Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar in style to Staunton’s Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign of Queen “Bloody” Mary.

Mr. Nakata is another one of my favorite Haruki Murakami characters. Nakata typeface is handwritten, sloppy and messy, but comes with intelligent features like alternates and ligatures, to make it look more like handwriting and less like a font. Of course, Nakata speaks most Roman-based languages.

Valiante is a bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Grunt Grotesk is a modern Ukrainian sans-serif typeface with a number of distinct characteristics, which make it unboring but still great in the massive text blocks.

Tradition and romance joined in the beautiful typeface, inspired by old hand drawn signs in Tel Aviv.

Betico’s Hand is based in Elberto Roman’s handwriting. It could be used even in a formal project.

Brenda Valentine is a cute handwritten font. It will add a romantic touch to any crafting project.

Elise is a sweet natured, layered display typeface, with a few layers but a wealth of options. From the feminine to the fun to the nostalgic, Elise is a capable and personable set. Best used BIG and with color, you’ll always find an occasion for Elise’s charm. To use this typeface, once you have your copy in place in the design program of your choice, copy your text block and paste it directly on top of your existing text block. Set this new text block to a different Elise layer and voila! You’ll already start to see some interesting effects take place. In some cases, different effects are achieved by bringing The Elise Ribbed layer to the front or to the back. Also available is a free ornament set to get you started.

Ron is a vintage medium block typeface, a classic and bold display font with a cool vibe. Use it to add a smart feel to any design project.

Rotunde is a very bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Leroy is a font family of 5 members designed from geometrizing Roman and Gothic skeletons. Its purpose is to provide optimal reading of titles and paragraphs with strong mechanical flavor. Because of this, its variables are designed to sort information in media such as labels, signs and industrial atmosphere packaging related with the Soviet Union’s fonts in 1920. This idea matured white horizontal lines superimposed on alphabets drawn with an ancient architectural team known as “Leroy K & E Controlled Lettering System”. Then that evolved into a family concept unifying its proportion to the same X height for its members, resulting in a versatile type system. Therefore, Regular and Bold variables have low contrast between thick and thin strokes. Its upstream and downstream are extremely short, generating a suitable interline that clogs the vertical area. Its overall width equal to its X height, supports its tight spacing that compacts the horizontal area. Therefore, the variant with black caliber has plenty of contrast between thick and thin strokes. The light variable has a “blind” effect radiating light halos, ideal to propose hierarchies and combinations with orthogonal projection. In that sense, Leroy’s modular character reminds constructivist ideology merged with typographical variants suitable for graphic design with geometric look. To achieve this, I studied the softening of forms and counter blocks into a typographical system specially designed for composing useful information to attract attention. In that sense, the dingbats were obtained through a careful process of research and testings done with drawings that provided full and empty visual strategies that with the passage of time helped to forge the major decisions of a metamorphosis from industrial tools, birds and humans from pictogram mixing various genres.

It is difficult to define the classification of Winterfell. The caps are definitely Roman however the lowercase is italic and slightly calligraphic. Because of its old style look I decided to describe it as modern medieval. This design reminded me of Game of Thrones hence the name Winterfell.

JAF Domus Titling is a rounded typeface with classical Roman proportions. It is unique in that it was designed as an all-caps sans from the beginning. The fonts range from Extralight to Extrabold and include a large number of accented characters as well as small caps and alternates.

Inspired by handwritten roman lettering, Elisabeth maintains a classic antique appearance but its rough edges lend an air of character and charm. Good looks aside, Elisabeth is technologically up to today’s standards and works well in many applications. Use at larger sizes, headings, invitations, scrapbooking, menus and advertising.

Klee is the work of British designer Timothy Donaldson, who was inspired by the work of the famous modern artist Paul Klee. The capitals can be used alone or with the lowercase letters. Klee is a unique, roman typeface whose fine line structure gives it a delicate, feminine appearance.

Sheet music for the 1923 tune "I'm Sitting Pretty (In A Pretty Little City)" had the main part of the title hand lettered in an Art Nouveau condensed Roman type design which became the inspiration for Sitting Pretty JNL. The typeface is available in both regular and oblique versions.

Dalliance Script is based on the elegant handwriting found on a map of a horrific battle between the Habsburg Coalition and France which took place at Ostrach, in southwest Germany, in 1799. A roman style, and flourishes, were added to turn Dalliance into a fully functional typeface family.

Mr. Gogoll's successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for use at small point sizes. Drescher Grotesk is a classic German geometric design, complete with the original “angled” brackets.

NAURE is a vintage classy serif typeface, with a little roman soul on it. It comes with regular, condensed, and oblique style. It have a curve that give a unique yet elegant feel at the same time. The strong characteristic makes it suitable for attention grabbing design projects

Prague was designed by Michael Gills, who was strongly influenced by the work of Czech designer Oldrich Menhart. It is a strong, angular roman typeface with classical overtones. The exciting vibrancy of Prague is suitable for a wide range of advertising work requiring a traditional or classical approach.

HALVAN –a striking type with half-serifs The Halvan font family comes in 5 styles from Roman to Bold, Italic and a Small Caps Version. Each version includes old style figures and lining figures. It is a versatile type and can be used in a wide range of circumstances.

Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at the same time preserves its classic character.

Traditional stencil type faces have always projected images of strength, power, police, military or industry. The hand-lettered title card for 1951's "Detective Story" (directed by William Wyler) is a perfect example of this. A bold Roman letter style, it was the perfect inspiration for Detective Bureau JNL.

Designed with visual novels and romantic text in mind, Doki Doki Tokimeki (taken from the Japanese sound for a heartbeat and the word heartbeat itself) is a romantically-inclined sans serif. From playful, yet friendly letters to a range of dingbats and a series of alternate heart-shaped glyphs, it’s sure to make your heart go pitter-patter as well!

Homes Honey is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to branding, wedding invitations, label, logo and other romantic projects. Font Features : Lowercase beginning and ending swash, Connecting heart This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Ajuice Script Font is a high contrast script font with a romantic theme with two font styles ( Regular & Round ) which is perfect for your designs that want a romantic style, modern vintage, elegant, soft, and carefully crafted for all graphic design needs. File Includes : OPENTYPE FEATURE Contextual Alternates Following Language Support : LATIN EXTENDED ( Western European, Central European, South Eastern European )

Originally inspired by the numerals on a vintage clock face, Roloi is a layered numbers font in the deco lettering style, and includes a full set of automatic clock symbols. Its geometric forms are typical of the deco style, but stop well-short of pure geometry. The irregular stroke and character widths work together to give the forms a warm and energetic, yet cohesive, feel. Roloi offers two layering styles—the personable Fill and the more dynamic Inline. Designed to be layered over the background Regular style, they both lend the forms an added level of interest. Roloi also includes a clock symbol for any and every time of day, rounded to the nearest five-minutes. The regular weight provides the circular clock background, while the Fill and Inline styles produce the clock hands. If ligatures are activated in your text-editing program, type out any time—such as 9:32, 12:05, etc.—and the proper clock symbol will be automatically substituted. Go ahead, type any time out below! To stop the automatic clock symbol substitution, simply deactivate ligatures. Because the clock symbols are standard ligatures, every major modern browser will support their use on the web. With some programing they could even be used to make a lightweight, text-only clock. In addition to the clock symbols and basic numerals, Roloi’s glyph range covers numeric superiors and inferiors, standard and arbitrary fractions, currency symbols, all of the punctuation and symbols commonly associated with currency, unicode clock Face symbols, the A M P / a m p letters, and alternates of the 1, 2, and 4, accessible by selecting Stylistic Set 1.

Logik is a futuristic square sans serif typeface. Its personality is defined by squared-off corners that you would normally expect to be rounded, this sharpness gives the glyphs an eccentricity that the eye quickly adjusts to. Sharp, incised/stylised ink traps along with slightly tapered/curved horizontals and verticals add to the character of each letterform. These subtleties combine to give Logik a distinctively futuristic aura. Logik’s main use would be for headlines, short runs of text, branding and display purposes – ideally suited for film and book titles, Logik could be widely used for sports, media and recreation purposes also. Logik comes in 7 weights (from Thin to Black) across 3 widths – Regular, Wide, and Extended. Each font covers all European Latin-based languages and includes Old Style Figures, Small Caps, and some Case-Sensitive Forms. Key features: 7 Weights in Roman and Oblique 3 Widths – Regular, Wide, Extended Small Caps Old Style Figures European Language Support (Latin) 550+ glyphs per font.

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black, along with corresponding italics. Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use. All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.  Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows. The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings. Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task. Combine them both for the best results – multi-pack available for a no-brainer price.

Mynaruse Flare is a new version of the Mynaruse superfamily. This version eliminates the elongated serifs of the original, and instead stems end with a flare. You will find that the thinner weights are delicate and beautiful, while the heavier weights provide impact and strength. Mynaruse is inspired by the elegant and regal Roman inscriptional types. The face shines in environments that require elegance and splendor. The eight weights of Mynaruse flare range from a subtle, delicate thin to a heavy and powerful Black weight. Mynaruse Flare includes many useful OpenType features, including a set of swash alternates, alternate titling forms, ligatures and miscellaneous alternates. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. This is a titling font that is ideal for logotypes, posters or other high-end luxury applications.

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. "Destra" is the Portuguese word for "right hand". The font has several OT features - fractions, old style-, lining-, tabular numbers, superiors/inferiors, alternative glyphs, dozens of ligatures (standard + discretionary) and an exclusive feature to convert Arabic to Roman numerals up to 1000 (download the “OT Features Guide” pdf). Moreover, Destra has an impeccable technical finish, with a systematic review of nodes, curves, spacing and internal data, eliminating the possibility of errors when using it. The family consists of 8 styles, 4 weights - Regular, Medium, Bold and Black, plus their respective italic versions. The fonts are available in OpenType PS/TT and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Destra downloading the free trial font in Medium version (TT only). This trial file supports only Western languages.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans OT Std The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Creo is a low contrast, classic proportioned sans serif family, consisting of 18 fonts, 9 weights from thin to black; with uprights and italics. The word "Creo" was taken from the Latin language and means "I create, make, produce" (verb), which also stands for 'Classic Ratio'. The uppercase letters are highly influenced by Roman Inscriptional Capital letterform, and the lowercase letterform and their proportions were influenced by oldstyle serif typefaces. Creo font family is equipped with some OpenType features, such as fractions, alternates, ordinals, numerator, denominator, superscript, scientific inferior, proportional lining, etc. The alternate style letters are separated for individual usage of alternate style. Each font file has 500+ glyphs which covers major Western and Eastern Europe languages. Creo typeface with its classic letter proportions will give a different touch to your typographic work and will be a great choice for branding project, display poster, website, packaging, and a broad range of graphic design projects.