The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography. The font family includes 15 styles. The font family has a variable font with two axes of weight and width. The font contains a set of alternative characters that will allow you to create different moods. The font contains Western European Latin and standard Cyrillic. The font has more than 3,600 kerning pairs configured. The font contains beautiful ampersand.

Introducing “Lovingly Friends” - a community of fonts that get along together as good as best friends do. All of the fonts - Sans, Serif, Notes, Script and Extras are packed with stylistic alternates and ligatures, you can combine them the way you like - they will look balanced together as well as individually. Script and Engraved fonts also have a Shadow style - to add more personality to your designs. You can download the Specimen & Instructions pdf here http://bit.ly/2x975US Since the Christmas is not that far away (time flies!), the Extras font has a set of Winter Holidays elements - so you could create and send your best wishes to your friends in no time. While all the fonts are fully unicode mapped so you can use them in ANY application, they are still best used in an OpenType aware application. If the application you are using doesn’t support OpenType features, you can use Character Map (Windows) or Font Book (Mac) to select the glyphs you need. Hope you enjoy the fonts as much as I enjoyed creating them! P.S. The flowers used in the preview images are from Liza Glanz 4 in 1 Elegant Watercolor Collection https://crmrkt.com/do4Wpb

Whiskey Sour, a robust vintage serif that is as delightful as it is confident. With its soft and warm aesthetic, this typeface effortlessly captures the essence of approachable confidence, making it a tasteful choice for your typographic needs. Whiskey Sour is based on Tomato Ketchup, an earlier release of Fenotype. It has larger and taller uppercase and plenty of differences in lowercase characters, the most significant ones being letters a, h, m and n. Whiskey Sour is an excellent choice for modern graphic design, offering a distinctive touch of familiarity. Whether gracing logos, packaging, restaurant graphics, or any display application, this versatile typeface shines in headlines and shorter texts. Experiment with reduced tracking for a more compact visual impact, or, when using it in small sizes, add a touch of tracking to ensure legibility. Whiskey Sour is naturally equipped with lots of OpenType features: try spicing up your designs with Swash, Stylistic, or Titling Alternates or Discretionary Ligatures. In total Whiskey Sour has 134 Alternate glyphs that can be accessed from OpenType controls or Character Window. See the full selection of Alternates in the specimen posters.

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces. The Diaguita culture—developed from 10th century A.D. until 16th century A.D.—settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality. Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world. The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines. Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising. The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics. Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages. This typeface was selected at the Bienal Tipos Latinos 2014.

Are you ready to delve into the rich depths of history? Are you ready to make your branding bold? Are you looking for a statement font that exudes prominence, style, and adventure? Introducing Fenway - A Clean Script Font. This clean script font can be used for a host of different content needs and projects. Use it to make your headings stand out, enhance your logos, style up your business cards, elevate your website and social media, and bring class, style, and history across all your channels. Get ready to captivate, engage, and inspire your audience and clients with Fenway. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Vintage Stage is a gracefully designed script font that captures the essence of classic calligraphy with a modern twist. Crafted with a weight that is delicately balanced—not too thick nor too thin—this font offers a subtle elegance and a versatile appearance. The consistent sizing ensures that the font maintains a rhythmic flow, resembling traditional handwriting, but with the clarity and readability required in contemporary design. The relatively low contrast of the strokes further enhances the font’s legibility while maintaining a soft and approachable feel. One of the most captivating characteristics of Vintage Stage is the inclusion of swinging ends on select letters. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Vintage Stage fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Majesty is a refined and elegant incised serif typeface designed to convey a sense of drama with any implementation of it. However, Majesty’s austerity is softened by the inherent familiarity of its letterforms. Having being inspired by classic engraved type, it has the echoes of familiar stone inscriptions over the centuries embodied within this 7-font type family. Majesty has a branding and titling focus, this is most apparent in the all cap letter combinations that are incorporated. Just activate Discretionary Ligatures and watch your type shape-shift on the fly to create interesting and appealing typography. There are a select number of Swash/Stylistic Alternates included that can also help you embellish your designs. Other features include Proportional, Tabular, and Old Style Figures, as well as Small Caps and Petite Caps, with the latter harmonising perfectly with the lowercase glyphs so that you can create unicase-style typography. You can find out more at majesty-font.com . Key features: • 5 text weights – Light to Black, plus Display and Poster weights • Small Caps, Petite Caps, Ligatures and Discretionary Ligatures • European Character Set – Latin Only • 840 glyphs per font.

Say hello to a casual handwritten font family - Dreaming OutLoud. 8 handwritten typefaces made to complement each other in the best possible way. They are easy to use and perfect for expressing your thoughts, posting quotes and simple daily updates on social media. The font package is complemented by more than a 100 transparent background marker lines (easy to change color!) - to emphasise what you are saying :) - and dingbats & doodles font. Two sub-packages included: Elementary package. Use this one if you primarily work in Canva/Cricut and similar applications and don’t want to deal with OpenType features of the PRO fonts. To access alternates - simply change the font to it’s ALT version. Voilà. You can use these fonts on your iPad in Procreate app! Charged package. You need this one if you feel comfortable with OpenType features, if you work in Adobe Suite and similar applications that have OpenType panel to access OT features. You can use these fonts in Canva-like applications as well - they are fully unicode mapped. Contact me with your MyFonts order # to get a free bonus - more than a 100 "Marker selection lines" in png and psd

Velo leads layouts with a grand tour champion’s panache but is also a hard-working design domestique for text-heavy applications. Superelliptical shapes and sturdy serifs will keep pace with contemporary culture with an aesthetic agility that will never go out of style. Velo Serif includes sixteen fonts: Twelve display styles ranging from thin to black with complementary italics and four text styles designed for longer settings. Velo Serif Display features an increased x-height for more illustrative headlines while Velo Serif Text maintains a readable cadence in high word count environments. Designed by House Industries, Christian Schwartz, Mitja Miklavčič and Ben Kiel. FEATURES Text vs Display: Velo Text maintains the distinctive style of its Display siblings, but is enhanced for optimum legibility in running text settings. Key ligature combinations keep headlines and running text flowing smoothly. Velo Serif Text includes a complete small cap alphabet to add another typographic dimension to your layouts. Select Velo Serif figures include illustrative alternates to display numerical superiority. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

About the design Spitzkant is a serif typeface family that is characterized by strong contrasts. Pointed, sharp serifs and edges contrast with round and fine forms, making it very individual and expressive. This makes it particularly suitable for branding, editorial, packaging and advertising. The high-contrast display version has been complemented by a lower-contrast text version, making Spitzkant in combination suitable for both strong headlines and extensive body text. An allrounder that can be used for many purposes. Variable Font The Variable Font contains 3 axes: weight, oblique and optical size – all in just one file. Features With over 850 characters, it covers over 200 Latin-based languages. It also has an extended set of currency symbols and a whole range of open type features. For example, there are alternative characters as Stylistic Sets, Small Caps, automatic fractions and many other features. Ligatures Especially the extensive selection of ligatures (standard and optional) is a special feature which was an important part during the design process. With over 95 different ligatures there are many possibilities to give headlines and logos an individual touch. Get the usual version of the Spitzkant family here: https://www.myfonts.com/fonts/julien-fincker/spitzkant/

Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif. This was achieved by selectively changing and turning the straight lines of the initial drawings into curves and applying legibility techniques to the transformed letterforms. These letterforms have a distinct personality which is bolstered by its angular curves and open counter terminals. The result is a contemporary text typeface that looks quite fashionable. Benchmark Pro gets away from the ultra modern and mechanical structure but keeps its display nature, it gets away from the classical but still remains legible. This robust san serif type family offers an extended character set which supports simultaneously Latin, Cyrillic and Greek. All Benchmark Pro font variants have a companion italic, rounding the total family members at 14 fonts. Each font includes more than 750 glyphs and is powered with 17 opentype features. PDF Specimen Benchmark on Behance

Roughmarker font consists of two handwritten scripts, a slant (regular) version and upright. This Script fonts are manually handwritten with quick and rough strokes. We write them on paper until we find a very proportioned form. Then we scanned and took the selected glyphs to be processed into a font. The biggest challenge in making textures fonts are the very many node points, many node points make the font processing performance a bit slow. At first we tried raising the node parameters to 2000-4000 points in one glyph. This is a big number, but if this number is lowered it will eliminate the impression of brush and natural look. We repeatedly look for gaps to minimize points so that the font capacity is not too large and comfortable when typed. This script font is equipped with ligature as well as several alternate according to handwriting habits, very effective in the sense of not too much but often used. This font is the great choice for contemporary brands, especially for businesses in fashion, urban style, websites, trends in architecture, cosmetics, and energetic lifestyle themes. An attractive typographic layout makes it also looks more premium in writing quotes.

Layal is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Layal employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Layal family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Layal is available in normal, bold, black, light, and extra light, each both in regular and italic styles.

Butter Sweet is a charming smooth cursive script with a little french touch. It’s perfect for handcrafted brands that are looking for a bold script font with an authentic handwritten feeling. Use it for blog headers, signatures, elegant branding, wedding stationery, products packaging, instagram quotes, greeting cards, social media posts, and so much more. Butter Sweet is designed with a large selection of Opentype features such as contextual alternates, a full stylistic set (Uppercase and lowercase), 38 regular ligatures, 18 terminal forms ligatures, 22 beautiful terminal forms for lowercase letters and you have 4 different ampersands to play with. Software Requirement: ButterSweet can be used in any software though alternates, ligatures and terminal forms require a software that is Opentype capable. Note that you won’t be able to access them features in softwares such as Canva. How it works: Make sure you have activated the « standard ligatures » option in your Opentype panel (Illustrator & Photoshop) Add an «8» after your ending letter to switch to a terminal form letter. Multilingual support is also available for the single letter terminal form. Language support ButterSweet includes multilingual characters for western and central and European languages.

In the collection of vintage and historic images available online from the Library of Congress is one of the exterior of the Town Talk Diner in Minneapolis, Minnesota. Regrettably, on May 28, 2020, the Town Talk Diner was damaged by vandalism, and subsequently destroyed by a fire that engulfed the building early on the morning of May 29th due to civil unrest following the death of George Floyd. The restaurant first opened in 1946, closed in 2011 and subsequently re-opened under new ownership in 2014 with French cuisine, then from 2016 until its demise as an American bistro. While this was not known at the time of selecting the image for a typographic model, subsequent research on the diner turned up these facts. The large vintage sign above the entrance was in big, bold Art Deco letters with rows and rows of bulbs for illuminating the name at night. Coffee and Danish JNL, modeled from the image of that sign, is available in both regular and oblique versions. Perhaps, in a way, the type design will serve as a bit of historic recognition for a popular eating spot.

Ready to enchant your audience and enhance your branding? Introducing Bankstory - An Elegant Handwritten Font. This font is all about Elegance, Style, Luxury, Professionalism, and Authority. With elegance and passion edged into every curve and twist of this handwritten font - you’ll be sure to reign in sales and make lasting impressions. Bankstory can be used for a variety of different content needs such as headings, logos, business cards, printed quotes, cards, packaging, resumes, and even your website or social media branding. Let the world see your ideas with Bankstory - An Elegant Handwritten Font. What you’ll get: Multilingual & Ligature Support Contextual Alternatives Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

The typeface Fry was developed in 2008 specially for the Sky-Fish company (fish and seafood dealer). This type is designed for small texts and has a friendly and a fairytale historic flavor. Fry takes the openness and dynamism of humanistic sans serif, the simple and softness of lubok’s letters (primitive style) and the fluidity of shallow marine fry. Despite its funny style, Fry works well even in the 5 point size. In large sizes Fry demonstrates its originality, vivacity and softness, in the small characteristics become less visible, and Fry’s readability becomes more important. This makes the typeface suitable for many tasks of typography. The typeface includes extended set of Latin, Cyrillic and Greek, old style and lining figures, historical alternates and special local features. The combination of lubok’s aesthetics and funny dynamic forms make a nature of Fry. Fry was exhibited on Svjato Cyrillic (Kharkov, Ukraine) festival in 2008. It was awarded for excellence in type and graphic design at Modern Cyrillic 2009 competition. Also it received the second prize in display category at Granshan 2011. Fry was selected among 50 typefaces for the Call for type exhibition in the Gutenberg museum (2013).

Inspired by the type elements of 17th century Dutch mapmaking, Boncaire Titling provides you with a historic yet adventurous look for your library. This addition from insigne found its muse in a map of Curacao by Dutch cartographer Gerard Van Keulen, a member of the prosperous Van Keulen family from Amsterdam, who were engaged in the manufacture of maps for seafaring. Much thanks on this project goes to The Norman B. Leventhal Map Center, housed at the Boston Public Library. Through the centers kindness, I was able to view a number of period maps in person and to meet with curators, who explained more about the Van Keulen family and the way maps of the period were created. While I studied the maps, I narrowed in on some of the original types unique idiosyncrasies. For instance, the long, exaggerated serifs, which give the forms a sense of stability, aid in the faces legibility--largely a byproduct of the engraving method that was used to create the metal plates for manufacturing these maps. In creating Boncaire Titling, I decided to capture these unique idiosyncrasies, embracing the character of the engravings rather than removing them entirely through over-refining the forms. The result is an elegant family with far more than seafaring potential. This font has a full range of six weights, from thin to black. It also includes a wide variety of OpenType alternates. All insigne fonts are fully loaded with OpenType features. Boncaire Titling is also equipped for complex professional typography, including alternates, smaller titling caps and plenty of alts, including normalized capitals and lowercase letters. There are over 30 autoreplacing ligatures, and the face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Boncaire Titling also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Boncaire Titling supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Maps are fascinating; they come with the promise of treasure to be uncovered. Examining the map itself, too, you can find great wealth in the details so artfully condensed to that single piece of paper--details carried over into this new insigne font. For your next project, explore the imagination potential in Boncaire Titling.

A display fontface for titles inspired on Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured. By mid-1997 I was developed the early type edition was called «Muisca Sans» as my work for the degree in Graphic Design (Universidad Nacional de Colombia), based on the concept of pre-Columbian figures characteristics within some of the very few visual elements recovered from the Muisca culture, ancient pre-Columbian tribe disappeared before the arrival of the Spaniards in what is now central Colombia. In fact, the name of the capital Bogotá (the capital of Colombia) goes back to Bacatá as primary or village downtown of what was once the imperial capital of tribe Muisca. Although this unfinished early typographic project has not yet been published, Tequendama is the evolution of the first one. Tequendama reminds the myth of Muisca culture and religion of this tribe. The god Bochica, a wise old man with a white beard heard the cries of his tribe suffered against flooding of their land losing harvests before the divine punishment resulted by the offended god Chibchacun. However Bochica appeared wearing a white robe sitting on a huge rainbow and he broken the mountain towards the southwest wise old man with a golden staff broke the mountain to drain the flooded savanna. This emblematic and iconic place would later be called as «Salto de Tequendama». Tequendama name also been adopted to a nearby province to Bogotá.

When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn't let go of metal type, even though he was just as proficient in digital type. Lancelot is one definite case in point: A face designed and produced in digital as late in the game as 1999, only to spring onto the new millenium a couple of years later as a metal type cast in three sizes. That was Jim, a time traveler constantly reminding the craft of its origins. This particular time machine was originally designed as a simple set of attractive caps that emphasize the beauty of the variable conventional dialogue between the drawing tool and the intended final form, and the one exchanged within the totality of the forms themselves. Jim designed two weights, with contrast and counterspace being the main difference between them. In 2013, the Lancelot family was remastered and greatly expanded. Lancelot Pro is now a wonder of over 840 glyphs per font, including smaller versions of the caps in the minuscule slots, and alternates and ligatures that can transform the historic spirit of the original design into anything from half-uncial to outright gothic. Language support goes beyond the extended Latin stuff, to cover Cyrillic and Greek as well. 20% of the Lancelot Pro family's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

TipTop Pro’s origin goes back to around 1900 when the font was released by the German foundry Julius Klinkhardt in Leipzig. Ralph M. Unger redesigned this beautiful art nouveau typeface, extended its character set and digitally remastered it. TipTop Pro fits perfectly into the series of recently released URW++ art nouveau designs (Edda, Gradl, Impression, Joga, Ornella).

That tie you wore in the 1990'ies...the one from the 1980'ies...perhaps even the one from the 1970'ies...could look obnoxious today - or maybe ... it's super fashionable these days! :) This Obnoxious Tie is a mix of upper- and lowercase ... well, that goes for the "lowercase" - the uppercase is uppercase, just as usual!

Blank Moment is a quotable handwritten sans. You can use this font for any project. This font will make your project more natural and humanist. Blank Moment is a nice and never goes wrong choice for your instagram post! This font also contains unique lowercase that will make your project less ordinary. This font also support multilingual.

Sometimes the way forward is simplicity. That goes for your personal life as well as designing. Sometimes what catches the eye is something simple. My Comforting Sounds font is a handmade sans serif font. It has a crunchy line, an organic look and legibility even at very small sizes. And in a charming way, it is quite simple!

Digitany is a multipurpose display font, its a combination between luxury serif font and 8bit/pixel art style. Effortlessly re-create the classic fun vibes of the 80's using this display typeface that goes well with retro t-shirt designs, posters, illustrations, logos, and more. Digitany include uppercase and lowercase, ligature and alternate style, and also multilingual support.

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.

Ferpa is Typeóca's Fierciest Font Family. Drawn using only straight lines, Ferpa uses every kink, every kink and every serif as an opportunity for expressivity. From Thin to Black in both Roman and Italic constructions, Ferpa is available as 18 otf static font files, with a character set that goes a little beyond Latin Extended A.

This is the kind of font which is up to trouble. Not trouble in a bad way, but trouble like when you are in no way prepared what is going to happen. The font is handmade and playful - and to help that playfullness come to live, the 5 different versions of each letter helps! Watch your words change while you write with Budskab! And, by the way..."budskab" is message in danish...just thought you should know!

The 1920 song “Noah’s Wife Lived a Wonderful Life (‘Cause Noah Had to Stay Home)” is another example of one of those overly-worded song titles from early 20th Century composers. What’s more important for type enthusiasts is that the title was hand lettered with a round nib pen in a slightly ragged Art Nouveau style. Cleaning up the ragged design, the end result became Nouveau Showcard JNL, which is available in both regular and oblique versions.

Rinstonia is a signature style typeface. Rinstonia is a beautiful script font that is such a pleasure to work with! The perfect flow and easy signature style works perfectly on invitations, blog headers, branding, art quote, book / cover title, and so much more! Rinstonia typeface comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate and 5 Stylistic Set (ss01 - ss05). Typia Nesia Studio Malang - Indonesia

Pasmon Font is a lettering retro vintage font. You will get alternate characters such as swash on some characters. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Very suitable for logotype, Stickers, Packaging design, Cricut Project, Headlines, Brand identity, T shirt or Apparel industry, Posters, Magazines, Books, YouTube, Instagram, Websites, Canva, Corjl or any of your creative design projects.

Silta The Farming come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with Display typeface or script fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Silta The Farming, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Oval Scalloped Monogram is a perfect shaped monogram font consisting of 78 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Oval Scalloped Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Scansky is a carefully crafted contemporary modern sans serif typeface. It comes with 28 fonts, regular and condensed sub-families, and matching italics. Scansky was designed to give a distinct, corporative look to your artwork, suited for signage, web, and corporate print material. It is equipped with an extended character set to support Central, Eastern and Western European languages. And the good news is that the SemiBold weights are free of charge so you can try it. :)

Swiftsage - a charming serif in retro style of the 80s and 90s with nostalgic notes! The dense structure will give an incredible retro vibe to your project. Come in two versions, one of which is strict and straight, and the second is playful and inclined Font is an open type with clean shapes and precise kerning. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

German type designer Jürgen Brinckmann created this script FontFont in 2001. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Ropsen Script provides advanced typographical support with features such as ligatures, small capitals, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Proxemic is a bold sans based font with unique lowercase that will make your logo and design looks advance and modern. With the unique characteristic lowercase, this font can make your logo even more stunning only with simple steps. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more advanced. This font also comes with number, symbol, and multilingual support!

Sirkle is a semi-serif typeface for display, constructed with sharp and curvy characters. All Letters are handcrafted and made to fit each other perfectly without exception, with a modern and edgy style that gives them a unique look. Sirkle comes with ligatures, alternates, and supports 60+ Latin-based languages. The Sirkle is ideal for logotype, signage, posters, packaging, and much more! Features: Uppercase & Lowercase Numerals & Punctuation Alternates and Ligatures Multilanguage Supports 60+ Latin based languages

Dinoplay is a cute, new, fresh, and friendly display font. It embodies happiness and authenticity and is the perfect choice for any children activity or school project, but also It’s ideal for branding and decorate your projects. Add this chunky lettered font to your designs and notice how it makes them come alive! . This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.