Apollo13 is a custom decorative typeface for any type of graphic design.

Lautus is a 10 weight typeface and can be use in almost every graphic design application. It’s great for minimal design, logos, posters, and magazines Check out the whole presentation here http://www.behance.net/gallery/Alt-Lautus-Typeface/788079

Sake is long handwritten display font and I love it .

Rambla Alt is a variation of Rambla, which has certain modifications without altering its main structure (Rambla is also available in Myfonts). For this reason Rambla Alt is great when used together with Rambla. Rambla Alt is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have the objective of gaining space in height and width. It’s elegant in large sizes and legible at the same time, with a lot of rhythm in small sizes.

Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New . Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights). The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette. (As is historically accurate, a short-s will be used at the end of words automatically when the historical Stylistic Set has been activated).

Hiroshi is a 6 weight decorative typeface and is one of the best fonts I ever created for many reasons. I really enjoyed the all the design process (yes even the kerning) and I’m very very proud with the results you can check out the whole presentation at www.behance.net.

Ayame is a display font which looks great on posters, logos, and titles. Ayame is a 6-weight family with a heavy retro look.

Caleuche Alt is a typeface which contains different weights and styles, especially for action, Comics, horror or suspense titles, in addition to containing alternatives and ligatures

The Circularis Alt family includes 8 styles and weights - eight uprights with eight italics. Circularis Alt is characterized by the nice and smooth unordinary circle geometric contruction inspired at last century, nice readability, low price and finaly many variation of useful.

Robotechnica is my first ever pixel font, I was experimenting with pixel fonts for a while and I’m happy with the result.

Do you like fat fonts? Well here is a free one from me. Regular & Italic both free. Fat is a caps only font. Because of that if you type something with caps on, as you can see is typing in Greek I decide to make it like this since there no lowercase letters.

Roble Alt is a variation of Roble. It is a Slab Serif Font, from a mix between Andes and Sanchez, following an harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble Alt is a family of 16 display fonts 8 weights plus italics.

Alt-Gotisch Verzierte is a typeface of decorative initials that is Victorian in style and bears a close family resemblance to the many ornamental tuscans cut throughout the nineteenth century by British foundries. Instead of the bifurcated terminals of the archetypical tuscan (see Figgins Tuscan by HiH or Stereopticon by Dan X. Solo), these letters display what Nicolete Gray might call a “wedge and bite” design -- as if they started with the wedge serif of a latin form and someone came along and took a perfectly round bite out of the wedge. We need not dwell on the lack of teeth marks. The calligraphic curls and flourishes are often graceful, sometimes a bit contrived, but always complex. There is a busyness that marks the style of the period. If you ever see an old photograph of a well-appointed Victorian parlor, you will recognize that same quality of busyness. Overdone is a word that frequently comes to mind. Alt-Gotisch Verzierte means “adorned or decorated old gothic.” The typeface is attributed by Alexander Nesbitt to an unidentified German foundry of the nineteenth century (Decorative Alphabets and Initials, Dover, New York 1987, plate 92). The designer is unknown. Our font is supplied with a lower case that is similar to the upper case, but is 15% shorter and is simplified by the omission of the decorative vines. For the lower case, alternate letters A, E, & T; and ligatures LE, OT & LY have been supplied. In addition, a few small decorative vines were planted here and there for optional use. An accented upper case is not part of the original design and is not here supplied. This design is also seen under the name “Sentinel” -- as always, it is worthwhile to compare the completeness of the character set and the faithfulness of the rendering. We believe you will agree that we provide a balance of quality and value that is unmatched in the contemporary marketplace. Alt-Gotisch Einfach is a simplified version of Alt-Gotisch Verzierte. The vine-less lower case of the Verzierte font is the upper case in Einfach. For a lower case for Einfach, the letters were further simplified by stripping away the three-dimensional outline, down to the bare bones and bites, as it were. Einfach, in fact, means “simple” or “plain.” It is interesting to note that this bare bones & bite lower case bears (I have a special license to use two homonyms in the same sentence) a striking resemblance to the 15th & 16th century ornamental letters from Westminster Abbey shown in Plate 47 of Alexander Nesbitt’s Decorative Alphabets and Initials (Dover, New York 1987).

Re32 is a experimental typeface for use on logos and titles with a retro look.

DEVILE is a gothic medieval font; its something new for me I never tried to create a font like this before so check it out –

Breo is yet another experimental display typeface for use on logos and titles and everywhere else you want :D

Jun Script is a geometric script font.

An informal sans serif typeface carefully cut from the template of Regan and Regan Slab. Smooth curves are combined with simple angles to form a modern, legible font with a charming personality. Regan Alt is ideally suited to wide range of applications including advertising, fashion, retail and the web. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

It is a new version of Clarence, with very noticeable changes, very funny and informal signs. It also contains different variants like Shine, Extrude and you can combine them enjoy it! :)

Patron is a modern, mono-linear, sans-serif font family with large x-height and softened edges containing 12 fonts. This typeface was born as a corporate font design for non-profit sector and today it is available for public. At the moment Patron is offered as a PostScript-flavored OTF, but its construction is tuned to display well on screen as well. Works on a TrueType version with individual glyph hinting are being carried out. In addition, Patron has alternative family (Patron Alt) with enhanced personality, suitable mainly for headlines. Patron is graduation work of Matěj Hlaváček at AAAD in Prague, Studio Of Typography. Supervised by František Štorm, Tomáš Brousil and Karel Haloun.

Mun is a experimental script typeface for use on logos, titles, posters, etc. Mun is not intended for text.

Schwabacher was the predominantly used typeface in Germany from about 1470 until about 1530. It has round character forms other than Textura or Fraktur.

UAV 31 is a geometric experimental display typeface for use on logos,posters etc.

A messy, markered, painted font in pure whimsical and messy style.

In its heyday, the Starlight Room of the Waldorf-Astoria in New York City quite frequently printed lunch and dinner menus for not only their rotating bill of fare, but also for special events held there. The 1937 Electrolux (Eastern) Appreciation Banquet has its own menu cover, and the lettering was in a simple, yet Art-Deco influenced condensed block design with squared features. This simple and quirky typeface has been digitally redrawn as Sales Convention JNL, and is available in both regular and oblique versions.

Sales Book JNL was recreated from sample letters found in the wood type section of an old printer's supply catalog.

Have you ever wanted to set a headline within a burst, but found the drawing of all of those angles was a bit too tedious? Sales Pitch JNL solves that problem by setting letters, numbers and punctuation inside individual sections which, when typed out, generates an extended burst pattern. For a flat sided pair of end caps, use the left or right bracket keys. For burst ends, use the left or right brace keys. A blank space is located on the equal sign keystroke, and a wider blank space is on the plus sign. Keep in mind the optical illusion in some program that shows line gaps between characters on the screen. All characters have equal sidebar settings, and are flush with each other. Sales Pitch JNL contains the basic A-Z and 0-9 characters as well as numerous punctuation. For a companion font with a more complete character set, use Prankster JNL, the same type design, but without the burst pattern.

Hello Aluyeaholics! Introducing Salks, the Typeface That Brings Joy to Your Designs! Salks is a playful and joyful display typeface that will add a touch of happiness to your creative projects. With Salks' 140+ playful ligatures, four weight options, quick access features, and careful attention to detail, you'll have the perfect tool to instantly uplift any project and unlock unlimited creative possibilities. Experience the happiness that Salks brings to your creative world with this delightful display typeface that guarantees smiles all around.

These handletterered brush fonts were created by Tim Sale and fontmeister JG Roshell for our bestselling book, TIM SALE: BLACK AND WHITE!

Sales Slip JNL is derived from the core lettering of Sales Book JNL, an outline font with a cast shadow; modeled from wood type examples found in an old printer's supply catalog.