Basgem is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Basgem typeface comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Bomiro is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Bomiro typeface comes with regular, italic, Thin and Thin Italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Night Hunt is a display font, strong and elegant. Night Hunt designed for movie title, poster and cover design, apps and games design

Argone is a handmade, organic, display family and comes in four weights. It also has a version with lower case letters – Argone LC

Chinese Herbs JNL gives an outline and cast shadow treatment to the lettering found in Chinese Menu JNL. Based on some old signage.

Alphabet primarily used for writings with magical purpose in ancient times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

How much more multi-cultural can you get, than a Japanese-style Roman font from Denmark? Looks like an LCD font gone awry!

Headline font with extremely tight kerning with more than 1600 kerning pairs. Also with some discretionary ligatures and lining figures. That’s Tart. Sweet.

Breesh font is a dancing handwriting, quickly trace with a pointed brush. The inspiration come from both asian calligraphy, italic and copperplate alphabets.

Zamaica is a thin and modern display font. Add it to your most creative ideas and notice how it makes them come alive!

Skaklia is a modern sans serif font with a geometric touch. It comes in 2 shapes regular and rounded and its matching italics.

Steinschrift Pro is a condensed sans serif font which comes with West and Central European as well as with a Cyrillic character set.

Venture is an all caps typeface inspired by the great outdoors. Also comes in 2 extra styles, great for that vintage print look!

This font family is based on the letterforms of a fin-de-siècle sans serifs, and comes in two versions - Roman and Shadow.

More cartoon illustrations, sales builders, ornaments, embellishments and miscellany come your way with Message Helpers JNL; all re-drawn from vintage source material.

Introducing the new ‘Lauren Hansley’ script font - A fashionable and super-chilled new handwriting font script with some sexy stylish ligatures and alternates ;)

Created with a fine brush, this font has a robust appearance with some elegant features to it. Use this typeface anyway you like!

Julio is designed in the best tradition of English scripts. It comes in very handy if you want to have an elegant touch.

Deco Pimp is a trashy, handwritten font with a deco-look to it. It has some unusual letters, but is very legible nonetheless.

Resiliency3 font family was designed for use in sports and fitness themes. Gaming is another genres that the font family pairs well with.

Inspired by an image of some Art Nouveau wood type spotted online, Nouveau Impression JNL is available in both regular and oblique versions.

A freely written handwriting font with a lot of ligatures added for credibility. The PRO version comes with Greek and Cyrillic glyph sets.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

The Salden fonts are our tribute to the man who was dubbed the face of the Dutch book, and whose work is considered essential in 20th century Dutch design history. Helmut Salden’s exquisite book cover designs were the gold standard in the Netherlands for more than four decades. His influence over Dutch lettering artists and book designers ranges far and wide, and his work continues to be used commercially and exhibited to this very day. At the root of Salden’s design work was a unique eye for counter space and incredible lettering skills that never failed to awe, regardless of category or genre. This made our attention to his lettering all the more focused within our appreciation to his overall aesthetic. Though Salden never designed alphabets to be turned into typefaces (he drew sets of letters which he sometimes recycled and modified to fit various projects), we thought there was enough there to deduce what a few different typefaces by Salden would have looked like. The man was prolific, so there were certainly enough forms to guide us, and enough variation in style to push our excitement even further. And so we contacted the right people, obtained access to the relevant material, and had a lot of fun from there. This set covers the gamut of Salden’s lettering talents. Included are his famous caps, his untamed, chunky flare sans serif in two widths, his unique Roman letters and an italic companion and, most recognizable of all, his one-of-a-kind scripty upright italic lowercase shapes, which he used alongside Roman caps drawn specifically for that kind of combination titling. All the fonts in this set include Pan-European glyph sets. They’re also loaded with extras. Salden Roman (908 glyphs) and Salden Italic (976 glyphs) each come with built-in small caps (and caps-to-small-caps), quite a few ligatures, and two different sets of alternates. Salden Black and Salden Black Condensed (636 glyphs each) come with a set of alternates, and both lining and oldstyle figures. Salden Caps (597 glyphs) comes with a set of alternates, and Salden Titling (886 glyphs) comes with a quite a lot of swashed forms and alternates (including as many six variants for some forms), a few discretionary ligatures, and two sets of figures. There are also some form alternates for the Cyrillic and Greek sets included in all six fonts. These alphabets were enjoyably studied and meticulously developed over the past ten years or so. We consider ourselves very fortunate to be the ones bringing them to the world as our contribution to maintaining the legacy of a legendary talent and a great designer. The majority of the work was based on Salden’s original drawings, access to which was graciously provided by Museum Meermanno in The Hague. The Salden fonts were done in agreement with Stichting 1940-1945, and their sale will in part benefit Museum Meermanno.

Presenting a font with the tallest x-height in the world. Febsta. Comes only with caps for now. Support me to create small letters.

Ashby is a Spencerian based handwritten script, with elegant capital letters. Written with a flexible nib, which results in some beautiful line width variation.

Barokah Ramadhan is script font inspired by arabic alphabet / calligraphy,come with alternate and multilingual features.This font very suitable for your arabic stylish design.

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Comicbon is a handwritten font that simultates text being writen on a comic, ads, creating logos, branding, teaching websites/apps/games, and many more.

Display Roman JNL is derived from examples of some vintage sign letters, and features a condensed style with somewhat square letterforms and slab serifs.

An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.

A noisy, clumsy and spattered font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the autoligatures.

Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.

LD Little Buggy is an enjoyable, outlined font that is perfect in adorning invitations, digital projects or just adding some flavor to a page.

This 3D lettering font was done with my inky ballpoint pen. Comes with ligatures for double lettering and alternate letters in upper- and lowercase.

Originally designed as an experiment in monospacing (Illuminati Mono), Illuminati is a mixture of sans-serif and serif. The Italics have some cursive features.

Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.

Tribal Tattoos comes from the German tattoo artist Otto Maurer. This clean vector Tribal art is best for making good plott or printed art.