The headline across the October 7, 1918 edition of the UK’s Daily Mail stated: "Germany Asks the Allies for Peace". Set in extrabold sans serif lettering, it’s now available digitally as Tabloid Edition JNL in both regular and oblique versions. This is another “redrawn from the headlines” typeface from Jeff Levine Fonts.

Two word examples (“nice” and “bud”) from the J.G. Cooley & Co.’s Specimens of Wood Type catalog for the typeface ‘Roman Triple Extra Condensed Fifty Line’ offered only seven letters to work with. Despite this lack of characters, it inspired Compressed Wood JNL, which is available in both regular and oblique versions.

Artistic, bold and creatively designed - Kigo Font is the perfect choice for graphic designers who want to add an element of fun to their designs. Inspired by retro sans serif and the beloved shape of a cat, Kigo Font combines classic design with whimsy. With 4 styles including Regular, Round, Regular Italic and Round Italic, this font family offers versatility in every project you undertake. The multilingual support of Kigo allows you to seamlessly incorporate your message in any language without compromising on style or clarity. Perfectly suited for professional use, Kigo Font adds that touch of personality without sacrificing professionalism. Whether it's for branding projects or marketing collateral, let Kigo Font be your go-to choice when looking to create something truly unique. Upgrade your designs today with this playful yet sophisticated font!

Insider is a warm & legible grotesque. It’s custom made for Insider Consulting in Düsseldorf, Germany. It’s highly legible in small sizes because of the basic proportions and the balanced inner forms. It’s optimized for setting longer texts, but also works very well in headlines and leads. The fonts contain loads of OpenType features to spice up your design. The matching Stencil font is very suited for creative designs. The Stencil Regular has the same dimensions as the Insider Regular, so you can mix them without hassle. The font family has real italics and not just mathematically slanted romans. The dynamic cursive shapes root in handwriting. With 9 styles (5 weights + 4 italics), the family is very versatile and can be used for designs with a complex typographical hierarchy.

Designed in The Hague amongst the canals and flowering lime trees, Node Display represents the best of organic curves with sharp modern edges. Sophisticated and edgy, it's everything you want out of a display font. It looks amazing at large sizes and, also, small sizes. 16 Fonts. Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Outline, Outline Italic. 17 Languages. Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish. 185 Glyphs. 36 Punctuation Marks, 57 Uppercase Letters, 60 Lowercase Letters, Full Number Set. Looks great packaged on wrapping, bottles and jars or digitally on websites, social and apps or printed on newspapers, magazines and flyers.

Give your voice an eye-catching hand-drawn look thanks to this playful font family. You'll get three styles, along with OpenType features including alternates, ligatures and stylistic sets. Galiba Regular works very well with his small brothers Light and Thin. In addition Galiba Light can be used at smaller size along with the other styles to keep the same line thickness. To achieve a random-like effect, the regular style is packed with 4 different variants of each glyph, that automatically cycle if stylistic alternates are turned on. Also you can choose from 5 stylistic sets to easily change the look of a given string, or pick alternates by hand. Not to mention that we've attentively fine-tuned the kerning that’s crucial for this kind of typeface.

ITC Silvermoon was designed by Akira Kobayashi in the style of the advertisements of the 1920s. Art Deco was the artistic movement which marked the years between the two world wars, combining elements of Jugenstil, futurism and east Asian influences. This font carries on in that tradition. The small, high reaching figures with their elegant forms and reserved but distinguishing loops give Silvermoon its unmistakable look. Kobayashi designed this font in two weights, regular and bold. To retain the elegance of the bold weight, the consistent stroke width of the regular weight was exchanged for contrasting strokes. This gives the weight more weight without detracting from its grace. The nostalgic, romantic ITC Silvermoon is best used for headlines and short texts in point sizes of 12 and larger.

Sagobi - Fun Display Playful Font Sagobi is a fun display playful font create with natural handwritten type with 3 alternates weights; light, regular and bold. Sagobi Playful Display Font is suitable for greeting cards, invitations, posters, baby clothing, books cover, quotes, logos, presentations, headline etc. Sagobi will turn any creative idea into a true piece of art and ready to make your design looks great and fun! Features; - 3 Weights; Light, Regular and Bold - Standart and special ligatures - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is useful font for your projects!

Sabbatical is a no nonsense brush font family with lots of character. The family contains 3 hand-lettered fonts, Regular, Bold and Basic. This dry textured script font is inspired by travel journals written by adventurous souls, hence the name. The design is perfect for any type-based creations, quotes, invites, packaging, branding and much more! Sabbatical Basic has his own unique form which complements Sabbatical Regular and Bold. It consists of a fun caps font with an even more playful variation. All Sabbatical fonts have alternate glyphs that can either be accessed by the swashes feature, stylistic sets, or glyphs panel, depending on the application you are using. There are lots of discretionary ligatures that offer more variation. With over 880 glyphs the design options are unlimited.

Designed in Spain amongst the orange trees, Pulp Display represents the best of modern circular aesthetic with an air of friendliness. Wholesome, full and juicy, it's everything you want out of a display font. It looks amazing at large sizes and, also, small sizes. 16 Fonts. Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Outline, Outline Italic. 17 Languages. Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish. 185 Glyphs. 36 Punctuation Marks, 57 Uppercase Letters, 60 Lowercase Letters, Full Number Set. Looks great packaged on wrapping, bottles and jars or digitally on websites, social and apps or printed on newspapers, magazines and flyers.

The font collection is called "Brocades", it is a crafted display with vintage themes. These collections contain monoline script, sans serif stencil and serif stencil. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Brocades give more extras 2 pack illustrations (animals and motorcycle). This script font includes 3 sets alternates and swashes. The Brocades matches apply in some designs such as the logotype, poster, label, badge, packaging, apparel, branding, and more custom design. Brocades features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation, alternate and swash in monoline script All-caps, numeral, symbol and punctuation in sans serif and serif font Multilingual PUA Encoded Brocades includes : 14 fonts (script, sans serif, serif and dingbat) 52 illustrations in dingbat Thank you for your support and choosing us.

Nalom is a modern sans serif typeface font family . The family consist of 8 weights; light, regular, bold, rounded, italic, light italic, bold italic and rounded italic. It comes in uppercase and lowercase with special alternate and ligatures. This modern family font are great for user interfaces, logotypes, short text, long text, magazines etc. Features; 8 Weights; Nalom Light, Nalom Light Italic, Nalom Regular, Nalom Italic, Nalom Bold, Nalom Bold Italic, Nalom Rounded, Nalom Rounded Italic. Uppercase, Lowercase, Number and Punctuation Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word Fully accessible without additional design software. Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font and this font usefull font your projets!

Hudson NY is a display font that gives you strong and bold typography with three different styles that make up the family, a regular, serif and slab serif. Hudson NY is an adaptation and progression of Roper Font, and like Roper font it comes in regular and a press versions, giving the user some cool options when creating artwork. The golden thread that ties this family together is its American sports and college styling, it gives Hudson NY an authentic look but at the same time there is a modern approach to the character set. I would like to thank the talented Kurt Dee for allowing me to use his awesome pictures of New York City to create this the overall theme for this project, please go check out his instagram @kurtdee.

The font collection is called "Higakles", it is a display font for logotype. These collections contain serif and sans serif font. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Higakles give more extras 24 mystic and mythology illustrations. This stamp style has unique vintage handmade looks. The Higakles matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Higakles features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation in serif font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Higakles includes : 9 fonts (serif, sans serif and dingbat) 24 hand-drawn illustrations in dingbat If you have any questions, please contact (edignwn11@gmail.com)

NarrowWay is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family started with the ultra-condensed widths, then the condensed and regular widths (the regular is still quite condensed) were added. All widths have three weights and each weight has an italics style. These 18 styles lack a true lowercase but rather have a set of alternative characters, some based on lower-case forms, on the lower-case keys. Some alternative letters can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. They are not readable at small point sizes.

These initials set I collected from “Tractatus sacerdotalis de sacramentis”, published in the city of Lugrun, printed by Arnaldum Guillermum de Brocario in 1503. Tractatus font family has Regular and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/1lr7fify0n520ms/Tractatus-Test.otf?dl=0 ) to check your app & system.* --- Best, Roman. Thank you!

This new addition to my Video Store font series takes a scratched lettering style and pairs it with a wildly spontaneous brush font with horrific effect! Given life by an unknowable hand, this font clawed into the misty midnight inspired by retro horror movies, ghost stories and unsettling fireside tales. A boiling pot of misspent youth reading Edgar Allen Poe, M.R. James and H.P. Lovecraft. Outright Horror comes with an all-caps scratched style font with a subtly controlled Art Deco feel and a contrasting brush font that ramps up the fear! Consider it’s Regular style the skeleton that holds the Bold creeping flesh, ready for some horrific Halloween designs! It also comes with numerals, punctuation, language support, custom underlines and automatic ligatures. Contents: Outright Horror Regular Outright Horror Bold Underlines

Montauk Pro is named after a small village in Suffolk County, New York on the South Shore of Long Island. It is the easternmost area in Long Island, and thus the easternmost area in New York State. It is home to Montauk Point State Park, site of the Montauk Point Lighthouse. It is named after the Montauk Indians. Montauk Pro is a casual, jaunty and quite beautiful handwriting script. It comes with six styles as light, light italic, regular, regular italic, bold and bold italic, each style with about 1.000 characters covering the complete Latin glyph set for West and East including Baltic and Turkish, including a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

Introducing a funny, playful doodle font with soft sloppy glyphs. Easily turning text into handwritten. Font family is cool for complementing a design with a doodle or sketch illustration, the font does not have complex spelling of letters, therefore it is suitable for a children's audience and will complement a children's book, as well as fit into any design with a playful holiday theme, and much more. Family has 2 font styles with different interchangeable letters (different only uppercase and lowercase, other glyphs are identical) - can be used as alternate's. Family of 6 fonts is divided into 3 types: regular/basic, italic and outline. Features: 6 fonts 2 styles (Regular, Medium) with different interchangeable letters (different only uppercase and lowercase, other glyphs are identical) 3 types: Basic, Italic, Outline Kerning ld.luxfont@gmail.com

Now available as Opentype font with extended character set, Coranto 2. It is originally based on Unger’s typeface Paradox, and arose from a desire to transfer the elegance and refinement of that type to newsprint. Coranto 2 has a larger x-height and in many places has been made more robust. Over the past 25 years newspaper production has seen spectacular improvements in paper and print quality, the introduction of colour printing, and vastly better register. Newspaper production still demands a lot of letter forms, but advanced printing brings out details better and makes typography more appealing to readers. For text type the newspaper is no longer an environment in which survival is the chief assignment. Today, newspapers are not merely a matter of cheap grey paper, thin ink and super-fast rotary printing, and type design no longer has to focus on surviving the mechanical technology and providing elementary legibility. Now there is also room to create an ambience, to give a paper a clearer identity of its own; there is scope for precision and refinement. One consequence of this is that newspaper designers can now look beyond the traditional group of newsfaces. Conversely, a newsface can be used outside the newspaper — not an uncommon occurrence. The update to this beautiful font family, Coranto 2, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

JT Collect is a hybrid sans-serif typeface for the 21st century that takes a playful approach to the type design heritages of Germany and Switzerland. Confidently built on a geometric structure and infused with elements from traditional grotesque typefaces, it hits the sweet spot between geo and grot. I developed JT Collect purely digitally, drawing from years of experience with analog type design. The letters aren’t based on one particular source but seek to merge different type genres from the first half of the 20th century and lift them to a contemporary quality level. JT Collect is less reserved than strictly geometric designs and brings some industrial workmanship and honesty into the game. The six weights plus three optical sizes of JT Collect offer what you need to make an impact. While cool and elegant in the Light weight, the fonts show more presence on the page as they grow bolder. To this end, I drew the letterforms with a slightly unrefined, brawny air in the bolder weights. This sets them apart from the perceived purity of more geometric designs. The Book weight is ideal for short texts and medium-length copy, and the forceful Bold makes wordmarks look crisp and lets headlines radiate cosmopolitan self-confidence. JT Collect is suitable as a primary typeface for branding, advertising, packaging, stationery, posters, documents, and websites from trades and industries as diverse as food & fashion, media & makers, culture & creators, games & gems, sports & startups. Use JT Collect for film titles or watch faces, for leaflets or store signs, for business cards or billboards: this font family is as adaptable as a chameleon (and like a chameleon, it’s never boring). Try it in different contexts. You won’t be disappointed. Its adaptability also makes JT Collect a great starting point for poised and persuasive font combinations. Even a sans/sans pairing is possible due to hybrid nature of JT Collect—something that’d be hard to achieve with most other sans-serif typefaces on the market. You can add to it a heavy slab from the OGJ library, like Temper Wide. You might go for a geometric or a grotesque typeface as secondary (text) typeface. Or you could set your body copy in a classic serif typeface such as Caslon, Sabon, or Plantin. That’s right: JT Collect is a true team player. Whether you need a grotesque or a geometric sans: try JT Collect. You can get the best of both worlds.

Hold on to your hats, there’s a new orchestra in town - the Banda Nova! Banda Nova is a crowd pleaser, feeling equally at home on the retail shelf as well as on the cover of your favorite magazine. The 7 weights included in the package offer a wide variety of styles, with delicate and elegantly thin weights morphing into cute, bulbous giants sure to bring a smile to anyone’s face. This versatility makes Banda suitable for virtually any design project, including logos, headlines, covers, packaging and more. We took the time to reimagine Banda, removing traces of our youthful naivety and expanding on everything that made it so good in the first place. Our team is proud to welcome back one of our earliest typefaces in a refreshed and much-improved rendition/adaptation, now featuring full Cyrillic support and almost twice the number of original characters. Are you ready to take center stage again? Download: PDF Specimen | Trial Fonts

Aleesya Rose is a Stylish Font Family to bring a touch of elegance to any design. The clear contrast blends into all styles - even thin styles - and the strong individuality by weight delights the designer's imagination. 14 styles including 7 weights and italics are essential for designers to complete more detailed and sophisticated typography. This style has 426 glyphs each, check the glyph window in your app. The upright standing of the vertical stems stably supports the center of gravity of the entire font. And the thin strokes used as finishing touches will convey an elegant personality to the layout. The ligatures are designed to appeal to the reader with their beautiful tenderness, and they are: Ba, Be, Ha, He, LO, Le, Lo, Re, Ro, ck, de, do, ee, ff, fi, oo, rr, th. In particular, we recommend that you choose this font family to achieve the following purposes: Editorial design, Personal branding, Branding business, logo design, portfolio, and any special design.

World Madly - Display Font is a delightful and quirky typeface designed with an environmental theme in mind. This font exudes a sense of fun and playfulness with its rounded and condensed letterforms, making it a perfect choice for projects related to nature and the Earth. Featuring a remarkable array of ten alternative font versions, each inspired by elements of the Earth and plant life such as tree trunks, leaves, globes, roots, and trees, World Madly is purposefully created for Earth Day-themed designs. It seamlessly integrates into projects with themes centered around nature, green initiatives, and the Earth. This font is an ideal choice for creating designs like Earth Day-themed invitations, birthday invites, party decorations, logos, stickers, clothing, packaging, children's books, magazines, and more. With its crafty and playful style, World Madly lets you express your love for the planet and the environment in your creative projects, adding a touch of eco-consciousness.

Victorian Alphabets is a incoming family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century. The "Victorian Alphabets W" font has just W' designs, performing 52 different W's to your use. Here at MyFonts you can get more TWENTY fonts of this family, wih a very and atractive array of alphabets and letters to complete your artwork

Etalage Script was drawn for the first time in the year 2000, based on a early 20th century lettering stencil with what farmer Boelema at Lalleweer stenciled his grainsacks. Eventually the script letter was developed as a typeface with a wink to the ‘lost’ display types for the ‘display window’ of graphic designer Ariënne Boelens, who in exchange made the website www.lalleweer.nl. What originated the Ariënne should be evident now.

De Arloy Typeface was inspired by art nouveau style from 1890-1910 which combining classic typography with awesome features bring classic touch on this decade :), it works well with normal size text but it works even better for large displays or short words. this is suit for : wine packaging, labeling, logo, classic shop, coffee shop, movie title, etc De Arloy Features Uppercase Lowercase Numerals & Punctuations Open Type featuring Ligatures

Didot LP is a very elegant rendition of the 18th-century French typeface -- Didot. This design took the earlier Italian neo-classical model (Bodoni) to a new level of refinement, with fully rationalized shapes and delicate hairlines. Didot LP accentuates these qualities, providing a classical text face with a clear and modern voice. The companion face -- Didot LP Display -- optimizes the proportions, spacing and hairlines for use at very large sizes.

Pontifica is based on ‘protogothic’ calligraphy, a style developed at the monastery of St. Gall in the 12th century to replace Carolingian minuscule with a more efficient and compact system of lettering. Ultimately it became the progenitor of the gothic lettering styles of the late Medieval period. Also available to go with this font is a special swash version with a very different style, but compatible overall appearance.

Throughout the history of typography there have been countless attempts to simplify the alphabet. In the early 20th century, modernist designers experimented with reducing the alphabet to basic geometric shapes. Prozac pushes this utopian experiment further by reducing the roman alphabet to just six shapes. These shapes are then flipped or rotated to make up the 26 letters of the alphabet. Prozac is available without prescription in lite and max versions.

This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font is unicase, but includes a “this side up” pointing hand at the section mark position, and a recycle symbol at the German double-s position. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Bingley is a beautifully old-fashioned, proper, and full of class body typeface. The British feel of this face comes from its inspirational source—a tombstone script from Oxford. The characters are squat and nearly square in proportions, even cursive comes with a pronounced breadth. Generous counters and pleasant stroke weight contrast ensure high legibility of any text set in Bingley. Pronounced serifs and drop-shaped terminals further enrich the experience.

Inspired by architecture and hand-lettered posters of the 1940s, JY Koliba makes a statement that is very 21st century. With an ultra-light weight plus an elegant book and bold, Koliba was designed to be flexible. Fine-tuned with a full Latin glyph complement, and Windows kerning support for designer Jure Stojan’s Slovenian mother tongue, Koliba is set to be one of the foundry’s best-loved sans serifs.

Novelty songs and their often crazy or extra-long titles were all the rage at the beginning of the 20th century. A piece of sheet music for the 1920 song "When Chu-Ching-San weds Paddy McCann" had the title hand lettered in an unusually bold form of Asian-inspired lettering. This has been recreated digitally as the type font named for the song - Chu Ching San JNL.

Lindau is a new take on the Jensonian Roman typeface genre. The idea was to combine the Venetian proportions with a conical shaping of the vertical parts. Lindau may be considered an alternative to fonts like Jenson, Centaur, Trump Medieval or Deepdene. Suitable for ads, stationary, branding and label design, headlines and short to medium-length text bodies. Lindau is layed out with comprehensive character support for every Euro-Latin language.

The pattern for this friendly face was found within the Keystone Type Foundry's 1884 specimen book, under the rather prosaic name of Round Gothic. This version retains all of the original's warmth and charm, while updating it to twenty-first century standards. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Suchow was developed from a hand lettered storybook title by Willy Pogany. It's designed to give the feel of the Far East, with character shapes reminiscent of oriental brush lettering. The look of the characters is typical of lettering often used around the turn of the century for oriental-themed advertising and decoration, but not seen very often in contemporary use. The full version includes an expanded character set.

Old Claude was drawn by Paul Shaw to simulate an old cut of the classic (Claude) Garamond type designs of the 16th & 17th centuries. The pronounced rough edges and coarse letter shapes create the effect of letterpress printing with old foundry type onto handmade paper. The companion Old Claude Expert includes small caps and old-style figures. This "antiqued" design works equally well for both text and display.