A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A collection of DIN Mittelschrift variants with a slightly sinister and scary appearance - perfect for that Halloween ad, brochure or article. The Plain font is included if you buy the family pack, and can be mixed in. The DINfun Pro fonts are special versions of the classic DIN 1451 Mittelschrift, far removed from the original typeface's serious and no-nonsense roots. I have made them as companions to the classic, with some some very different expressions, complete with a large multilingual character set. Time to spice up that DIN profile! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The Phantom Isles: Retro Tiki Font A Textured Retro Font Inspired by Tropical Tiki Style and South Sea Adventures! The Phantom Isles is a hand-drawn font inspired by 1950s Tiki culture, tales of exotic locations and south sea adventures. It features the textured look of weathered wood and is the perfect choice for book covers, movie titles, theme parks or vintage themed events. The font includes a complete set of uppercase and lowercase characters, along with numbers, punctuation, symbols and language support. You’ll also find a set of specially illustrated underlines, shapes and icons including flora and fauna, old rope, skulls and more. A Brief History of Tiki Culture Originating from Māori mythology, a tiki is a wooden or stone carving that represents deified ancestors found in most Polynesian cultures. The mainstream and commercialised Tiki Culture that became popular across America from the 1930s to 50s was inspired by the sentimental appeal of an idealised South Pacific, particularly Hawaii, as viewed through the experiences of those who had visited such areas during World War II and cinematic depictions of beautiful scenery, forbidden love and the potential for danger. Over time it selectively incorporated more cultural elements of other regions that affected Polynesia, such as Southeast Asia. The Americanised form of Tiki Culture maintains a dedicated following today, particularly among those interested in 1950s graphic and interior design, history and the escapist lounge aesthetic it inspires. Learn more about the history of Tiki and Polynesian culture.

A squarish uppercase font perfect for logos and short eye-catching headings. The lowercase contains some alternate letterforms - more specifically: uppercase have closed forms (I made a new A D and R), and lowercase have some open alternatives (new B E F P and T in addition to the A D and R). I noticed the two width version of the H and made similar normal and wide versions of J and L. Then I added lots of missing glyphs and all the diacritic letters, of course - and finally the family has been expanded to 7 weights AND corresponding Italics! Enjoy! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A very popular grungy font, now made even more useful! With this Pro version you have the possibility to tone it down a bit - I have made alternate letters without swashes (use the OpenType Swash feature to switch them) and without so much bleed (use the OpenType Stylistic Alternates/ss01 feature). And then you can turn it up again by adding six different swashes to any letter! Write { or after a letter to add a swash to the right side, _ will add one below. Added fun and language support! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Eloquence has a modern aesthetic with a strong classical influence – this is the “Renaissance Remixed”. While being inspired by the first printed texts of the Renaissance period, this typeface has contemporary features such as a high x-height, open bowls and counters, along with razor-sharp serifs and terminals. It has been designed specifically for creating a pleasant reading experience. With a comprehensive character set, Eloquence can comfortably handle printed documents such as novels, magazines, annual reports, along with their equivalent online/digital formats. This 14-font family also has a few tricks up its sleeve by means of some neat, complementing discretionary ligatures and alternates that will prove to be useful embellishments to your typography. Small Caps are included too, along with corresponding diacritics meeting the Latin Extended specification. You can view more details, design examples, and a specimen PDF at eloquence-font.com Key Features: • 14 font family – 7 weights in Roman and Italic • Small Caps, Alternates, Ligatures, with Proportional, Old Style, Small Cap, Fractions, Numerators, Denominators, Superior, and Inferior Figures • Full European character set (Latin Extended) • 900+ glyphs per font.

Arzachel is a humanistic sanserif with a big x-height and a specific organic look. Its design is scientifically sharp and efficient in small type sizes as well as rugged and dramatic in headlines. Arzachel’s essential feeling comes from several features: all the letters are slightly sloped, stem terminations are flared at the top, and the terminals in letters a, c, e, f… are widening with the inside parts completely flat. The stroke contrast is low in the regular weight while it increases in the black; finally the capitals have an inscriptional flavor. Despite being a sanserif (thus a product of recent typography) Arzachel’s roots stretch back to the Renaissance tradition: Olocco took inspiration from some of the early and rather weird types cut in Venice in the 15th century. Arzachel was conceived during Olocco’s MA in Reading to provide a companion for his Zenon for use in small type sizes. But instead of expanding the Zenon family with optical sizes, the designer decided on a sans with its own personality rather than a sanserif version of Zenon with chopped-off serifs.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders which help children to distinguish between letters; rounded edges on all letterforms help focus the reader on the individual letter shape; and modified characters (eg. a, g,) ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special needs use (eg a, d, b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia and primary school teachers, and are now released in response to hundreds of requests from publishers, designers and teachers to purchase them. They have been trialled in schools and learning institutions over an 8 year period, and are a favorite for use in both print and electronic product. The modern, clean aesthetic of the fonts ensures that their use can span beyond educational application.

Elise Dafisa is a modern calligraphy font with classic, sophisticated accents. It is perfect for branding, wedding invites and cards. Elise Dafisa includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation, and ligatures. All lowercase letters include beautiful and unique beginning and ending swashes (each letter has own "unpatterned" ending) . Also includes many multilingual symbols. WHAT'S INCLUDED : Elise Dafisa.otf SOFTWARE REQUIREMENTS : The fonts can be opened and used in any software that can read standard fonts - even MS Word. No special software is required , and a friendly little help file is included to get you started :) For folks who DO have OpenType capable software : The alternates are accessible by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop's Character panel, or via any software with a glyphs panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape. How to access alternate glyphs? you can see it on this link ( http://goo.gl/1vy2fv ) If you have any questions, please don't hesitate to contact me by email: Greatstudio92@gmail.com

Yalta Sans combines the warmth of a traditional humanist design, the clarity of a grotesque and the modernity of a square sans. Several design traits contribute to this melding of diverse typographic concepts. Characters find their foundation in stroke-based shapes rather than constructed forms. Curve stokes are also slightly squared and counters are open. Curved strokes join verticals at nearly right angles to create a strong horizontal stress, aiding the reading process. The resulting design is exceptionally legible while still inviting. Although Yalta Sans is clearly differentiated from its calligraphic ancestors, many details of the design emulate the distinctive characteristics of typefaces from the Renaissance. Tapering horizontal stokes also give Yalta Sans a dynamic relationship with linear grotesque while its angled stroke terminals echo the work of a calligraphic brush Yalta Sans italics are cursive designs that are in keeping with humanistic letterforms and are markedly narrower than the Roman characters. Lining and old style figures, small caps and a suite of ligatures also make for a remarkably versatile typeface family.

Spekta is an unorthodox Neo-Grotesk typeface devoted to versatility and beauty. Originally designed as an all-caps display typeface influenced by Bauhaus and early grotesque forms, Spekta switched priorities and evolved into a well-equipped 8-weight workhorse boasting 667 characters and italics to boot. Spekta’s focus on condensed forms and a greater x-height and cap height difference compared to typical Grotesque types allows for increased legibility at smaller sizes while utilising less horizontal space. Despite this, Spekta respects its display-type roots with elegant forms influenced by a mix of early and modern Grotesque typefaces and countless trial-and-error. Additionally, two sets of diacritics (marks such as acutes, graves, circumflexes, and so on) have been designed to further improve readability and reading flow, an atypical feature for most typefaces. Spekta is devoted to versatility, handing control to the designer with 8 stylistic sets (that only affect a single character and not a group of them), 4 number sets, true superscript, subscript, and scientific subscript characters (unlike what design softwares generate), ordinals, alternative and full-width characters, and much more.

Working on The Lab late one night, evil comic book genius Scott Christian Sava realized there was something missing from his graphic experiment! No, not slugs and snails or puppydogs' tails, nor sugar, spice, everything nice and formula 'X'....No, what his nefarious scheme was missing were the actual numbers and letters with which he could complete his equation! BRILLIANT! What he needed was something antiseptically clean and readable, even at small sizes for megalomanical rambling as well as the 5 point type under the Bio-Hazard logo that nobody really reads, and yet also bouncy and energetic enough for the inevitable sound effects that might follow exclamations such as: "IT'S ALIVE!" or "IT JUST-MIGHT-WORK!" Thanks to those awfully nice chaps at Comicraft, MadScientist is now available to evil geniuses everywhere, and guaranteed Laboratory tested.* *On reanimated human beings reconstituted from bones and organic body parts and organs from local charnal houses. No animals or small children were hurt during the creation and use of this font. Well, not yet, anyway. Artwork by Lew Stringer

Amour is a calligraphy script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Amour Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, and others. . Amour Script features 1550+ glyphs and 1320 alternate characters. including multiple language support. It features OpenType with style alternatives, character binding and strokes, which allows you to mix and match letter pairs to match your designs, as well as a touch of ornament to make this font look elegant. • New Updated • Amour Script! Amour has now been updated to include 4 styles; bold/bold italic version, regular & italic version. This gives you the option to completely change your font style with the click of a mouse, whether you're looking for a smoother style, a bold version, or an italic finish.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it's a new day it's a new font. So without any further ado, please welcome Kpop Vibes. series of Korean vibes typefaces. It's a sans-serif font with bold and strong vibes to catch up with today's graphic design trends. 2 Font Style: - Regular - Italic Kpop Vibes Features: - Uppercase - Lowercase - Numbers & Punctuation - Alternate Style - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

Whether you’re promoting your business, designing merchandise, or creating a new social media campaign, good presentation is crucial. The font you choose plays a key role – it completely shapes your audience’s reaction. Introducing Clarkson – A Retro Brush Script Font. Perfectly balanced between power and refinement, this handcrafted font delivers your message with style. The modern take on the retro design makes it ideal for branding, business cards, presentations, logos, clothing, packaging, banners, ads, and much, much more. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Introducing the bold serif font that was made to provide more choices for your designs, this is Balivia Serif Bold Family, Balivia comes with many choices from Thin to Black, to give you the choice of using it. of each of these styles, has a different taste, is very suitable for use in various design needs and really gives a special, elegant and modern impression. Balivia is very suitable for use in any design. Such as wedding invitations, branding, fashion, book titles, business cards, posters, and many more that can be combined with Balivia Bold Serif Family. Balivia is also equipped with many languages, so it is very easy to use for the needs of every country and language, is also equipped with alternative stylistic to make your design more attractive, and also has ligatures and discretionary ligatures to be used as decorative fonts. A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y how to access alternate? Photoshop go to Window - glyphs Illustrator go to Type - glyphs

Alagereas – A Scifi Display Serif Font Alagereas, a captivating Sci-Fi Display Serif font, seamlessly blends futuristic aesthetics with timeless sophistication. Designed for maximum impact, its sleek and angular letterforms exude a sense of technological advancement and avant-garde elegance. Alagereas strikes a harmonious balance between readability and artistic expression, making it ideal for immersive digital interfaces, space-themed designs, and cutting-edge editorial layouts. The font’s meticulous detailing and precision convey a sense of otherworldly precision, while its serif elements evoke a classic charm, resulting in a typeface that transcends the boundaries of conventional sci-fi typography. Alagereas is a bold and versatile choice that transports typography into the realms of the future, embodying the essence of innovation in every character. Alagereas is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Vernon’s inspiration came while researching and investigating a 'legible' typeface design for tangible purpose. The main characteristics of ‘Vernon’ can be seen in the slightly modulated strokes that reference the natural and friendly humanist proportions of the humanist hand, with open interior letterspace characteristics. The subtle detailing and finishing of strokes and junctions – seen in the curved tail of the lowercase ‘l’ and the head serif of the lowercase ‘i’, create a smooth rhythm along the baseline. Utilizing the ‘contextual alternative’ feature of OpenType, Vernon substitutes select characters in words with word-shapes that may cause visual confusion to some readers. Vernon uses subtle character differentiation in the detailing of the inner-shape / counter space from similar letter shapes (for example: ‘p’, ‘d’, ‘g’ and ‘q’) to assist in creating the contextual alternate designs. Vernon is recommended for use as a text typeface, as it performs well at small text sizes (12 point size and below) intended for continuous reading of printed instructional and presentational information, especially where an inclusive audience demographic is required.

Looking to make your brand unique and memorable? Maybe you wish to create advertisements that draw attention? A captivating vintage font is a great way to do it! Introducing Nomaden – A Vintage Typeface Font. This exquisite font will look fantastic on packaging, clothing, printed material, and everything else your brand needs. On top of this, you can also use it for websites and social media, making sure that you always stand out from the crowd. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

This year we commemorate the 200th anniversary of the first sans-serif typeface. and what better way to celebrate, than to design our own sans-serif! Brother 1816 is a very flexible, multifaceted and solid typeface, mixing Geometric shapes with Humanistic strokes at the same time. You can choose between a pure geometric or humanistic style, or even mix the +20 alternate characters to create the feeling that you need for your projects. Its humanistic nature makes it easy to read, legible in small sizes; perfect for branding, editorial and signage. Its geometric nature works for bigger applications in need of more personality, like branding, headlines, posters, etc... This makes Brother an excellent tool for an incredible wide range of uses. It has a total of 32 fonts, which are divided into 2 groups: normal (16 weights) & printed (16 weights). Each weight has +460 characters, +20 alternates, angular and straight edges, swashes, fractions, ordinals and much more.... Brother has also been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

Yes Dear is a hopefully humorous acknowledgement that men and women communicate differently — one of those Mars-Venus things. Women tend to talk about their feelings. Men hide in the cave. It sounds funny, but it can have serious consequences in people’s lives and their relationships. T. D. Jakes deals with the subject effectively in his DVD, He-Motions. We guys need to find our way out of the cave. Our women need to recognize what is going on and gently help us emerge from the cave. Men and women were certainly never meant to be identical, but it would be useful if we could learn to communicate our feelings in more healthy and effective ways. Yes Dear has a full character set, including accented caps. Two empty frames are provided at positions 135 & 137. The Gallery includes a PDF file showing some text and the full character set and a JPG looking out from the cave. A lot going on outside the cave. Be sure and take a look.

This script font was inspired by the type most commonly used during the period 1300s to 1500s. It is a compromise between historic truth and contemporary use. We particularly thank very much the Paris Sorbonne University professor who gave us freely and patiently numerous and valuable advice and criticism for this work. This font includes “long s”, naturally, as typically medieval, a lot of ligatures as “ff, ffi, fi, ft, sd, pp...”, some special glyphs frequently used as abbreviation in Latin texts during the medieval era for replacing letter groups such as “qui, qua, que, quia, quam, per, pri, pre...”, but also a few final and initial characters and final addable loops. Instructions for use, added, helps to identify them on keyboard. It can be used for web-site titles, posters and fliers design, editing ancient texts or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious font... This font remains clear and easy to read over a wide range of sizes. Its original medieval size is about 18/24 points.

Centro Slab Press: Specimen Manual PDF Ever since its first release, Centro Slab has been particularly popular with corporate applications, branding and print media. The new Centro Slab Press version was redesigned with narrower proportions which are better suited for publications such as magazines and newspapers as well as web applications. Centro Slab Press is a very clean and legible typeface even at heavier weights, a characteristic which is not often seen among slab typefaces. This is part due to the fact that Centro Slab Press is not overpowered by clumsy serifs. Instead it incorporates semi-slabs which provide comfortable reading without compromising its modern profile. The italics are narrower than the romans and incorporate beautiful cursive characteristics. Each style consists of 659 glyphs with several opentype features and an extended set of characters which support more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet. The family is composed of 16 styles from ExtraThin to UltraBlack along with their italics. All weights were meticulously hinted for excellent display performance on the web.

I was working at Bozell Worldwide, an advertising agency, on their yearly promotional pitch. An art director was looking for a condensed informal headline treatment to be used on one of the new ad campaigns. I took several different font designs and started to condense and scale the proportions in the hopes of finding several good solutions. They finally settled on a version of Times Roman, scaled horizontally to about 50 percent proportions. I liked the look so much that I later went back to the drawing board and refined the concept by adding slanted serifs and a varying alignment on all the letter forms giving the typeface a very casual and informal appearance. At about that time, I was reading a book by Jack Kerouac, and was so inspired by his writings on the ‘beat generation’ that I decided to name the font ‘Beatnik’. Afterwards, I added a set of true small capitals and old style figures. I'm currently working on additional weights and variations to expand this ‘hip’ new font series. Groovin' baby.

ITC Magnifico Daytime and ITC Magnifico Nighttime are inspired by nineteenth-century decorated types and letterings. “Although they are designed as display typefaces, their use is not limited to large headings. Usually three-dimensional types are employed in gigantic headings in large posters, but I thought it would be interesting if such decorative types were used as well in small sizes, say at 12 point,” says designer Akira Kobayashi. “There were a few examples of small three-dimensional types used in cards printed in the nineteenth-century. I studied their letterforms carefully and became more and more interested in those small three-dimensional types. The outlines of ITC Magnifico are robust enough to endure use at small sizes. Sometimes the angle or the shape of the 'shadow' had to be slightly modified or even illogical, because the letterforms ought to look as simple as possible. The resulting types are fairly easy to read at small sizes, and I hope that at large sizes those occasional oddities will appear charming.”

Wind Soul is a whimsical display font that floats into the visual realm with an airy charm. Crafted in uppercases and playful design elements, Wind Soul is a delightful typeface that brings a sense of lightness and joy to any creative project. This is ALL CAPS font. The characters in Wind Soul are generously sized, enhancing the font's playful and larger-than-life aesthetic. The thick font weight adds a comforting solidity, while the design, reminiscent of a balloon's roundness, infuses a sense of fun and lightheartedness into each letter. Enjoy the features here. Features: Alternates Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Wind Soul fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders, which help children to distinguish between letters; rounded edges on all letterforms, which help the reader focus on the individual letter shape; and modified characters (eg., a and g), which ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special-needs use (eg., a, d, and b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia, and primary-school teachers and are now available in response to hundreds of requests from publishers, designers, and teachers to purchase them. They have been tested in schools and learning institutions over an 8-year period, and they are a favorite for use in both print and electronic products. The modern, clean aesthetic of the fonts ensures that their use can spread beyond educational applications.

Introducing Brushbress, a handwritten font with a dry brush texture with rough details. The Brushbress has been designed to suit a variety of projects with a complete set of alternative characters to completely change the look of your designs. You can use it for business branding, Instagram quotes, blog headers, fashion apparel, sports communities, film, photography, hobbies and much more ... Please note that Brushbress includes standard letters of several ligatures including lines to sweeten the look. The brushbress includes: Brushbress a brush font with upper and lowercase characters, numbers, and punctuation. How to use Brushbress lines in your ligatures, simply type underscore undersecor a,b,c,d,e,f,g,h,i, find the line that fits your character Multilingual support Brushbress supports multilingual characters for languages Brushbress is compatible with any software that can read standard fonts, although substitutes and binders require Opentype-enabled software. Most of the programs are now compatible with Opentype features. Any question? Feel free to contact me, I'll be happy to help you :)

With its slightly rough edges, Thumbnail Text works well where lettering is required. Letterforms wiggle a bit here and there but are generally quite uniform. Characters are a bit imprecise - but not showy or bouncy. They appear more adult-looking than childish and are very legible. Put Thumbnail Text to work as drafting notation or on blueprint projects that need to be easily read. It¹s also useful when concept or sketch stage lettering needs to look serious but not highly stylized. You might experiment with it inside cartoon thought balloons or in callouts. This design is based on an old showcard style from the 1940s. It's been dusted off and reissued for modern use. A lowercase has been added for greater functionality. Thumbnail Text Regular is now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Love at first sight: Evalfey is a script you will find yourself falling for. It has a smooth, sophisticated look to it, but don't be fooled by its elegant appearance – this script is actually very simple and easy to use. The tall x-height, flag like terminals and flame-like smooth, sweeping strokes give this font a fluid, flowing quality that will help enhance your design. Evalfey Script is a great font for a wedding invitation or similar. The elegant, brushed look and strong "nuptial" feel make this the perfect choice for wedding invitations, save-the-date cards, thank you notes, and more. Evalfey is the perfect font for any wedding invitation or ceremony. Simple and elegant, Evalfey is a good choice for the wedding that likes to stand out from the crowd. The tall x height, graceful flag-like terminals, and wavy sweeping strokes give this font a regal appeal. Evalfey is a perfect combination of elegance and simplicity for your wedding invitation, announcement card or other special document. Production assistance from Lucas Azevedo and ikern.

Aston Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Aston Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose. Aston Script has 1330+ glyphs and 1039 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation. ? New Update, Now the Aston Script font has been updated or has two styles with the Aston Script Bold version.

Qalloky is a stunning representation of modern style in the serif font category. Carefully designed, this font exudes a clean and elegant impression, suitable for various graphic design projects. With rich OpenType features, Qalloky showcases versatility in its usage. The sharpness and smoothness of its letterforms give a futuristic impression while maintaining exceptional readability. Each character is crafted with precision, making every word written with Qalloky a work of art in itself. The advantages of OpenType allow limitless variations and creativity in using this font. From elegant ligatures to intriguing alternate characters, every detail is meticulously considered to provide maximum visual beauty. Not only that, the multilingual capability of this font enables its extensive use in various languages, expanding its coverage and flexibility in diverse design projects worldwide. With Qalloky, your designs will be enhanced to become more dynamic, modern, and impressive. A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations Ligatures & Alternates Multilingual

Kaelawan Regular is a beautiful and versatile script font that is perfect for a variety of design uses. It features elegant, flowing lines that are both feminine and elegant. Kaelawan Regular is also highly legible, making it a great choice for both print and digital designs. Possible design uses for Kaelawan Regular: Invitations and wedding stationery Logos and branding Social media graphics Product packaging Website design Book covers and magazines Greeting cards and posters And much more! What makes Kaelawan Regular unique: Kaelawan Regular has been carefully crafted to be both elegant and legible. The flowing lines and graceful curves give the font a touch of femininity, while the clear and concise letterforms make it easy to read. Kaelawan Regular is also highly versatile. It can be used for a variety of design purposes, from formal invitations to fun and whimsical social media graphics. Functional aspects of Kaelawan Regular: Kaelawan Regular is available in OpenType format. Kaelawan Regular includes a variety of special features, such as ligatures and alternates.

Modern Brush Style is a font duo combinations of serif and script font to express modern, elegant impressions in your designs. The serif font is characterized by scratches or hooks connecting the letters. On the other hand, script font is designed in brush styles of which letters are interconnected looking similar to a curve writing. You can use this font mixture as a beautiful set or separately as their own lovely characters. Additionally, this font duo has some unique features to enable you to maximize your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Modern Brush Style fits for various design projects, such as posters, banners, logos, magazine covers, quotes, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

Magarella Script - a new fresh & modern script with a calligraphy style, and dancing baseline! So beautiful for usage in invitations, greeting cards, branding materials, business cards, quotes, posters, and more! Magarella Script come with many alternates and ligatures. The alternative characters were divided into several Open Type features such as stylistic sets, stylistic alternates and ligatures. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. This font has the PUA unicode (specially coded fonts), so that all the alternate characters can easily be accessed in full by a craftsman or designer! PUA Encode There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For use in office word, you all can read the following article. http://www.magpiepaperworks.com/blog/using-opentype-fonts-in-microsoft-word/If You have any question, don't hesitate to contact me by email ijemrealmad54@gmail.com

An orthodox clerical script typeface featuring the flattened characters and sweeping brushstrokes typical of the clerical style. Characters are designed with minimal size variations for smooth alignment and readability both in vertical and horizontal typesetting. Also ideal for seal design artwork. 隷書体の特徴である扁平の字体と運筆の払いを生かした、オーソドックスな隷書体です。扁平の字体かつ装飾的な文字ですが、文字の大小が少なくデザインされているため、タテ組もヨコ組もガタつかず、読みやすく組めます。毛筆のかすれやにじみの印象はおさえつつも、隷書体の独特の波打つような運筆を生かしたエレメントが特徴です。

Blackletter typefaces, also known as Gothic, Fraktur, or Old English, have been used in the headings and initial chapters of books. This style of typeface is recognizable by its dramatic thin and thick strokes, and in some fonts, the elaborate swirls on the serifs. Blackletter typefaces are based on early manuscript lettering and evolved in Western Europe from the mid twelfth century. They are best used for headings, logos, posters, and signs, as they are not easy to read in body texts. Blackletter was type that emulated the most common handwritten scripts of the era and was used for books of hours and initial chapters of books Brazilian type designer Paulo W created this font ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. An elegant and clean typeface, with two harmonic blackletters styles, the bold lowercases with beaufitul ornamented initials. A classic decorative design around an antique theme: The headings of gothic texts, this font works great in display purposes. ENJOY

Hello, Let's play with Moontok! a handmade font with a fun, sweet, also playful type character that gave extra cuteness and perky at once. Like how it named, the cheerful shape bring imaginations to fluffiness, sweetness, cuties, cookies, coffee latte smells, cheesecake, happy kids, even refresh summer trip Moontok has an OpenType feature that will automatically change each character into stunning ligatures, easy! The alternates tail bring cheerful accent to your wondrous display composition, both make more flexible exploring your needs and also including sexy punctuations Even the font shape has a fun impression, the clear bold line still fit to represent something cool and fresh also making it very easy to read and applied in various design styles such as crunchy poster designs, snacks packaging, logos, promotional artworks, storybooks, business cards, website header, and many more design projects. Moontook has its own charm of cheerfulness itself moreover combined with sharp and funny color. It will so easy to remember, catchy and flawless. wanna play more? jump up to try your words Happy summer times!