Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display and Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post’s founder, Stilson Hutchins

In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named in honor of British artist Dudley Hardy, whose posters used a very similar typeface extensively. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Eckhardt Broad Sans JNL joins the growing collection of sign painter-oriented fonts named in honor of the late Al Eckhardt of Allied Signs, a good friend of Jeff Levine for many years and a talented sign lettering artist in his own right. This design is a sans serif approach to the lettering found in the Eckhardt Showcard JNL family.

This American original was designed in 1901 by Frederic W. Goudy for the American Type Founders in Jersey City. Copperplate Gothic is an all caps font which looks like a sans serif at first glance. But closer examination reveals tiny, pointy serifs which almost seem to round off the letters. Designers rely on this font’s lofty and sublime impression and it is often seen in advertisements, but it has also made a place for itself in private and business correspondence and corporate design. The AB and BC designations in the style names refer to the relative sizes of the capitals and small capitals.

Gitan is a flared sans serif, reminiscent of engraving and stone carving. Sturdy and informal, the design features a moderate contrast that provides durability for text setting. Crisp design details like cuneiform head serifs and deeply cut wedge terminals give Gitan a sculptural appeal – a quality desired for all things display. Gitan’s expressiveness evokes the nuances of forms crafted directly in raw materials. The human touch provides vitality so often absent from purely mechanical designs. Pairing a rhythmic pattern with classic construction makes Gitan shine in text. Its natural look reflects a tangibility that thrives in wooden and rock-solid materials. Gitan’s habitat is at the crossroads of editorial and packaging work, grounded by a feeling of substance, but finished by an artisan’s handicraft. By nature, Gitan is flexible and willing to take risks.

Introducing “Haunted Brick” – The Spooky Halloween Decorative Font Dive into the eerie world of “Haunted Brick,” a spellbinding decorative Halloween font that will send shivers down your spine. Perfect for crafting captivating Halloween posters, invitations, and chilling social media posts, this font boasts a unique hand-drawn style adorned with intricate spider webs in every glyph. Key Features: Spine-Chilling Elegance: “Haunted Brick” strikes the perfect balance between elegance and the macabre, adding a spine-chilling touch to your Halloween designs. Creepy Creativity: Whether you’re conjuring up posters, eerie invitations, or haunting social media content, “Haunted Brick” lends an air of mystery and excitement to your projects. Intricate Spider Webs: Every character in “Haunted Brick” is intricately adorned with spider webs, ensuring that your text is truly one-of-a-kind and perfect for all things Halloween. Why Choose “Haunted Brick”: – Elevate your Halloween designs with a font that’s both spooky and stylish. – Craft invitations that send shivers down the spines of your guests. – Create captivating posters that will haunt the memories of those who see them. – Perfect for adding a dose of horror to your social media posts. Embrace the Spookiness – Download “Haunted Brick” Now!

Set the mirrored ball spinning, and get down to Funky Town. Based on a period piece appropriately named Disco 79, this version shifts the concentric elements so that they appear to be lit from below, adding impact and, perhaps, even a sinister touch. You'll also find special treats at the dagger, double dagger and section mark positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Qanelas Soft is a modern sans serif with a geometric touch, and a friendlier version of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. Designed with powerful OpenType features in mind, each weight includes alternate characters, fractions, extended language support (+ Cyrillic), arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, or corporate use as well as for editorial design.

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics. It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project. Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Quan Geometric is an altered modified from the form of the original Quan Pro typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 8 weights with slim option in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

I could dance with you until the cows come home. On second thought I'd rather dance with the cows until you come home. Groucho Marx. Home Sweet Home Dingbats is a 30 dingbat font of home things. Use them as dingbats or enlarge the small pictures and use them as clipart. Silhouettes include several lamps, clock, chaise, chairs, sofa, nightstand, chest, TV & remote, tables, stool, steps, beds, mirror, art, a fireplace and even a baby grand piano.

Introducing Genora Sans - Geometric Sans Serif Genora Sans is a clean and geometric sans serif font. Genora Sans comes in a modern style featuring 9 weights and 18 styles from Thin to Black, making it easy to adapt to your design. The typeface is ideal for corporate identities, branding, publishing, websites, titles, books, magazines, business cards, logos, product labels, packaging, or any kind of advertising purpose and use on UI/UX design. Hope you Like it. Thanks.

Salda Soft; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, soft and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. It consists of a total of 20 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.

Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky for ParaType in 2006. The type family contains nine styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Five condensed styles were added in 2007 by the same designer.

Biscuit is a rounded unique typeface, clearly and easy readable with upper- and lowercase. Perfectly applicable for big or bold tekst pages. This font family has an excellent legibility - both in print and on the web - and an optimized kerning. Biscuit is intentionally designed to be used as a display typeface in publications, packaging and al of your artwork and design. It's warm and cosy character suits extraordinary well for modern or vintage typography and corporate design.

I am inspired by imagery that technology has rendered obsolete. I treasure anachronistic packaging and design which has somehow evaded obliteration by focus groups.I especially admire the packaging for A&P coffee brands Eight O'Clock, Red Circle and Bokar whose eccentric yet elegant typography harkens back to an earlier, less complicated era. The font Bokar is my nod of appreciation to those robust and full-bodied blends spared from the bland, tasteless scourge of corporate branding.

Kelpt Sans is an altered modified from the form of the original Kelpt typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 9 weights with 2 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Stenka is a sans-serif stencil typeface that stand for display typeface to use in any typographic situation. It has his own unique style in expressed perfect condensed forms. Stenka is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation, with a set of ligatures and alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

Looking for a font which has a modern futuristic looks? Yes, you come to the right place. We have Sandborg to cover your needs. The characteristic of Sanborg is the digital looks of each letter. If you want to write a headline or title about technology or digital content, we suggest you to try this font. We're honored and proud if we can be the part of your special works. Thank you.

Named in honor of the great bossa nova artist, Benjor is a fat display meant for headlines, attention-grabbing displays and even Brazilian record covers! Striking and eye pleasing, it's simply que bom!

Hand-lettered stencil lettering on the movie poster for Alfred Hitchcock's 1955 dark comedy-thriller "The Trouble with Harry" inspired Hitchcock Stencil JNL; named in honor of the great master of suspense cinema.

Scott Walker is ideal for creating logos and watermarks for photography, as well as weddings, invitations, personal and corporate branding. I made it with a sense of elegant, professional, and very catchy. Scott Walker works both on Mac & PC. Simple installations, Alternates & Ligature and Multi-lingual Support. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw. This type requires the support of OTF font such as AI, Photoshop, Affinity, Corel and so on. If you have questions about the latest fonts, please provide a short message to us Thank You HikhStudio

Here's another gem from perennial Speedball penmaster Ross F. George, originally called Split Caps. George's original design has been enhanced with the addition of lowercase characters, borrowed from another of his alphabets, and adapted to the style of the caps. This font derives its name from one of the catchphrases of the estimable Stooge-in-Chief, whose signature hairdo can be found in place of the Section mark. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Not your average monospaced typeface, Base Mono flourishes with several handsome OT features mostly found exclusively in text fonts. Despite the geometric and techno feel of the initial roman version, the cursive version is heavily influenced by traditional Finnish weaving and folk art! The contradiction is taken further by inclusion of such classical features as small capitals and lower case figures, usually found in slightly more traditional fonts. Base Mono family suits many editorial, corporate identity and logotype tasks. It can even be used for setting text such as captions and headlines.

Mirador is a powerful neoclassical font family designed for various usages — ranging from editorial and corporate design to web, interaction and product design. It is a contemporary take on high contrast typefaces that have never gone out of style — defined by elegance, tradition and timelessness. Although Mirador seems to be a display font at first glance, its proportions and design reveal a powerful and characteristic workhorse when set in smaller sizes. Mirador comes in 10 weights with matching italics. It is equipped with ligatures, a large set of alternative glyphs and many more opentype features.

Shirens is a font inspired by Emo/metal/harcore music scene and the hype street wear/apparel. It includes uppercase and lowercase, ligatures and alternate styles ,and also multi-lingual support, Shirens is fit for Band album covers, video tittles, stickers, clothing brand names, tshirt designs, badges designs, banner, flyer and more. Just look how it performs on the preview that I have provided, you will see its capabilities. But it will also work well with other themes. I can’t wait to see what you guys will come up with with using this font!

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

About family “Noema Pro” Steps… The name “Noema” is again borrowed from ancient Greek word, which may have different meanings depending on the phrase: meaning, logic, significance, purpose, reason, value, nod, implied. In this font i tried and here(like in “ErisPro”) to give a different illustration in letters with a reverse dial(…sloping or recline) from Italic, simply because of whims or because the monotony is tiring me… This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics, true Sloping and supports of course: Latin, Greek & Cyrillic.

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Anicon Sans font family consist of 18 weight: from Thin to Black, each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a superfamily, semi condensed sans serif and slab serif with humanistic forms in the characters. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Recline comes in a modern style featuring 10 weights, 5 straight & angled, making it easy to adapt to your design. An elegant typeface, Recline is perfect for corporate identities, websites, publishing, titles, books, magazines, business cards, logos, product labels, packaging, or any kind of advertising purpose. Thanks for watching

Ryker - Typographically speaking, provides both personality and functionality. It is the perfect combination of unique, distinctive forms that also function with clear recognition & legibility. From publications, packaging to corporate branding, Ryker has you covered with every weight & typestyle - cleverly crafted for every purpose and occasion. Designed by Morice Kastoun.

Dalliance Script is based on the elegant handwriting found on a map of a horrific battle between the Habsburg Coalition and France which took place at Ostrach, in southwest Germany, in 1799. A roman style, and flourishes, were added to turn Dalliance into a fully functional typeface family.

After its period of exclusivity expired, the corporate typeface of the Saubermacher recycling company was revised and expanded. Now it is available for everyone! Whether on fresh buttermilk, a Honolulu surfer bar, or a hotel on the Arlberg, this preppy script face is versatile and full of character.

Gianmani Fillet is a sans serif type contemporary designed by Gianmani Yuttapum in 2022. Inspired by the simplicity of the geometric, it is sharp and easy to read, suited to branding and corporate identity, wayfinding, editorial, delicate headlines, digital environments, signage, print, advertising, packaging, text application, and logos.

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and very dynamic serifs, and pleasant openness and balance.

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and very dynamic serifs, and pleasent openness and balance.

Covenante is an antique font that contains futuristic elements that give it an unusual look. Sharp serifs and unusual shapes of ovals, create a solid character and make the font fresh. More language support, ligatures, and alternative characters will increase the font's usability. 450 glyphs, 282 languages of the Latin group, 7 alternative characters, 21 ligatures, a capital set and more than one day spent for kerning-create a great potential for this font. Text, covers, posters, prints, titles, interfaces, web, book covers, packaging, logos, and much more where you can apply this font. If you find an error in the font, kerning, or just want to add something or suggest something, then write to me: bunineugene@gmail.com