Jullina is a charming script font that adds an organic, handwritten feel to your designs while staying polished and clean. It’s a versatile font that would work great in many different projects including branding, social media posts, product packaging, product designs, labels, and invitations. Jullina comes with 359 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType features such as an alternate Uppercase set and 47 ligatures to create an authentic, handmade feel. Opentype- Jullina is an opentype font and recommended for programs that support opentype features such as Adobe Illustrator, Adobe Photoshop, Adobe Indesign, Pages, Word. What’s Included 359 glyphs — Uppercase, lowercase, numbers, symbols, punctuation, 47 styled ligatures & an alternate Uppercase set for more customization. Multilingual Support — Multilingual Support is included for Western & Central European Languages.

Midpoint Pro is a soft sans-serif typeface with a modern technical look. Its spurless design creates a perfect balance between static rigid verticals and softened endings. The interplay of open and closed forms suggests increased legibility in small sizes and results in a vivid texture. The typeface will serve for a number of purposes, including posters, corporate branding or screen design of any kind like web or UI layouts. Midpoint Pro comes in 9 weights + oblique styles, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

A pixelated typeface with asymmetrical serifs intended to depict emojis in coarse mosaic shapes and represented in two styles that perfectly complement each other – Mono (casual font) and Mosaic (color font). The main font feature is a large set of pictograms, which are activated using the Stylistic Set and typed right in a text with a keywords like :smile: :happy: :sad: :pear: :rose: :horse: :bike: :house: and so on. Read more about Depicto font family concept, features, pictograms, color font, emoji skin tone, how to use it, and the applications support: https://michaelrafailyk.com/depicto See the complete list of 600+ pictograms: https://michaelrafailyk.com/typeface/specimen/Depicto.pdf Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ The promo image “Serpant Mosaics” used a photo of Nick Verlice from Pexels

Filthy Creation; An Outrageously Cartoonish Slime Font - Barf Bag Optional! Creeping off my ink-drenched drawing board, these illustrated slime fonts offer designers a unique set of diabolical tools for use in their gruesome creations. The five hand-drawn font styles are reminiscent of the best in vintage horror comics, 80s trading cards, gross-out movies, paperbacks and Saturday morning cartoons. Each style comes with uppercase and lowercase characters, plus numerals, punctuation, language support and symbols. Added to this is a complete set of alternatives (no need to repeat those oo’s, tt’s and ee’s) and an extra collection of grotesque illustrations that’ll leave you reaching for the barf bag! When you need the most gory, disgusting and slimy looking titles, look no further than this Filthy Creation.

Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim Rimmer's private sanctum. This alphabet exhibits traditional calligraphic tension, which helps its simple, somewhat octagonal forms play well together for an easy read. Its setting expresses a dramatic sense of history or fantasy. Alexander Quill was updated and remastered for the latest technologies in 2012. It comes with plenty of built-in alternates, a glyphset of over 410 characters, and supports the majority of Latin-based languges. 20% of this font's revenues will be donated to the GDC Scholarship Fund, supporting higher typography education in Canada.

The “Trixy Toy Educator” was a 1930s-era set of letters and numbers (along with a few animal shapes) for teaching children, and was manufactured by the Durrel Company of Gardner, Massachusetts. Die cut from thick cardboard, the 40 piece set also included a rack to display the characters, presumably for little ones to practice the correct order of the alphabet and basic numerals or to spell simple words like ‘dog’ or ‘cat’. Whomever came up with the idea, they used the most rudimentary and unusual ‘type design’ shapes in the A-Z and 0-9, but they were just odd enough to inspire a digital type version of them. School Age JNL is available in both regular and oblique versions.

Beside Supria Sans™ , the condensed version is the second component of the Supria type system. Encompassing the same six weights and three styles as Supria Sans, and characterised by the same approach to the modernist source material, this condensed set of fonts is 20% narrower than the normal version, allowing for significant space saving economies. Used together, Supria Sans and Supria Sans Condensed become much more than just a versatile and functional workhorse – ideal for resolving complex design issues with elegance and sophistication. Supria Sans Condensed™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a 'Brave New World' sprit that harks back to the 1930s and possibly also to postwar rebuilding in the 1950s. Its clear legibility makes it ideal for poster work and titles, as well as for signage of any kind. Eight faces are offered, regular and italic, bold and bold italic, as well as a condensed face and a bold weight thereof. There are also two decorative forms- outline and embossed faces. All faces include a large character set and extensive Opentype features. A Demonstrater version of the regular face is also offered free of charge-this is fully licensed but has a signnificantly reduced character set.

Introducing! Hello Diandra Script - a new fresh & modern calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more design concept! Alternates The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe Photoshop, Corel Draw X version, And Microsoft Word. And this Font has given PUA code (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. ________________________________________ Features : • Unique ligatures • Stylistic Alternates • Stylistic sets • Basic Latin A-Z and a-z • Numbers • International Symbols include • Punctuations

This is the definitive standard African font. It combines wonderful readability with tremendous panache. The fact that it has a full character set (UPPER and lower case), all punctuation and all special characters, means that it can be used in just about any African design context. If you had only one African font in your arsenal, it would have to be Aarde Black. The name "Aarde" means "earth" and refers to the gutsy, earthy character of the letterforms. It includes a full character set: characters for English, French, Italian, German, and Portuguese. The numerals are mono-spaced, and are very readable so that they will line up correctly in columns of figures. The letters of the alphabet are correctly kerned so that they appear correctly in text.

An Unusual Hero Script Mervale Script Pro is based on inspiration from the 1940's Fawcett Publications “Mary Marvel” comic. This unusual brush lettered script blends script and serif capitals with a mix of unusual brush strokes to create a lively font that draws attention. Clean letterforms with an eclectic offbeat flavor in letter stances lends Mervale Script Pro to a unique variety of uses from casual to lightly sophisticated. The stylistic alternates feature adds swash capitals to the mix to offer even more diversity. See the 5th graphic for a comprehensive character map preview. OpenType features include: A collection of ligatures. Full set of Inferiors and Superiors for limitless fractions. Tabular, Proportional, and Oldstyle figure sets. Stylistic Alternates for Caps to Swash Caps conversion.

The Parliament typeface was designed by Jonathan Hoefler beginning in 1995. A burlesque typeface in the Regency Blackletter style, Parliament was inspired by the ‘Four-line Pica Black No. 1’ typeface of William Caslon Jr (1821), whose enigmatic design for the letters E, G, I, N, V and Y hinted at a broader ambition to modernize the arcane shapes of the gothic alphabet’s capital letters. Parliament completes this project for the first time by including two sets of alphabets, one archaic and one modern, along with a third set of ‘small caps’ that restores to the blackletter the versatility of Roman type. Parliament was first used for the 1998 ATypI Conference in Lyon, and was published by Hoefler&Co in 2022.

Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines. Tooting Sans has slightly condensed letters with clean lines, open forms and predominantly straight terminals, although some vertical strokes have angled terminals for variation. This helps to keep the flow of the copy alive whilst being economical with space and legible in both text and headline usage. Released as an OpenType font, Tooting Sans expands upon the standard sans serif character set to include Greek and Cyrillic glyphs, small caps, oldstyle figures, proportional figures, ligatures and improved support for Latin-based languages.

A calligraphic script font Millettre is the last member of the trilogy of types designed by Lyudmila Mikhailova. First two fonts Milanette and Milafleur were released earlier. The font is based on author's lettering artworks which she did for many years for companies who produced greeting cards. The characters of the font have rough contours simulating lettering by a pointed pen on a rough paper. The character set covers standard Western, Central European and Cyrillic code pages. The default version of the font is presented by disconnected script, but connected variant is also included and organized as an alternative stylistic set. The font also contains some initial, finial and alternative forms of letters. Recommended for use in advertising and display typography. Released by ParaType in 2011.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

First things first: I am really not a Star Trek fan. I did come up with this name, which I thought had a good ring to it. When I checked whether the name was already taken, I found out that Black Cluster is a term from Star Trek. Now you want to know what a Black Cluster is, so just check out poster 2 and read all about it. For me, Black Cluster is a handmade ink font, with a lot of jumping glyphs, a lot of diacritics and a handful of ligatures. It may be rough, but you will be pleasantly surprised by what it can do to a design! May the font be with you. Oh, no, that was from Star Wars…

There's something satisfying about tweaking to perfection a typeface based on the particular style of lettering applied to a particular kind of paper by a particular human hand. One day, in pursuit of this curious sense of satisfaction, I sat down with a porous pad of lined note paper and printed out the alphabet with a ballpoint pen. I found particularly interesting the bulbous ends of the strokes where the ink soaked in. I couldn't help myself: I drew out the rest of the character set, scanned, hand-traced, and -- as with all 3IP font designs -- manipulated every glyph to an obsessive degree. Named it Cedar Street, after a favorite address of mine. Full release has a single medium weight with a thorough character set.

ITC Portago was designed by Luis Siquot, who admits to a tendency toward unusual typefaces that can be read in text yet also work well in display settings. ITC Portago is a robust alphabet of caps and slightly smaller caps. It is a stencil face, based on the lettering on crates and luggage. Siquot says that his intention drawing Portago was to obtain a neutral, classical, very condensed grotesque stencil shape that is readable in text sizes, showing at the same time the 'movement' produced by the nicked edges. And of course the more obvious rough effect in headline sizes." At small sizes, Portago is best set with slightly looser letterspacing, as capital combinations usually do. Portago includes numerals in both full and small caps proportions.

The distinctive design of the "Diagram Display" comes from the Venn diagram. It is a common statement and it is a spatial illusion. The delicately differentiated curves balance the technical, geometrically constructed shaping. The graceful character comes with All caps or Small caps typesetting in lighter weights when the font takes on a classicist character due to its proportions. It appears best in headlines and larger sizes, in all applications and themes where its elemental design resonates. Each of the six weights contains an extensive character set, including small caps, uppercase, lowercase and tabular numbers, mathematical symbols, standard and discretionary ligatures, or arrows and other special characters. The stylistic set SS01 contains alternations (a, g, t, u, y) that support its geometrically constructed appearance.

OMBAKE is a curly typeface that looks incredible and has an attractiveness when you see it. Each letter shape has been designed to have a character that is easily recorded in the mind. This font has elegant and classy characters, clean lines and smooth curves give any project an extra touch of class. A sans serif modern and curly typeface that has own unique style & modern look. This typeface is perfect for an large point sizes, for example in magazine layouts, packaging, book, title design, fashion brand, clothes, lettering, quotes design and many other ways to your work. We make all the characters is PUA encoded and multilingual. Features: A-Z Character Set a-z Character set Numerals & Punctuations Multilingual Thanks, Alamsa

ขอแนะนำ Pawmor ฟอนต์ sans-serif ใหม่ที่น่ารักและขี้เล่น ซึ่งจะเพิ่มความน่ารักให้กับงานออกแบบของคุณ! แบบอักษรนี้เหมาะสำหรับโปรเจ็คที่เกี่ยวข้องกับสัตว์เลี้ยงหรือสัตว์ต่างๆ ด้วยขอบที่โค้งมนและส่วนโค้งที่นุ่มนวล ให้ความรู้สึกอบอุ่นและเป็นกันเองจนยากจะต้านทาน Pawmor มีให้เลือกถึง 18 แบบ ให้คุณได้เลือกใช้ตามความต้องการของคุณ ด้วย Pawmor คุณสามารถสร้างงานออกแบบที่สะดุดตาสำหรับธุรกิจเกี่ยวกับสัตว์เลี้ยง งานกิจกรรมต่างๆ เกี่ยวกับสัตว์ โดยรวมแล้ว Pawmor เป็นตัวเลือกที่สมบูรณ์แบบสำหรับทุกคนที่ต้องการเพิ่มความแปลกใหม่และความสนุกสนานให้กับงานออกแบบของคุณ Introducing Pawmor, the adorable and playful new sans-serif font that will add a touch of cuteness to your designs! This font is perfect for any project that revolves around pets or animals. With its rounded edges and soft curves, it exudes a warm and friendly vibe that's hard to resist. Pawmor comes in 18 different styles, giving you plenty of options to choose from. With Pawmor, you can create eye-catching designs for pet-related businesses, animal-themed events. Overall, Pawmor is the perfect choice for anyone looking to add a touch of whimsy and playfulness to their designs

Quilt Patterns Four was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Four is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Four can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to fat, each with true italics style, for a full range of editorial and advertising uses. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display sizes. Four additional stencil weights provide options for fancy titling and logo creation. Anaphora features an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

The typeface One United Font is designed from 2020 for the font foundry Typo Graphic Design by mäd • madeleine maros × Manuel Viergutz as a political statement #leavenoonebehind The display font is inspired in the past and present. 3 font-styles (Bubble, Bubble Behind, Outline) + 1 icon-style with 390 glyphs (Adobe Latin 1) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

The newest Sanggar serif font, which is iconic and skilled with many unique alternative styles, based on our experience as graphic designers working in many companies, we are often asked to design logos with a unique style but with an elegant shape. So, we tried to create a Studio type and create this font to get the idea out. It is perfect for BRANDING and LOGO DESIGN. You will get a classy, elegant, and of course unique logo with this font. Important information: To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator.

Summer vibes are here with Surfbird! • A playful Display family with large variety options. Four styles comes with seven widths & two graphic fonts. The point of this family is getting more modern moods into a classical cowboy-western typographic. The result is a playful western slab which can be used for any design project. Home decor / mugs / t-shirts / stickers / music or podcast covers / menu's / logo's / posters. It can be playful with "western cut" and smooth styles or more serious with the sharp styles. • The Surfbird has two graphic styles. 82 decor graphic elements to add more fancy style to your design. The first one is a contour and the second is a fill for them, to get full color elements.

Powder Script is a showy brush style script family of three weights -regular, bold and black plus matching Ornament and Pattern set. Powder Script is packed with almost 800 glyphs per weight and is full of features. To activate alternate characters click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select from even more characters from the Glyph Palette. Inside each weight is a set of block capitals that you can activate by turning on Small Caps. You can use Small Caps to create evenly lined text blocks to support your design. Engage Powder Ornaments and Powder Patterns to complete your designs while using Powder Script. For the best price purchase the complete Powder Script Family.

Over the years, I've used Impact a lot. But, not because I liked it—rather because it was the only font I could find with the bulk I needed for a given title or whatever. I finally decided to make my own. It was originally built off Librum Sans Bold, but I quickly made a mask of Impact for the widths, bumped the x-height way up, made the horizontals much heavier, and on and on. You know how it is when you start designing. The result is a black sans with the bulk of Impact and much more interesting character shapes. I suspect I'll use it a lot. My hope is that you like it as much as I do. Have fun!

Passiflora is a unicase display font with elegant shapes and swashes, imitating the handraw in a friendly and llamative aesthetic. This font inspires the facade inscriptions and rotulations of the buildings in the XX century of Santiago, as the fresh features of rounded brushes. Passiflora counts with 7 variants: Regular, Shadows, Outline, and Decorative version. Every variable contains more than 800 glyphs and a wide support of languages from Occidental, Central and Oriental Europe and Vietnamitese. This font is perfect to decorate book covers, showcases, packagings, posters, titles , among other uses. Passiflora counts with OpenType Alternates, Swashes, Titling alternatives, Stylistic sets, Discretionary Ligatures, Ornament sets and modern numbers, denominators and numerators, customized and become unique, allowing dinamism to the design.

Joyous is a comics-inspired serif font that includes 3 styles: outline, filled and shadow and a set of complimentary extras. Perfect for any design that needs a bold font, such as logotypes, quotes and social media posts, website and magazine layouts, and poster designs. Joyous includes: 3 serif fonts in filled, outline and shadow styles. The three font styles can be combined to create a layered look. In addition, each font includes 3 different options for each letter and number, accessible through contextual alternates (or the glyphs panel). 3 extras fonts with a set of 36 doodles in filled, outline and shadow styles. Joyous is a casual font that is so fun to use in animations and designs with a handmade look.

Introducing vintage classic display typeface its called Reborn Typeface. Reborn Typeface is a multi-layered type family with awesome ornament. Inspired by antique, mix victorian and art deco period with decorative shapes*. and last the beautiful set of ornament pack match pairs of letters to fit in your designs. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, Labels, Packaging etc. Features : Layered font system Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Above the description of this font, I hope you're satisfied with what I have created. if there's anyone who purchase and find some problem, don`t hesitate to using product support or email me storictype@gmail.com Thanks and enjoy designing.

PF DaVinci Script Pro is based on DaVinci’s own handwriting. He is considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived. This great Italian artist left us with a unique writing (used to write from right to left), which we attempted to decode and simplify with PF Da Vinci Script Pro. Many of these letters are free interpretations and do not stick to the original forms. This typeface comes in 2 different styles: Regular and a more informal style called Inked. The all new “Pro” version supports all European languages including Latin, Greek, Greek Polytonic and Cyrillic. It comes loaded with many stylistic alternates in all languages.

The first version of Kremlin was designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on an informal handwriting. Kremlin is a Russian word for a fortress or a citadel. The reason why the author selected this word for the font name is not quite clear even for him. Probably the appearance of the text line set in this font resembled a tight fence. Later the font was expanded in character set and got two style variations with extended proportions. The suffix "Pro" in the name was added to distinguish the new version from the previous one. The derivative work was done by Dmitry Kirsanov and Gennady Fridman in 2010. The font is recommended for advertising and display typography.

Set the wayback machine for about 1967. Smell the patchouli? Now you can inject just the right dose of swirly-licious mojo into your retro design with this original vintage-styled sixties font. But as with many psychedelic hippie lettering designs, the history reaches back even further; it owes a designer's debt of gratitude to the designs of the Art Nouveau era as well. This is predominantly a uni-case alphabet, but also features a few alternative characters in the lower case – at the full height of the capitals. With an extensive character set and multilingual glyphs, you can use Hippie Mojo to say "Groovy baby" in many languages. Evoke the carefree and tripped-out vibe of the psychedelic era with Hippie Mojo; it's pure retro fun!

Quilt Patterns Two was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Two is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Two can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Introducing Asheboro, a groovy retro font with modern style! Asheboro pairs the elements of groovy psychedelic lettering of the 1960's and 70's with the clean lines found in a modern geometric sans-serif. This combination creates a completely new aesthetic without losing the familiarity of the iconic typography of the past. With its iconic retro look, Asheboro is a great typeface selection for special branding projects, themed events, websites, even comic books and graphic novels. The Asheboro font family includes nine font weight variations for the ultimate font styling versatility. Each font weight is meticulously balanced and well-kerned for the optimal look. In addition, Asheboro includes a beautifully crafted number set, an expanded symbols set, and a large library of multilingual characters.

Delugional is an Atlantis theme typeface, it's character set is an imaginary alphabet inspired by Greek style scripts mixed with Classic Latin. This font is a display font family of two weights, Regular and Bold. It can be used for various creative/mythological and fantasy theme projects from book covers to games or movie titles. There are some OpenType features such as Stylistic Alternates and Discretionary Ligatures along with some extra symbols like sun, moon, snake and the stylised map of Atlantis in place of stylistic set 02 of uppercase "O". I have also created a font presentation video you can view it on youtube here: https://youtu.be/f7bKdoffWnI I hope you enjoy this one as much as I did while creating, Good luck with your project!

Mexico’s storied culture is one of the most recognizable today. Its amazing vibrant art and delicious foods have made the leap to influence many parts of the world in recent years. This proud, intense and diverse identity was the inspiration behind La Taqueria, a set of four fonts that express different characteristics of Mexican pop culture. The heavy and spicy, the light and gentle, the constant dynamism, all come together with one rhythm to produce an explosion of personality. Just like its predecessors Distillery and Scrapbooker, the La Taqueria set contains down-to-earth alphabets perfect for chalkboard art and handmade design. All the fonts include alternates and ligatures, providing plenty of variation for that spontaneous appearance everyone is looking for these days.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.