ unique basic Latin ligatures, their multilingual variations, and 70+ Cyrillic ligatures) to mimic a realistic handwriting. The serif style has a lot to offer too - more than 300 ligatures including 40+ basic latin ligatures, their multilingual variations and 30+ Cyrillic ones. All three styles support most of the Latin based languages as well as have basic (Russian) Cyrillic support. All three styles, as usually, fully unicode mapped and can be used in the majority of applications available on the market.
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