MS Reference Specialty is a unique font that was originally developed for inclusion in a Microsoft product. The MS Reference Specialty font is available in TrueType with a custom character set.

Folfo is a modern font with a casual handwritten and funny feel. It is suitable for use for your products, book covers, branding for your company, and also for setting text.

Designed by Ewen Prigent, Shaking is a set of four expressive hand-crafted titling typefaces ideal for packaging, posters, children's books… and many other media! Shaking one, two, three and four!

Soli, based on an architect's handwriting is a fun, modern script face with a very complete character set. Can be used for journaling, scrapbooking, or anywhere a handmade touch is needed.

Simple Fact is a family of 4 fonts and 2 sets of drawings. All fonts and drawing was made with the same inky pen, leaving a slightly blurred and rugged look

The bushy weed commonly known as foxtail provides the inspiration for this set of ornaments, and reveals its connection to the prairies. The appearance has an affinity to cowboy themed work.

Revers is a rough, grunge slab serif based on newspaper headlines from the 1950s. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Sheppaloe is a fresh handwritten font with an elegant and vintage feeling. Sheppaloe includes a full set capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, & punctuation.

Unstream Script perfect for branding, logotype, website headers, fashion design and any more. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

Tygodnik is a font inspired by the logo of the Polish magazine Tygodnik Powszechny. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Kiddy is simple and slightly rough on one side and light and funny on other side. Kiddy have two set initials (realised as Contextual and Titling Alternates) and numerous decorative elements.

Acta Variable is a clean and fresh type system that remains conservative enough for newspaper setting. The complete Acta Variable allows the possibility to modify the Weight and Optical size axis.

A font classic as a RMU redesign - a small yet mighty family with a West and Central European character set plus Cyrillic. All three styles include small caps and oldstyle figures.

Rather than confining itself to a single style, Ricardo combines the best of two worlds: the conceptual clarity of a geometric design with the legibility and warmth of a humanist design. Its open counters, crisp joints, and even texture allow for effective use in long-form text settings, while its simple geometric shapes combined with some unexpected details make it highly suitable for display settings such as branding and marketing. Ricardo contains seven carefully chosen weights, ranging from ExtraLight to ExtraBold. The Medium weight functions as a slightly darker alternative to the Regular. Ricardo’s 812 glyphs per style support over a hundred languages, and also include arrows and case-sensitive punctuation. The Ricardo family consists of three subfamilies: Ricardo, Ricardo ALT, and Ricardo ITA. Ricardo contains the most conventional forms, and is the most suitable option for long-form text. Ricardo ALT contains simplified shapes for the a, j, u, and t, which are also accessible through Stylistic Set 2 within Ricardo (in opentype-savvy applications). The cursive-like italics of Ricardo ITA provide a slightly more eccentric alternative to the standard italics. Furthermore, all styles contain stylistic alternates that swap the blunt apexes in A, M, N, V, W, v, w, y, and 1 for pointier ones. These are also accessible through Stylistic Set 1. Other opentype goodness includes: (discretionary) ligatures, smallcaps, case-sensitive forms, fractions, nine sets of numerals, and more. David Ricardo (1772-1823) is considered the first of the classical economists, and combined ground-breaking mathematical abstractions with an understandable down-to-earth way of explaining his ideas.

Million Dreams is a bold and playful, but also elegant handwritten font. It has beautiful and neat characters and as a result, it matches a wide pool of designs. This font is perfect for many different project such as logos, branding, social media, crafty DIY projects or anything.

Aneloma is a neat 2 style blackletter font, perfect for use in a paragraph sentence. And headlines too. There are two styles that you can get here, clean and rough. A beautiful blackletter typeface. Aneloma is perfect for many projects, for branding, Instagram, print posters, magazines, fashion, whatever.

Luxart is a modern Serif Decorative font inspired by the 1920's, Art Deco and Gatsby styles. This font looks luxury, stylish, elegant and neat. This font is great for logo branding & invitations, photography, quotes, wedding design, business cards, posters, watermark, holiday cards, special events and much more.

Studio Grotesk is a modern sans typeface with a futuristic touch. This multi-purpose typeface will grab reader's attention with its stylish and neat design. With over 500+ Glyphs, five styles and a wide range of weights its a timeless workhorse for many possible application from branding to editorial.

Nxrma is a font designed by Nxrmalist. This font has a design that combines calligraphy, modern, and geometry. This font is designed to make it easier for designers to create custom typefaces, logos, or for decoration. The neat design makes it easy for designers to create cool works.

Add character to your paper crafts. Download this cool Billy Bob font to create lettering with a scratched, slightly messy look. Design titles, captions, journaling and more for farm or redneck themes, or simply give your publication an off-beat, handwritten appeal. It's more than just chicken scratch!

Qartiant is a stylish sans serif font with clean and neat character. Qartiant gives powerfull messages and the typeface can be successfully used in logos Magazines, Posters, Branding, Websites greeting / wedding cards, packaging, fashion, make up, stationery, novels etc. Include : - Uppercase & lowercase - number & punctuation - Ligature - Multilingual support Happy Designing!

Cities often have their own voice, a voice that can be read... in each location and each business, voice portraying a cultural fabric with an array of manifestations. Balneario Script is a small tribute to a coastal port and tourist city. Through the Sign Painters, in its golden age, a clear, friendly, practical, and functional way of making itself heard evolved. Far from wanting to be perfect, a typeface seeks to be close, warm, and casual. Inspired by the gestures of the brush, Balneario Script reverts to the use of “Casual Letters” so used by Sign Painters. In this adaptation, we sought to adjust its morphology to optimize its performance in small formats and extend the system to include lower case letters as part of the set. The set of fonts has two script weights in addition to an all caps version. The design emphasizes creating a harmonious morphological criterion. Friendly, rhythmic, and with a firm stroke Balneario Script is unique, ideal for headlines and short texts that need to be gestural but simple and highly functional. This typeface was designed to be used in promotional posters or for relaxed and fun Packagings. Balneario Script goes beyond constructive or functional aspects. It seeks to capture the smell of the sea, the warm summer breeze and the nostalgic feeling of a city that from its daily life, knew how to forge a unique personality. This atmosphere allows it to host millions of tourists year after year, and with them reinforce their spirit each summer.

The Salden fonts are our tribute to the man who was dubbed the face of the Dutch book, and whose work is considered essential in 20th century Dutch design history. Helmut Salden’s exquisite book cover designs were the gold standard in the Netherlands for more than four decades. His influence over Dutch lettering artists and book designers ranges far and wide, and his work continues to be used commercially and exhibited to this very day. At the root of Salden’s design work was a unique eye for counter space and incredible lettering skills that never failed to awe, regardless of category or genre. This made our attention to his lettering all the more focused within our appreciation to his overall aesthetic. Though Salden never designed alphabets to be turned into typefaces (he drew sets of letters which he sometimes recycled and modified to fit various projects), we thought there was enough there to deduce what a few different typefaces by Salden would have looked like. The man was prolific, so there were certainly enough forms to guide us, and enough variation in style to push our excitement even further. And so we contacted the right people, obtained access to the relevant material, and had a lot of fun from there. This set covers the gamut of Salden’s lettering talents. Included are his famous caps, his untamed, chunky flare sans serif in two widths, his unique Roman letters and an italic companion and, most recognizable of all, his one-of-a-kind scripty upright italic lowercase shapes, which he used alongside Roman caps drawn specifically for that kind of combination titling. All the fonts in this set include Pan-European glyph sets. They’re also loaded with extras. Salden Roman (908 glyphs) and Salden Italic (976 glyphs) each come with built-in small caps (and caps-to-small-caps), quite a few ligatures, and two different sets of alternates. Salden Black and Salden Black Condensed (636 glyphs each) come with a set of alternates, and both lining and oldstyle figures. Salden Caps (597 glyphs) comes with a set of alternates, and Salden Titling (886 glyphs) comes with a quite a lot of swashed forms and alternates (including as many six variants for some forms), a few discretionary ligatures, and two sets of figures. There are also some form alternates for the Cyrillic and Greek sets included in all six fonts. These alphabets were enjoyably studied and meticulously developed over the past ten years or so. We consider ourselves very fortunate to be the ones bringing them to the world as our contribution to maintaining the legacy of a legendary talent and a great designer. The majority of the work was based on Salden’s original drawings, access to which was graciously provided by Museum Meermanno in The Hague. The Salden fonts were done in agreement with Stichting 1940-1945, and their sale will in part benefit Museum Meermanno.

Picture yourself on a New York subway station platform with the location name set into the tiles on the wall. Borough Hall JNL evokes the feeling of urban industrialism at its best.

Whoosh JNL is a basic character set font with no foreign or extra characters. It simulates rapid movement and is perfect for displaying titles that convey rush hour, time constraints or speed.

TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.

GORILAS Handbrush Font is a font with an available brushstroke style with a set of uppercase all with number and punctuation support, and Ligatures making this font perfect for your awesome project.

Blackburn is a distressed text font designed to capture the look of old printing at small sizes. Based on a 19th century French type specimen, it contains a complete international character set.

The first inspiration for Missiva was a sixteen century letter from S. Francisco Xavier (St. Francis Xavier) but then I adapted my own handwriting in order to have the basic character set.

Riipale is a font family with two sets of hand-drawn characters. Quality picture fonts are also included in the family of Riipale. Riipale Lined and Riipale Black support most European languages.

Presenting a vintage font set named La Belman. It is composed of a clean version and one with rough textured effects. Lots of ligatures will help you make your lettering more unique.

A hand drawn font thats perfect for kids cards, scrap-booking and photo annotation etc.. Full set of alternative characters included. Comes with CSS and HTML code plus all web compatible formats.

Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.

Gettins is a Natural handwriting modern calligraphy font. full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes. 80 ligatures giving realistic hand-lettered style.

Dripps is a handpainted, stenciled typeface with lots of drips and two different sets of capital letters – no lowercase. Sometimes I enjoy doing the rough stuff, your brutal type designer Gert Wiescher

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

Alleyn offers stylish simplicity in a typeface that sets beautifully both on screen and paper. A geometric uppercase provides strong all-caps headings while the lowercase retains superb legibility at any size.

LD Genial is a fun font with various letters toggled up or down, and a hand written feel. It's sure to quickly become a favorite in your creative paper crafting tool set.

Catalog JNL is based on a set of vintage wood type. Its uniform, block-style appearance is perfect for projects where bold, readable titling will apply. Available in regular and oblique styles.

Casual Stencil JNL was modeled from a set of stencils used for store display work that are reminiscent of brush style casual lettering made popular by sign painters and show card artists.