This font set was created in collaboration with the Philadelphia Museum of Art to coincide with the Benjamin Franklin Tercentenary. This font set includes faithfully reproduced letterforms digitized directly from images of impressions made by Benjamin Franklin and his printing office circa 1750. The printing conditions of the time involved handmade paper with textured surfaces and handmade inks which were hand-applied for each impression. By digitizing the printed type in its real-life state, an authentic look of Franklin's actual work is achieved and, ultimately, has a timeless appeal.

Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners make it calm and serene. The Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360, 380, 400, 430. These values correspond to densities of sets -- 360 is the widest style, 430 is the most narrow one. The peculiarity of Margon family is a rather small difference in proportions of characters between neighbor groups, it’s less than 10%. Such tiny step gives possibility to select the font that gives the best result in combination of capacity and readability. Margon can be used in book, magazine and newspaper design.

Mersin is a modern sans serif font family. The asymmetrical structure of the beginning and ending shapes of letters such as "Cc, Ss" is its most distinguishing feature. Mersin has a total of 20 fonts, includings 10 weights and their appropriate italics. With its 2-axis (Weight & Italic) Variable Version, Mersin offers the advantage of using a very rich weight between 100-900. It includes detailed ligatures such as "Th, Tl, Ti, Tä, Tä, Tü, Tö, iï, fä, fä, fö fü" for very wide and different accents. “Mersin Book” and “Mersin Book Italic” are specially designed for body texts and small fonts usages. Ideal for corporate identity, posters, brochures, guidance signages and all other kinds of graphic design works.

Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. (Update v.2) Added 10+ ligatures for your needs. :) angle is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Looking for adventurous, bold, and expressive. font? You want to carve out a mark in this world, and you’re not shy to do that. Make a statement! Morely - A Sans Serif Font Morely is one of the most elegant, exquisite yet strong font design with modern vibe. This is a timeless font, will never go wrong for your audience, clients, guests or anyone around you. A real head-turner for your presentation, designs, website illustrations, and much more. Our font always feat Multilingual Option to make your brand globally acceptable Features: Ligatures Alternates Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Boisterous is a fashionable and elegant handwriting font, which looks like a signature, This font is intentionally made with unique ligatures and alternates. Boisterous fits perfectly for branding, logos, business cards, posters, invitations, greeting cards, news, product packaging, blog posters, all including personal charms etc. This font is also equipped with unique and interesting ligatures. By using these ligatures you can give your text a real hand-lettered style: tt ss ow os on oh nn ll il et en eb ch an ak ut st oy ot ont oi nt mm in ff er el ck ar al ab wh th sh ou oo ol of ng it ht es em co at am ah

Saki is big and bold, presenting messages in an easy to understand, pleasant to read manner. Simple straight edges, shallow curves and sans-serif, Saki was created with legibility and minimalism in mind and its thick weight gives it great scalability. It is admirable for maintaining such close attention to form, each character fitting neatly into the space provided and slotting together smoothly for undistracted reading. For use in headlines and similar large text, Saki is the font you need to get your message across loud and clear, no ifs, ands or buts.

Syaipul is font that looks like Arabic letter. The ornament of each letter make the font is unique but still easily to read. This font perfectly suit for calligraphy, Islamic book, headline title, poster, Arabic ornament and many more. We're honored and hope this font can be the part of your special works. Thank you.

Pancetta Serif Pro is a squarish serif typeface – a natural companion to Pancetta Pro. Its skeleton is a blend of modern serif and slab faces, featuring prominent obtuse pillow-shaped serifs. Pancetta Serif Pro comes in 8 weights with real italics, with extensive language support and Cyrillic script, and enriched with many OpenType features.

The Tecn@ BC (Building City) family's design was inspired by the Downtown of a Metropolis City surrounded by buildings and real estate structures. Each uppercase or lowercase character represents a building with a unique design, which when forming a word or in an entire piece of writing, the user would be composing their own city.

Disruptor's Script is the alter ego of our previous project Gentlemen's Script. Unlike the Gentlemen's Script, the new font is an elegant rebel and defies traditions. The font is painted with a brush pen, which is especially noticeable in the characteristic shabbiness and different thicknesses of the strokes. While the Gentlemen's Script is an embodiment of a classic costume, dress shoes and an expensive watch, Disruptor's Script is a fashionable suit, sneakers, an iWatch and a tattoo that peeks from under the shirt. The font retained the incline, speed and overall sense of dynamics inherent in Gentlemen's Script, but got a bit more chaotic and unpredictable. This is especially noticeable in the newly added shabbiness, elongated extenders, a large number of contextual alternates and different ligatures. For some high-frequency letters (10 for the Latin alphabet and 10 for the Cyrillic alphabet), we painted alternative versions that are substituted in the word instead of the standard characters when following our preceding certain groups of letters. In addition, in the Disruptor's Script you can find functional ligatures, including some of the frequently occurring two- and three-letter combinations. All these solutions dilute the monotonous line of the set, add a bit of unpredictability to the font and a touch of chaos to inscriptions. To fully enjoy usage of the font, we recommend that you always keep the features contextual alternates (calt) and standard ligatures (liga) turned on. If you do not have access to applications that support OpenType features, it does not matter—even without these features you can use and enjoy our font!

First of all, Ring font has a little story. It was created as an example for Typography Exhibition in Moscow. And the font was immediately awarded! 10 years later, I decided to continue working on it and improve this font. Ring - really circular typeface. I felt inspired by Bauhaus. I've always wanted to design something similar. Ring is a cool and geometric-styled font. Expertly designed to make your creation look out of this world, this font will look gorgeous on a variety of ideas. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch. Ring font comes in 8 weights and 16 styles and this is just the beginning. The beginning of a further big font family called Ring!

Introducing Rollingdeep, is a stylish and bold script font that marries exquisite ligatures and captivating swashes, and many alternate options, giving you the power to infuse your designs with a captivating and distinct visual identity. Suitable for promotional material, quotes, product packaging, and branding projects. Type j_1 until j_6 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

Pendleton JNL was created from some scant images found on military machinery housed at the Marine Corps Mechanized Museum at Camp Pendleton, California. The photos were provided by Brian Platzer, a volunteer at the base who specializes in equipment restoration. Having used other stencil fonts by Jeff Levine, Brian thought the design of these hand-crafted markings might make another addition to Jeff's vast library of vintage stencil alphabets.

Mario De Libero designed Swanstone while investigating XIX Century Old Style typefaces. Designs like Theophile Beaudoire’s Romana (1860) or Miller & Richard’s Modernized Old Style, that re-imagined the classical “Venetian” letterforms adding flared serifs and early Art Nouveau influences. In Italy, one of these fonts was Raffaello Bertieri’s Raffaello, which De Libero used as the starting point of his research in a contemporary retelling of these exuberant and sexily unsettling letterforms.

William Caslon established the first major English typefoundry, re-creating earlier Dutch designs with excellent craftsmanship, color and rhythm. Caslon Old Face is one of many faithful revivals; the original matrices (from many hands; the lowercase of the 48 point is Moxon’s 1669 Great Canon) survive at Stephenson Blake. George Ostrochulski adapted this design for photocomposition at Mergenthaler with skill and understanding.

The Glory is a sans serif font designed by Funtype in 2023. The Glory is made to fit for various reading purposes. The Glory is fit for non-industrial themes, yet it can also be used for various designed needs.

Semi-Serif Roman and Italic for typefaces for setting legible children’s reading books. A gentle introduction for young readers to seriffed letterforms they will encounter. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Pickle Standard is the display version of bb-Standard rigorously built on a grid. Read the article by Madeleine Morley for Eye on Design: A Font as Crisp, Squat + Rounded as a Pickle 3 styles: italic, regular and reversed italic

In our early days of type hunting, we considered this to be the prize of our collection. Fonts of this late Victorian period seem to have less ruffles and flourishes than the earlier ones, which makes them easier to read.

Digital Clock Font is a typeface designed specifically for use in digital alarm clocks and other timekeeping devices. It is characterized by clear, legible numerals and symbols, and a modern, minimalistic design that is easy to read at a quick glance.

Here's a wide, very light version of the widely known font P. T. Barnum (or French Clarendon, if you prefer). We have used this to good effect as secondary lines on old fashioned stationery. Reads well in very small sizes.

Introducing Volage, a clean, elegant yet flighty display serif. Inspired by french literature masterpiece "Dangerous Liaisons" by Pierre Choderlos de Laclos, Volage is a drama typeface with stunning alternates. Sharp shapes marry tails and ligatures, which are chasing each other without never really meeting...

An ad for the film "Marine Raiders" in the June 16, 1944 issue of Motion Picture Daily features the movie's title hand lettered in a bold, slab serif stencil design. This is now available as Forward March JNL in both regular and oblique versions.

Berto is a variable monoline font face. With two stylistic sets it is flexible in usage either for display or for reading matters. It was specially drawn for a corporate design in 2011, and since then has been continuously rebuilt and extended to a font family with five weights and a variable font.

"Magical Journey" is a captivating handwritten script font that invites you to embark on a whimsical adventure through its enchanting curves and graceful strokes. This font encapsulates the essence of imagination and wonder, as if each letter carries the secrets of a fantastical realm waiting to be explored.

Hello, here is it the new Rounded fonts Dopeness. It comes with extra Extrude and Shadows. Easy to read, easy to access the extrude and shadows. What's Included Inside The Fonts ? Uppercase Lowercase Numerals Symbols PUA Encoded European Multilingual Extrude ( Extra Style ) Shadows ( Extra Style ) Thank you, Regards!

Plakkaat is a fat brushed font, made with wide brushes and paint. Since it is a very easy to read font (and not to be missed), it is ideal for advertising campaigns, or demonstration signs. This 2019 version comes with improved kerning, some new and some adjusted glyphs.

Abdo Title is a simple Naskh font for newspaper and magazines discriminate accurately design and clarity of reading. Abdo Title is compatible with the various operation systems and modern software. We will later add the rest of the weights. This font also suitable for books titles and advertisement.

Commentary JNL is a serif treatment of Jeff Levine's popular Stylor JNL sans serif font. Offered in two weights—regular and light—Commentary is a perfect alternative to formal text fonts and has just a touch of hand-made design to make for a more casual reading experience.

Show you school spirit with this sporty, collegiate font. These big chunky serifs let the world know you speak with authority, and they'll read your message clear as a bell. It's like a traditional college font, but it's got a chanky flair. Good for hockey jerseys and house parties.

A script font family which include 4 variations, Light, Regular, DemiBold and Bold. An easily-legible font useful for notes, invitations and announcements, also for the package designer Read John Downers' article in Typographica®: ‘Our Favorite Typefaces of 2007’ https://typographica.org/typeface-reviews/scriptonah-and-casual-brush/