We designed this Glogalex font inspired by today's rapid digital technology, where the art of typography is very much needed to support various digital needs, both for software and for other print media needs. Glogalex is a display font designed with the main focus aimed at the needs of various brands of digital products or other technology products, but not limited to the use of various kinds of printing, both mass media or for the needs of various titles of books, magazines, newspapers, and various other kinds of tabloids, the wealth of Glyph Alternate and Ligature can add to the creation of typography art, you can be creative in using various letters that we have designed by combining ordinary letters with alternative letters and also ligatures, we have combined several ligatures to make it easier for you to use, but if If you have difficulty using Alternate letters and ligatures, we recommend you to manually combine each Alternate and ligature you want to use. We highly recommend the use of this Glogalex font for the needs of displaying company brands, trademarks, logo designs, use in digital media, such as movie titles, online game names, and for various vehicle brands, if you can maximize its use it will be very interesting. for each display that has been designed, pleasing to the eye and easy to read. we are very happy if you are satisfied in using our products, and if there are problems in using our products you can tell us via email zulfikarzul80@yahoo.co.id, we will respond as soon as possible, thank you.

Introducing Mountogen Rounded Typeface Style which has a unique and very strong characteristic that makes all designs look unique and have a modern feel. Mountogen Rounded has its own charm, so it will be very suitable to be combined with any style. Has Lots of Alternatives and ligatures to add a great interactive feel to every design. Mountogen Rounded also comes with multilingual support and is very easy to use. Mountogen Rounded is interesting to use in designs such as books, movie posters, logos, branding, business cards, and more that can be combined with Mountogen Rounded. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it's singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces. This typefaces was inspired by the Swarha Building characteristic itself with its solid construction and dynamic, by adding classic taste on each characters. Available in two styles, Neue and Rounded represents the classic architectural Swarha Islamic Building styles with tropical Bandung Art Deco taste. This typeface is highly usable as a display type for your designs, and will fit with movie titles, magazines, your classic shops logo and signage designs, or you can use this typefaces as your web pages headlines. The characters of this typefaces are only in uppercase style, but it built with small caps on the lowercase featured, and additional Opentype Features were loaded, some stylistic alternates, accessible catchwords in the discretionary ligatures, and standard ligatures.

Asterism Clean is the smooth lined version of Asterism. It is a calligraphy style font with a moving baseline and lots of shining personality. Also contains a bold and a monoline version. This hand written style font is based on one of Molly’s signature calligraphy styles and pairs beautifully with Frosted, Icing, Saint Agnes.

Upperclass was a font I created back in 1995. I had a brainstorm about the uppercase letter “A”. I noticed that the cross bar for the letter A is always toward the bottom, what if I moved it toward the top. The result is a unique font, a great addition to your font collection.

A sign of something better When designer Stuart de Rozario surveyed the fonts used in signage on London’s public transport systems, he reached a dead end. They seemed staid, sterile, lacking in personality, and ill-suited to use by modern brands. He was pointed in another direction entirely. ‘The driving force behind my thoughts was to design something more current and fresh without compromising legibility and clarity. A font with both personality and function, that’s versatile and large and small sizes, and effortless to read, but which also says something new.’ Speed reading Late for a meeting and can’t find your way? Trying to catch a flight? Lost in a hospital? Reading signs is a different business to reading a book or a newspaper. Text on signs needs to be deciphered quickly and effortlessly. So the legibility criteria for signage letterforms are different to those for normal reading, too. Throughout FS Millbank’s uppercase and lowercase alphabets, characters have been given features for extra definition, including: wide ink traps on the A, K, M, V, W, X and Y; a serifed i, accentuated spurs on the a, d, l u; and different x-height shapes on the b, g, p and q. Distinctive forms and generous, open internal shapes all help the quick reading of sign text, and wide, open terminals and counters allow similar letter shapes to be distinguished easily when viewed at different angles. Running down a corridor, maybe... Positive/negative Standard type tends to glow on the kind of dark backgrounds often used for signage, and look heavier than its true weight. To correct the imbalance caused by this optical trick, special weights of the typeface have to be drawn for these ‘negative’, light-on-dark applications. These are lighter than their comparable positive weights to overcome the ‘glow’ effect. After extensive tests of the negative weights, at all sizes, we achieved the right optical balance. Glowing, glowing, gone. Icons This wouldn’t be a signage typeface without its own set of icons, or symbols, to help people find what they’re looking for. So, to sit alongside the positive and negative fonts, we’ve created a comprehensive set of 172 icons, covering a wide range of applications from transport and user interface to information and directional. Designed within the typeface capital height, they sit on the baseline and are spaced centrally.

Dunkelbunt is freely inspired by works and words of the wildly eccentric artist, architect and designer Friedensreich Hundertwasser. It’s an all caps font, with 2 cuts for each letter, loaded with imaginative energy and organic forms that will certainly make your designs shine. Enjoy!

California Sans designed as a beautiful easy reading text face also works great in Headlines. It also has a matching drawn Italic which makes a great combination for all your needs. Even as a stand alone Italic font it works in so many designs.

Brastagi Signature is a beautiful signature writing font. Its casual charm makes it seem incredibly simple, easy to read, and, ultimately, incredibly versatile. Brastagi Signature will look amazing in any context, whether it's used in a busy background or as a stand-alone title!

Aldersgate was designed as a comfortable, easy-to-read sans serif alternative font for a series of retirement community brochures. It was intended to compliment existing sans serif fonts for subheads and captions and is ideal when a conservative but subtly different font is needed.

Authenticity is an authentic signature font. It made with a neat touch making it easy to read. This font is suitable for use as web logos, signatures, invitation, prints, headers, magazines, book covers, t-shirt prints, craft, product brand, business card, logo, and gift card

Freight Display kicks it up another notch from the Freight Text family with more open counters and a bit more contrast. Those warmer proportions give balance for easily read headlines, running heads, and subheads while still standing tall if reversed-out at smaller sizes.

A European font from Bauer's foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising, our version reads quite well in smaller point sizes, too.

Gentil is a charming hand-drawn typeface. It comes in two weights along with two handy accessory fonts, one packed with darling doodles and the other loaded with lovely frames. Versatile, this very friendly family will certainly fit easily a wide range of design applications.

Rollink is a simple brush font that is very comfortable to read. It will elevate various design projects to the highest level, be it branding, headings, hands, logos, labels, wedding designs, invitations, signs and more! included - uppercase and lowercase - multi language - alternate - ligature - swash

Hiladous is a bold and retro-styled handwritten font. This font reads as strong, confident, and dynamic, and can add tons of nostalgic character to your designs. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Nice typographic experiment consisting of the progressive "bodonization" I have summarized in two steps, by a letter drawn with the same concentration and intensity with which Paris Hilton reading a book, to get something like the sketches that Mr. Gianbattista used to Wrap the sandwich.

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

Qwatick is a decorative serifed family with three weights, each with an italic style. It is squarish and has small serifs. The bold style has high contrast and the regular style remains readable even at small point sizes. The family originated as a reworking of the odd display font Quidic, moving it toward normality and greater legibility.

Venhille Quaver is inspired by classic typography and brings its own unique style to any design project. This fantastic handwritten font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Venhille Quaver will look spectacular.

Epiphany is an elegant serif with wide proportions and an unusual stencil effect. This communicates honesty with an understated refinement. Suitable for headlines and shorter paragraphs of text. The design uses several repeated forms that give it a forward-moving rhythm, for example the small ‘flicks’ on the lower-case letters and the tails on g and y.

The agressive moves, the lateral spurs and the heavy leaf endings of Trochera resemble the silvan plants behavior giving it a very expressive and festive personality. Its features make Trochera very useful for flamboyant and colorful purposes, but it is also attractive in black and white, the saturation of the ornaments will give an appealing texture to headings.

Word up! DJ Dongboi and triple threat "JG" Roshell has been bustin' out for all the young font gunnahs out there. He bein' crazy, givin' out the love and non-stop dope moves... You feel it? Be showin' ya respect and holla at the Phat Boi an' y'all be cool. Aiiiigggghhht?! Phatboi is Da Next Big Thang! Stay bent.

Strobos was designed by Vince Whitlock, who used the Corinthian typeface as a model. It is a dramatic, high-tech alphabet which is most effective in large display sizes. Strobos is a sans serif typeface whose characters are surrounded with details which make each letter look as though it is shaking, spinning, or otherwise constantly moving.

Little houses, little houses and none are the same. Cute cottages, beautiful bungalows, homey homes and darling dwellings to use to make ads, flyers, invitations for moving, change of address, open house parties, address stamps... Some have a lot of detail so use them at larger sizes. The less detailed for can be used in a smaller size.

Dance Lesson JNL is a reinterpretation of the popular "Latin Bold" typeface. The font's name is a reference to the Latin dance craze of the 1950s, when the Cha-Cha, Meringue, Tango, Mambo and even the "Chalypso" - a hybrid of Cha-Cha and Calypso rhythms had everyone moving to the beat of Central and South America.

Say Hello to Lovers Clouds! A set of three delightfully bold and sensual cloud-style fonts! Perfect for in-game quotes, packaging, branding, invitations, greeting cards and more. Super easy to use! Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Kardia is a versatile type family that lets you compose a wide range of texts, from extensive reading materials to striking, eye-catching headlines and titles. Features include ample proportions that have been revised to maintain similar line performance across all its weights. It also has an elevated x-height which facilitates reading in small bodies, in addition to help building solid headlines. Inspired by brush lettering, it takes many features from calligraphic strokes and the foundational style, adapted to a contemporary typographic language. It has 4 weights, all of them including their corresponding italics, small caps and character set that supports Central, Western and South Eastern European, Afrikaans and many more.

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. Burdigala Sans is especially well suited for on-screen usage such as in apps and pdf documents. It is also ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. Check out its sibling, the Burdigala Semi Serif version. The expanded versions, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Welcome Ramadhan is an Arabic-styled display typeface. This font features irresistible characters which make this font unique because it looks like the standard Arabian alphabet or is written in Arabic style. This Islamic Ramadhan Arabic font is perfect for any graphic design related to the Islamic style. Using this font, you will get an Arabic feel for every text you type. Made with serif characters so that it can be read internationally and does not have to be able to read by Arabic characters It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

P22 Stanyan Autumn is a set of three fonts based upon a casual hand lettering text created for the deluxe 1969 edition of "...and autumn came" by Rod McKuen.

OPEN SERIF - answering the question “what font pairs well with Open Sans?”. Designed by Steve Matteson for extraordinary legibility and comfortable reading on screen and in print. Open Interpretation: Not quite Veronese – not quite Egyptian. A dash of panache in an otherwise sturdy serif typeface. Open Serif is an elegant text and display typeface family. Open Interiors: Visually open and legible at text sizes just like its cousin Open Sans. Open Serif reads smoothly but has an energetic texture. The chancery style italic contrasts nicely to the roman in a full bodied nod to Italian Renaissance forms. Open Type: Open Serif is full of OpenType features including Small Capitals for the Roman, Italic Swash Capitals and Old Style Figures for both. Open Translation: Supporting all the languages available in Open Sans, Open Serif completes the translation capabilities of international companies. Extended text is more pleasant to read in a serif typeface so go global with a unified typeface family! Open Face: Open Serif Titling is an elegant companion to round out the family. These ‘open-face' capital letters are ideal for initial letters, mastheads, titles and decoration.